Akinjeon (2019)

Akinjeon
Theatrical Performance
Domestic Box Office $216,494Details
International Box Office $25,345,020Details
Worldwide Box Office $25,561,514
Further financial details...

Synopsis

Fierce gang boss Jang Dong-su is violently attacked after a fender bender on a rainy night. After fighting back, he barely escapes, however his reputation as a feared leader is damaged beyond repair. The only way to restore his image is to find his attacker and exact revenge. Jang teams up with Detective Jung Tae-seok to find the assailant, but soon discovers the attacker is actually a serial killer. With no support from the police department, Detective Jung is forced to use gang boss Jang’s resources in order to track down the killer. The two men must work together to find a man simply known as “K”.

Metrics

Opening Weekend:$78,655 (36.3% of total gross)
Legs:2.75 (domestic box office/biggest weekend)
Domestic Share:0.8% (domestic box office/worldwide)
Theater counts:21 opening theaters/21 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $254,775

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,501-11,600) 11,541 $216,494
All Time International Box Office (Rank 3,101-3,200) 3,122 $25,345,020
All Time Worldwide Box Office (Rank 4,801-4,900) 4,808 $25,561,514
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,501-3,600) 3,587 $216,494

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 7th, 2019 (Limited) by Well Go USA, released as The Gangster, The Cop, The Devil
International Releases: May 15th, 2019 (Wide) (South Korea)
June 7th, 2019 (Wide), released as The Gangster, The Cop, The Devil (Australia)
August 16th, 2019 (Wide) (France)
MPAA Rating: Not Rated
Running Time: 110 minutes
Comparisons: vs. Joker
Create your own comparison chart…
Keywords: Gangs, Crime Boss, Serial Killer, Criminals Working With Cops, Police Investigation
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: BA Entertainment , Balboa Productions
Production Countries: Republic of Korea
Languages: Korean

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 7, 2019 32 $78,655   21 $3,745   $78,655 1
Jun 21, 2019 49 $9,180   5 $1,836   $197,840 3
Jun 28, 2019 55 $5,228 -43% 2 $2,614   $207,706 4
Jul 5, 2019 69 $1,589 -70% 1 $1,589   $211,341 5
Jul 12, 2019 73 $1,247 -22% 1 $1,247   $213,414 6
Aug 23, 2019 75 $1,410   1 $1,410   $216,494 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 7, 2019 - $126,063   21 $6,003   $126,063 1
Jun 14, 2019 - $62,597 -50% 12 $5,216   $188,660 2
Jun 21, 2019 50 $13,818 -78% 5 $2,764   $202,478 3
Jun 28, 2019 62 $7,274 -47% 2 $3,637   $209,752 4
Jul 5, 2019 73 $2,415 -67% 1 $2,415   $212,167 5
Jul 12, 2019 78 $1,895 -22% 1 $1,895   $214,062 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/7/2019 $21,414 11 11 21 $49,749 9/10/2019
France 8/16/2019 $329,433 168 168 391 $636,693 9/8/2019
South Korea 5/15/2019 $8,476,958 1,307 1,307 3,274 $24,658,578 7/17/2019
 
International Total$25,345,020 9/10/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Don Lee   
Kim Moo-yeol   
Kim Sung Kyu   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Won-Tae Lee    Director
Don Lee    Producer
Won-Suk Jang    Producer
Braden Aftergood    Producer
Sylvester Stallone    Producer

Theater Averages: Late Night Gets Off to an Early Start

June 13th, 2019

Late Night

2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229. More...

Limited and VOD Releases: Will it be Good Night for Limited Releases?

June 7th, 2019

Late Night

Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week. More...

International Box Office: Aladdin is the Jewel of the International Chart

May 29th, 2019

Aladdin

Aladdin opened with $121.0 million in 54 markets earning first place on the international chart. Add in its three-day domestic debut and it had a global opening of $212.5 million at the end of business on Sunday. The film’s biggest market was China, where it managed $18.92 million over the weekend, earning first place along the way. It was also number one in the U.K. with $8.97 million and it topped the chart in Mexico with $8.78 million. The latter is more impressive, given the relative size of the two markets. On the downside, the film was expensive to make and it only has one major market left to debut in (Japan), so it will need long legs to break even in a timely fashion. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Fierce gang boss Jang Dong-su is violently attacked after a fender bender on a rainy night. After fighting back, he barely escapes, however his reputation as a feared leader is damaged beyond repair. The only way to restore his image is to find his attacker and exact revenge. Jang teams up with Detective Jung Tae-seok to find the assailant, but soon discovers the attacker is actually a serial killer. With no support from the police department, Detective Jung is forced to use gang boss Jang’s resources in order to track down the killer. The two men must work together to find a man simply known as “K”.

Metrics

Opening Weekend:$78,655 (36.3% of total gross)
Legs:2.75 (domestic box office/biggest weekend)
Domestic Share:0.8% (domestic box office/worldwide)
Theater counts:21 opening theaters/21 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $254,775

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,501-11,600) 11,541 $216,494
All Time International Box Office (Rank 3,101-3,200) 3,122 $25,345,020
All Time Worldwide Box Office (Rank 4,801-4,900) 4,808 $25,561,514
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,501-3,600) 3,587 $216,494

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 7th, 2019 (Limited) by Well Go USA, released as The Gangster, The Cop, The Devil
International Releases: May 15th, 2019 (Wide) (South Korea)
June 7th, 2019 (Wide), released as The Gangster, The Cop, The Devil (Australia)
August 16th, 2019 (Wide) (France)
MPAA Rating: Not Rated
Running Time: 110 minutes
Comparisons: vs. Joker
Create your own comparison chart…
Keywords: Gangs, Crime Boss, Serial Killer, Criminals Working With Cops, Police Investigation
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: BA Entertainment , Balboa Productions
Production Countries: Republic of Korea
Languages: Korean

Leading Cast

Don Lee   
Kim Moo-yeol   
Kim Sung Kyu   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Won-Tae Lee    Director
Don Lee    Producer
Won-Suk Jang    Producer
Braden Aftergood    Producer
Sylvester Stallone    Producer

Theater Averages: Late Night Gets Off to an Early Start

June 13th, 2019

Late Night

2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229. More...

Limited and VOD Releases: Will it be Good Night for Limited Releases?

June 7th, 2019

Late Night

Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week. More...

International Box Office: Aladdin is the Jewel of the International Chart

May 29th, 2019

Aladdin

Aladdin opened with $121.0 million in 54 markets earning first place on the international chart. Add in its three-day domestic debut and it had a global opening of $212.5 million at the end of business on Sunday. The film’s biggest market was China, where it managed $18.92 million over the weekend, earning first place along the way. It was also number one in the U.K. with $8.97 million and it topped the chart in Mexico with $8.78 million. The latter is more impressive, given the relative size of the two markets. On the downside, the film was expensive to make and it only has one major market left to debut in (Japan), so it will need long legs to break even in a timely fashion. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 7, 2019 32 $78,655   21 $3,745   $78,655 1
Jun 21, 2019 49 $9,180   5 $1,836   $197,840 3
Jun 28, 2019 55 $5,228 -43% 2 $2,614   $207,706 4
Jul 5, 2019 69 $1,589 -70% 1 $1,589   $211,341 5
Jul 12, 2019 73 $1,247 -22% 1 $1,247   $213,414 6
Aug 23, 2019 75 $1,410   1 $1,410   $216,494 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 7, 2019 - $126,063   21 $6,003   $126,063 1
Jun 14, 2019 - $62,597 -50% 12 $5,216   $188,660 2
Jun 21, 2019 50 $13,818 -78% 5 $2,764   $202,478 3
Jun 28, 2019 62 $7,274 -47% 2 $3,637   $209,752 4
Jul 5, 2019 73 $2,415 -67% 1 $2,415   $212,167 5
Jul 12, 2019 78 $1,895 -22% 1 $1,895   $214,062 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/7/2019 $21,414 11 11 21 $49,749 9/10/2019
France 8/16/2019 $329,433 168 168 391 $636,693 9/8/2019
South Korea 5/15/2019 $8,476,958 1,307 1,307 3,274 $24,658,578 7/17/2019
 
International Total$25,345,020 9/10/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.