It Comes at Night (2017)

It Comes at Night
Theatrical Performance
Domestic Box Office $13,985,117Details
International Box Office $5,735,086Details
Worldwide Box Office $19,720,203
Home Market Performance
Est. Domestic DVD Sales $774,563 Details
Est. Domestic Blu-ray Sales $524,501 Details
Total Est. Domestic Video Sales $1,299,064
Further financial details...

Synopsis

Imagine the end of the world—now imagine something worse. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order a man has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Metrics

Opening Weekend:$5,988,370 (42.8% of total gross)
Legs:2.34 (domestic box office/biggest weekend)
Domestic Share:70.9% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 3.9 times production budget)
Theater counts:2,533 opening theaters/2,533 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $16,807,076

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 9th, 2017 (Wide) by A24
International Releases: June 16th, 2017 (Wide) (Netherlands)
June 23rd, 2017 (Wide) (Brazil)
June 23rd, 2017 (Wide) (France)
June 30th, 2017 (Wide) (Argentina)
June 30th, 2017 (Wide), released as Viene de Noche (Mexico)
... Show all releases
Video Release: August 29th, 2017 by A24
MPAA Rating: R for violence, disturbing images, and language.
(Rating bulletin 2473 (Cert #50950), 4/26/2017)
Running Time: 91 minutes
Comparisons: vs. The Witch
Create your own comparison chart…
Keywords: Cabin in the Woods, Post Apocalypse, Paranoia, Isolation Horror, Epidemic
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Animal Kingdom
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 14th Weekend 26 $7,559 Sep 8, 2017 94

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 9, 2017 6 $5,988,370   2,533 $2,364   $5,988,370 1
Jun 16, 2017 10 $2,601,467 -57% 2,450 $1,062   $11,124,631 2
Jun 23, 2017 15 $800,325 -69% 819 $977   $13,043,493 3
Jun 30, 2017 25 $150,698 -81% 174 $866   $13,536,229 4
Jul 7, 2017 32 $61,835 -59% 90 $687   $13,708,884 5
Jul 14, 2017 35 $28,647 -54% 57 $503   $13,778,239 6
Jul 21, 2017 43 $16,980 -41% 33 $515   $13,815,876 7
Jul 28, 2017 51 $11,205 -34% 23 $487   $13,839,956 8
Aug 4, 2017 56 $7,165 -36% 15 $478   $13,856,734 9
Aug 11, 2017 61 $7,749 +8% 5 $1,550   $13,869,903 10
Aug 18, 2017 81 $2,104 -73% 3 $701   $13,876,827 11
Aug 25, 2017 78 $4,118 +96% 3 $1,373   $13,882,464 12
Sep 1, 2017 69 $13,524 +228% 10 $1,352   $13,896,866 13
Sep 8, 2017 37 $75,591 +459% 10 $7,559   $13,973,991 14
Sep 15, 2017 67 $8,936 -88% 3 $2,979   $13,985,117 15

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 8, 2017 P $700,000     0     $700,000  
Jun 9, 2017 5 $2,479,596     2,533 $979   $2,479,596 1
Jun 10, 2017 6 $2,090,362 -16%   2,533 $825   $4,569,958 2
Jun 11, 2017 6 $1,418,412 -32%   2,533 $560   $5,988,370 3
Jun 12, 2017 6 $603,983 -57%   2,533 $238   $6,592,353 4
Jun 13, 2017 7 $830,296 +37%   2,533 $328   $7,422,649 5
Jun 14, 2017 7 $611,397 -26%   2,533 $241   $8,034,046 6
Jun 15, 2017 6 $489,118 -20%   2,533 $193   $8,523,164 7
Jun 16, 2017 10 $822,367 +68% -67% 2,450 $336   $9,345,531 8
Jun 17, 2017 10 $1,010,138 +23% -52% 2,450 $412   $10,355,669 9
Jun 18, 2017 11 $768,962 -24% -46% 2,450 $314   $11,124,631 10
Jun 19, 2017 10 $405,836 -47% -33% 2,450 $166   $11,530,467 11
Jun 20, 2017 11 $350,780 -14% -58% 2,450 $143   $11,881,247 12
Jun 21, 2017 12 $180,060 -49% -71% 2,450 $73   $12,061,307 13
Jun 22, 2017 12 $181,861 +1% -63% 2,450 $74   $12,243,168 14
Jun 23, 2017 14 $261,304 +44% -68% 819 $319   $12,504,472 15
Jun 24, 2017 14 $313,957 +20% -69% 819 $383   $12,818,429 16
Jun 25, 2017 14 $225,064 -28% -71% 819 $275   $13,043,493 17
Jun 26, 2017 14 $125,463 -44% -69% 819 $153   $13,168,956 18
Jun 27, 2017 15 $106,362 -15% -70% 819 $130   $13,275,318 19
Jun 28, 2017 - $63,066 -41% -65% 819 $77   $13,338,384 20
Jun 29, 2017 - $47,147 -25% -74% 819 $58   $13,385,531 21
Jun 30, 2017 - $44,967 -5% -83% 174 $258   $13,430,498 22
Jul 1, 2017 - $57,529 +28% -82% 174 $331   $13,488,027 23
Jul 2, 2017 - $48,202 -16% -79% 174 $277   $13,536,229 24
Jul 3, 2017 - $40,849 -15% -67% 174 $235   $13,577,078 25
Jul 4, 2017 - $26,498 -35% -75% 174 $152   $13,603,576 26
Jul 5, 2017 - $25,337 -4% -60% 174 $146   $13,628,913 27
Jul 6, 2017 - $18,136 -28% -62% 174 $104   $13,647,049 28
Jul 7, 2017 - $18,529 +2% -59% 90 $206   $13,665,578 29
Jul 8, 2017 - $24,441 +32% -58% 90 $272   $13,690,019 30
Jul 9, 2017 - $18,865 -23% -61% 90 $210   $13,708,884 31
Jul 10, 2017 - $10,828 -43% -73% 90 $120   $13,719,712 32
Jul 11, 2017 - $11,265 +4% -57% 90 $125   $13,730,977 33
Jul 12, 2017 - $9,975 -11% -61% 90 $111   $13,740,952 34
Jul 13, 2017 - $8,640 -13% -52% 90 $96   $13,749,592 35
Jul 14, 2017 - $8,458 -2% -54% 57 $148   $13,758,050 36
Jul 15, 2017 - $11,556 +37% -53% 57 $203   $13,769,606 37
Jul 16, 2017 - $8,633 -25% -54% 57 $151   $13,778,239 38
Jul 17, 2017 - $4,748 -45% -56% 57 $83   $13,782,987 39
Jul 18, 2017 - $5,831 +23% -48% 57 $102   $13,788,818 40
Jul 19, 2017 - $5,131 -12% -49% 57 $90   $13,793,949 41
Jul 20, 2017 - $4,947 -4% -43% 57 $87   $13,798,896 42
Jul 21, 2017 - $4,331 -12% -49% 33 $131   $13,803,227 43
Jul 22, 2017 - $6,734 +55% -42% 33 $204   $13,809,961 44
Jul 23, 2017 - $5,915 -12% -31% 33 $179   $13,815,876 45
Jul 24, 2017 - $2,904 -51% -39% 33 $88   $13,818,780 46
Jul 25, 2017 - $3,993 +38% -32% 33 $121   $13,822,773 47
Jul 26, 2017 - $2,757 -31% -46% 33 $84   $13,825,530 48
Jul 27, 2017 - $3,221 +17% -35% 33 $98   $13,828,751 49
Jul 28, 2017 - $3,688 +14% -15% 23 $160   $13,832,439 50
Jul 29, 2017 - $4,212 +14% -37% 23 $183   $13,836,651 51
Jul 30, 2017 - $3,305 -22% -44% 23 $144   $13,839,956 52
Jul 31, 2017 - $2,382 -28% -18% 23 $104   $13,842,338 53
Aug 1, 2017 - $2,763 +16% -31% 23 $120   $13,845,101 54
Aug 2, 2017 - $2,636 -5% -4% 23 $115   $13,847,737 55
Aug 3, 2017 - $1,832 -31% -43% 23 $80   $13,849,569 56
Aug 4, 2017 - $1,910 +4% -48% 15 $127   $13,851,479 57
Aug 5, 2017 - $2,934 +54% -30% 15 $196   $13,854,413 58
Aug 6, 2017 - $2,321 -21% -30% 15 $155   $13,856,734 59
Aug 7, 2017 - $1,593 -31% -33% 15 $106   $13,858,327 60
Aug 8, 2017 - $1,427 -10% -48% 15 $95   $13,859,754 61
Aug 9, 2017 - $1,440 +1% -45% 15 $96   $13,861,194 62
Aug 10, 2017 - $960 -33% -48% 15 $64   $13,862,154 63
Aug 11, 2017 - $3,411 +255% +79% 5 $682   $13,865,565 64
Aug 12, 2017 - $2,750 -19% -6% 5 $550   $13,868,315 65
Aug 13, 2017 - $1,588 -42% -32% 5 $318   $13,869,903 66
Aug 14, 2017 - $1,153 -27% -28% 5 $231   $13,871,056 67
Aug 15, 2017 - $820 -29% -43% 5 $164   $13,871,876 68
Aug 16, 2017 - $1,739 +112% +21% 5 $348   $13,873,615 69
Aug 17, 2017 - $1,108 -36% +15% 5 $222   $13,874,723 70
Aug 18, 2017 - $700 -37% -79% 3 $233   $13,875,423 71
Aug 19, 2017 - $852 +22% -69% 3 $284   $13,876,275 72
Aug 20, 2017 - $552 -35% -65% 3 $184   $13,876,827 73
Aug 21, 2017 - $372 -33% -68% 3 $124   $13,877,199 74
Aug 22, 2017 - $440 +18% -46% 3 $147   $13,877,639 75
Aug 23, 2017 - $343 -22% -80% 3 $114   $13,877,982 76
Aug 24, 2017 - $364 +6% -67% 3 $121   $13,878,346 77

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 9, 2017 6 $8,523,164   2,533 $3,365   $8,523,164 1
Jun 16, 2017 11 $3,720,004 -56% 2,450 $1,518   $12,243,168 2
Jun 23, 2017 15 $1,142,363 -69% 819 $1,395   $13,385,531 3
Jun 30, 2017 25 $261,518 -77% 174 $1,503   $13,647,049 4
Jul 7, 2017 31 $102,543 -61% 90 $1,139   $13,749,592 5
Jul 14, 2017 36 $49,304 -52% 57 $865   $13,798,896 6
Jul 21, 2017 42 $29,855 -39% 33 $905   $13,828,751 7
Jul 28, 2017 49 $20,818 -30% 23 $905   $13,849,569 8
Aug 4, 2017 54 $12,585 -40% 15 $839   $13,862,154 9
Aug 11, 2017 61 $12,569 n/c 5 $2,514   $13,874,723 10
Aug 18, 2017 83 $3,623 -71% 3 $1,208   $13,878,346 11
Aug 25, 2017 82 $4,996 +38% 7 $714   $13,883,342 12
Sep 1, 2017 77 $15,058 +201% 7 $2,151   $13,898,400 13
Sep 8, 2017 41 $77,784 +417% 17 $4,576   $13,976,181 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $145,559 0 0 0 $214,681 1/1/2019
Australia 7/7/2017 $102,998 34 39 138 $320,185 8/7/2017
Brazil 6/23/2017 $77,085 0 0 0 $86,821 6/26/2018
France 6/23/2017 $401,494 0 0 0 $1,096,907 6/27/2018
Mexico 6/30/2017 $178,690 0 0 0 $408,814 10/12/2018
Netherlands 6/16/2017 $75,501 44 44 166 $290,068 7/21/2017
Poland 7/7/2017 $85,745 0 0 0 $238,346 1/1/2019
Portugal 12/29/2017 $33,547 22 23 51 $67,699 1/22/2018
Russia (CIS) 8/25/2017 $224,609 490 490 895 $439,779 1/1/2019
South Korea 10/12/2017 $0 0 225 225 $62,771 10/31/2017
Spain 7/7/2017 $250,536 258 258 617 $639,467 10/30/2018
Turkey 9/14/2018 $20,187 83 83 105 $23,892 2/26/2019
United Kingdom 7/7/2017 $291,973 222 222 396 $783,517 9/25/2018
 
Rest of World $1,062,139
 
International Total$5,735,086 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 17, 20171020,950 20,950$272,140$272,1403
Sep 24, 2017169,295-56% 30,245$120,742$392,8824

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 17, 2017913,814 13,814$231,386$231,3863

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Joel Edgerton    Paul
Riley Keough    Kim

Supporting Cast

Kelvin Harrison Jr    Travis
David Pendleton    Bud
Griffin Robert Faulkner    Andrew
Christopher Abbott    Will
Carmen Ejogo    Sarah
Mikey    Stanley
Chase Joliet    Man #1
Mick O Rourke    Man #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Trey Edward Shults    Director
Trey Edward Shults    Screenwriter
David Kaplan    Producer
Andrea Roa    Producer
Joel Edgerton    Executive Producer
Chase Joliet    Associate Producer
Justin Chan    Associate Producer
Brian McOmber    Composer
Drew Daniels    Cinematographer
Karen Murphy    Production Designer
Avy Kaufman    Casting Director
Meghan Kasperlik    Costume Designer
Trey Edward Shults    Co-Editor
Matthew Hannam    Co-Editor
Naomi Munro    Art Director
Sally Levi    Set Decorator
Mary Beth Minthorn    Unit Production Manager
David Ketterer    First Assistant Director
Alice Johnson    Second Assistant Director
Drew Leary    Stunt Coordinator
Brandon Smith    Stunt Coordinator
T.J. Larson    Script Supervisor
Dimitri Kouri    Sound Mixer
Justin Stowell    Location Manager
Tommy Love    Additional Art Direction
Jessie Eden    Special Make-up Effects
Brian Schuley    Special Effects Supervisor
Kara Janeczko    Production Supervisor
Eric McNatt    Stills Photographer
Aaron Peer    Assistant Editor
Michael Sweeney    Assistant Editor
Damian Volpe    Re-recording Mixer
Mary Ellen Porto    Dialogue Editor
Tony Martinez    Dialogue Editor
Micah Blaichman    Foley Mixer
Bridget Fullan    Visual Effects by
John Bair    Visual Effects Supervisor
Vivian Connolly    Visual Effects Executive Producer
Matt Griffin    Visual Effects Producer
Katherine Miller    Music Editor
Ben Greenberg    Score Recordist
Brian McOmber    Score Recordist
Jordan Dykstra    Score Recordist
Paul Wiancko    Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for September 12th, 2017

September 13th, 2017

Phenomena

Apparently it is Halloween, because there are a lot of horror titles on this week’s list. Some of them are good, some are not. As for Pick of the Week contenders, there are a few of them. If you have kids, then Captain Underpants: The First Epic Movie on DVD, Blu-ray Combo Pack, or 4K Ultra Combo Pack is your best bet. If you are a fan of Sci-fi, then go with the final season for Orphan Black. However, in the end I went with Phenomena on Blu-ray. You can also buy the movie from the Official Site in a Steelbox with soundtrack and pamphlet. More...

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes

June 13th, 2017

Wonder Woman

The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Friday Estimates: Wonder Woman Wows Again with $15.8 million

June 10th, 2017

Wonder Woman

At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success. More...

Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?

June 9th, 2017

The Mummy

The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore. More...

Weekend Predictions: Can Mummy Bury the Competition?

June 8th, 2017

The Mummy

Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison. More...

It Comes at Night Trailer

June 7th, 2017

Horror movie starring Joel Edgerton, Riley Keough, and Christopher Abbott opens on Friday ... Full Movie Details. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Imagine the end of the world—now imagine something worse. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order a man has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Metrics

Opening Weekend:$5,988,370 (42.8% of total gross)
Legs:2.34 (domestic box office/biggest weekend)
Domestic Share:70.9% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 3.9 times production budget)
Theater counts:2,533 opening theaters/2,533 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $16,807,076

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 9th, 2017 (Wide) by A24
International Releases: June 16th, 2017 (Wide) (Netherlands)
June 23rd, 2017 (Wide) (Brazil)
June 23rd, 2017 (Wide) (France)
June 30th, 2017 (Wide) (Argentina)
June 30th, 2017 (Wide), released as Viene de Noche (Mexico)
... Show all releases
Video Release: August 29th, 2017 by A24
MPAA Rating: R for violence, disturbing images, and language.
(Rating bulletin 2473 (Cert #50950), 4/26/2017)
Running Time: 91 minutes
Comparisons: vs. The Witch
Create your own comparison chart…
Keywords: Cabin in the Woods, Post Apocalypse, Paranoia, Isolation Horror, Epidemic
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Animal Kingdom
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 14th Weekend 26 $7,559 Sep 8, 2017 94

Leading Cast

Joel Edgerton    Paul
Riley Keough    Kim

Supporting Cast

Kelvin Harrison Jr    Travis
David Pendleton    Bud
Griffin Robert Faulkner    Andrew
Christopher Abbott    Will
Carmen Ejogo    Sarah
Mikey    Stanley
Chase Joliet    Man #1
Mick O Rourke    Man #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Trey Edward Shults    Director
Trey Edward Shults    Screenwriter
David Kaplan    Producer
Andrea Roa    Producer
Joel Edgerton    Executive Producer
Chase Joliet    Associate Producer
Justin Chan    Associate Producer
Brian McOmber    Composer
Drew Daniels    Cinematographer
Karen Murphy    Production Designer
Avy Kaufman    Casting Director
Meghan Kasperlik    Costume Designer
Trey Edward Shults    Co-Editor
Matthew Hannam    Co-Editor
Naomi Munro    Art Director
Sally Levi    Set Decorator
Mary Beth Minthorn    Unit Production Manager
David Ketterer    First Assistant Director
Alice Johnson    Second Assistant Director
Drew Leary    Stunt Coordinator
Brandon Smith    Stunt Coordinator
T.J. Larson    Script Supervisor
Dimitri Kouri    Sound Mixer
Justin Stowell    Location Manager
Tommy Love    Additional Art Direction
Jessie Eden    Special Make-up Effects
Brian Schuley    Special Effects Supervisor
Kara Janeczko    Production Supervisor
Eric McNatt    Stills Photographer
Aaron Peer    Assistant Editor
Michael Sweeney    Assistant Editor
Damian Volpe    Re-recording Mixer
Mary Ellen Porto    Dialogue Editor
Tony Martinez    Dialogue Editor
Micah Blaichman    Foley Mixer
Bridget Fullan    Visual Effects by
John Bair    Visual Effects Supervisor
Vivian Connolly    Visual Effects Executive Producer
Matt Griffin    Visual Effects Producer
Katherine Miller    Music Editor
Ben Greenberg    Score Recordist
Brian McOmber    Score Recordist
Jordan Dykstra    Score Recordist
Paul Wiancko    Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for September 12th, 2017

September 13th, 2017

Phenomena

Apparently it is Halloween, because there are a lot of horror titles on this week’s list. Some of them are good, some are not. As for Pick of the Week contenders, there are a few of them. If you have kids, then Captain Underpants: The First Epic Movie on DVD, Blu-ray Combo Pack, or 4K Ultra Combo Pack is your best bet. If you are a fan of Sci-fi, then go with the final season for Orphan Black. However, in the end I went with Phenomena on Blu-ray. You can also buy the movie from the Official Site in a Steelbox with soundtrack and pamphlet. More...

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes

June 13th, 2017

Wonder Woman

The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Friday Estimates: Wonder Woman Wows Again with $15.8 million

June 10th, 2017

Wonder Woman

At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success. More...

Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?

June 9th, 2017

The Mummy

The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore. More...

Weekend Predictions: Can Mummy Bury the Competition?

June 8th, 2017

The Mummy

Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison. More...

It Comes at Night Trailer

June 7th, 2017

Horror movie starring Joel Edgerton, Riley Keough, and Christopher Abbott opens on Friday ... Full Movie Details. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 9, 2017 6 $5,988,370   2,533 $2,364   $5,988,370 1
Jun 16, 2017 10 $2,601,467 -57% 2,450 $1,062   $11,124,631 2
Jun 23, 2017 15 $800,325 -69% 819 $977   $13,043,493 3
Jun 30, 2017 25 $150,698 -81% 174 $866   $13,536,229 4
Jul 7, 2017 32 $61,835 -59% 90 $687   $13,708,884 5
Jul 14, 2017 35 $28,647 -54% 57 $503   $13,778,239 6
Jul 21, 2017 43 $16,980 -41% 33 $515   $13,815,876 7
Jul 28, 2017 51 $11,205 -34% 23 $487   $13,839,956 8
Aug 4, 2017 56 $7,165 -36% 15 $478   $13,856,734 9
Aug 11, 2017 61 $7,749 +8% 5 $1,550   $13,869,903 10
Aug 18, 2017 81 $2,104 -73% 3 $701   $13,876,827 11
Aug 25, 2017 78 $4,118 +96% 3 $1,373   $13,882,464 12
Sep 1, 2017 69 $13,524 +228% 10 $1,352   $13,896,866 13
Sep 8, 2017 37 $75,591 +459% 10 $7,559   $13,973,991 14
Sep 15, 2017 67 $8,936 -88% 3 $2,979   $13,985,117 15

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 8, 2017 P $700,000     0     $700,000  
Jun 9, 2017 5 $2,479,596     2,533 $979   $2,479,596 1
Jun 10, 2017 6 $2,090,362 -16%   2,533 $825   $4,569,958 2
Jun 11, 2017 6 $1,418,412 -32%   2,533 $560   $5,988,370 3
Jun 12, 2017 6 $603,983 -57%   2,533 $238   $6,592,353 4
Jun 13, 2017 7 $830,296 +37%   2,533 $328   $7,422,649 5
Jun 14, 2017 7 $611,397 -26%   2,533 $241   $8,034,046 6
Jun 15, 2017 6 $489,118 -20%   2,533 $193   $8,523,164 7
Jun 16, 2017 10 $822,367 +68% -67% 2,450 $336   $9,345,531 8
Jun 17, 2017 10 $1,010,138 +23% -52% 2,450 $412   $10,355,669 9
Jun 18, 2017 11 $768,962 -24% -46% 2,450 $314   $11,124,631 10
Jun 19, 2017 10 $405,836 -47% -33% 2,450 $166   $11,530,467 11
Jun 20, 2017 11 $350,780 -14% -58% 2,450 $143   $11,881,247 12
Jun 21, 2017 12 $180,060 -49% -71% 2,450 $73   $12,061,307 13
Jun 22, 2017 12 $181,861 +1% -63% 2,450 $74   $12,243,168 14
Jun 23, 2017 14 $261,304 +44% -68% 819 $319   $12,504,472 15
Jun 24, 2017 14 $313,957 +20% -69% 819 $383   $12,818,429 16
Jun 25, 2017 14 $225,064 -28% -71% 819 $275   $13,043,493 17
Jun 26, 2017 14 $125,463 -44% -69% 819 $153   $13,168,956 18
Jun 27, 2017 15 $106,362 -15% -70% 819 $130   $13,275,318 19
Jun 28, 2017 - $63,066 -41% -65% 819 $77   $13,338,384 20
Jun 29, 2017 - $47,147 -25% -74% 819 $58   $13,385,531 21
Jun 30, 2017 - $44,967 -5% -83% 174 $258   $13,430,498 22
Jul 1, 2017 - $57,529 +28% -82% 174 $331   $13,488,027 23
Jul 2, 2017 - $48,202 -16% -79% 174 $277   $13,536,229 24
Jul 3, 2017 - $40,849 -15% -67% 174 $235   $13,577,078 25
Jul 4, 2017 - $26,498 -35% -75% 174 $152   $13,603,576 26
Jul 5, 2017 - $25,337 -4% -60% 174 $146   $13,628,913 27
Jul 6, 2017 - $18,136 -28% -62% 174 $104   $13,647,049 28
Jul 7, 2017 - $18,529 +2% -59% 90 $206   $13,665,578 29
Jul 8, 2017 - $24,441 +32% -58% 90 $272   $13,690,019 30
Jul 9, 2017 - $18,865 -23% -61% 90 $210   $13,708,884 31
Jul 10, 2017 - $10,828 -43% -73% 90 $120   $13,719,712 32
Jul 11, 2017 - $11,265 +4% -57% 90 $125   $13,730,977 33
Jul 12, 2017 - $9,975 -11% -61% 90 $111   $13,740,952 34
Jul 13, 2017 - $8,640 -13% -52% 90 $96   $13,749,592 35
Jul 14, 2017 - $8,458 -2% -54% 57 $148   $13,758,050 36
Jul 15, 2017 - $11,556 +37% -53% 57 $203   $13,769,606 37
Jul 16, 2017 - $8,633 -25% -54% 57 $151   $13,778,239 38
Jul 17, 2017 - $4,748 -45% -56% 57 $83   $13,782,987 39
Jul 18, 2017 - $5,831 +23% -48% 57 $102   $13,788,818 40
Jul 19, 2017 - $5,131 -12% -49% 57 $90   $13,793,949 41
Jul 20, 2017 - $4,947 -4% -43% 57 $87   $13,798,896 42
Jul 21, 2017 - $4,331 -12% -49% 33 $131   $13,803,227 43
Jul 22, 2017 - $6,734 +55% -42% 33 $204   $13,809,961 44
Jul 23, 2017 - $5,915 -12% -31% 33 $179   $13,815,876 45
Jul 24, 2017 - $2,904 -51% -39% 33 $88   $13,818,780 46
Jul 25, 2017 - $3,993 +38% -32% 33 $121   $13,822,773 47
Jul 26, 2017 - $2,757 -31% -46% 33 $84   $13,825,530 48
Jul 27, 2017 - $3,221 +17% -35% 33 $98   $13,828,751 49
Jul 28, 2017 - $3,688 +14% -15% 23 $160   $13,832,439 50
Jul 29, 2017 - $4,212 +14% -37% 23 $183   $13,836,651 51
Jul 30, 2017 - $3,305 -22% -44% 23 $144   $13,839,956 52
Jul 31, 2017 - $2,382 -28% -18% 23 $104   $13,842,338 53
Aug 1, 2017 - $2,763 +16% -31% 23 $120   $13,845,101 54
Aug 2, 2017 - $2,636 -5% -4% 23 $115   $13,847,737 55
Aug 3, 2017 - $1,832 -31% -43% 23 $80   $13,849,569 56
Aug 4, 2017 - $1,910 +4% -48% 15 $127   $13,851,479 57
Aug 5, 2017 - $2,934 +54% -30% 15 $196   $13,854,413 58
Aug 6, 2017 - $2,321 -21% -30% 15 $155   $13,856,734 59
Aug 7, 2017 - $1,593 -31% -33% 15 $106   $13,858,327 60
Aug 8, 2017 - $1,427 -10% -48% 15 $95   $13,859,754 61
Aug 9, 2017 - $1,440 +1% -45% 15 $96   $13,861,194 62
Aug 10, 2017 - $960 -33% -48% 15 $64   $13,862,154 63
Aug 11, 2017 - $3,411 +255% +79% 5 $682   $13,865,565 64
Aug 12, 2017 - $2,750 -19% -6% 5 $550   $13,868,315 65
Aug 13, 2017 - $1,588 -42% -32% 5 $318   $13,869,903 66
Aug 14, 2017 - $1,153 -27% -28% 5 $231   $13,871,056 67
Aug 15, 2017 - $820 -29% -43% 5 $164   $13,871,876 68
Aug 16, 2017 - $1,739 +112% +21% 5 $348   $13,873,615 69
Aug 17, 2017 - $1,108 -36% +15% 5 $222   $13,874,723 70
Aug 18, 2017 - $700 -37% -79% 3 $233   $13,875,423 71
Aug 19, 2017 - $852 +22% -69% 3 $284   $13,876,275 72
Aug 20, 2017 - $552 -35% -65% 3 $184   $13,876,827 73
Aug 21, 2017 - $372 -33% -68% 3 $124   $13,877,199 74
Aug 22, 2017 - $440 +18% -46% 3 $147   $13,877,639 75
Aug 23, 2017 - $343 -22% -80% 3 $114   $13,877,982 76
Aug 24, 2017 - $364 +6% -67% 3 $121   $13,878,346 77

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 9, 2017 6 $8,523,164   2,533 $3,365   $8,523,164 1
Jun 16, 2017 11 $3,720,004 -56% 2,450 $1,518   $12,243,168 2
Jun 23, 2017 15 $1,142,363 -69% 819 $1,395   $13,385,531 3
Jun 30, 2017 25 $261,518 -77% 174 $1,503   $13,647,049 4
Jul 7, 2017 31 $102,543 -61% 90 $1,139   $13,749,592 5
Jul 14, 2017 36 $49,304 -52% 57 $865   $13,798,896 6
Jul 21, 2017 42 $29,855 -39% 33 $905   $13,828,751 7
Jul 28, 2017 49 $20,818 -30% 23 $905   $13,849,569 8
Aug 4, 2017 54 $12,585 -40% 15 $839   $13,862,154 9
Aug 11, 2017 61 $12,569 n/c 5 $2,514   $13,874,723 10
Aug 18, 2017 83 $3,623 -71% 3 $1,208   $13,878,346 11
Aug 25, 2017 82 $4,996 +38% 7 $714   $13,883,342 12
Sep 1, 2017 77 $15,058 +201% 7 $2,151   $13,898,400 13
Sep 8, 2017 41 $77,784 +417% 17 $4,576   $13,976,181 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $145,559 0 0 0 $214,681 1/1/2019
Australia 7/7/2017 $102,998 34 39 138 $320,185 8/7/2017
Brazil 6/23/2017 $77,085 0 0 0 $86,821 6/26/2018
France 6/23/2017 $401,494 0 0 0 $1,096,907 6/27/2018
Mexico 6/30/2017 $178,690 0 0 0 $408,814 10/12/2018
Netherlands 6/16/2017 $75,501 44 44 166 $290,068 7/21/2017
Poland 7/7/2017 $85,745 0 0 0 $238,346 1/1/2019
Portugal 12/29/2017 $33,547 22 23 51 $67,699 1/22/2018
Russia (CIS) 8/25/2017 $224,609 490 490 895 $439,779 1/1/2019
South Korea 10/12/2017 $0 0 225 225 $62,771 10/31/2017
Spain 7/7/2017 $250,536 258 258 617 $639,467 10/30/2018
Turkey 9/14/2018 $20,187 83 83 105 $23,892 2/26/2019
United Kingdom 7/7/2017 $291,973 222 222 396 $783,517 9/25/2018
 
Rest of World $1,062,139
 
International Total$5,735,086 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 17, 20171020,950 20,950$272,140$272,1403
Sep 24, 2017169,295-56% 30,245$120,742$392,8824

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 17, 2017913,814 13,814$231,386$231,3863

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.