Jay and Silent Bob Reboot (2019)

Jay and Silent Bob Reboot
Theatrical Performance
Domestic Box Office $4,589,490Details
International Box Office $140,738Details
Worldwide Box Office $4,730,228
Home Market Performance
Est. Domestic DVD Sales $607,885 Details
Est. Domestic Blu-ray Sales $2,109,153 Details
Total Est. Domestic Video Sales $2,717,038
Further financial details...

Synopsis

When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again!

Metrics

Opening Weekend:$93,520 (2.0% of total gross)
Legs:17.93 (domestic box office/biggest weekend)
Domestic Share:97.0% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:1 opening theaters/788 max. theaters, 0.1 weeks average run per theater
Infl. Adj. Dom. BO $5,397,740

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 15th, 2019 (Special Engagement) by Fathom Events
October 18th, 2019 (Limited) by Saban Films
International Releases: November 29th, 2019 (Wide), released as Jay & Silent Bob Reboot (United Kingdom)
March 6th, 2020 (Wide), released as Jay And Silent Bob Reboot (Australia)
Video Release: January 21st, 2020 by Lionsgate Home Entertainment
MPAA Rating: R for pervasive strong crude sexual content, language throughout, drug use and some nudity.
(Rating bulletin 2590 (Cert #52197), 8/7/2019)
Running Time: 95 minutes
Franchise: View Askewniverse
Comparisons: vs. Barely Lethal
Create your own comparison chart…
Keywords: Buddy Comedy, Delayed Sequel, Ensemble, Gratuitous Cameos, Angels, Breaking the Fourth Wall, Narcotics, Movie Business, Road Trip, Dysfunctional Family, LGBTQ+, Relationships Gone Wrong, Scene in End Credits, Same Actor, Multiple Roles
Source:Based on Movie
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: View Askew, Saban Films, Destro Films, Mewesings, SModcast Pictures, Hideout Pictures, Miramax Films, Intercut Capital
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 18th Weekend Limited Release 73 $191,959 Feb 14, 2020 122
Theater Average 18th Weekend 2 $63,986 Feb 14, 2020 122
Biggest 17th Weekend Limited Release 66 $255,921 Feb 7, 2020 115
Theater Average 17th Weekend 1 $63,980 Feb 7, 2020 115
Theater Average 16th Weekend 1 $32,693 Jan 31, 2020 108
Theater Average 15th Weekend 3 $42,646 Jan 24, 2020 101
Theater Average 14th Weekend 2 $31,725 Jan 17, 2020 94
Theater Average 13th Weekend 1 $76,768 Jan 10, 2020 87
Theater Average 8th Weekend 10 $14,066 Dec 6, 2019 52
Theater Average 6th Weekend 26 $16,140 Nov 22, 2019 38
Theater Average 5th Weekend 31 $16,899 Nov 15, 2019 31
Theater Average 4th Weekend 65 $15,613 Nov 8, 2019 24
Theater Average Opening Weekend 38 $93,520 Oct 18, 2019 3
Theater Average 47 $93,520 Oct 18, 2019 3
Top 2019 Theater Average 4 $93,520 Oct 18, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 18, 2019 29 $93,520   1 $93,520   $1,104,825 1
Oct 25, 2019 24 $217,162 +132% 17 $12,774   $1,568,465 2
Nov 1, 2019 21 $226,459 +4% 15 $15,097   $1,926,492 3
Nov 8, 2019 25 $234,192 +3% 15 $15,613   $2,294,396 4
Nov 15, 2019 25 $168,993 -28% 10 $16,899   $2,591,058 5
Nov 22, 2019 31 $80,702 -52% 5 $16,140   $2,778,787 6
Nov 29, 2019 37 $22,381 -72% 6 $3,730   $2,801,841 7
Dec 6, 2019 34 $84,393 +277% 6 $14,066   $3,074,394 8
Dec 13, 2019 56 $4,553 -95% 5 $911   $3,253,628 9
Dec 20, 2019 67 $299 -93% 1 $299   $3,258,618 10
Jan 10, 2020 25 $153,536   2 $76,768   $3,412,360 13
Jan 17, 2020 27 $95,174 -38% 3 $31,725   $3,633,849 14
Jan 24, 2020 36 $42,646 -55% 1 $42,646   $3,697,745 15
Jan 31, 2020 37 $32,693 -23% 1 $32,693   $3,777,349 16
Feb 7, 2020 21 $255,921 +683% 4 $63,980   $4,141,203 17
Feb 14, 2020 26 $191,959 -25% 3 $63,986   $4,477,166 18

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Oct 15, 2019 5 $691,418   788 $877   $691,418 1
Oct 17, 2019 7 $319,887   639 $501   $1,011,305 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 11, 2019 13 $1,011,305   788 $1,283   $1,011,305 1
Oct 18, 2019 20 $339,998 -66% 4 $85,000   $1,351,303 2
Oct 25, 2019 24 $348,730 +3% 20 $17,437   $1,700,033 3
Nov 1, 2019 22 $360,171 +3% 15 $24,011   $2,060,204 3
Nov 8, 2019 25 $361,861 n/c 17 $21,286   $2,422,065 4
Nov 15, 2019 26 $276,020 -24% 13 $21,232   $2,698,085 5
Nov 22, 2019 35 $81,375 -71% 5 $16,275   $2,779,460 6
Nov 29, 2019 25 $210,541 +159% 9 $23,393   $2,990,001 7
Dec 6, 2019 30 $259,074 +23% 8 $32,384   $3,249,075 8
Dec 13, 2019 52 $9,244 -96% 5 $1,849   $3,258,319 9
Dec 20, 2019 71 $505 -95% 1 $505   $3,258,824 10
Jan 10, 2020 23 $279,851   5 $55,970   $3,538,675 13
Jan 17, 2020 29 $116,424 -58% 4 $29,106   $3,655,099 14
Jan 24, 2020 32 $89,557 -23% 2 $44,779   $3,744,656 15
Jan 31, 2020 31 $140,626 +57% 4 $35,157   $3,885,282 16
Feb 7, 2020 21 $399,925 +184% 7 $57,132   $4,285,207 17
Feb 14, 2020 24 $304,283 -24% 6 $50,714   $4,589,490 18

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/6/2020 $0 0 21 28 $21,218 3/24/2020
United Kingdom 11/29/2019 $99,799 48 48 48 $99,799 12/4/2019
 
Rest of World $19,721
 
International Total$140,738 3/24/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 26, 20201610,560 10,560$149,741$149,7411

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 26, 2020560,114 60,114$901,106$901,1061
Feb 2, 20201026,106-57% 86,220$390,803$1,291,9092
Feb 9, 20201415,757-40% 101,977$250,215$1,542,1243
Feb 16, 20201812,916-18% 114,893$211,815$1,753,9394

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kevin Smith    Silent Bob
Jason Mewes    Jay

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kevin Smith    Director
Kevin Smith    Screenwriter
Jordan Monsanto    Producer
Liz Destro    Producer
Tracey Landon    Line Producer
Jason Mewes    Executive Producer
Jennifer Schwalbach    Executive Producer
Bill Block    Executive Producer
R. Bryan Wright    Executive Producer
David Pomier    Executive Producer
William V. Bromley Jr    Executive Producer
Shanan Becker    Executive Producer
Jonathan Saba    Executive Producer
Ness Saban    Executive Producer
Ali Jazayeri    Executive Producer
David Gendron    Executive Producer
Michael Hansen    Executive Producer
Mickey Gooch, Jr.    Executive Producer
Diane Gooch    Executive Producer
Sayres Heady    Executive Producer
Kevin Smith    Editor
Yaron Levy    Director of Photography
Nate Jones    Production Designer
Melissa Walker    Costume Designer
Amine Ramer    Music Supervisor
James Venable    Composer

Home Market Releases for January 21st, 2020

January 21st, 2020

Pain & Glory

It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close. More...

Theater Averages: Frozen Floats on Water

November 28th, 2019

Frozen II

Frozen II led the way on yet another chart, this time the theater average chart, earning an average of $29,339 during its opening weekend. Dark Waters was right behind with an average of $25,652 in four theaters, which does suggest at least some potential to expand. Jay and Silent Bob Reboot continues its impressive road show run earning an average of $16,140 in five theaters. Citizen K was the final film in the $10,000 club with an opening of $10,571 in its lone theater. More...

Theater Averages: Making Waves

November 20th, 2019

Waves

Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Theater Averages: Honey is in the Money

November 14th, 2019

Honey Boy

Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136. More...

Theater Averages: The Irishman Enters Witness Protection

November 7th, 2019

The Irishman

It appears Netflix will not be reporting box office numbers for The Irishman. We’ve seen reports by third parties that the film earned $350,000 in eight theaters for an opening weekend average of $43,750. The only confirmed member of the $10,000 club was Jay and Silent Bob Reboot, which earned an average of $15,097 in 15 theaters. However, it is a roadshow tour and ticket prices for some shows are greatly inflated. This is still an impressive number, but don’t expect it to expand truly wide. More...

Theater Averages: Most New Releases Struggle, but Holdovers Thrive

October 31st, 2019

No Safe Spaces

There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance. More...

Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants

October 24th, 2019

Jay and Silent Bob Reboot

It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again!

Metrics

Opening Weekend:$93,520 (2.0% of total gross)
Legs:17.93 (domestic box office/biggest weekend)
Domestic Share:97.0% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:1 opening theaters/788 max. theaters, 0.1 weeks average run per theater
Infl. Adj. Dom. BO $5,397,740

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 15th, 2019 (Special Engagement) by Fathom Events
October 18th, 2019 (Limited) by Saban Films
International Releases: November 29th, 2019 (Wide), released as Jay & Silent Bob Reboot (United Kingdom)
March 6th, 2020 (Wide), released as Jay And Silent Bob Reboot (Australia)
Video Release: January 21st, 2020 by Lionsgate Home Entertainment
MPAA Rating: R for pervasive strong crude sexual content, language throughout, drug use and some nudity.
(Rating bulletin 2590 (Cert #52197), 8/7/2019)
Running Time: 95 minutes
Franchise: View Askewniverse
Comparisons: vs. Barely Lethal
Create your own comparison chart…
Keywords: Buddy Comedy, Delayed Sequel, Ensemble, Gratuitous Cameos, Angels, Breaking the Fourth Wall, Narcotics, Movie Business, Road Trip, Dysfunctional Family, LGBTQ+, Relationships Gone Wrong, Scene in End Credits, Same Actor, Multiple Roles
Source:Based on Movie
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: View Askew, Saban Films, Destro Films, Mewesings, SModcast Pictures, Hideout Pictures, Miramax Films, Intercut Capital
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 18th Weekend Limited Release 73 $191,959 Feb 14, 2020 122
Theater Average 18th Weekend 2 $63,986 Feb 14, 2020 122
Biggest 17th Weekend Limited Release 66 $255,921 Feb 7, 2020 115
Theater Average 17th Weekend 1 $63,980 Feb 7, 2020 115
Theater Average 16th Weekend 1 $32,693 Jan 31, 2020 108
Theater Average 15th Weekend 3 $42,646 Jan 24, 2020 101
Theater Average 14th Weekend 2 $31,725 Jan 17, 2020 94
Theater Average 13th Weekend 1 $76,768 Jan 10, 2020 87
Theater Average 8th Weekend 10 $14,066 Dec 6, 2019 52
Theater Average 6th Weekend 26 $16,140 Nov 22, 2019 38
Theater Average 5th Weekend 31 $16,899 Nov 15, 2019 31
Theater Average 4th Weekend 65 $15,613 Nov 8, 2019 24
Theater Average Opening Weekend 38 $93,520 Oct 18, 2019 3
Theater Average 47 $93,520 Oct 18, 2019 3
Top 2019 Theater Average 4 $93,520 Oct 18, 2019 3

Leading Cast

Kevin Smith    Silent Bob
Jason Mewes    Jay

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kevin Smith    Director
Kevin Smith    Screenwriter
Jordan Monsanto    Producer
Liz Destro    Producer
Tracey Landon    Line Producer
Jason Mewes    Executive Producer
Jennifer Schwalbach    Executive Producer
Bill Block    Executive Producer
R. Bryan Wright    Executive Producer
David Pomier    Executive Producer
William V. Bromley Jr    Executive Producer
Shanan Becker    Executive Producer
Jonathan Saba    Executive Producer
Ness Saban    Executive Producer
Ali Jazayeri    Executive Producer
David Gendron    Executive Producer
Michael Hansen    Executive Producer
Mickey Gooch, Jr.    Executive Producer
Diane Gooch    Executive Producer
Sayres Heady    Executive Producer
Kevin Smith    Editor
Yaron Levy    Director of Photography
Nate Jones    Production Designer
Melissa Walker    Costume Designer
Amine Ramer    Music Supervisor
James Venable    Composer

Home Market Releases for January 21st, 2020

January 21st, 2020

Pain & Glory

It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close. More...

Theater Averages: Frozen Floats on Water

November 28th, 2019

Frozen II

Frozen II led the way on yet another chart, this time the theater average chart, earning an average of $29,339 during its opening weekend. Dark Waters was right behind with an average of $25,652 in four theaters, which does suggest at least some potential to expand. Jay and Silent Bob Reboot continues its impressive road show run earning an average of $16,140 in five theaters. Citizen K was the final film in the $10,000 club with an opening of $10,571 in its lone theater. More...

Theater Averages: Making Waves

November 20th, 2019

Waves

Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Theater Averages: Honey is in the Money

November 14th, 2019

Honey Boy

Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136. More...

Theater Averages: The Irishman Enters Witness Protection

November 7th, 2019

The Irishman

It appears Netflix will not be reporting box office numbers for The Irishman. We’ve seen reports by third parties that the film earned $350,000 in eight theaters for an opening weekend average of $43,750. The only confirmed member of the $10,000 club was Jay and Silent Bob Reboot, which earned an average of $15,097 in 15 theaters. However, it is a roadshow tour and ticket prices for some shows are greatly inflated. This is still an impressive number, but don’t expect it to expand truly wide. More...

Theater Averages: Most New Releases Struggle, but Holdovers Thrive

October 31st, 2019

No Safe Spaces

There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance. More...

Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants

October 24th, 2019

Jay and Silent Bob Reboot

It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 18, 2019 29 $93,520   1 $93,520   $1,104,825 1
Oct 25, 2019 24 $217,162 +132% 17 $12,774   $1,568,465 2
Nov 1, 2019 21 $226,459 +4% 15 $15,097   $1,926,492 3
Nov 8, 2019 25 $234,192 +3% 15 $15,613   $2,294,396 4
Nov 15, 2019 25 $168,993 -28% 10 $16,899   $2,591,058 5
Nov 22, 2019 31 $80,702 -52% 5 $16,140   $2,778,787 6
Nov 29, 2019 37 $22,381 -72% 6 $3,730   $2,801,841 7
Dec 6, 2019 34 $84,393 +277% 6 $14,066   $3,074,394 8
Dec 13, 2019 56 $4,553 -95% 5 $911   $3,253,628 9
Dec 20, 2019 67 $299 -93% 1 $299   $3,258,618 10
Jan 10, 2020 25 $153,536   2 $76,768   $3,412,360 13
Jan 17, 2020 27 $95,174 -38% 3 $31,725   $3,633,849 14
Jan 24, 2020 36 $42,646 -55% 1 $42,646   $3,697,745 15
Jan 31, 2020 37 $32,693 -23% 1 $32,693   $3,777,349 16
Feb 7, 2020 21 $255,921 +683% 4 $63,980   $4,141,203 17
Feb 14, 2020 26 $191,959 -25% 3 $63,986   $4,477,166 18

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Oct 15, 2019 5 $691,418   788 $877   $691,418 1
Oct 17, 2019 7 $319,887   639 $501   $1,011,305 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 11, 2019 13 $1,011,305   788 $1,283   $1,011,305 1
Oct 18, 2019 20 $339,998 -66% 4 $85,000   $1,351,303 2
Oct 25, 2019 24 $348,730 +3% 20 $17,437   $1,700,033 3
Nov 1, 2019 22 $360,171 +3% 15 $24,011   $2,060,204 3
Nov 8, 2019 25 $361,861 n/c 17 $21,286   $2,422,065 4
Nov 15, 2019 26 $276,020 -24% 13 $21,232   $2,698,085 5
Nov 22, 2019 35 $81,375 -71% 5 $16,275   $2,779,460 6
Nov 29, 2019 25 $210,541 +159% 9 $23,393   $2,990,001 7
Dec 6, 2019 30 $259,074 +23% 8 $32,384   $3,249,075 8
Dec 13, 2019 52 $9,244 -96% 5 $1,849   $3,258,319 9
Dec 20, 2019 71 $505 -95% 1 $505   $3,258,824 10
Jan 10, 2020 23 $279,851   5 $55,970   $3,538,675 13
Jan 17, 2020 29 $116,424 -58% 4 $29,106   $3,655,099 14
Jan 24, 2020 32 $89,557 -23% 2 $44,779   $3,744,656 15
Jan 31, 2020 31 $140,626 +57% 4 $35,157   $3,885,282 16
Feb 7, 2020 21 $399,925 +184% 7 $57,132   $4,285,207 17
Feb 14, 2020 24 $304,283 -24% 6 $50,714   $4,589,490 18

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/6/2020 $0 0 21 28 $21,218 3/24/2020
United Kingdom 11/29/2019 $99,799 48 48 48 $99,799 12/4/2019
 
Rest of World $19,721
 
International Total$140,738 3/24/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 26, 20201610,560 10,560$149,741$149,7411

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 26, 2020560,114 60,114$901,106$901,1061
Feb 2, 20201026,106-57% 86,220$390,803$1,291,9092
Feb 9, 20201415,757-40% 101,977$250,215$1,542,1243
Feb 16, 20201812,916-18% 114,893$211,815$1,753,9394

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.