Shadowman (2017)

Shadowman
Theatrical Performance
Domestic Box Office $13,498Details
Further financial details...

Metrics

Opening Weekend:$4,113 (30.5% of total gross)
Legs:3.28 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/4 max. theaters, 3.0 weeks average run per theater
Infl. Adj. Dom. BO $16,170

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,301-16,400) 16,372 $13,498
All Time Worldwide Box Office (Rank 33,001-33,100) 33,048 $13,498
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,501-7,600) 7,593 $13,498

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 1st, 2017 (Limited) by Film Movement
MPAA Rating: Not Rated
Running Time: 83 minutes
Comparisons: Create your own comparison chart…
Keywords: Artists, Biography, Narcotics, Addiction, Homeless, 1980s, Set in New York City, Set in New York, Graffitti Artists
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: BBC Storyville, Motto Pictures
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 1, 2017 70 $4,113   1 $4,113   $4,113 1
Dec 8, 2017 70 $2,408 -41% 4 $602   $8,779 2
Dec 15, 2017 74 $254 -89% 2 $127   $10,906 3
Dec 22, 2017 60 $121 -52% 1 $121   $11,027 4
Jan 19, 2018 92 $73   1 $73   $11,572 8
Jan 26, 2018 88 $808 +1,007% 3 $269   $12,380 9

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 1, 2017 70 $6,371   2 $3,186   $6,371 1
Dec 8, 2017 69 $4,281 -33% 4 $1,070   $10,652 2
Dec 22, 2017 73 $236   1 $236   $11,142 4
Jan 12, 2018 91 $335   1 $335   $11,499 7
Jan 19, 2018 91 $73 -78% 1 $73   $11,572 8
Jan 26, 2018 84 $1,006 +1,278% 3 $335   $12,578 9
Feb 2, 2018 84 $920 -9% 1 $920   $13,498 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Richard Hambleton    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Oren Jacoby    Director
Oren Jacoby    Producer
Andy Valmorbida    Executive Producer
Julie Goldman    Executive Producer
Christopher Clements    Executive Producer
Carolyn Hepburn    Executive Producer
Abhay Sofsky    Editor
Oren Jacoby    Cinematographer
Bob Richman    Cinematographer
Tom Hurwitz    Cinematographer

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$4,113 (30.5% of total gross)
Legs:3.28 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/4 max. theaters, 3.0 weeks average run per theater
Infl. Adj. Dom. BO $16,170

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,301-16,400) 16,372 $13,498
All Time Worldwide Box Office (Rank 33,001-33,100) 33,048 $13,498
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,501-7,600) 7,593 $13,498

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 1st, 2017 (Limited) by Film Movement
MPAA Rating: Not Rated
Running Time: 83 minutes
Comparisons: Create your own comparison chart…
Keywords: Artists, Biography, Narcotics, Addiction, Homeless, 1980s, Set in New York City, Set in New York, Graffitti Artists
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: BBC Storyville, Motto Pictures
Production Countries: United States
Languages: English

Documentary Subject(s)

Richard Hambleton    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Oren Jacoby    Director
Oren Jacoby    Producer
Andy Valmorbida    Executive Producer
Julie Goldman    Executive Producer
Christopher Clements    Executive Producer
Carolyn Hepburn    Executive Producer
Abhay Sofsky    Editor
Oren Jacoby    Cinematographer
Bob Richman    Cinematographer
Tom Hurwitz    Cinematographer

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 1, 2017 70 $4,113   1 $4,113   $4,113 1
Dec 8, 2017 70 $2,408 -41% 4 $602   $8,779 2
Dec 15, 2017 74 $254 -89% 2 $127   $10,906 3
Dec 22, 2017 60 $121 -52% 1 $121   $11,027 4
Jan 19, 2018 92 $73   1 $73   $11,572 8
Jan 26, 2018 88 $808 +1,007% 3 $269   $12,380 9

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 1, 2017 70 $6,371   2 $3,186   $6,371 1
Dec 8, 2017 69 $4,281 -33% 4 $1,070   $10,652 2
Dec 22, 2017 73 $236   1 $236   $11,142 4
Jan 12, 2018 91 $335   1 $335   $11,499 7
Jan 19, 2018 91 $73 -78% 1 $73   $11,572 8
Jan 26, 2018 84 $1,006 +1,278% 3 $335   $12,578 9
Feb 2, 2018 84 $920 -9% 1 $920   $13,498 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.