Where Hands Touch (2018)

Where Hands Touch
Theatrical Performance
Domestic Box Office $67,743Details
International Box Office $32,314Details
Worldwide Box Office $100,057
Further financial details...

Synopsis

A coming of age story set in the most brutal of times: Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi solider, and they form an unlikely connection in this quickly changing world. As Leyna’s mother strives to protect her from the horrors that she could face as a mixed-race German citizen, Leyna is forced to forge her own path as the war goes on and the Nazi’s increase their atrocities over the Jews and all dissidents. Can she find an ally in Lutz, himself battling a fate laid out before him that he is hesitant to embrace?

Metrics

Opening Weekend:$67,743 (100.0% of total gross)
Legs:1.00 (domestic box office/biggest weekend)
Domestic Share:67.7% (domestic box office/worldwide)
Theater counts:103 opening theaters/103 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $80,160

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 13,501-13,600) 13,577 $67,743
All Time International Box Office (Rank 22,001-22,100) 22,021 $32,314
All Time Worldwide Box Office (Rank 24,801-24,900) 24,850 $100,057
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,201-5,300) 5,260 $67,743

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: September 14th, 2018 (Limited) by Vertical Entertainment
International Releases: October 26th, 2018 (Wide) (Australia)
May 10th, 2019 (Limited) (United Kingdom)
Video Release: April 6th, 2023 by Netflix
MPAA Rating: PG-13 for thematic elements, violence/disturbing images, sexuality and language.
(Rating bulletin 2543 (Cert #51792), 9/5/2018)
Running Time: 122 minutes
Comparisons: vs. Belle
Create your own comparison chart…
Keywords: World War II, 1940s, Set in Germany, Romeo and Juliet Romance, Coming of Age
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Tantrum Films, Umedia, BFI, Pinewood Pictures, Head Gear Films, Metrol Technology, Isle of Man Film, British Film Company
Production Countries: United Kingdom
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 40 $67,743   103 $658   $67,743 1

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/26/2018 $3,424 14 14 56 $20,571 4/9/2019
United Kingdom 5/10/2019 $7,111 5 5 10 $11,743 6/13/2019
 
International Total$32,314 6/13/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Amandla Stenberg    Leyna
George MacKay    Lutz
Abbie Cornish    Kerstin
Christopher Eccleston    Father

Supporting Cast

Tom Sweet   
Tom Goodman-Hill   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Amma Asante    Director
Amma Asante    Screenwriter
Charlie Hanson    Producer
Ivan Dunleavy    Executive Producer
Christian Eisenbeiss    Executive Producer
Phil Hunt    Executive Producer
Steve Milne    Executive Producer
Robert Norris    Executive Producer
Adrian Politowski    Executive Producer
Compton Ross    Executive Producer

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Limited and VOD Releases: No Limited Releases are Alone this Week

September 14th, 2018

I am Not a Witch

Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A coming of age story set in the most brutal of times: Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi solider, and they form an unlikely connection in this quickly changing world. As Leyna’s mother strives to protect her from the horrors that she could face as a mixed-race German citizen, Leyna is forced to forge her own path as the war goes on and the Nazi’s increase their atrocities over the Jews and all dissidents. Can she find an ally in Lutz, himself battling a fate laid out before him that he is hesitant to embrace?

Metrics

Opening Weekend:$67,743 (100.0% of total gross)
Legs:1.00 (domestic box office/biggest weekend)
Domestic Share:67.7% (domestic box office/worldwide)
Theater counts:103 opening theaters/103 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $80,160

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 13,501-13,600) 13,577 $67,743
All Time International Box Office (Rank 22,001-22,100) 22,021 $32,314
All Time Worldwide Box Office (Rank 24,801-24,900) 24,850 $100,057
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,201-5,300) 5,260 $67,743

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: September 14th, 2018 (Limited) by Vertical Entertainment
International Releases: October 26th, 2018 (Wide) (Australia)
May 10th, 2019 (Limited) (United Kingdom)
Video Release: April 6th, 2023 by Netflix
MPAA Rating: PG-13 for thematic elements, violence/disturbing images, sexuality and language.
(Rating bulletin 2543 (Cert #51792), 9/5/2018)
Running Time: 122 minutes
Comparisons: vs. Belle
Create your own comparison chart…
Keywords: World War II, 1940s, Set in Germany, Romeo and Juliet Romance, Coming of Age
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Tantrum Films, Umedia, BFI, Pinewood Pictures, Head Gear Films, Metrol Technology, Isle of Man Film, British Film Company
Production Countries: United Kingdom
Languages: English

Leading Cast

Amandla Stenberg    Leyna
George MacKay    Lutz
Abbie Cornish    Kerstin
Christopher Eccleston    Father

Supporting Cast

Tom Sweet   
Tom Goodman-Hill   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Amma Asante    Director
Amma Asante    Screenwriter
Charlie Hanson    Producer
Ivan Dunleavy    Executive Producer
Christian Eisenbeiss    Executive Producer
Phil Hunt    Executive Producer
Steve Milne    Executive Producer
Robert Norris    Executive Producer
Adrian Politowski    Executive Producer
Compton Ross    Executive Producer

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Limited and VOD Releases: No Limited Releases are Alone this Week

September 14th, 2018

I am Not a Witch

Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 14, 2018 40 $67,743   103 $658   $67,743 1

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/26/2018 $3,424 14 14 56 $20,571 4/9/2019
United Kingdom 5/10/2019 $7,111 5 5 10 $11,743 6/13/2019
 
International Total$32,314 6/13/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.