Career Summary
| | Movies | Domestic Box Office | International Box Office | Worldwide Box Office |
As an Actor | Supporting | 23 | $652,708,822 | $456,219,492 | $1,108,928,314 |
| Inverviewee | 7 | $207,082 | $131,791 | $338,873 |
| Leading | 6 | $1,064,574 | $6,578,667 | $7,643,241 |
| Lead Ensemble Member | 4 | $59,242,925 | $13,000,213 | $72,243,138 |
| Narrator | 2 | $82,985,708 | $61,000,000 | $143,985,708 |
| Documentary Subject | 1 | $10,278 | $0 | $10,278 |
| (Unclassified) | 22 | $211,092,966 | $70,938,727 | $282,031,693 |
In Technical Roles | Screenwriter | 5 | $2,653,421 | $76,908 | $2,730,329 |
| Director | 2 | $147,234 | $0 | $147,234 |
Career Trend
This graph shows Sam Shepard’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 2,101-2,200) |
2,111 |
$60,307,499 |
Top Stars at the Domestic Box Office (Rank 1,101-1,200) |
1,163 |
$1,007,312,355 |
Top 100 Stars in Leading Roles at the International Box Office (Rank 3,201-3,300) |
3,252 |
$19,578,880 |
Top Stars at the International Box Office (Rank 3,601-3,700) |
3,688 |
$607,868,890 |
Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 2,701-2,800) |
2,707 |
$79,886,379 |
Top Stars at the Worldwide Box Office (Rank 1,901-2,000) |
1,944 |
$1,615,181,245 |
Top Grossing Director at the Domestic Box Office (Rank 4,701-4,800) |
4,763 |
$147,234 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) |
5,366 |
$2,651,790 |
Top Grossing Screenwriter at the International Box Office (Rank 7,001-7,100) |
7,079 |
$76,908 |
Top Grossing Director at the Worldwide Box Office (Rank 10,701-10,800) |
10,710 |
$147,234 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,701-6,800) |
6,752 |
$2,728,698 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
December 1st, 2013
We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012.
More...
September 27th, 2013
There are a lot of limited releases on this week's list, including a few earning stellar reviews. There are also a few with weak reviews or that are the wrong genre to thrive in limited release. One film fits into both ends of the spectrum, We Are What We Are, which is earning great reviews, but as a horror film, likely won't find an audience till the home market. Hopefully I am wrong. Inequality for All is earning even better reviews, but it is a documentary, so it have very little chance to expand. On the Job has the best reviews of the week, but it is a foreign-language action film, so it will likely not earn breakout success.
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All Technical Credits
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Director Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 4,701-4,800) |
4,763 |
$147,234 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 5,301-5,400) |
5,366 |
$2,651,790 |
Top Grossing Screenwriter at the International Box Office (Rank 7,001-7,100) |
7,079 |
$76,908 |
Top Grossing Director at the Worldwide Box Office (Rank 10,701-10,800) |
10,710 |
$147,234 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,701-6,800) |
6,752 |
$2,728,698 |