Jay Presson Allen

Best known as a Screenwriter based on credits in that role in 5 films, with $90,514,144 worldwide aggregate box office (rank #2,219)
Best-known technical roles: Cabaret (Screenwriter), Lord of the Flies (Screenwriter), Deathtrap (Screenwriter), It’s My Turn (Executive Producer), Prince of the City (Screenwriter)
Most productive collaborators: Balthazar Getty, Harry Hook, Chris Furrh, Danuel Pipoly, Sara Schiff
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter5$90,420,676$93,468$90,514,144
Executive Producer2$20,000,000$0$20,000,000

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 3,501-3,600) 3,541 $20,000,000
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,301-1,400) 1,362 $90,420,676
Top Grossing Screenwriter at the International Box Office (Rank 7,501-7,600) 7,518 $93,468
Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,301-4,400) 4,383 $20,000,000
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) 2,219 $90,514,144

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Mar 16, 1990Lord of the Flies Screenwriter $13,812,230$13,812,230
Mar 19, 1982Deathtrap Screenwriter $19,282,000$19,282,000
Aug 19, 1981Prince of the City Screenwriter
Executive Producer		 $9,000,000$9,000,000
1980It’s My Turn Executive Producer $11,000,000$11,000,000
Feb 12, 1972Cabaret Screenwriter $41,326,446$83,274$41,409,720
Jul 22, 1964Marnie Screenwriter $7,000,000$10,194$7,010,194
 
Averages $16,903,446$46,734$16,919,024
Totals 6 $101,420,676$93,468$101,514,144


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Mar 16, 1990Lord of the Flies $4,410,457919$13,812,230$13,812,230100.0%
Mar 19, 1982Deathtrap $2,238,977603$19,282,000$19,282,000100.0%
Aug 19, 1981Prince of the City $64,713307$9,000,000$9,000,000100.0%
Feb 12, 1972Cabaret $41,326,446$41,409,72099.8%
Jul 22, 1964Marnie 2$7,000,000$7,010,19499.9%
 
Averages $2,238,049458$18,084,135$18,102,82999.9%
Totals 5 $90,420,676$90,514,144

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 3,501-3,600) 3,541 $20,000,000
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,301-1,400) 1,362 $90,420,676
Top Grossing Screenwriter at the International Box Office (Rank 7,501-7,600) 7,518 $93,468
Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,301-4,400) 4,383 $20,000,000
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) 2,219 $90,514,144