January 22nd, 2019
The Hate U Give opened in limited release in October and while it never reached the top five, it did very well at the box office. Its reviews are 97% positive, but it hasn’t gone anywhere during Awards Season. Does it deserve more? Or is it busted Oscar-bait?
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October 1st, 2018
September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin.
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April 1st, 2015
March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
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All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 401-500) |
405 |
$225,477,980 |
Top Grossing Producer at the Domestic Box Office (Rank 801-900) |
814 |
$177,642,803 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,901-2,000) |
1,937 |
$49,413,769 |
Top Grossing Story Creator at the Domestic Box Office (Rank 2,401-2,500) |
2,409 |
$5,426,772 |
Top Grossing Director at the International Box Office (Rank 801-900) |
889 |
$86,199,113 |
Top Grossing Producer at the International Box Office (Rank 3,601-3,700) |
3,643 |
$7,068,053 |
Top Grossing Screenwriter at the International Box Office (Rank 6,101-6,200) |
6,101 |
$288,120 |
Top Grossing Story Creator at the International Box Office (Rank 2,701-2,800) |
2,746 |
$276,425 |
Top Grossing Director at the Worldwide Box Office (Rank 501-600) |
584 |
$311,677,093 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,301-1,400) |
1,315 |
$184,710,856 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,801-2,900) |
2,801 |
$49,701,889 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 2,701-2,800) |
2,722 |
$5,703,197 |