Career Summary
| | | Movies | Domestic
Box Office | International
Box Office | Worldwide
Box Office |
|---|
| As an Actor | Supporting | 15 | $387,647,334 | $648,279,698 | $1,035,927,032 |
| Leading | 8 | $61,508,349 | $51,291,228 | $112,799,577 |
| Lead Ensemble Member | 2 | $28,861,676 | $42,587,815 | $71,449,491 |
| (Unclassified) | 3 | $0 | $19,368 | $19,368 |
| In Technical Roles | Executive Producer | 1 | $0 | $0 | $0 |
Career Trend
This graph shows Thomas Mann’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 1,601-1,700) |
1,680 |
$90,370,025 |
| Top Stars at the Domestic Box Office (Rank 3,201-3,300) |
3,251 |
$478,017,359 |
| Top 100 Stars in Leading Roles at the International Box Office (Rank 1,801-1,900) |
1,840 |
$93,879,043 |
| Top Stars at the International Box Office (Rank 2,701-2,800) |
2,778 |
$742,178,109 |
| Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 1,701-1,800) |
1,741 |
$184,249,068 |
| Top Stars at the Worldwide Box Office (Rank 2,801-2,900) |
2,879 |
$1,220,195,468 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
December 14th, 2018
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It’s a great time of year to release an Awards Season contender. Ironically, there is so much competition in that space that the number of Oscar-bait films already in release is too much competition, so there are not too many films coming out this week. That’s not to say there are no prime releases coming out. If Beale Street Could Talk is an Awards Season contender, but it is arguably the only film on this week’s list with a realistic chance of doing well at the box office.
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August 3rd, 2015
A24 has only been around for little more than two years, but in that time, I've reviewed more than a dozen of their releases. I haven't enjoyed all of them, but their hit to miss ratio has been better than most. Likewise, their hit to miss ratio at the box office has been better than most. If this keeps up, they might start releasing wide releases in a few years. However, while their track record is amazing compared to most limited releases, Barely Lethal is not a success story. It earned terrible reviews and missed the Mendoza Line during its opening weekend, earning less than $2,000 per theater. Granted it was also a VOD premiere, so that's a mitigating circumstance, it was one of the weakest box office performers for A24. Was this result fair? Or did it deserve better?
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June 12th, 2015
While there are a number of films on this week's list, only one of them is earning overwhelmingly positive reviews. Me and Earl and the Dying Girl's Tomatometer Score is 85% positive and it is playing in 15 theaters, so it is the clear choice for fans of limited releases. In fact, it might do well enough to earn some measure of mainstream success.
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February 18th, 2013
Fun Size is a live action kids movie with a female star. These tend to struggle at the box office. This one was no exception. Despite opening right before Halloween and having a Halloween theme, the film bombed really hard. It opened well below the Mendoza Line and is one of the weakest openings for a saturation level release of all time. Is the film as bad as its box office performance? Or does it deserve to find a wider audience on the home market?
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All Technical Credits
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