Taiwan Box Office for 47 Meters Down: Uncaged (2019)

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47 Meters Down: Uncaged
Theatrical Performance (US$)
Taiwan Box Office $191,072Details
Worldwide Box Office $47,582,563Details
Home Market Performance
North America DVD Sales $323,648 Details
North America Blu-ray Sales $1,038,579 Details
Total North America Video Sales $1,362,227
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean.

Metrics

Movie Details

Production Budget:$12,000,000
Taiwan Releases: November 1st, 2019 (Wide)
Video Release: October 29th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for creature related violence and terror, some bloody images and brief rude gestures.
(Rating bulletin 2587 (Cert #52279), 7/17/2019)
Running Time: 89 minutes
Franchise: 47 Meters Down
Keywords: Survival Thriller, Set in Brazil, Tourists In Trouble, Underwater, Animals Gone Bad, Step-Family, Dysfunctional Family, Young Child Dealing with the Death of a Parent
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: The Fyzz Facility, Entertainment Studios Motion Pictures
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for November 12th, 2019

November 14th, 2019

Star Trek: Discovery: Season Two

There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people. More...

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

47 Meters Down: Uncaged Trailer 2

August 6th, 2019

Creature feature opens August 16 ... Full Movie Details.

A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

47 Meters Down: Uncaged Trailer

May 30th, 2019

Creature feature opens August 16 ... Full Movie Details.

A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/4/2019 $38,620 85 85 124 $56,510 11/10/2019
Australia 11/1/2019 $205,616 159 159 576 $430,370 12/1/2019
Brazil 11/22/2019 $215,933 308 308 647 $496,752 12/25/2019
China 1/10/2020 $3,640,000 64761 64761 94790 $6,860,000 8/27/2020
Germany 10/11/2019 $182,377 162 162 358 $495,977 11/24/2019
Hong Kong 10/11/2019 $0 0 21 29 $383,022 11/10/2019
Japan 7/23/2020 $122,355 0 0 0 $475,070 8/7/2020
Lithuania 8/16/2019 $5,904 6 6 12 $17,435 9/4/2019
Mexico 10/18/2019 $313,463 0 19 20 $610,207 11/24/2019
Netherlands 9/27/2019 $108,455 45 45 154 $312,879 10/19/2022
New Zealand 10/17/2019 $713 4 4 5 $710 10/19/2022
North America 8/16/2019 $8,427,265 2,853 2,883 10,314 $22,260,900 3/8/2022
Portugal 8/30/2019 $48,397 42 44 150 $152,560 10/19/2022
Russia (CIS) 8/15/2019 $458,726 748 748 1560 $892,339 10/19/2022
South Korea 8/28/2019 $1,416,307 644 644 1291 $3,153,950 11/10/2019
Spain 8/16/2019 $322,785 244 244 672 $1,160,550 10/11/2019
Taiwan 11/1/2019 $110,676 50 50 50 $191,072 12/1/2019
Turkey 8/7/2020 $5,178 117 117 360 $38,937 10/19/2022
 
Rest of World $9,593,323
 
Worldwide Total$47,582,563 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sophie Nelisse    Mia

Supporting Cast

Corinne Foxx    Sasha
Brianne Tju    Alexa
Sistine Stallone    Nicole
Davi Santos    Ben
Khylin Rhambo    Carl
Brec Bassinger    Catherine
John Corbett    Grant
Nia Long    Jennifer
Leslie Pepen    Catherine’s Girlfriend

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Johannes Roberts    Director
Johannes Roberts    Screenwriter
Ernest Riera    Screenwriter
James Harris    Producer
Mark Lane    Producer
Robert Jones    Producer
Byron Allen    Executive Producer
Carolyn Folks    Executive Producer
Jennifer Lucas    Executive Producer
Terence Hill    Executive Producer
Jessica Freeborn    Executive Producer
Chris Charalambous    Executive Producer
Mark Devitre    Executive Producer
Eric Gould    Executive Producer
Joan Robbins    Executive Producer
Will Clarke    Executive Producer
Andy Mayson    Executive Producer
Mike Runagall    Executive Producer
Johannes Roberts    Executive Producer
Andrew Boucher    Executive Producer
Marian Briozzo    Post-Production Supervisor
Mark Silk    Director of Photography
David Bryan    Production Designer
Claire Finlay Thompson    Costume Designer
Martin Brinkler    Editor
Tomandandy*    Composer
Tomandandy*    Composer
Laura Katz    Music Supervisor
Kate Glover    Co-Producer
Colin Jones    Casting Director