Record	Rank	Revenue
All Time Domestic Box Office (Rank 6,201-6,300)	6,228	$6,377,461
All Time Domestic Inflation Adjusted Box Office (Rank 5,901-6,000)	5,915	$10,724,699
All Time Domestic Non-Sequel Box Office (Rank 5,401-5,500)	5,447	$6,377,461
Top 2005 Movies at the Domestic Box Office (Rank 101-200)	158	$6,377,461
All Time Domestic Highest Grossing Limited Release Movies (Rank 401-500)	415	$6,377,461
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 301-400)	388	$10,724,699
Top 2005 Limited Release Movies at the Domestic Box Office	22	$6,377,461
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 301-400)	389	$6,377,461
All Time Domestic Box Office for Live Action Movies (Rank 5,501-5,600)	5,551	$6,377,461
All Time Domestic Box Office for Factual Movies (Rank 101-200)	116	$6,377,461
All Time Domestic Box Office for Documentary Movies	89	$6,377,461
All Time Domestic Box Office for Not Rated Movies (Rank 201-300)	265	$6,377,461
All Time Domestic Box Office for ThinkFilm Movies	2	$6,377,461

Date	Rank	Gross	% Change	Theaters	Per Theater	Total Gross	Week
Jul 29, 2005	22	$243,796		4	$60,949	$243,796	1
Aug 5, 2005	24	$239,478	-2%	9	$26,609	$624,238	2
Aug 12, 2005	19	$867,171	+262%	86	$10,083	$1,622,217	3
Aug 19, 2005	18	$666,449	-23%	170	$3,920	$2,717,241	4
Aug 26, 2005	18	$694,492	+4%	226	$3,073	$3,767,694	5
Sep 2, 2005	22	$510,000	-27%	234	$2,179	$4,590,000	6
Sep 9, 2005	23	$352,009	-31%	222	$1,586	$5,215,396	7
Sep 16, 2005	30	$249,686	-29%	177	$1,411	$5,635,233	8
Sep 23, 2005	34	$145,317	-42%	127	$1,144	$5,886,033	9
Sep 30, 2005	46	$82,426	-43%	92	$896	$6,031,653	10
Oct 7, 2005	49	$53,461	-35%	60	$891	$6,132,550	11
Oct 14, 2005	56	$36,202	-32%	46	$787	$6,195,548	12
Oct 21, 2005	63	$28,118	-22%	36	$781	$6,237,659	13
Oct 28, 2005	73	$15,687	-44%	24	$654	$6,264,352	14
Nov 4, 2005	73	$14,214	-9%	17	$836	$6,288,015	15
Nov 11, 2005	80	$11,466	-19%	14	$819	$6,305,430	16
Nov 18, 2005	82	$7,231	-37%	13	$556	$6,315,842	17
Nov 25, 2005	78	$7,668	+6%	11	$697	$6,326,284	18
Dec 2, 2005	79	$5,061	-34%	7	$723	$6,334,863	19
Dec 9, 2005	76	$4,077	-19%	6	$680	$6,341,877	20
Dec 16, 2005	69	$5,027	+23%	8	$628	$6,353,098	21
Dec 23, 2005	50	$2,134	-58%	5	$427	$6,357,172	22
Dec 30, 2005	71	$2,615	+23%	3	$872	$6,361,370	23
Jan 6, 2006	81	$939	-64%	1	$939	$6,364,885	24
Jan 13, 2006	75	$1,721	+83%	2	$861	$6,369,386	25
Jan 20, 2006	70	$7,793	+353%	7	$1,113	$6,377,277	26

Date	Rank	Gross	%YD	%LW	Theaters	Per Theater	Total Gross	Days
Sep 5, 2005	19	$133,903			234	$572	$4,725,876	39
Jan 2, 2006	70	$222			3	$74	$6,361,592	158

Date	Rank	Gross	% Change	Theaters	Per Theater	Total Gross	Week
Jul 29, 2005	22	$384,760		4	$96,190	$384,760	1
Aug 5, 2005	24	$370,286	-4%	9	$41,143	$755,046	2
Aug 12, 2005	19	$1,295,746	+250%	86	$15,067	$2,050,792	3
Aug 19, 2005	18	$1,022,410	-21%	170	$6,014	$3,073,202	4
Aug 26, 2005	20	$1,006,798	-2%	226	$4,455	$4,080,000	5
Sep 2, 2005	22	$783,387	-22%	234	$3,348	$4,863,387	6
Sep 9, 2005	23	$522,160	-33%	222	$2,352	$5,385,547	7
Sep 16, 2005	29	$355,169	-32%	177	$2,007	$5,740,716	8
Sep 23, 2005	33	$208,511	-41%	127	$1,642	$5,949,227	9
Sep 30, 2005	43	$129,862	-38%	92	$1,412	$6,079,089	10
Oct 7, 2005	50	$80,257	-38%	60	$1,338	$6,159,346	11
Oct 14, 2005	55	$50,195	-37%	46	$1,091	$6,209,541	12
Oct 21, 2005	63	$39,124	-22%	36	$1,087	$6,248,665	13
Oct 28, 2005	74	$25,136	-36%	24	$1,047	$6,273,801	14
Nov 4, 2005	74	$20,163	-20%	17	$1,186	$6,293,964	15
Nov 11, 2005	80	$14,647	-27%	14	$1,046	$6,308,611	16
Nov 18, 2005	89	$10,005	-32%	13	$770	$6,318,616	17
Nov 25, 2005	73	$11,186	+12%	11	$1,017	$6,329,802	18
Dec 2, 2005	74	$7,998	-28%	7	$1,143	$6,337,800	19
Dec 9, 2005	69	$10,271	+28%	6	$1,712	$6,348,071	20
Dec 16, 2005	55	$6,967	-32%	8	$871	$6,355,038	21
Dec 23, 2005	52	$3,717	-47%	5	$743	$6,358,755	22
Dec 30, 2005	67	$5,191	+40%	3	$1,730	$6,363,946	23
Jan 6, 2006	70	$3,719	-28%	1	$3,719	$6,367,665	24
Jan 13, 2006	77	$1,819	-51%	2	$910	$6,369,484	25

Record	Rank	Revenue
All Time International Box Office (Rank 14,501-14,600)	14,507	$325,143
All Time International Non-Sequel Box Office (Rank 13,301-13,400)	13,344	$325,143
All Time International Box Office for Based on Real Life Events Movies (Rank 1,201-1,300)	1,288	$325,143
All Time International Box Office for Live Action Movies (Rank 12,101-12,200)	12,179	$325,143
All Time International Box Office for Factual Movies (Rank 601-700)	631	$325,143
All Time International Box Office for Documentary Movies (Rank 501-600)	509	$325,143
All Time International Box Office for Not Rated Movies (Rank 1,301-1,400)	1,383	$325,143
All Time International Box Office for ThinkFilm Movies	24	$325,143

Record	Rank	Revenue
All Time Worldwide Box Office (Rank 9,101-9,200)	9,103	$6,702,604
All Time Worldwide Non-Sequel Box Office (Rank 8,001-8,100)	8,054	$6,702,604
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 601-700)	612	$6,702,604
All Time Worldwide Box Office for Live Action Movies (Rank 7,801-7,900)	7,888	$6,702,604
All Time Worldwide Box Office for Factual Movies (Rank 101-200)	179	$6,702,604
All Time Worldwide Box Office for Documentary Movies (Rank 101-200)	138	$6,702,604
All Time Worldwide Box Office for Not Rated Movies (Rank 801-900)	813	$6,702,604
All Time Worldwide Box Office for ThinkFilm Movies	6	$6,702,604

Flightplan Soars to the Top of the Home Market

February 4th, 2006

Flightplan was the clear winner on this week's home market charts taking first on the rental charts with $9.66 million and also finishing first in sales, (as usual, no sales numbers were released). More...

DVD Releases for January 24, 2006

January 23rd, 2006

It's another slow week for DVDs with little in the way of release worth renting and there's nothing here I would rate as must have. Because of that, there's no DVD Pick of the Week, which is probably for the best as I'm spending too much on DVDs as it is. On a side note, things definitely start to pick up next week. More...

International Round-up: Red Eye Takes Off

October 2nd, 2005

Red Eye added another $3.7 million on 2,057 screens in 37 markets to its $22 million international total. The film opened in second place in both Spain with $850,000 on 215 screens and in the Netherlands with $250,000 on 59 ($300,000 including previews). More...

Mafia Sequel Squeezes into Top Five Again

September 25th, 2005

Marrying the Mafia 2 again led its native market of South Korean with $4.81 million over the weekend and $12.78 million during its two-week run. And like last week, this was enough for the film to secure a place in the top five overall just beating out Pride and Prejudice. More...

Mafia Rubs Out Competition

September 18th, 2005

Marrying the Mafia 2 is the latest local film to lead the South Korean box office as it opened with $5.555 million on 449 screens, $7.515 million including Thursday. Not only was that easily enough for first place in its home market, but also put the film in third place on the overall international box office charts. More...

Giving the Devil His Due

September 13th, 2005

There was just the single film in the $10,000 club this weekend and it was the overall box office leader, The Exorcism of Emily Rose. The film, which was a surprise hit over the weekend, earned just over $30 million in 2,981 theaters for a $10,082 per theatre average. More...

Per Theater Chart Takes a Vacation

September 7th, 2005

Despite the long weekend, not a single film was able to enter the $10,000 club, not even if you include Monday. The film with the highest Per Theater Average was William Eggleston in the Real World, which wasn't even close at $6,820. With award season just getting started, more and more high quality limited releases should come one and there probably won't be many weeks without at least one film hitting $10,000 on its per theater average from now until the end of the year. More...

People Talking about Untold Story

August 30th, 2005

Word of mouth is obviously helped The Untold Story of Emmett Till since it saw its weekend Per Theatre average climb to $12,290, up from $8,695 last weekend. It was also the only film to reach the $10,000 mark during a weekend that saw three films open with per theatre averages below $1,000. More...

Empty Clubhouse

August 23rd, 2005

No film was able to make it into the $10,000 club over the weekend, The Untold Story of Emmett Till came the closest with $13,165 since Wednesday, but only $8,695 of that was earned over the weekend. That was still enough to lead the Per Theatre Charts ahead of the re-release of Elevator to the Gallows and the overall box office leader, The 40-Year Old Virgin, which earned averages of $7,596 and $7,530 respectively. More...

Holdovers Hold On

August 16th, 2005

There were three films in the $10,000 club this weekend, all of them holdovers. Last week's winner, Broken Flowers, again finished first despite a sizeable increase in its theatre count. It more than quadrupled its theatre count but lost less than half its per theatre average to land at $14,553. More...

Flowers won't go Broke

August 9th, 2005

There was a very tight race atop the Per Theatre Charts this weekend with Broken Flowers finishing just ahead of 2046. The former film earned $780,000 in 27 theatres for a $28,904 per theatre average while the latter made $113,000 in four theatres for a average of $28,269. Last week's winner, The Aristocrats took a tumble losing 56% of its per theatre average falling to third place with $26,609. Rounding out the $10,000 club was Junebug, which just snagged a spot with a $10,677 per theatre average. More...

The Aristocrats' Box Office is no Joke

August 2nd, 2005

The unrated film, The Aristocrats, easily took top spot on the Per Theatre Charts with an incredible average of $60,949 in four theatres. The film expands the Friday after next, and until then it's hard to tell how much of that figure is based on quality of the movie and how much is based on the controversy surrounding it. The only other film in the $10,000 club was Balzac & the Little Chinese Seamstress, which opened with $16,694 in its lone theatre. More...

The Dirtiest Movie Ever

July 29th, 2005

It's a light week for limited releases with only three films. However, one of these films should generate a lot of publicity and could be another documentary destined for at least a margin of mainstream success. More...