Synopsis
Roxane Coss, a famous American soprano, travels to South America to give a private concert at the birthday party of rich Japanese industrialist Katsumi Hosokawa. Just as a handsome gathering of local dignitaries convenes at Vice-President Ruben Ochoa’s mansion, including French Ambassador Thibault and his wife, Hosokawa’s faithful translator Gen, and Russian trade delegate Fyorodov, the house is taken over by guerrillas demanding the release of their imprisoned comrades. Their only contact with the outside world is through Red Cross negotiator Messner.
A month long standoff ensues in which hostages and captors must overcome their differences and find their shared humanity and hope in the face of impending disaster.
Metrics
Movie Details
| Portugal Releases: |
November 9th, 2018 (Wide) |
| Video Release: |
November 6th, 2018 by Screen Media Video |
| MPAA Rating: |
Not Rated |
| Running Time: |
100 minutes |
| Keywords: |
Kidnap, Set in South America, Fictional Country, 1990s, Opera, Revolution |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Priority Pictures, A-Line Pictures, Depth of Field, Bloom |
| Production Countries: |
United States |
| Languages: |
English |
November 6th, 2018
This is either an amazing week or a terrible week, depending on how you look at things. It is amazing, because there is a trio of releases I was really looking forward to reviewing: BlacKkKlansman, Incredibles 2, and Christopher Robin. It’s a terrible week, because none of those screeners showed up. I normally don’t like giving the Pick of the Week when I’m still waiting for the screener, but that’s not an option this week, so Incredibles 2 wins.
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September 20th, 2018
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It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters.
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September 14th, 2018
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Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/11/09 |
11 |
$18,964 |
|
18 |
$1,054 |
$18,964 |
1 |
| 2018/11/16 |
14 |
$7,136 |
-62% |
20 |
$357 |
$33,086 |
2 |
| 2018/11/23 |
- |
$1,662 |
-77% |
3 |
$554 |
$38,891 |
3 |
| 2018/11/30 |
- |
$726 |
-56% |
1 |
$726 |
$41,095 |
4 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
