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| Theatrical Performance (US$) | ||
| Australia Box Office | $126,344 | Details |
| Worldwide Box Office | $153,018,738 | Details |
| Further financial details... | ||
| Australia Releases: | February 10th, 2017 (Wide), released as Duckweed |
| MPAA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Keywords: | Set in China, Car Accident, Near Death Experience, Time Travel, Dysfunctional Family, Life in a Small Town, Auto Racing, Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China |
| Languages: | Mandarin |
February 15th, 2017
Kedi became the first movie released in 2017 to hit the $40,000 mark on the per theater chart earning $40,103 in its lone theater. A United Kingdom was next with an average of $16,628 in four theaters. This is enough to suggest it will expand, but not enough to think it will earn a significant measure of mainstream success. The only other two films in the $10,000 club were the top two films on the overall weekend chart. The Lego Batman Movie earned an average of $12,966, putting it just ahead of Fifty Shades Darker, which earned an average of $12,563.
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February 10th, 2017
It is a super short list this week, because the weather here is so bad it is negatively affecting my internet access. The power hasn’t gone out, at least not more than a mere flicker, but the internet has slowed to a crawl enough that I’m worried if I don’t get it done quickly, I won’t get a chance to do it at all. Of the movies on this week’s list, A United Kingdom is the one I’m most interested in seeing.
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February 9th, 2017
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Kung Fu Yoga bombed in India, but that didn’t stop it from earning first place on the international chart with $51.4 million over the weekend for an international total of $180 million. Nearly all of this came from China, where it earned $50.2 million over the weekend for a two-week total of $179.71 million.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/02/10 | 23 | $59,617 | 14 | $4,258 | $59,617 | 1 | |
| 2017/02/17 | 29 | $21,637 | -64% | 13 | $1,664 | $109,159 | 2 |
| 2017/02/24 | - | $6,722 | -69% | 6 | $1,120 | $126,344 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/10/2017 | $59,617 | 14 | 14 | 33 | $126,344 | 2/27/2017 |
| China | 1/27/2017 | $9,010,000 | 39497 | 46480 | 142550 | $152,405,088 | 8/13/2018 |
| New Zealand | 2/10/2017 | $8,478 | 3 | 3 | 6 | $17,600 | 2/21/2017 |
| North America | 2/10/2017 | $160,739 | 27 | 30 | 84 | $469,706 | |
| Worldwide Total | $153,018,738 | 8/13/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Eddie Peng | Xu Zhengtai | |
| Chao Deng | Xu Tailang | |
| Zhao Liying | Xiao Hua |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
