| Theatrical Performance (US$) | ||
| Spain Box Office | $3,862,761 | Details |
| Worldwide Box Office | $30,694,802 | Details |
| Further financial details... | ||
| Spain Releases: | January 6th, 2017 (Wide) |
| Video Release: | July 1st, 2017 by Netflix |
| Running Time: | 106 minutes |
| Keywords: | Crime Thriller, Remade, Car Accident, Non-Chronological, Lawyers, Framed, Surprise Twist, Death of a Son or Daughter, Covering Up an Accidental Death, False Identity, White Collar Crime |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Spain |
| Languages: | Spanish |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/01/06 | 3 | $1,148,798 | 242 | $4,747 | $1,148,798 | 1 | |
| 2017/01/13 | 5 | $709,405 | -38% | 276 | $2,570 | $2,173,176 | 2 |
| 2017/01/20 | 5 | $482,716 | -32% | 277 | $1,743 | $2,876,863 | 3 |
| 2017/01/27 | 8 | $271,773 | -44% | 247 | $1,100 | $3,329,769 | 4 |
| 2017/02/03 | 10 | $213,560 | -21% | 210 | $1,017 | $3,675,409 | 5 |
| 2017/02/10 | 15 | $91,373 | -57% | 115 | $795 | $3,793,684 | 6 |
| 2017/02/17 | 19 | $37,699 | -59% | 58 | $650 | $3,856,915 | 7 |
| 2017/02/24 | 23 | $11,061 | -71% | 24 | $461 | $3,867,889 | 8 |
| 2017/03/03 | 44 | $1,517 | -86% | 8 | $190 | $3,862,761 | 9 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/24/2017 | $7,691 | 0 | 0 | 0 | $15,781 | 1/1/2019 |
| China | 9/15/2017 | $8,777 | 0 | 24474 | 65748 | $25,919,310 | 8/16/2018 |
| Mexico | 3/19/2022 | $0 | 0 | 0 | 0 | $0 | |
| Russia (CIS) | 5/31/2018 | $100,381 | 172 | 172 | 329 | $268,219 | 10/19/2022 |
| South Korea | 9/20/2017 | $265,199 | 232 | 232 | 606 | $628,731 | 7/24/2024 |
| Spain | 1/6/2017 | $1,148,798 | 242 | 277 | 1457 | $3,862,761 | 3/10/2017 |
| Worldwide Total | $30,694,802 | 7/24/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Mario Casas | Adrián Doria | |
| Ana Wagener | Virginia Goodman |
| Jose Coronado | Tomás Garrido | |
| Barbara Lennie | Laura Vidal |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Oriol Paulo | Director | |
| Oriol Paulo | Screenwriter | |
| Lara Sendim | Screenwriter | |
| Mercedes Gamero | Producer | |
| Adrian Guerra | Producer | |
| Sandra Hermida Muñiz | Producer | |
| Mikel Lejarza | Producer | |
| Eneko Lizarraga | Producer | |
| Nuria Valls | Producer | |
| Xavi Jiménez | Cinematographer | |
| Jaume Marti | Editor | |
| Fernando Velazquez | Composer |
