Synopsis
A boy of 16 wants to get in the house of one of his classmates to glean inspiration for his writing assignments.
Impressed with this unusual and gifted student, his teacher rediscovers a taste for teaching, but the intrusion sparks a series of uncontrollable events.
Metrics
Movie Details
April 23rd, 2013
There was only one film in the $10,000 club this week, In the House, which earned an average of $11,738 in three theaters. However, Filly Brown had a more impressive opening with $1.48 million in 188 theaters for an average of $7,863. You rarely see limited releases playing in that many theaters earning that high a per theater average.
More...
April 21st, 2013
Given the news over the past week, and the shutdown of Boston on Friday, there was some uncertainty over how much sci-fi action moviegoers would have an appetite for this weekend. Sunday's studio estimates provide the answer: quite a lot. Oblivion will open with about $38.2 million according to Universal, which is on the high end of expectations. That's enough to put it firmly in the top ten April weekends, in between Rio and Hop, but a long way behind Clash of the Titans, which debuted with $61.2 million in 2010 and is probably the closest comparison film to Oblivion among recent April openers.
More...
April 19th, 2013
There are not a huge number of films on this weeks list, but there are some big releases in terms of theater counts. In fact, there is a trio of films opening in more than 100 theaters and there is a slim chance one of them will be a breakout hit. If I were a betting man, I would go with Home Run. Its reviews are weak, but churchgoers tend not to listen to critics. There are also a trio of documentaries, and a trio of Canadian films. Hopefully there will be at least a couple surprise hits in the bunch.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2012/10/12 |
4 |
$128,867 |
|
25 |
$5,155 |
$130,786 |
1 |
| 2012/10/19 |
4 |
$98,145 |
-24% |
26 |
$3,775 |
$252,178 |
2 |
| 2012/10/26 |
6 |
$64,939 |
-34% |
23 |
$2,823 |
$334,040 |
3 |
| 2012/11/09 |
12 |
$26,408 |
|
16 |
$1,651 |
$458,774 |
5 |
| 2012/11/23 |
16 |
$14,193 |
|
17 |
$835 |
$506,496 |
7 |
| 2012/12/07 |
18 |
$5,543 |
|
12 |
$462 |
$528,127 |
9 |
| 2012/12/14 |
19 |
$1,006 |
-82% |
4 |
$252 |
$532,581 |
10 |
| 2013/01/04 |
25 |
$1,204 |
|
3 |
$401 |
$545,391 |
13 |
| 2013/01/11 |
28 |
$623 |
-48% |
2 |
$312 |
$547,055 |
14 |
| 2013/01/25 |
31 |
$281 |
|
1 |
$281 |
$547,913 |
16 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
