Fahrenheit 11/9 (2018)

Fahrenheit 11/9
Theatrical Performance
Domestic Box Office $6,352,306Details
International Box Office $301,409Details
Worldwide Box Office $6,653,715
Home Market Performance
Est. Domestic DVD Sales $425,068 Details
Est. Domestic Blu-ray Sales $61,162 Details
Total Est. Domestic Video Sales $486,230
Further financial details...

Synopsis

A provocative and comedic look at the times in which we live. It will explore the two most important questions of the Trump Era: How the f**k did we get here, and how the f**k do we get out? It’s the film to see before it’s too late.

Metrics

Opening Weekend:$3,008,563 (47.4% of total gross)
Legs:2.11 (domestic box office/biggest weekend)
Domestic Share:95.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:1,719 opening theaters/1,719 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $7,516,775

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 21st, 2018 (Wide) by Briarcliff Entertainment
International Releases: September 28th, 2018 (Wide) (Netherlands)
October 19th, 2018 (Limited) (United Kingdom)
November 1st, 2018 (Wide) (Portugal)
November 2nd, 2018 (Wide), released as Fahhrenheit 11/9 (Australia)
November 14th, 2018 (Wide) (South Korea)
... Show all releases
Video Release: December 18th, 2018 by Briarcliffe Entertainment
MPAA Rating: R for language and some disturbing material/images.
(Rating bulletin 2543 (Cert #51795), 9/5/2018)
Running Time: 128 minutes
Comparisons: vs. The Final Year
Create your own comparison chart…
Keywords: Agitprop, Political, Politicians, Archive Footage, Political Protest, Political Documentary, Directing Yourself, Screenplay Written By the Star
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: State Run Films, Briarcliff Entertainment, Dog Eat Dog
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 8 $3,008,563   1,719 $1,750   $3,008,563 1
Sep 28, 2018 12 $1,111,135 -63% 1,719 $646   $5,180,428 2
Oct 5, 2018 24 $238,510 -79% 422 $565   $5,985,895 3
Oct 12, 2018 33 $63,071 -74% 95 $664   $6,203,733 4
Oct 19, 2018 40 $26,793 -58% 37 $724   $6,264,731 5
Oct 26, 2018 44 $39,170 +46% 289 $136   $6,319,606 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 21, 2018 7 $1,063,442     1,719 $619   $1,063,442 1
Sep 22, 2018 8 $1,187,602 +12%   1,719 $691   $2,251,044 2
Sep 23, 2018 8 $757,519 -36%   1,719 $441   $3,008,563 3
Sep 24, 2018 8 $276,352 -64%   1,719 $161   $3,284,915 4
Sep 25, 2018 9 $351,040 +27%   1,719 $204   $3,635,955 5
Sep 26, 2018 9 $238,772 -32%   1,719 $139   $3,874,727 6
Sep 27, 2018 9 $194,566 -19%   1,719 $113   $4,069,293 7
Sep 28, 2018 12 $304,583 +57% -71% 1,719 $177   $4,373,876 8
Sep 29, 2018 13 $479,389 +57% -60% 1,719 $279   $4,853,265 9
Sep 30, 2018 11 $327,163 -32% -57% 1,719 $190   $5,180,428 10
Oct 1, 2018 12 $140,289 -57% -49% 1,719 $82   $5,320,717 11
Oct 2, 2018 12 $176,593 +26% -50% 1,719 $103   $5,497,310 12
Oct 3, 2018 11 $136,084 -23% -43% 1,719 $79   $5,633,394 13
Oct 4, 2018 11 $113,991 -16% -41% 1,719 $66   $5,747,385 14
Oct 5, 2018 - $58,913 -48% -81% 422 $140   $5,806,298 15
Oct 6, 2018 - $95,680 +62% -80% 422 $227   $5,901,978 16
Oct 7, 2018 - $83,917 -12% -74% 422 $199   $5,985,895 17
Oct 12, 2018 - $16,395   -72% 95 $173   $6,157,057 22
Oct 13, 2018 - $27,870 +70% -71% 95 $293   $6,184,927 23
Oct 14, 2018 - $18,806 -33% -78% 95 $198   $6,203,733 24
Oct 15, 2018 - $7,004 -63%   95 $74   $6,210,737 25
Oct 16, 2018 - $9,251 +32%   95 $97   $6,219,988 26
Oct 17, 2018 - $9,776 +6%   95 $103   $6,229,764 27
Oct 18, 2018 - $8,174 -16%   95 $86   $6,237,938 28
Oct 19, 2018 - $7,183 -12% -56% 37 $194   $6,245,121 29
Oct 20, 2018 - $11,189 +56% -60% 37 $302   $6,256,310 30
Oct 21, 2018 - $8,421 -25% -55% 37 $228   $6,264,731 31
Oct 22, 2018 - $3,470 -59% -50% 37 $94   $6,268,201 32
Oct 23, 2018 - $4,407 +27% -52% 37 $119   $6,272,608 33
Oct 24, 2018 - $4,145 -6% -58% 37 $112   $6,276,753 34
Oct 25, 2018 - $3,683 -11% -55% 37 $100   $6,280,436 35
Oct 26, 2018 - $10,220 +177% +42% 289 $35   $6,290,656 36
Oct 27, 2018 - $15,065 +47% +35% 289 $52   $6,305,721 37
Oct 28, 2018 - $13,885 -8% +65% 289 $48   $6,319,606 38
Oct 29, 2018 - $10,272 -26% +196% 289 $36   $6,329,878 39
Oct 30, 2018 - $6,488 -37% +47% 289 $22   $6,336,366 40
Oct 31, 2018 - $7,973 +23% +92% 289 $28   $6,344,339 41
Nov 1, 2018 - $7,967 n/c +116% 289 $28   $6,352,306 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 8 $4,069,293   1,719 $2,367   $4,069,293 1
Sep 28, 2018 12 $1,678,092 -59% 1,719 $976   $5,747,385 2
Oct 5, 2018 23 $393,277 -77% 422 $932   $6,140,662 3
Oct 12, 2018 35 $97,276 -75% 95 $1,024   $6,237,938 4
Oct 19, 2018 41 $42,498 -56% 37 $1,149   $6,280,436 5
Oct 26, 2018 39 $71,870 +69% 289 $249   $6,352,306 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/2/2018 $24,894 17 18 64 $92,241 1/1/2019
Netherlands 9/28/2018 $29,999 30 30 60 $83,225 10/9/2018
Portugal 11/1/2018 $8,511 10 10 22 $22,869 11/27/2018
South Korea 11/14/2018 $0 0 71 71 $28,962 12/14/2018
United Kingdom 10/19/2018 $74,112 40 40 40 $74,112 10/24/2018
 
International Total$301,409 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Narrator(s)

Michael Moore   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Moore    Director
Michael Moore    Screenwriter
Michael Moore    Producer
Meghan O'Hara    Producer
Tia Lessin    Producer
Carl Deal    Producer
Basel Hamdan    Executive Producer
Tia Lessin    Executive Producer
Pablo Proenza    Editor
Rory Douglas Abel    Editor

2018 - Awards Season: WGA - Nominations

January 10th, 2019

Black Panther

The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results. More...

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Wrap-Up: Clocking the Opposition

September 24th, 2018

The House with a Clock in its Walls

As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Thursday Night Previews: House Wins Previews with $840,000

September 21st, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumpsreviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up. More...

Weekend Prediction: Countdown to the Weekend

September 20th, 2018

The House with a Clock in its Walls

It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A provocative and comedic look at the times in which we live. It will explore the two most important questions of the Trump Era: How the f**k did we get here, and how the f**k do we get out? It’s the film to see before it’s too late.

Metrics

Opening Weekend:$3,008,563 (47.4% of total gross)
Legs:2.11 (domestic box office/biggest weekend)
Domestic Share:95.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:1,719 opening theaters/1,719 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $7,516,775

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 21st, 2018 (Wide) by Briarcliff Entertainment
International Releases: September 28th, 2018 (Wide) (Netherlands)
October 19th, 2018 (Limited) (United Kingdom)
November 1st, 2018 (Wide) (Portugal)
November 2nd, 2018 (Wide), released as Fahhrenheit 11/9 (Australia)
November 14th, 2018 (Wide) (South Korea)
... Show all releases
Video Release: December 18th, 2018 by Briarcliffe Entertainment
MPAA Rating: R for language and some disturbing material/images.
(Rating bulletin 2543 (Cert #51795), 9/5/2018)
Running Time: 128 minutes
Comparisons: vs. The Final Year
Create your own comparison chart…
Keywords: Agitprop, Political, Politicians, Archive Footage, Political Protest, Political Documentary, Directing Yourself, Screenplay Written By the Star
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: State Run Films, Briarcliff Entertainment, Dog Eat Dog
Production Countries: United States
Languages: English

Narrator(s)

Michael Moore   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Moore    Director
Michael Moore    Screenwriter
Michael Moore    Producer
Meghan O'Hara    Producer
Tia Lessin    Producer
Carl Deal    Producer
Basel Hamdan    Executive Producer
Tia Lessin    Executive Producer
Pablo Proenza    Editor
Rory Douglas Abel    Editor

2018 - Awards Season: WGA - Nominations

January 10th, 2019

Black Panther

The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results. More...

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Wrap-Up: Clocking the Opposition

September 24th, 2018

The House with a Clock in its Walls

As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Thursday Night Previews: House Wins Previews with $840,000

September 21st, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumpsreviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up. More...

Weekend Prediction: Countdown to the Weekend

September 20th, 2018

The House with a Clock in its Walls

It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 8 $3,008,563   1,719 $1,750   $3,008,563 1
Sep 28, 2018 12 $1,111,135 -63% 1,719 $646   $5,180,428 2
Oct 5, 2018 24 $238,510 -79% 422 $565   $5,985,895 3
Oct 12, 2018 33 $63,071 -74% 95 $664   $6,203,733 4
Oct 19, 2018 40 $26,793 -58% 37 $724   $6,264,731 5
Oct 26, 2018 44 $39,170 +46% 289 $136   $6,319,606 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 21, 2018 7 $1,063,442     1,719 $619   $1,063,442 1
Sep 22, 2018 8 $1,187,602 +12%   1,719 $691   $2,251,044 2
Sep 23, 2018 8 $757,519 -36%   1,719 $441   $3,008,563 3
Sep 24, 2018 8 $276,352 -64%   1,719 $161   $3,284,915 4
Sep 25, 2018 9 $351,040 +27%   1,719 $204   $3,635,955 5
Sep 26, 2018 9 $238,772 -32%   1,719 $139   $3,874,727 6
Sep 27, 2018 9 $194,566 -19%   1,719 $113   $4,069,293 7
Sep 28, 2018 12 $304,583 +57% -71% 1,719 $177   $4,373,876 8
Sep 29, 2018 13 $479,389 +57% -60% 1,719 $279   $4,853,265 9
Sep 30, 2018 11 $327,163 -32% -57% 1,719 $190   $5,180,428 10
Oct 1, 2018 12 $140,289 -57% -49% 1,719 $82   $5,320,717 11
Oct 2, 2018 12 $176,593 +26% -50% 1,719 $103   $5,497,310 12
Oct 3, 2018 11 $136,084 -23% -43% 1,719 $79   $5,633,394 13
Oct 4, 2018 11 $113,991 -16% -41% 1,719 $66   $5,747,385 14
Oct 5, 2018 - $58,913 -48% -81% 422 $140   $5,806,298 15
Oct 6, 2018 - $95,680 +62% -80% 422 $227   $5,901,978 16
Oct 7, 2018 - $83,917 -12% -74% 422 $199   $5,985,895 17
Oct 12, 2018 - $16,395   -72% 95 $173   $6,157,057 22
Oct 13, 2018 - $27,870 +70% -71% 95 $293   $6,184,927 23
Oct 14, 2018 - $18,806 -33% -78% 95 $198   $6,203,733 24
Oct 15, 2018 - $7,004 -63%   95 $74   $6,210,737 25
Oct 16, 2018 - $9,251 +32%   95 $97   $6,219,988 26
Oct 17, 2018 - $9,776 +6%   95 $103   $6,229,764 27
Oct 18, 2018 - $8,174 -16%   95 $86   $6,237,938 28
Oct 19, 2018 - $7,183 -12% -56% 37 $194   $6,245,121 29
Oct 20, 2018 - $11,189 +56% -60% 37 $302   $6,256,310 30
Oct 21, 2018 - $8,421 -25% -55% 37 $228   $6,264,731 31
Oct 22, 2018 - $3,470 -59% -50% 37 $94   $6,268,201 32
Oct 23, 2018 - $4,407 +27% -52% 37 $119   $6,272,608 33
Oct 24, 2018 - $4,145 -6% -58% 37 $112   $6,276,753 34
Oct 25, 2018 - $3,683 -11% -55% 37 $100   $6,280,436 35
Oct 26, 2018 - $10,220 +177% +42% 289 $35   $6,290,656 36
Oct 27, 2018 - $15,065 +47% +35% 289 $52   $6,305,721 37
Oct 28, 2018 - $13,885 -8% +65% 289 $48   $6,319,606 38
Oct 29, 2018 - $10,272 -26% +196% 289 $36   $6,329,878 39
Oct 30, 2018 - $6,488 -37% +47% 289 $22   $6,336,366 40
Oct 31, 2018 - $7,973 +23% +92% 289 $28   $6,344,339 41
Nov 1, 2018 - $7,967 n/c +116% 289 $28   $6,352,306 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 8 $4,069,293   1,719 $2,367   $4,069,293 1
Sep 28, 2018 12 $1,678,092 -59% 1,719 $976   $5,747,385 2
Oct 5, 2018 23 $393,277 -77% 422 $932   $6,140,662 3
Oct 12, 2018 35 $97,276 -75% 95 $1,024   $6,237,938 4
Oct 19, 2018 41 $42,498 -56% 37 $1,149   $6,280,436 5
Oct 26, 2018 39 $71,870 +69% 289 $249   $6,352,306 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/2/2018 $24,894 17 18 64 $92,241 1/1/2019
Netherlands 9/28/2018 $29,999 30 30 60 $83,225 10/9/2018
Portugal 11/1/2018 $8,511 10 10 22 $22,869 11/27/2018
South Korea 11/14/2018 $0 0 71 71 $28,962 12/14/2018
United Kingdom 10/19/2018 $74,112 40 40 40 $74,112 10/24/2018
 
International Total$301,409 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.