Oman Box Office for Fantasy Island (2020)

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Fantasy Island
Theatrical Performance (US$)
Oman Box Office $39,987Details
Worldwide Box Office $48,518,957Details
Home Market Performance
North America DVD Sales $1,018,179 Details
North America Blu-ray Sales $826,185 Details
Total North America Video Sales $1,844,364
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The enigmatic Mr. Roarke makes the secret dreams of his lucky guests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island’s mystery in order to escape with their lives.

Metrics

Movie Details

Production Budget:$7,000,000
Oman Releases: February 13th, 2020 (Wide)
Video Release: April 14th, 2020 by Sony Pictures Home Entertainment
July 13th, 2020 by Sony Pictures
MPAA Rating: PG-13 for violence, terror, drug content, suggestive material and brief strong language.
(Rating bulletin 2611 (Cert #52515), 1/8/2020)
Running Time: 110 minutes
Keywords: Modern Adaptation, Supernatural, Wish Granters, Revenge, Tortured as Punishment, Bullies, Remake with a Different Genre, Supernatural Horror, Surprise Twist, Zombies, Accidental Death
Source:Based on TV
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Columbia Pictures, Tower of Babble
Production Countries: United States
Languages: English

DEG Watched At Home Chart: Preying for a Miracle

May 21st, 2020

Birds of Prey

Birds of Prey hit DVD / Blu-ray / 4K last week, and that helped it shoot up the DEG Watched at Home chart from eighth place last week to land in first place. It looks like Warner Bros. should break even on this film before too long. On the downside, the studio only had two other entries in the top twenty, leaving Sony in first place in that regard with five releases in the top twenty this week. More...

DVD and Blu-ray Releases for May 12th, 2020

May 13th, 2020

The Great Escape

It’s a good week for DVDs and Blu-rays with several that are worth picking up. This includes Birds of Prey, which is the biggest new release of the week and its DVD / Blu-ray / 4K Ultra HD releases are loaded with extras. The Great Escape is a better movie and the Criterion Collection DVD / Blu-ray also has plenty of extras, but it is a double-dip. Both were in contention for the Pick of the Week title, but in the end, I went with The Great Escape. More...

DEG Watched At Home Chart: Bad Boys Continues Sony’s Good Year

April 30th, 2020

Bad Boys for Life

Bad Boys for Life rose to first place on this week’s DEG watched at home chart, thanks to its release on DVD and Blu-ray. This wasn’t Sony’s only entry in the in the top five. In fact, the studio was tied with Disney / Fox with five in the top twenty. More...

VOD Releases: Go on a World Tour from Your Own Home

April 9th, 2020

Trolls: World Tour

This could turn out to be the most important weekend for the movie industry in decades. It’s the weekend Trolls: World Tour comes out on the home market. This is the first major motion picture with a planned saturation level release that is not being pushed back due to the Covid-19 outbreak, but is instead coming out on Video on Demand. In a few years, we might look back at this week as the week the movie industry changed fundamentally, if this film is a big enough hit to convince studios that theatrical releases are unnecessary. More...

Thursday Night Previews: Invisible Man Makes a Showy Entrance

February 28th, 2020

The Invisible Man

The Invisible Man is easily the best-reviewed horror film released in 2020 so far. It also looks like it should be one of the highest grossing, as it pulled in $1.65 million in previews on Thursday. The current 2020 champ is Fantasy Island, which didn’t even have previews, so we can’t us that film as a comparison. However, both Gretel and Hansel and The Turning earned between $400,000 and $500,000, so this is a stellar debut in comparison. It is still too early to tell if it will match predictions, but I remain cautiously optimistic. More...

Weekend Wrap-Up: Sonic Repeats on Top, Call Makes it Close

February 25th, 2020

Sonic the Hedgehog

It was a mixed weekend, but at least there was a relatively close race for top spot. This close race happened in part because The Call of the Wild beat expectations by a huge margin, but also because Sonic the Hedgehog fell faster than anticipated. This left the overall box office down 34% from last weekend to just $102 million, but drop-offs like this are normal for post-holiday weekend. Unfortunately, this was also 19% lower than the same weekend last year and this isn’t normal. Year-to-date, 2020 still has a lead over 2019, but it has shrunk to 6.2% or $82 million at $1.41 billion to $1.33 billion. Hopefully this recent weakness is only temporary. More...

International Box Office: Sonic Speeds its Way to $100 million Globally

February 20th, 2020

Sonic The Hedgehog

Sonic The Hedgehog opened with $43 million in 40 markets for an early worldwide total of just over $101 million. This is a fantastic start for a film that cost $90 million to make and there’s already talk of not just a sequel, but a Sonic Cinematic Universe. The film’s biggest individual market was Mexico, where it opened with $6.82 million, while the U.K. was right behind with $6.17 million on 619 screens. More...

Weekend Wrap-Up: Sonic Sets Records and Returns 2020 to the Top

February 19th, 2020

Sonic the Hedgehog

The long weekend turned out to be a lot more lucrative than many predicted, especially on the top. Sonic the Hedgehog broke records for a video game adaptation opening with $58.02 million over the three-day weekend and $70.00 million including Monday. It wasn’t the only success story of the weekend, as Fantasy Island did well for a low-budget horror movie and The Photograph did well enough to break even, eventually. The overall box office rose dramatically from last weekend, up 64%. However, it was a holiday weekend, so impressive growth was expected. More importantly, the box office was up 26% from the same weekend last year. And while the misalignment in Valentine’s Day did have an effect, this is still a good result for the box office. 2020 has opened a nearly $100 million lead on 2019, up by $99 million or 8.4% at $1.28 billion to $1.18 billion. A few more weeks like this and I will start to become optimistic. More...

Weekend Estimates: Sonic is Faster than a Speeding Pikachu

February 16th, 2020

Sonic the Hedgehog

Sonic the Hedgehog was in a close race with Detective Pikachu for the best weekend by a video game adaptation of all time, based on Friday’s estimates, however, that has changed. The film’s opening weekend estimates are $57 million over three days and $68 million over four, which is well above Detective Pikachu’s three-day opening weekend of $54.37 million. That said, this film’s reviews have slipped just below the reviews Detective Pikachu earned and Detective Pikachu didn’t open on a holiday, so that does make a difference. Regardless of whether or not you consider Sonic the Hedgehog to be the true video game box office champion, it is smashing predictions. Interestingly, the films demographics was 56% general audiences and only 44% families. Perhaps adult fans of the video game franchise decided to check out the movie for themselves. Boys under 12 outnumbered girls under 12 by a 69% to 31% margin, so this one is definitely leaning male. We have no international details, but the film is reportedly earning $100 million globally, which is a fantastic start for a movie that cost $90 million to make. I suspect Paramount is already working on a sequel. More...

Friday Estimates: Sonic Laps the Competition

February 15th, 2020

Sonic the Hedgehog

Love is in the air and it is moving fast. Sonic the Hedgehog decimated the competition, and predictions, earning $21.0 million on Friday. To put this into perspective, the next-best film is projected to earn just over $21 million over the four-day weekend. The film’s reviews have slipped, but they do remain in the overall positive level, while its A from CinemaScore is going to be a big help going forward. Paramount is projecting $60.0 million for the four-day weekend, but I suspect they are being overly cautious. Either way, it is clearly the studio’s biggest hit in over a year and will become their first $100-million movie since Bumblebee.

If the estimate holds, it will also be the best single day for a movie based on a game, bettering the $20.575 million earned by Pokémon: Detective Pikachu on its opening day back in September. More...

Thursday Night Previews: Sonic Speeds its way to $3 million

February 14th, 2020

Sonic the Hedgehog

Sonic the Hedgehog started its box office run with $3 million in midnight previews on Thursday. This is twice as much as The Lego Movie 2: The Second Part earned during its Thursday previews last year. I’m not saying Sonic will open with twice as much as that film did during its opening weekend, but there are reasons to be optimistic that it will top our predictions. Its reviews remain solid and there is a lack of direct competition with Dolittle slipping out of the top five this weekend. We will have a better idea where it is heading tomorrow, but so far I’m pleased. More...

Weekend Predictions: Will Audience Love Sonic and the Other New Releases?

February 13th, 2020

Sonic the Hedgehog

Valentine’s Day and Presidents Day combine into one long weekend. It’s a great early weekend of the year and there are four films hoping to take advantage of the holiday to get off to a fast start. Unfortunately, four films is too many for all of them to succeed and it looks like one or two will fall between the cracks. Sonic the Hedgehog is the biggest release of the week and will likely earn more during its opening weekend than any of the three other films will earn in total. This includes The Photograph, the only new release that is earning overwhelmingly positive reviews. It looks like Fantasy Island will have some of the worst reviews of the year. Finally, Downhill has the quietest buzz and that’s going to kill it more than its mixed reviews will. Meanwhile, this weekend last year, Alita: Battle Angel opened with $28.5 million, while The Lego Movie 2: The Second Part earned $20.8 million during its sophomore stint. Sonic the Hedgehog should top that with ease. In fact, there are some who think it will top those two films’ combined weekend hauls. If so, then 2020 will return to its winning ways. More...

2020 Preview: February

February 1st, 2020

Birds of Prey

We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. More...

Fantasy Island Trailer

November 13th, 2019

Horror movie starring Michael Peña and Lucy Hale opens February 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/02/14 - $23,040   20 $1,152   $24,630 1
2020/02/21 - $5,176 -78% 14 $370   $37,170 2
2020/02/28 - $340 -93% 4 $85   $39,987 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 2/13/2020 $1,243 4 4 5 $5,294 2/26/2020
Australia 2/14/2020 $673,069 217 217 832 $1,514,788 6/9/2020
Austria 2/21/2020 $71,880 61 61 188 $200,326 3/17/2020
Bahrain 2/13/2020 $34,481 9 9 17 $56,500 3/9/2020
Belgium 2/19/2020 $110,770 36 36 104 $290,072 3/11/2020
Brazil 9/24/2020 $0 0 0 0 $393,593 11/20/2020
Bulgaria 2/14/2020 $29,787 0 11 11 $76,230 3/17/2020
Cambodia 2/14/2020 $29,646 85 85 141 $47,099 3/9/2020
Croatia 2/20/2020 $46,393 50 50 131 $120,343 3/17/2020
Curacao 2/13/2020 $2,157 3 3 6 $5,855 3/11/2020
Czech Republic 2/14/2020 $63,343 103 103 260 $128,297 10/19/2022
East Africa 2/13/2020 $765 1 2 8 $7,445 3/17/2020
Egypt 2/13/2020 $44,505 22 22 62 $108,769 3/17/2020
Estonia 2/14/2020 $20,710 18 18 40 $61,854 3/11/2020
France 2/12/2020 $1,286,529 233 236 809 $2,996,755 3/11/2020
Germany 2/20/2020 $473,728 368 368 1121 $1,048,265 3/24/2020
Hong Kong 2/13/2020 $215,316 104 104 211 $347,504 3/24/2020
Hungary 2/13/2020 $115,169 47 56 184 $245,343 10/19/2022
India 2/14/2020 $57,245 227 227 234 $75,558 2/25/2020
Indonesia 2/12/2020 $1,021,693 561 561 984 $1,579,136 3/24/2020
Iraq 2/13/2020 $10,187 8 8 17 $23,459 3/2/2020
Israel 2/13/2020 $135,751 33 33 143 $378,735 10/19/2022
Italy 2/13/2020 $380,509 0 20 20 $563,842 10/19/2022
Jamaica 2/14/2020 $0 0 6 6 $16,783 2/26/2020
Jordan 2/13/2020 $12,563 5 5 14 $28,014 3/17/2020
Kenya 2/14/2020 $8,992 24 24 55 $16,862 3/9/2020
Kuwait 2/13/2020 $52,611 12 12 15 $81,385 3/2/2020
Latvia 2/14/2020 $13,316 7 7 25 $41,129 3/17/2020
Lebanon 2/13/2020 $22,755 17 17 27 $37,274 3/9/2020
Lithuania 2/14/2020 $45,816 13 13 44 $143,500 6/10/2020
Malaysia 2/27/2020 $332,658 341 341 756 $683,349 3/23/2020
Mexico 3/6/2020 $137,174 0 0 0 $583,493 10/19/2022
Middle East Region 2/13/2020 $228,877 14 14 43 $657,237 3/9/2020
Netherlands 2/14/2020 $195,255 77 78 277 $507,664 10/19/2022
New Zealand 2/13/2020 $12,712 9 9 38 $32,957 3/24/2020
Nigeria 2/14/2020 $19,460 51 54 209 $66,503 3/24/2020
North America 2/14/2020 $12,310,420 2,784 2,784 10,169 $26,441,782
Oman 2/13/2020 $23,040 20 20 38 $39,987 3/2/2020
Pakistan 2/14/2020 $15,750 54 54 96 $38,393 3/17/2020
Philippines 2/12/2020 $407,339 195 195 287 $560,217 3/2/2020
Poland 2/14/2020 $115,334 59 59 148 $203,646 10/19/2022
Portugal 2/14/2020 $122,789 53 53 165 $330,690 10/19/2022
Qatar 2/13/2020 $47,876 14 14 23 $85,371 3/2/2020
Romania 2/14/2020 $114,481 80 80 237 $214,390 3/23/2020
Russia (CIS) 3/5/2020 $977,429 1048 1048 2516 $2,103,217 10/19/2022
Serbia and Montenegro 2/13/2020 $23,387 29 29 78 $73,375 3/17/2020
Singapore 2/13/2020 $101,892 34 34 109 $204,933 3/24/2020
Slovakia 2/27/2020 $37,967 60 60 95 $67,580 7/21/2020
Slovenia 2/13/2020 $17,867 14 14 42 $49,720 4/6/2020
South Africa 2/14/2020 $22,459 22 27 77 $173,700 3/11/2020
Spain 2/14/2020 $519,423 288 292 847 $1,130,212 10/19/2022
Suriname 2/13/2020 $2,177 1 1 4 $5,866 3/23/2020
Switzerland 2/12/2020 $32,432 11 35 105 $150,643 3/17/2020
Syria 2/13/2020 $11,378 2 2 5 $18,775 3/2/2020
Taiwan 2/14/2020 $341,012 99 99 315 $725,125 3/24/2020
Trinidad 2/12/2020 $35,837 17 17 68 $115,443 3/25/2020
Turkey 3/6/2020 $74,491 205 205 354 $123,594 10/19/2022
Ukraine 2/13/2020 $384,060 290 290 660 $710,163 3/17/2020
United Arab Emirates 2/13/2020 $196,521 59 59 106 $334,286 3/17/2020
United Kingdom 3/6/2020 $511,133 408 408 762 $899,571 3/18/2020
Vietnam 2/14/2020 $335,570 215 215 440 $547,066 3/2/2020
 
Worldwide Total$48,518,957 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Michael Peña    Mr. Roarke

Supporting Cast

Maggie Q    Gwen Olsen
Lucy Hale    Melanie
Austin Stowell    Randall
Jimmy O. Yang    Brax
Portia Doubleday    Sonja
Ryan Hansen    Bradley
Michael Rooker    Morgan
Mike Vogel    Lieutenant Sullivan
Parisa Fitz-Henley    Julia
Kim Coates    Devil Face
Robbie Jones    Rocklin
Jeriya Benn    Lila
Charlotte McKinney    Aphrodite
Josh McConville    Sarge
Tane Williams-Accra    Fischer
Edmund Lembke-Hogan    Himoff
Ian Roberts    The Surgeon
Evan Evagora    Nick Taylor
Goran D. Kleut    Valet Milton
Josh Randall    Valet Chester
Joshua Diaz    Alejandro
Andrew Lees    Will
Nick Slater    Greg

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jeff Wadlow    Director
Jeff Wadlow    Screenwriter
Christopher Roach    Screenwriter
Jillian Jacobs    Screenwriter
Christopher Roach    Producer
Jillian Jacobs    Producer
Jason Blum    Producer
Couper Samuelson    Executive Producer
Jeanette Volturno-Brill    Executive Producer
Toby Oliver    Director of Photography
Marc Fisichella    Production Designer
Sean Albertson    Editor
Bear McCreary    Composer
Lisa Norcia    Costume Designer
Ryan Turek    Co-Producer
Robin Mulcahy Fisichella    Co-Producer
James Moran    Co-Producer
Nikki Barrett    Casting Director
Terri Taylor    Casting Director
Sarah Domeier Lindo*    Casting Director
Jennifer Scudder Trent    Co-Producer
Alan D'Antoni    Stunt Coordinator
Robin Mulcahy Fisichella    Unit Production Manager
James Moran    First Assistant Director
Marc Newland    Second Assistant Director
Sean Albertson    Co-Producer
Lisa Norcia    Associate Producer
Kurt Nishimura    Associate Producer
Elizabeth Martins    Production Supervisor
Renee Minasian    Post-Production Supervisor
Phil Thomas    Art Director
Thomas Salpietro    Set Decorator
Laurajane Miles*    Script Supervisor
Jacqueline Leung    Make-up and Hair Designer
Anthony Faifai    Location Manager
Lance Millar    Location Manager
Tim Alverson    Additional Editor
Kurt Nishimura    First Assistant Editor
Scott Milligan    First Assistant Editor
Derek Larsen    Assistant Editor
Kali Kasashima    Assistant Editor
Jamie Hardt    Sound Designer
Angela Hackner    Dialogue Editor
Martin Jacob Lopez    Sound Effects Editor
Diego Staub    Foley Mixer
Kevin Aragunde    Foley Mixer
Jamie Hardt    Re-recording Mixer
Martin Jacob Lopez    Re-recording Mixer
Ryan Sanchez    Score Mixer
Tamas Kurina    Score Recordist
Milton Gutierrez    Score Recordist
Mike Baber    Music Editor
Nate Hill    Music Editor
Sam Ewing    Additional Music

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.