| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $7,810,155 | Details |
| Worldwide Box Office | $22,107,759 | Details |
| Further financial details... | ||
| United Kingdom Releases: | April 20th, 2018 (Wide) |
| Video Release: | August 10th, 2018 by Netflix |
| Running Time: | 124 minutes |
| Keywords: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | StudioCanal, Blueprint Films, Mazur/Kaplan Company, Cine +, Canal Plus |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/04/20 | 3 | $1,158,823 | 499 | $2,322 | $1,158,823 | 1 | |
| 2018/04/27 | 2 | $1,335,375 | +15% | 544 | $2,455 | $4,183,379 | 2 |
| 2018/05/04 | 4 | $483,797 | -64% | 539 | $898 | $5,812,255 | 3 |
| 2018/05/11 | 7 | $414,476 | -14% | 491 | $844 | $6,778,269 | 4 |
| 2018/05/18 | 9 | $127,748 | -69% | 354 | $361 | $7,179,345 | 5 |
| 2018/05/25 | - | $46,106 | -64% | 103 | $448 | $7,356,052 | 6 |
| 2018/06/01 | - | $49,655 | +8% | 97 | $512 | $7,514,185 | 7 |
| 2018/06/08 | - | $30,516 | -39% | 57 | $535 | $7,684,321 | 8 |
| 2018/06/15 | - | $16,686 | -45% | 60 | $278 | $7,673,143 | 9 |
| 2018/06/22 | - | $2,491 | -85% | 11 | $226 | $7,705,276 | 10 |
| 2018/06/29 | 29 | $6,665 | +168% | 10 | $667 | $7,696,603 | 11 |
| 2018/07/06 | - | $1,992 | -70% | 8 | $249 | $7,751,788 | 12 |
| 2018/07/13 | - | $1,924 | -3% | 4 | $481 | $7,737,822 | 13 |
| 2018/07/20 | - | $3,381 | +76% | 3 | $1,127 | $7,688,459 | 14 |
| 2018/07/27 | - | $910 | -73% | 2 | $455 | $7,701,817 | 15 |
| 2018/08/03 | - | $354 | -61% | 1 | $354 | $7,646,913 | 16 |
| 2018/08/17 | - | $1,374 | 2 | $687 | $7,481,265 | 18 | |
| 2018/08/31 | - | $2,094 | 4 | $524 | $7,620,918 | 20 | |
| 2018/09/07 | - | $150 | -93% | 1 | $150 | $7,634,814 | 21 |
| 2018/09/14 | - | $324 | +116% | 0 | $7,759,980 | 22 | |
| 2018/09/21 | - | $149 | -54% | 2 | $75 | $7,753,622 | 23 |
| 2018/10/05 | - | $117 | 1 | $117 | $7,776,723 | 25 | |
| 2018/10/12 | - | $120 | +3% | 1 | $120 | $7,810,155 | 26 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 4/13/2018 | $12,543 | 8 | 248 | 1984 | $5,269,148 | 10/20/2022 |
| France | 6/15/2018 | $357,327 | 0 | 0 | 0 | $1,261,154 | 7/20/2018 |
| Germany | 8/10/2018 | $288,988 | 0 | 0 | 0 | $1,347,031 | 12/16/2018 |
| Lithuania | 8/2/2019 | $3,119 | 9 | 9 | 9 | $3,119 | 8/12/2019 |
| Netherlands | 4/27/2018 | $95,832 | 53 | 54 | 427 | $522,893 | 8/31/2018 |
| New Zealand | 4/27/2018 | $255,112 | 76 | 92 | 754 | $1,374,196 | 7/8/2024 |
| Portugal | 5/11/2018 | $23,095 | 30 | 30 | 91 | $80,078 | 6/27/2018 |
| Russia (CIS) | 8/29/2019 | $36,434 | 202 | 202 | 283 | $76,891 | 10/19/2022 |
| Spain | 10/26/2018 | $300,730 | 153 | 158 | 618 | $1,283,125 | 2/22/2019 |
| United Kingdom | 4/20/2018 | $1,158,823 | 499 | 544 | 2794 | $7,810,155 | 10/17/2018 |
| Rest of World | $3,079,969 | ||||||
| Worldwide Total | $22,107,759 | 7/8/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Lily James | Juliet Ashton | |
| Michiel Huisman | Dawsey |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Mike Newell | Director | |
| Don Roos | Screenwriter | |
| Tom Bezucha | Screenwriter | |
| Kevin Hood | Screenwriter | |
| Annie Barrows | Story based on the book by | |
| Mary Anne Shaffer | Story based on the book by | |
| Paula Mazur | Producer | |
| Mitchell Kaplan | Producer | |
| Graham Broadbent | Producer | |
| Pete Czernin | Producer | |
| Jack Ravenscroft | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
