| Theatrical Performance (US$) | ||
| New Zealand Box Office | $132,100 | Details |
| Worldwide Box Office | $839,098,445 | Details |
| Further financial details... | ||
| New Zealand Releases: | March 25th, 2021 (Wide), released as Hi, Mom |
| Running Time: | 90 minutes |
| Keywords: | Time Travel, Family Comedy, Dysfunctional Family, 2000s, 1980s, Car Accident, Young Child Dealing with the Death of a Parent, Directing Yourself, Screenplay Written By the Star, Same Role, Multiple Actors |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | China |
| Languages: | Mandarin |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/03/26 | 4 | $58,562 | 15 | $3,904 | $58,562 | 1 | |
| 2021/04/02 | 8 | $27,589 | -53% | 12 | $2,299 | $100,081 | 2 |
| 2021/04/09 | 16 | $8,540 | -69% | 7 | $1,220 | $119,559 | 3 |
| 2021/04/16 | 18 | $4,426 | -48% | 5 | $885 | $128,349 | 4 |
| 2021/04/23 | - | $1,958 | -56% | 3 | $653 | $132,100 | 5 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/25/2021 | $91,436 | 32 | 32 | 105 | $552,319 | 10/19/2022 |
| China | 2/12/2021 | $162,547,741 | 122753 | 164973 | 735745 | $838,414,026 | 8/22/2024 |
| New Zealand | 3/25/2021 | $58,562 | 15 | 15 | 42 | $132,100 | 4/27/2021 |
| Worldwide Total | $839,098,445 | 8/22/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Jia Ling | Jia Xiaoling | |
| Zhang Xiaofei | Li Huanying | |
| Shen Teng | Shen Guanglin |
| Chen He | Leng Te |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
