Czech Republic Box Office for Hope Springs (2012)

← Go to main Hope Springs page

Hope Springs poster
Theatrical Performance (US$)
Czech Republic Box Office $292,229Details
Worldwide Box Office $133,085,295Details
Home Market Performance
North America DVD Sales $13,528,598 Details
North America Blu-ray Sales $1,997,160 Details
Total North America Video Sales $15,525,758
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Kay and Arnold are a devoted couple, but decades of marriage have left Kay wanting to spice things up and reconnect with her husband. When she hears of a renowned couple's specialist in the small town of Great Hope Springs, she attempts to persuade her skeptical husband, a steadfast man of routine, to get on a plane for a week of marriage therapy. Just convincing the stubborn Arnold to go on the retreat is hard enough - the real challenge for both of them comes as they shed their bedroom hang-ups and try to re-ignite the spark that caused them to fall for each other in the first place.

Metrics

Movie Details

Production Budget:$30,000,000
Czech Republic Releases: September 13th, 2012 (Wide)
Video Release: December 4th, 2012 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for mature thematic content involving sexuality.
(Rating bulletin 2226, 6/6/2012)
Running Time: 100 minutes
Keywords: Romance, Relationships Gone Wrong, Relationship Advice, Autumn Years, December Romance, Therapists / Therapy, Romantic Comedy
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Mandate Pictures, Metro-Goldwyn-Mayer Pictures, Film 360, Escape Artists
Production Countries: United States
Languages: English

Blu-ray Sales: Dark Knight One-Two Punches Its Way to the Top

January 20th, 2013

Batman was even more dominant on the Blu-ray sales chart than it was on the DVD sales chart with two new releases earning the top two spots. The Dark Knight Rises earned first place with 2.26 million units / $42.13 million giving it an opening week Blu-ray share of 53%. Meanwhile, the Trilogy Box Set earned second place with 453,000 units / $12.68 million for an opening week Blu-ray share of 58%. The combined totals are not quite as good as The Avengers' debut was, but was still a fantastic start. More...

DVD Sales: Dark Knight Shines on the Home Market

January 20th, 2013

New releases dominated the top of the December 9th edition of the DVD sales chart with four of them placing within the top six. Unsurprisingly, The Dark Knight Rises led the way with a stunning result of 2.03 million units / $26.96 million during its first week of release. More...

Awards Season: Lincoln Shows a United Front at the Golden Globes

December 13th, 2012

The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five. More...

DVD and Blu-ray Releases for December 4th, 2012

December 4th, 2012

It is an awesome week for new releases on the home market. Not only is one of the biggest hits of all time coming out, but there are a number of other releases that are Pick of the Week contenders. The Dark Knight Rises, Beasts of the Southern Wild, Finding Nemo, Star Trek: The Next Generation: Season Two, My Little Pony Friendship Is Magic: Season One, Brazil, Francis Ford Coppola: 5-Film Collection - Blu-ray, and others. In the end, I went with Finding Nemo: 3D Combo Pack, but it really is an excellent week for prime releases. More...

Weekend Estimates: Possession Leads Labor Day Weekend

September 2nd, 2012

Labor Day weekend is traditionally the slowest holiday weekend at the box office, so it comes as no surprise that the overall chart looks fairly weak. However, Possession is set to produce a very credible box office number, with Lionsgate estimating $17.725 million through Sunday and comfortably over $20 million for the full 4-day frame. That's hardly blockbuster level, but is considerably better than consensus predictions coming in to the weekend. Another opener, Lawless, is well behind, with Weinstein predicting $9.7 million for the Friday-Sunday portion of the weekend. Far, far behind that is this weekend's other new wide release, The Oogieloves in the BIG Balloon Adventure, which is headed for about $450,000 from 2,160 theaters and will end up in the record books for one of the poorest openings in history. More...

Weekend Wrap-Up: Dog Days of Summer

August 27th, 2012

Ugh. That's really all I have to say. None of the new releases were able to make an impact at the box office; in fact, none of them even reached the top five. There was a new entrant in the top five, as The Dark Knight Rises rose to fifth place. That's how bad the box office was over the weekend. A film that's more than a month old returned to the top five. The best new release was Premium Rush, which only managed eighth place. Overall, the box office plummeted by 30% to just $97 million. Amazingly, this was still higher than the same weekend last year, albeit by just 4.6%. Year-to-date, 2012 maintains its lead over 2011. It is ahead of last year's pace by 4.2% at $7.43 billion to $7.13 billion. More...

Weekend Wrap-Up: Summer Has Set

August 20th, 2012

Apparently summer ended over the weekend. It didn't go out with a thud, but more just faded away. The Expendables 2 was able to earn first place, but missed even the low end of expectations. In fact, the only new release to not struggle as much as analysts were expecting was Sparkle, and even that film missed expectations, it just did so by a tiny margin. There is some good news. There was a lot of depth with seven films earning more than $10 million over the weekend and overall the box office only slipped 2.3% from last weekend hitting $139 million. This was actually 12% higher than the same weekend last year. Analysts were obviously hoping for something more, but at this point, a win is a win. Year-to-date, 2012 is still ahead of 2011, but that lead has shrunk to 3.3% at $7.22 billion to $6.99 billion. Attendance is only up by 2.1%, so if the rest of August and September don't pull their weight, we might see 2012 lose that lead entirely. More...

Weekend Wrap-Up: Legacy Leads Competition, Weekend Still Weak

August 13th, 2012

The Bourne Legacy was easily able to win the weekend box office race, finishing within $1 million of predictions. In fact, most of the top five finished within roughly $1 million of predictions. This helped the overall box office climb 16% from last weekend. However, the overall box office was still weak when compared to last year down 8.4%. 2012's lead over 2011 shrank to just 3.5% at $7.01 billion to $6.78 billion and if we don't turn things around soon, we might see 2012 relinquish the lead before the winter holiday season begins. More...

Weekend Estimates: Bourne and Campaign Knock Out Batman

August 12th, 2012

After another lengthy run for the country's number one film, we will have a new top movie this weekend thanks to a strong debut for The Bourne Legacy, which will beat The Dark Knight Rises after Batman spent three weekends atop the chart. Universal is predicting that their franchise reboot will pick up about $40.3 million this weekend, somewhat behind The Bourne Legacy's $69.2 million debut, but very creditable for movie that takes the franchise in a new direction. Even better for the overall market, The Campaign is predicted to post $27.4 million for Warner Bros., which will be enough for second place. More...

Weekend Predictions: Will Bourne Live Up to Its Legacy?

August 9th, 2012

The Bourne Legacy should have no trouble dominating the box office this weekend and it might become the last $100 million hit of the summer. On the other hand, it might not be the only $100 million hit opening this week. The Campaign is an R-rated comedy, which should do better than most and at least has an outside shot at reaching the century club. Hope Springs is counter-programming aimed at a more mature target demographic and its chances over the weekend are not great, but its legs could be strong. Finally, there's Nitro Circus: The Movie 3D, which is only playing in about 800 theaters, but it could squeeze into the top ten. This week last year the new releases were led by The Help while a returning film, Rise of the Planet of the Apes, topped the chart. Neither film made $30 million over the weekend, which is something The Bourne Legacy should do with ease, so 2012 should pull out a win. Hopefully that is the case, because year-over-year, 2012 has been losing big time lately. More...

2012 Preview: August

August 1st, 2012

July was another bad month with five of the seven films missing expectations. Only one matched expectations, or came close enough to call it a victory, while another film is too close to call. 2012 is still ahead of 2011, but that margin did shrink last month, despite the performance of The Dark Knight Rises, which earned $300 million during the month. Looking ahead to August, there are fourteen films opening wide, maybe fifteen, making it the busiest month in a long time. Of those releases, five or six have a shot at $100 million, while none will get much beyond that point. Maybe The Bourne Legacy will be a surprise hit and match the average of its predecessors, but most analysts wouldn't be willing to bet money on that. By comparison, last August only had two films that topped $100 million, Rise of the Planet of the Apes and The Help. I don't think any film opening this August will match those two films, but we have much better depth this time around. Hopefully we will be able to extend our lead this month, unlike the last two months. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/09/14 3 $53,029   54 $982   $67,751 1
2012/09/21 5 $43,581 -18% 56 $778   $137,293 2
2012/09/28 7 $28,447 -35% 45 $632   $184,054 3
2012/10/05 6 $19,702 -31% 32 $616   $217,047 4
2012/10/26 8 $7,208   8 $901   $268,045 7
2012/11/09 9 $4,615   7 $659   $282,951 9
2012/11/23 8 $3,261   5 $652   $292,229 11
2012/11/30 - $1,991 -39% 8 $249   $5,134 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2012 $382,910 53 56 367 $1,993,749 12/29/2018
Australia 8/23/2012 $1,221,632 273 275 1039 $4,279,640 12/11/2015
Austria 9/27/2012 $226,064 67 79 464 $1,528,889 12/14/2015
Belgium 10/10/2012 $99,123 40 40 97 $385,138 12/12/2015
Brazil 8/17/2012 $725,935 149 152 837 $3,544,186 12/12/2015
Bulgaria 11/23/2012 $13,742 12 12 55 $71,640 12/30/2018
Chile 12/6/2012 $52,830 20 20 58 $189,074 12/30/2018
Colombia 11/30/2012 $76,804 48 48 126 $294,174 12/30/2018
Croatia 8/30/2012 $29,879 12 14 84 $143,929 12/29/2018
Czech Republic 9/13/2012 $53,029 54 56 215 $292,229 12/29/2018
Denmark 11/15/2012 $241,216 88 102 536 $1,602,628 12/14/2015
Egypt 1/16/2013 $5,074 3 3 3 $5,074 12/30/2018
Estonia 10/19/2012 $16,669 3 3 9 $49,590 12/12/2015
Finland 10/5/2012 $78,737 51 51 143 $324,735 12/12/2015
France 10/10/2012 $863,279 282 282 782 $1,892,711 12/12/2015
Germany 9/27/2012 $1,017,542 200 399 2031 $8,180,176 12/12/2015
Hong Kong 10/18/2012 $65,449 11 11 33 $186,791 12/12/2015
Hungary 8/9/2012 $85,077 35 35 350 $459,370 12/29/2018
Iceland 10/19/2012 $9,873 6 6 16 $59,559 12/29/2018
Italy 10/18/2012 $0 0 190 363 $2,291,069 12/12/2015
Kenya 11/30/2012 $722 2 2 4 $1,544 12/29/2018
Latvia 9/7/2012 $17,324 3 3 20 $82,033 12/29/2018
Lebanon 11/15/2012 $28,284 9 9 12 $44,969 12/29/2018
Lithuania 10/12/2012 $8,263 3 3 26 $38,685 12/13/2015
Mexico 2/22/2013 $236,753 204 204 659 $864,054 12/14/2015
Netherlands 9/27/2012 $0 0 79 375 $1,209,376 12/12/2015
New Zealand 8/23/2012 $222,281 73 73 500 $1,095,449 12/12/2015
North America 8/8/2012 $14,650,121 2,361 2,441 16,571 $63,536,011 12/3/2014
Norway 9/21/2012 $60,816 64 64 189 $301,924 12/12/2015
Philippines 8/22/2012 $15,805 20 20 20 $15,805 12/29/2018
Poland 9/14/2012 $365,224 109 109 342 $1,531,984 12/29/2018
Portugal 9/6/2012 $107,048 26 29 197 $529,017 12/12/2015
Romania 9/21/2012 $53,298 30 30 130 $223,062 12/29/2018
Russia (CIS) 12/13/2012 $0 0 270 278 $22,759,960 12/29/2018
Serbia and Montenegro 9/6/2012 $0 0 6 36 $13,904 12/29/2018
Singapore 9/13/2012 $25,833 15 15 50 $188,994 12/12/2015
Slovakia 9/13/2012 $32,083 22 22 82 $137,970 12/12/2015
Slovenia 9/6/2012 $6,954 3 3 24 $88,885 12/12/2015
South Africa 10/26/2012 $60,164 25 25 140 $302,171 12/12/2015
South Korea 4/4/2013 $164,608 179 179 179 $207,024 12/14/2015
Spain 9/28/2012 $880,325 329 333 1505 $2,833,916 12/12/2015
Sweden 9/7/2012 $106,213 41 60 212 $602,638 12/12/2015
Switzerland 9/6/2012 $157,312 47 63 418 $1,666,388 12/12/2015
Taiwan 1/4/2013 $47,122 25 25 48 $133,714 12/14/2015
Thailand 8/30/2012 $0 0 28 33 $50,164 12/11/2015
Turkey 10/5/2012 $25,863 16 16 48 $99,316 12/29/2018
United Arab Emirates 9/20/2012 $57,832 23 23 24 $81,173 12/29/2018
United Kingdom 9/14/2012 $1,157,595 417 439 1821 $6,527,288 12/12/2015
Uruguay 9/14/2012 $0 0 4 39 $143,526 12/29/2018
 
Worldwide Total$133,085,295 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Meryl Streep    Kay
Tommy Lee Jones    Arnold

Supporting Cast

Steve Carell    Dr. Field

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Frankel    Director
Vanessa Taylor    Screenwriter
Todd Black    Producer
Guymon Casady    Producer
Steve Tisch    Executive Producer
Jason Blumenthal    Executive Producer
Nathan Kahane    Executive Producer
Jessie Nelson    Executive Producer
Kelli Konop    Co-Producer
Brian Bell    Co-Producer
Lawrence Grey    Co-Producer
Florian Ballhaus    Cinematographer
Steven Weisberg    Editor
Theodore Shapiro    Composer
Julia Michels    Music Supervisor
Stuart Wurtzel    Production Designer
Patricia Woodbridge    Art Director
George DeTitta Jr.    Set Decorator
Ann Roth    Costume Designer
Danny Michael    Sound Mixer
Paul Urmson    Supervising Sound Editor
Tom Fleischman    Re-recording Mixer
Bob Chefalas    Re-recording Mixer
J.C. Brotherhood    Special Effects Supervisor
John Bair    Visual Effects Supervisor
Vivian Connolly    Visual Effects Producer
Jeffrey Harlacker    Associate Producer
Lance Johnson    Associate Producer
Robyn Norris Casady    Associate Producer
Christine Coggins    Associate Producer
Stephen Lee Davis    Assistant Director
Margery Simkin    Casting Director
Misha Bukowski    Third Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.