Insidious: The Last Key (2018)

Insidious: The Last Key
Theatrical Performance
Domestic Box Office $67,745,330Details
International Box Office $105,066,641Details
Worldwide Box Office $172,811,971
Home Market Performance
Est. Domestic DVD Sales $1,907,840 Details
Est. Domestic Blu-ray Sales $1,907,916 Details
Total Est. Domestic Video Sales $3,815,756
Further financial details...

Synopsis

Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.

Metrics

Opening Weekend:$29,581,355 (43.7% of total gross)
Legs:2.29 (domestic box office/biggest weekend)
Domestic Share:39.2% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 17.3 times production budget)
Theater counts:3,116 opening theaters/3,150 max. theaters, 4.1 weeks average run per theater
Infl. Adj. Dom. BO $80,164,069

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,301-1,400) 1,318 $67,745,330
All Time International Box Office (Rank 1,001-1,100) 1,053 $105,066,641
All Time Worldwide Box Office (Rank 1,101-1,200) 1,106 $172,811,971

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 5th, 2018 (Wide) by Universal
International Releases: January 3rd, 2018 (Wide) (Jamaica)
January 3rd, 2018 (Wide), released as La Noche del Demonio La Ultima Llave (Mexico)
January 3rd, 2018 (Wide) (Trinidad)
January 4th, 2018 (Wide) (Bahrain)
January 4th, 2018 (Wide) (Central America)
... Show all releases
Video Release: March 20th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for disturbing thematic content, violence and terror, and brief strong language.
(Rating bulletin 2496 (Cert #50733), 10/4/2017)
Running Time: 103 minutes
Franchise: Insidious
Comparisons: vs. Insidious: The Red Door
Create your own comparison chart…
Keywords: Supernatural, Haunting, Haunted House, Screenplay Written By the Star, Prequel, Inbetwequel, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Stage 6 Films, Universal Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Martin Luther King (All Movies, 3-Day) 77 $12,419,715 Jan 12, 2018 10
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 165 $15,284,738 Jan 12, 2018 10
Martin Luther King (All Movies, 4-Day, Fri-Mon) 79 $14,353,765 Jan 12, 2018 10
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 122 $17,664,941 Jan 12, 2018 10
Biggest Domestic January Weekend 41 $29,581,355 Jan 5, 2018 3
Top Horror Weekend Domestic 57 $29,581,355 Jan 5, 2018 3
Biggest Domestic January Day 75 $12,723,575 Jan 5, 2018 1

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 1,301-1,400) 1,318 $67,745,330
All Time Domestic Inflation Adjusted Box Office (Rank 2,101-2,200) 2,127 $80,164,069
All Time Domestic Sequel Box Office (Rank 301-400) 352 $67,745,330
Top 2018 Movies at the Domestic Box Office 45 $67,745,330
All Time Domestic Box Office for Original Screenplay Movies (Rank 501-600) 581 $67,745,330
All Time Domestic Box Office for Live Action Movies (Rank 1,001-1,100) 1,017 $67,745,330
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 501-600) 563 $67,745,330
All Time Domestic Box Office for Horror Movies 67 $67,745,330
All Time Domestic Box Office for PG-13 Movies (Rank 501-600) 568 $67,745,330
All Time Domestic Box Office for Universal Movies (Rank 101-200) 178 $67,745,330

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 2 $29,581,355   3,116 $9,493   $29,581,355 1
Jan 12, 2018 5 $12,419,715 -58% 3,150 $3,943   $48,660,855 2
Jan 19, 2018 9 $5,874,055 -53% 2,546 $2,307   $58,658,320 3
Jan 26, 2018 15 $3,189,055 -46% 1,901 $1,678   $63,449,355 4
Feb 2, 2018 20 $1,462,810 -54% 1,253 $1,167   $65,753,770 5
Feb 9, 2018 27 $596,055 -59% 545 $1,094   $66,768,075 6
Feb 16, 2018 36 $149,630 -75% 169 $885   $67,197,105 7
Feb 23, 2018 47 $74,065 -51% 110 $673   $67,325,620 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 4, 2018 P $1,980,000     0     $1,980,000  
Jan 5, 2018 1 $12,723,575     3,116 $4,083   $12,723,575 1
Jan 6, 2018 2 $11,023,230 -13%   3,116 $3,538   $23,746,805 2
Jan 7, 2018 3 $5,834,550 -47%   3,116 $1,872   $29,581,355 3
Jan 8, 2018 3 $1,770,225 -70%   3,116 $568   $31,351,580 4
Jan 9, 2018 3 $2,206,025 +25%   3,116 $708   $33,557,605 5
Jan 10, 2018 3 $1,373,090 -38%   3,116 $441   $34,930,695 6
Jan 11, 2018 3 $1,310,445 -5%   3,116 $421   $36,241,140 7
Jan 12, 2018 4 $3,411,315 +160% -73% 3,150 $1,083   $39,652,455 8
Jan 13, 2018 5 $5,098,250 +49% -54% 3,150 $1,618   $44,750,705 9
Jan 14, 2018 7 $3,910,150 -23% -33% 3,150 $1,241   $48,660,855 10
Jan 15, 2018 7 $1,934,050 -51% +9% 3,150 $614   $50,594,905 11
Jan 16, 2018 6 $937,045 -52% -58% 3,150 $297   $51,531,950 12
Jan 17, 2018 6 $649,285 -31% -53% 3,150 $206   $52,181,235 13
Jan 18, 2018 6 $603,030 -7% -54% 3,150 $191   $52,784,265 14
Jan 19, 2018 7 $1,789,795 +197% -48% 2,546 $703   $54,574,060 15
Jan 20, 2018 9 $2,768,355 +55% -46% 2,546 $1,087   $57,342,415 16
Jan 21, 2018 9 $1,315,905 -52% -66% 2,546 $517   $58,658,320 17
Jan 22, 2018 8 $380,960 -71% -80% 2,546 $150   $59,039,280 18
Jan 23, 2018 9 $510,815 +34% -45% 2,546 $201   $59,550,095 19
Jan 24, 2018 12 $361,620 -29% -44% 2,546 $142   $59,911,715 20
Jan 25, 2018 14 $348,585 -4% -42% 2,546 $137   $60,260,300 21
Jan 26, 2018 14 $929,050 +167% -48% 1,901 $489   $61,189,350 22
Jan 27, 2018 15 $1,527,260 +64% -45% 1,901 $803   $62,716,610 23
Jan 28, 2018 - $732,745 -52% -44% 1,901 $385   $63,449,355 24
Jan 29, 2018 - $205,515 -72% -46% 1,901 $108   $63,654,870 25
Jan 30, 2018 - $267,690 +30% -48% 1,901 $141   $63,922,560 26
Jan 31, 2018 - $194,075 -28% -46% 1,901 $102   $64,116,635 27
Feb 1, 2018 - $174,325 -10% -50% 1,901 $92   $64,290,960 28
Feb 2, 2018 - $455,935 +162% -51% 1,253 $364   $64,746,895 29
Feb 3, 2018 - $772,790 +69% -49% 1,253 $617   $65,519,685 30
Feb 4, 2018 - $234,085 -70% -68% 1,253 $187   $65,753,770 31
Feb 5, 2018 - $108,990 -53% -47% 1,253 $87   $65,862,760 32
Feb 6, 2018 - $128,295 +18% -52% 1,253 $102   $65,991,055 33
Feb 7, 2018 - $99,450 -22% -49% 1,253 $79   $66,090,505 34
Feb 8, 2018 - $81,515 -18% -53% 1,253 $65   $66,172,020 35
Feb 9, 2018 - $160,915 +97% -65% 545 $295   $66,332,935 36
Feb 10, 2018 - $289,910 +80% -62% 545 $532   $66,622,845 37
Feb 11, 2018 - $145,230 -50% -38% 545 $266   $66,768,075 38
Feb 12, 2018 - $48,465 -67% -56% 545 $89   $66,816,540 39
Feb 13, 2018 - $51,500 +6% -60% 545 $94   $66,868,040 40
Feb 14, 2018 - $153,180 +197% +54% 545 $281   $67,021,220 41
Feb 15, 2018 - $26,255 -83% -68% 545 $48   $67,047,475 42
Feb 16, 2018 - $39,730 +51% -75% 169 $235   $67,087,205 43
Feb 17, 2018 - $65,260 +64% -77% 169 $386   $67,152,465 44
Feb 18, 2018 - $44,640 -32% -69% 169 $264   $67,197,105 45
Feb 19, 2018 - $22,120 -50% -54% 169 $131   $67,219,225 46
Feb 20, 2018 - $12,825 -42% -75% 169 $76   $67,232,050 47
Feb 21, 2018 - $10,015 -22% -93% 169 $59   $67,242,065 48
Feb 22, 2018 - $9,490 -5% -64% 169 $56   $67,251,555 49
Feb 23, 2018 - $20,440 +115% -49% 110 $186   $67,271,995 50
Feb 24, 2018 - $35,190 +72% -46% 110 $320   $67,307,185 51
Feb 25, 2018 - $18,435 -48% -59% 110 $168   $67,325,620 52
Feb 26, 2018 - $5,305 -71% -76% 110 $48   $67,330,925 53
Feb 27, 2018 - $5,820 +10% -55% 110 $53   $67,336,745 54
Feb 28, 2018 - $5,195 -11% -48% 110 $47   $67,341,940 55
Mar 1, 2018 - $5,955 +15% -37% 110 $54   $67,347,895 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 2 $36,241,140   3,116 $11,631   $36,241,140 1
Jan 12, 2018 7 $16,543,125 -54% 3,150 $5,252   $52,784,265 2
Jan 19, 2018 9 $7,476,035 -55% 2,546 $2,936   $60,260,300 3
Jan 26, 2018 18 $4,030,660 -46% 1,901 $2,120   $64,290,960 4
Feb 2, 2018 21 $1,881,060 -53% 1,253 $1,501   $66,172,020 5
Feb 9, 2018 27 $875,455 -53% 545 $1,606   $67,047,475 6
Feb 16, 2018 36 $204,080 -77% 169 $1,208   $67,251,555 7
Feb 23, 2018 47 $96,340 -53% 110 $876   $67,347,895 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 1/18/2018 $533,581 131 138 417 $1,681,325 1/1/2019
Australia 2/9/2018 $640,913 140 140 537 $1,691,713 3/26/2018
Austria 1/5/2018 $297,221 60 61 339 $898,472 5/1/2018
Bahrain 1/4/2018 $83,055 9 9 29 $276,230 1/1/2019
Belgium 1/10/2018 $319,113 43 44 232 $834,506 4/24/2018
Bolivia 1/18/2018 $68,205 22 22 76 $250,967 1/1/2019
Brazil 1/18/2018 $1,576,511 575 575 2,004 $4,740,877 5/2/2018
Bulgaria 4/6/2018 $14,616 48 48 62 $35,005 2/26/2019
Cambodia 1/8/2018 $34,883 16 35 57 $106,655 1/1/2019
Central America 1/4/2018 $478,207 181 181 495 $1,262,155 3/13/2018
Chile 1/11/2018 $303,613 70 70 230 $1,092,964 12/20/2018
Colombia 1/4/2018 $674,366 170 187 881 $2,406,270 12/20/2018
Croatia 1/18/2018 $13,528 6 6 14 $27,981 1/1/2019
Curacao 1/4/2018 $2,115 2 2 7 $9,774 1/1/2019
Czech Republic 1/5/2018 $186,429 102 102 273 $498,741 1/1/2019
Dominican Republic 1/4/2018 $17,978 11 12 51 $78,029 1/1/2019
Ecuador 1/19/2018 $348,299 60 60 197 $1,144,892 1/1/2019
Egypt 1/4/2018 $90,609 14 14 113 $501,717 1/1/2019
Estonia 1/5/2018 $36,977 12 12 40 $117,859 2/21/2018
France 1/5/2018 $2,161,520 221 267 1,171 $4,900,000 2/5/2018
Germany 1/5/2018 $1,998,481 311 399 2,595 $5,066,145 5/30/2018
Greece 1/4/2018 $283,388 77 77 174 $738,898 2/13/2018
Hong Kong 1/4/2018 $270,459 95 95 145 $531,744 2/1/2018
Hungary 1/4/2018 $148,365 30 45 207 $469,565 1/1/2019
Iceland 1/25/2018 $3,850 1 1 4 $15,521 1/1/2019
India 1/5/2018 $1,385,951 1,018 1,018 1,474 $2,420,336 2/6/2018
Indonesia 1/12/2018 $5,489,540 949 949 1,319 $9,080,255 1/1/2019
Iraq 1/4/2018 $35,181 7 7 41 $164,317 1/1/2019
Israel 3/29/2018 $87,579 24 24 109 $292,377 1/1/2019
Italy 1/18/2018 $911,704 293 293 365 $1,794,893 4/24/2018
Jamaica 1/3/2018 $16,336 4 4 10 $36,739 1/1/2019
Jordan 1/4/2018 $39,435 5 5 22 $168,640 1/1/2019
Kenya 4/6/2018 $768 8 8 12 $2,049 1/1/2019
Kuwait 1/4/2018 $169,279 10 10 29 $493,760 1/1/2019
Latvia 1/5/2018 $24,703 7 7 30 $95,999 1/1/2019
Lebanon 1/4/2018 $113,345 18 18 43 $226,333 1/1/2019
Lithuania 1/5/2018 $76,419 95 95 264 $222,803 3/5/2018
Malaysia 1/5/2018 $1,601,297 460 460 1,158 $3,273,275 2/13/2018
Mexico 1/3/2018 $2,972,057 0 985 2,356 $8,502,856 3/13/2018
Mongolia 1/5/2018 $23,503 7 7 28 $57,518 1/1/2019
Netherlands 1/12/2018 $258,980 49 56 280 $935,148 2/27/2018
New Zealand 2/2/2018 $3,084 7 21 108 $262,362 4/23/2018
Norway 1/5/2018 $325,826 124 124 281 $642,890 2/13/2018
Oman 1/4/2018 $36,924 10 10 17 $83,219 1/1/2019
Pakistan 1/5/2018 $84,618 42 42 111 $287,410 1/1/2019
Paraguay 1/25/2018 $26,453 17 17 44 $64,128 1/1/2019
Peru 2/1/2018 $574,552 130 130 320 $1,592,778 12/20/2018
Philippines 1/17/2018 $1,577,139 223 223 526 $2,875,062 12/20/2018
Poland 1/5/2018 $459,933 117 118 397 $1,101,844 1/1/2019
Portugal 1/4/2018 $131,394 35 37 148 $495,360 2/27/2018
Qatar 1/4/2018 $125,173 14 14 32 $279,927 1/1/2019
Romania 1/5/2018 $188,672 70 70 270 $528,020 1/1/2019
Russia (CIS) 1/12/2018 $943,411 611 1,004 3,434 $7,303,314 1/1/2019
Singapore 1/4/2018 $484,226 31 31 121 $1,063,261 2/13/2018
Slovakia 1/5/2018 $105,904 65 65 168 $249,478 2/13/2018
South Africa 1/19/2018 $41,483 25 33 127 $178,019 4/3/2018
South Korea 1/18/2018 $0 0 769 1,283 $3,982,776 3/22/2018
Spain 1/5/2018 $1,238,260 291 314 1,513 $4,017,364 5/7/2018
Suriname 1/4/2018 $4,322 1 1 6 $15,152 1/1/2019
Sweden 1/5/2018 $245,020 64 64 346 $899,979 4/17/2018
Switzerland 1/4/2018 $194,528 38 40 208 $517,174 4/10/2018
Syria 1/4/2018 $11,352 1 2 9 $41,261 1/1/2019
Taiwan 1/5/2018 $449,081 87 87 279 $1,064,825 4/24/2018
Thailand 1/4/2018 $251,185 103 103 236 $681,103 5/24/2018
Trinidad 1/3/2018 $47,959 14 14 44 $113,559 1/1/2019
Turkey 1/12/2018 $175,601 176 176 488 $760,905 2/26/2019
Ukraine 1/18/2018 $257,256 257 257 647 $535,698 1/1/2019
United Arab Emirates 1/4/2018 $480,695 45 45 107 $1,134,445 1/1/2019
United Kingdom 1/12/2018 $2,520,181 413 414 1,794 $7,315,816 4/3/2018
Uruguay 1/18/2018 $30,090 14 14 71 $150,670 1/1/2019
Venezuela 1/19/2018 $298,776 59 59 233 $2,326,194 5/21/2018
Vietnam 1/5/2018 $768,640 330 330 715 $1,829,548 1/1/2019
 
Rest of World $5,527,797
 
International Total$105,066,641 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 1,001-1,100) 1,053 $105,066,641
All Time International Sequel Box Office (Rank 301-400) 344 $105,066,641
Top 2018 Movies at the International Box Office 52 $105,066,641
All Time International Box Office for Original Screenplay Movies (Rank 401-500) 471 $105,066,641
All Time International Box Office for Live Action Movies (Rank 701-800) 744 $105,066,641
All Time International Box Office for Contemporary Fiction Movies (Rank 301-400) 378 $105,066,641
All Time International Box Office for Horror Movies 37 $105,066,641
All Time International Box Office for PG-13 Movies (Rank 401-500) 445 $105,066,641
All Time International Box Office for Universal Movies (Rank 101-200) 126 $105,066,641

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 1,101-1,200) 1,106 $172,811,971
All Time Worldwide Sequel Box Office (Rank 301-400) 343 $172,811,971
Top 2018 Movies at the Worldwide Box Office 49 $172,811,971
All Time Worldwide Box Office for Original Screenplay Movies (Rank 401-500) 482 $172,811,971
All Time Worldwide Box Office for Live Action Movies (Rank 701-800) 799 $172,811,971
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 401-500) 418 $172,811,971
All Time Worldwide Box Office for Horror Movies 47 $172,811,971
All Time Worldwide Box Office for PG-13 Movies (Rank 401-500) 490 $172,811,971
All Time Worldwide Box Office for Universal Movies (Rank 101-200) 147 $172,811,971

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018346,867 46,867$841,731$841,7313
Apr 15, 20181315,722-66% 62,589$282,367$1,124,0984
Apr 22, 20181810,848-31% 73,437$194,830$1,318,9285

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018549,052 49,052$979,073$979,0733
Apr 15, 20181414,389-71% 63,441$287,205$1,266,2784
Apr 22, 2018168,469-41% 71,910$169,046$1,435,3245

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Lin Shaye    Elise Rainier

Supporting Cast

Angus Sampson    Tucker
Leigh Whannell    Specs
Josh Stewart    Gerald Rainier
Caitlin Gerard    Imogen Rainier
Tessa Ferrer    Audrey Rainier
Aleque Reid    Anna
Ava Kolker    Young Elise
Pierce Pope    Young Christian Rainier
Bruce Davison    Christian Rainier
Javier Botet    Keyface
Marcus Henderson    Detective Whitfield
Amanda Jaros    Mara Jennings
Judith Drake    Waitress Pam
Hana Hayes    Teenage Elise
Thomas Robie    Teenage Christian Rainier
Josh Wingate    Executed Man
Danielle Kennedy    Kitchen Woman
Melanie Gaydos    Dark Angel
Ty Simpkins    Dalton Lambert
Rose Byrne    Renai Lambert
Patrick Wilson    Josh Lambert
Joseph Bishara    Lipstick-Face Demon
Stefanie Scott    Quinn Brenner
Barbara Hershey    Lorraine Lambert
Danielle Bisutti    Mother of Parker Crane
Brynn Bowie    Kali Lambert
Madison Bowie    Kali Lambert

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Adam Robitel    Director
Leigh Whannell    Screenwriter
Leigh Whannell    Character Creator
Jason Blum    Producer
Oren Peli    Producer
James Wan    Producer
Leigh Whannell    Producer
Steven Schneider    Executive Producer
Bailey Conway-Anglewicz*    Executive Producer
Couper Samuelson    Executive Producer
Charles Layton    Executive Producer
Brian Kavanaugh-Jones    Executive Producer
Toby Oliver    Director of Photography
Melanie Paizes-Jones    Production Designer
Tim Alverson    Editor
Joseph Bishara    Composer
Rick A. Osako    Co-Producer
Jeanette Volturno*    Co-Producer
Lisa Norcia    Costume Designer
Terri Taylor    Casting Director
Rob King    Stunt Coordinator
Rick A. Osako    Unit Production Manager
Rick A. Osako    Line Producer
Dan “Laz” Lazarovits*    First Assistant Director
Marc Newland    Key Second Assistant Director
Laura Altmann    Associate Producer
Dan “Laz” Lazarovits*    Associate Producer
Laura Altmann    Production Supervisor
Jennifer Scudder Trent    Post-Production Supervisor
Hunter Brown    Art Director
Sandra Skora    Set Decorator
Steven A. Morrow    Sound Mixer
Steve Newquist    Special Effects Coordinator
David L. Profeta    Costume Supervisor
Anthony Gordon    Make up
Carleigh Herbert    Make up
Yunea M. Cruz    Hairstylist
Enoch H. Williams    Hairstylist
Ozzy Alvarez    Special Make-up Effects
Kelly Golden    Special Make-up Effects
Ken Niederbaumer    Special Make-up Effects
Sherie Giehtbrock    Script Supervisor
Vanessa Meier    Script Supervisor
Kandice Billingsley    Location Manager
Jamie Hardt    Sound Designer
Angela Hackner    Dialogue Editor
Drew Sacks    First Assistant Editor
Melanie Kuan Gutierrez    Second Assistant Editor
Martin Jacob Lopez    Sound Effects Editor
Diego Staub    Foley Mixer
Brett Pierce    Music Editor
Jamie Hardt    Re-recording Mixer
Chris Spilfogel    Score Engineer/Mixer
Jamison Goei    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Home Market Releases for March 20th, 2018

March 20th, 2018

Coco

It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week. More...

International Box Office: Jumanji is King of the Market with $32.6 million

January 24th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle remained in first place with $32.6 million on 33,000 screens in 83 markets for totals of $450.8 million internationally and $767.3 million worldwide. Had the film earned half of that, it still would have been a financial success worthy of a sequel. China was the film’s biggest market, both of the weekend and overall, as it earned $7.71 million over the weekend for a two-week total of $66.50 million. The film will have no trouble getting to $800 million worldwide, probably by the end of this coming weekend, while $900 million isn’t completely out of the question. More...

Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend

January 16th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now. More...

Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million

January 13th, 2018

Jumanji: Welcome to the Jungle

There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly. More...

Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend

January 11th, 2018

Paddington 2

It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Weekend Wrap-Up: Jumanji is Welcomed to the Top of the Chart with $37.23 million

January 9th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Friday Estimates: Last Key Starts First with $12.74 million

January 6th, 2018

Insidious: The Last Key

There will be a fifth installment in the Insidious franchise. That much is practically guaranteed after Friday’s debut. Insidious: The Last Key opened in first place with $12.74 million during its opening day. On the downside, its critical / popular reception has been mixed. Its reviews are only 25% positive and that won’t help it draw in new viewers. The film did earn a B minus from CinemaScore, which is better than a lot of horror films manage, so that could help. It will very likely slip to second place on Saturday, but the film will still top our prediction with between $25 million and $30 million. More...

Thursday Night Previews: Last Key Shocks Analysts with $1.98 million

January 5th, 2018

Insidious: The Last Key

Insidious: The Last Key opened with $1.98 million in previews on Thursday, which is surprisingly strong. Most analysts were expecting closer to $1.5 million. Therefore the film is on pace to top our prediction and could earn more than $20 million during its opening weekend. However, it still has to deal with bad reviews and it could be the weakest in the franchise so far. That said, if it hits $50 million domestically and does as well internationally, then the studio could go ahead with another installment. More...

Weekend Predictions: Battle of Lasts, Key vs. Jedi, on First Weekend of 2018

January 4th, 2018

Insidious: The Last Key

It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

Insidious: The Last Key Trailer

September 5th, 2017

Horror movie opens January 5, 2018 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.

Metrics

Opening Weekend:$29,581,355 (43.7% of total gross)
Legs:2.29 (domestic box office/biggest weekend)
Domestic Share:39.2% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 17.3 times production budget)
Theater counts:3,116 opening theaters/3,150 max. theaters, 4.1 weeks average run per theater
Infl. Adj. Dom. BO $80,164,069

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,301-1,400) 1,318 $67,745,330
All Time International Box Office (Rank 1,001-1,100) 1,053 $105,066,641
All Time Worldwide Box Office (Rank 1,101-1,200) 1,106 $172,811,971

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 5th, 2018 (Wide) by Universal
International Releases: January 3rd, 2018 (Wide) (Jamaica)
January 3rd, 2018 (Wide), released as La Noche del Demonio La Ultima Llave (Mexico)
January 3rd, 2018 (Wide) (Trinidad)
January 4th, 2018 (Wide) (Bahrain)
January 4th, 2018 (Wide) (Central America)
... Show all releases
Video Release: March 20th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for disturbing thematic content, violence and terror, and brief strong language.
(Rating bulletin 2496 (Cert #50733), 10/4/2017)
Running Time: 103 minutes
Franchise: Insidious
Comparisons: vs. Insidious: The Red Door
Create your own comparison chart…
Keywords: Supernatural, Haunting, Haunted House, Screenplay Written By the Star, Prequel, Inbetwequel, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Stage 6 Films, Universal Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Martin Luther King (All Movies, 3-Day) 77 $12,419,715 Jan 12, 2018 10
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 165 $15,284,738 Jan 12, 2018 10
Martin Luther King (All Movies, 4-Day, Fri-Mon) 79 $14,353,765 Jan 12, 2018 10
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 122 $17,664,941 Jan 12, 2018 10
Biggest Domestic January Weekend 41 $29,581,355 Jan 5, 2018 3
Top Horror Weekend Domestic 57 $29,581,355 Jan 5, 2018 3
Biggest Domestic January Day 75 $12,723,575 Jan 5, 2018 1

Leading Cast

Lin Shaye    Elise Rainier

Supporting Cast

Angus Sampson    Tucker
Leigh Whannell    Specs
Josh Stewart    Gerald Rainier
Caitlin Gerard    Imogen Rainier
Tessa Ferrer    Audrey Rainier
Aleque Reid    Anna
Ava Kolker    Young Elise
Pierce Pope    Young Christian Rainier
Bruce Davison    Christian Rainier
Javier Botet    Keyface
Marcus Henderson    Detective Whitfield
Amanda Jaros    Mara Jennings
Judith Drake    Waitress Pam
Hana Hayes    Teenage Elise
Thomas Robie    Teenage Christian Rainier
Josh Wingate    Executed Man
Danielle Kennedy    Kitchen Woman
Melanie Gaydos    Dark Angel
Ty Simpkins    Dalton Lambert
Rose Byrne    Renai Lambert
Patrick Wilson    Josh Lambert
Joseph Bishara    Lipstick-Face Demon
Stefanie Scott    Quinn Brenner
Barbara Hershey    Lorraine Lambert
Danielle Bisutti    Mother of Parker Crane
Brynn Bowie    Kali Lambert
Madison Bowie    Kali Lambert

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Adam Robitel    Director
Leigh Whannell    Screenwriter
Leigh Whannell    Character Creator
Jason Blum    Producer
Oren Peli    Producer
James Wan    Producer
Leigh Whannell    Producer
Steven Schneider    Executive Producer
Bailey Conway-Anglewicz*    Executive Producer
Couper Samuelson    Executive Producer
Charles Layton    Executive Producer
Brian Kavanaugh-Jones    Executive Producer
Toby Oliver    Director of Photography
Melanie Paizes-Jones    Production Designer
Tim Alverson    Editor
Joseph Bishara    Composer
Rick A. Osako    Co-Producer
Jeanette Volturno*    Co-Producer
Lisa Norcia    Costume Designer
Terri Taylor    Casting Director
Rob King    Stunt Coordinator
Rick A. Osako    Unit Production Manager
Rick A. Osako    Line Producer
Dan “Laz” Lazarovits*    First Assistant Director
Marc Newland    Key Second Assistant Director
Laura Altmann    Associate Producer
Dan “Laz” Lazarovits*    Associate Producer
Laura Altmann    Production Supervisor
Jennifer Scudder Trent    Post-Production Supervisor
Hunter Brown    Art Director
Sandra Skora    Set Decorator
Steven A. Morrow    Sound Mixer
Steve Newquist    Special Effects Coordinator
David L. Profeta    Costume Supervisor
Anthony Gordon    Make up
Carleigh Herbert    Make up
Yunea M. Cruz    Hairstylist
Enoch H. Williams    Hairstylist
Ozzy Alvarez    Special Make-up Effects
Kelly Golden    Special Make-up Effects
Ken Niederbaumer    Special Make-up Effects
Sherie Giehtbrock    Script Supervisor
Vanessa Meier    Script Supervisor
Kandice Billingsley    Location Manager
Jamie Hardt    Sound Designer
Angela Hackner    Dialogue Editor
Drew Sacks    First Assistant Editor
Melanie Kuan Gutierrez    Second Assistant Editor
Martin Jacob Lopez    Sound Effects Editor
Diego Staub    Foley Mixer
Brett Pierce    Music Editor
Jamie Hardt    Re-recording Mixer
Chris Spilfogel    Score Engineer/Mixer
Jamison Goei    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Home Market Releases for March 20th, 2018

March 20th, 2018

Coco

It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week. More...

International Box Office: Jumanji is King of the Market with $32.6 million

January 24th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle remained in first place with $32.6 million on 33,000 screens in 83 markets for totals of $450.8 million internationally and $767.3 million worldwide. Had the film earned half of that, it still would have been a financial success worthy of a sequel. China was the film’s biggest market, both of the weekend and overall, as it earned $7.71 million over the weekend for a two-week total of $66.50 million. The film will have no trouble getting to $800 million worldwide, probably by the end of this coming weekend, while $900 million isn’t completely out of the question. More...

Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend

January 16th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now. More...

Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million

January 13th, 2018

Jumanji: Welcome to the Jungle

There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly. More...

Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend

January 11th, 2018

Paddington 2

It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Weekend Wrap-Up: Jumanji is Welcomed to the Top of the Chart with $37.23 million

January 9th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful. More...

Weekend Estimates: Jumanji, Insidious Beat Star Wars

January 7th, 2018

Jumanji: Welcome to the Jungle

The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time. More...

Friday Estimates: Last Key Starts First with $12.74 million

January 6th, 2018

Insidious: The Last Key

There will be a fifth installment in the Insidious franchise. That much is practically guaranteed after Friday’s debut. Insidious: The Last Key opened in first place with $12.74 million during its opening day. On the downside, its critical / popular reception has been mixed. Its reviews are only 25% positive and that won’t help it draw in new viewers. The film did earn a B minus from CinemaScore, which is better than a lot of horror films manage, so that could help. It will very likely slip to second place on Saturday, but the film will still top our prediction with between $25 million and $30 million. More...

Thursday Night Previews: Last Key Shocks Analysts with $1.98 million

January 5th, 2018

Insidious: The Last Key

Insidious: The Last Key opened with $1.98 million in previews on Thursday, which is surprisingly strong. Most analysts were expecting closer to $1.5 million. Therefore the film is on pace to top our prediction and could earn more than $20 million during its opening weekend. However, it still has to deal with bad reviews and it could be the weakest in the franchise so far. That said, if it hits $50 million domestically and does as well internationally, then the studio could go ahead with another installment. More...

Weekend Predictions: Battle of Lasts, Key vs. Jedi, on First Weekend of 2018

January 4th, 2018

Insidious: The Last Key

It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

Insidious: The Last Key Trailer

September 5th, 2017

Horror movie opens January 5, 2018 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 1,301-1,400) 1,318 $67,745,330
All Time Domestic Inflation Adjusted Box Office (Rank 2,101-2,200) 2,127 $80,164,069
All Time Domestic Sequel Box Office (Rank 301-400) 352 $67,745,330
Top 2018 Movies at the Domestic Box Office 45 $67,745,330
All Time Domestic Box Office for Original Screenplay Movies (Rank 501-600) 581 $67,745,330
All Time Domestic Box Office for Live Action Movies (Rank 1,001-1,100) 1,017 $67,745,330
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 501-600) 563 $67,745,330
All Time Domestic Box Office for Horror Movies 67 $67,745,330
All Time Domestic Box Office for PG-13 Movies (Rank 501-600) 568 $67,745,330
All Time Domestic Box Office for Universal Movies (Rank 101-200) 178 $67,745,330

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 2 $29,581,355   3,116 $9,493   $29,581,355 1
Jan 12, 2018 5 $12,419,715 -58% 3,150 $3,943   $48,660,855 2
Jan 19, 2018 9 $5,874,055 -53% 2,546 $2,307   $58,658,320 3
Jan 26, 2018 15 $3,189,055 -46% 1,901 $1,678   $63,449,355 4
Feb 2, 2018 20 $1,462,810 -54% 1,253 $1,167   $65,753,770 5
Feb 9, 2018 27 $596,055 -59% 545 $1,094   $66,768,075 6
Feb 16, 2018 36 $149,630 -75% 169 $885   $67,197,105 7
Feb 23, 2018 47 $74,065 -51% 110 $673   $67,325,620 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 4, 2018 P $1,980,000     0     $1,980,000  
Jan 5, 2018 1 $12,723,575     3,116 $4,083   $12,723,575 1
Jan 6, 2018 2 $11,023,230 -13%   3,116 $3,538   $23,746,805 2
Jan 7, 2018 3 $5,834,550 -47%   3,116 $1,872   $29,581,355 3
Jan 8, 2018 3 $1,770,225 -70%   3,116 $568   $31,351,580 4
Jan 9, 2018 3 $2,206,025 +25%   3,116 $708   $33,557,605 5
Jan 10, 2018 3 $1,373,090 -38%   3,116 $441   $34,930,695 6
Jan 11, 2018 3 $1,310,445 -5%   3,116 $421   $36,241,140 7
Jan 12, 2018 4 $3,411,315 +160% -73% 3,150 $1,083   $39,652,455 8
Jan 13, 2018 5 $5,098,250 +49% -54% 3,150 $1,618   $44,750,705 9
Jan 14, 2018 7 $3,910,150 -23% -33% 3,150 $1,241   $48,660,855 10
Jan 15, 2018 7 $1,934,050 -51% +9% 3,150 $614   $50,594,905 11
Jan 16, 2018 6 $937,045 -52% -58% 3,150 $297   $51,531,950 12
Jan 17, 2018 6 $649,285 -31% -53% 3,150 $206   $52,181,235 13
Jan 18, 2018 6 $603,030 -7% -54% 3,150 $191   $52,784,265 14
Jan 19, 2018 7 $1,789,795 +197% -48% 2,546 $703   $54,574,060 15
Jan 20, 2018 9 $2,768,355 +55% -46% 2,546 $1,087   $57,342,415 16
Jan 21, 2018 9 $1,315,905 -52% -66% 2,546 $517   $58,658,320 17
Jan 22, 2018 8 $380,960 -71% -80% 2,546 $150   $59,039,280 18
Jan 23, 2018 9 $510,815 +34% -45% 2,546 $201   $59,550,095 19
Jan 24, 2018 12 $361,620 -29% -44% 2,546 $142   $59,911,715 20
Jan 25, 2018 14 $348,585 -4% -42% 2,546 $137   $60,260,300 21
Jan 26, 2018 14 $929,050 +167% -48% 1,901 $489   $61,189,350 22
Jan 27, 2018 15 $1,527,260 +64% -45% 1,901 $803   $62,716,610 23
Jan 28, 2018 - $732,745 -52% -44% 1,901 $385   $63,449,355 24
Jan 29, 2018 - $205,515 -72% -46% 1,901 $108   $63,654,870 25
Jan 30, 2018 - $267,690 +30% -48% 1,901 $141   $63,922,560 26
Jan 31, 2018 - $194,075 -28% -46% 1,901 $102   $64,116,635 27
Feb 1, 2018 - $174,325 -10% -50% 1,901 $92   $64,290,960 28
Feb 2, 2018 - $455,935 +162% -51% 1,253 $364   $64,746,895 29
Feb 3, 2018 - $772,790 +69% -49% 1,253 $617   $65,519,685 30
Feb 4, 2018 - $234,085 -70% -68% 1,253 $187   $65,753,770 31
Feb 5, 2018 - $108,990 -53% -47% 1,253 $87   $65,862,760 32
Feb 6, 2018 - $128,295 +18% -52% 1,253 $102   $65,991,055 33
Feb 7, 2018 - $99,450 -22% -49% 1,253 $79   $66,090,505 34
Feb 8, 2018 - $81,515 -18% -53% 1,253 $65   $66,172,020 35
Feb 9, 2018 - $160,915 +97% -65% 545 $295   $66,332,935 36
Feb 10, 2018 - $289,910 +80% -62% 545 $532   $66,622,845 37
Feb 11, 2018 - $145,230 -50% -38% 545 $266   $66,768,075 38
Feb 12, 2018 - $48,465 -67% -56% 545 $89   $66,816,540 39
Feb 13, 2018 - $51,500 +6% -60% 545 $94   $66,868,040 40
Feb 14, 2018 - $153,180 +197% +54% 545 $281   $67,021,220 41
Feb 15, 2018 - $26,255 -83% -68% 545 $48   $67,047,475 42
Feb 16, 2018 - $39,730 +51% -75% 169 $235   $67,087,205 43
Feb 17, 2018 - $65,260 +64% -77% 169 $386   $67,152,465 44
Feb 18, 2018 - $44,640 -32% -69% 169 $264   $67,197,105 45
Feb 19, 2018 - $22,120 -50% -54% 169 $131   $67,219,225 46
Feb 20, 2018 - $12,825 -42% -75% 169 $76   $67,232,050 47
Feb 21, 2018 - $10,015 -22% -93% 169 $59   $67,242,065 48
Feb 22, 2018 - $9,490 -5% -64% 169 $56   $67,251,555 49
Feb 23, 2018 - $20,440 +115% -49% 110 $186   $67,271,995 50
Feb 24, 2018 - $35,190 +72% -46% 110 $320   $67,307,185 51
Feb 25, 2018 - $18,435 -48% -59% 110 $168   $67,325,620 52
Feb 26, 2018 - $5,305 -71% -76% 110 $48   $67,330,925 53
Feb 27, 2018 - $5,820 +10% -55% 110 $53   $67,336,745 54
Feb 28, 2018 - $5,195 -11% -48% 110 $47   $67,341,940 55
Mar 1, 2018 - $5,955 +15% -37% 110 $54   $67,347,895 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 2 $36,241,140   3,116 $11,631   $36,241,140 1
Jan 12, 2018 7 $16,543,125 -54% 3,150 $5,252   $52,784,265 2
Jan 19, 2018 9 $7,476,035 -55% 2,546 $2,936   $60,260,300 3
Jan 26, 2018 18 $4,030,660 -46% 1,901 $2,120   $64,290,960 4
Feb 2, 2018 21 $1,881,060 -53% 1,253 $1,501   $66,172,020 5
Feb 9, 2018 27 $875,455 -53% 545 $1,606   $67,047,475 6
Feb 16, 2018 36 $204,080 -77% 169 $1,208   $67,251,555 7
Feb 23, 2018 47 $96,340 -53% 110 $876   $67,347,895 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 1/18/2018 $533,581 131 138 417 $1,681,325 1/1/2019
Australia 2/9/2018 $640,913 140 140 537 $1,691,713 3/26/2018
Austria 1/5/2018 $297,221 60 61 339 $898,472 5/1/2018
Bahrain 1/4/2018 $83,055 9 9 29 $276,230 1/1/2019
Belgium 1/10/2018 $319,113 43 44 232 $834,506 4/24/2018
Bolivia 1/18/2018 $68,205 22 22 76 $250,967 1/1/2019
Brazil 1/18/2018 $1,576,511 575 575 2,004 $4,740,877 5/2/2018
Bulgaria 4/6/2018 $14,616 48 48 62 $35,005 2/26/2019
Cambodia 1/8/2018 $34,883 16 35 57 $106,655 1/1/2019
Central America 1/4/2018 $478,207 181 181 495 $1,262,155 3/13/2018
Chile 1/11/2018 $303,613 70 70 230 $1,092,964 12/20/2018
Colombia 1/4/2018 $674,366 170 187 881 $2,406,270 12/20/2018
Croatia 1/18/2018 $13,528 6 6 14 $27,981 1/1/2019
Curacao 1/4/2018 $2,115 2 2 7 $9,774 1/1/2019
Czech Republic 1/5/2018 $186,429 102 102 273 $498,741 1/1/2019
Dominican Republic 1/4/2018 $17,978 11 12 51 $78,029 1/1/2019
Ecuador 1/19/2018 $348,299 60 60 197 $1,144,892 1/1/2019
Egypt 1/4/2018 $90,609 14 14 113 $501,717 1/1/2019
Estonia 1/5/2018 $36,977 12 12 40 $117,859 2/21/2018
France 1/5/2018 $2,161,520 221 267 1,171 $4,900,000 2/5/2018
Germany 1/5/2018 $1,998,481 311 399 2,595 $5,066,145 5/30/2018
Greece 1/4/2018 $283,388 77 77 174 $738,898 2/13/2018
Hong Kong 1/4/2018 $270,459 95 95 145 $531,744 2/1/2018
Hungary 1/4/2018 $148,365 30 45 207 $469,565 1/1/2019
Iceland 1/25/2018 $3,850 1 1 4 $15,521 1/1/2019
India 1/5/2018 $1,385,951 1,018 1,018 1,474 $2,420,336 2/6/2018
Indonesia 1/12/2018 $5,489,540 949 949 1,319 $9,080,255 1/1/2019
Iraq 1/4/2018 $35,181 7 7 41 $164,317 1/1/2019
Israel 3/29/2018 $87,579 24 24 109 $292,377 1/1/2019
Italy 1/18/2018 $911,704 293 293 365 $1,794,893 4/24/2018
Jamaica 1/3/2018 $16,336 4 4 10 $36,739 1/1/2019
Jordan 1/4/2018 $39,435 5 5 22 $168,640 1/1/2019
Kenya 4/6/2018 $768 8 8 12 $2,049 1/1/2019
Kuwait 1/4/2018 $169,279 10 10 29 $493,760 1/1/2019
Latvia 1/5/2018 $24,703 7 7 30 $95,999 1/1/2019
Lebanon 1/4/2018 $113,345 18 18 43 $226,333 1/1/2019
Lithuania 1/5/2018 $76,419 95 95 264 $222,803 3/5/2018
Malaysia 1/5/2018 $1,601,297 460 460 1,158 $3,273,275 2/13/2018
Mexico 1/3/2018 $2,972,057 0 985 2,356 $8,502,856 3/13/2018
Mongolia 1/5/2018 $23,503 7 7 28 $57,518 1/1/2019
Netherlands 1/12/2018 $258,980 49 56 280 $935,148 2/27/2018
New Zealand 2/2/2018 $3,084 7 21 108 $262,362 4/23/2018
Norway 1/5/2018 $325,826 124 124 281 $642,890 2/13/2018
Oman 1/4/2018 $36,924 10 10 17 $83,219 1/1/2019
Pakistan 1/5/2018 $84,618 42 42 111 $287,410 1/1/2019
Paraguay 1/25/2018 $26,453 17 17 44 $64,128 1/1/2019
Peru 2/1/2018 $574,552 130 130 320 $1,592,778 12/20/2018
Philippines 1/17/2018 $1,577,139 223 223 526 $2,875,062 12/20/2018
Poland 1/5/2018 $459,933 117 118 397 $1,101,844 1/1/2019
Portugal 1/4/2018 $131,394 35 37 148 $495,360 2/27/2018
Qatar 1/4/2018 $125,173 14 14 32 $279,927 1/1/2019
Romania 1/5/2018 $188,672 70 70 270 $528,020 1/1/2019
Russia (CIS) 1/12/2018 $943,411 611 1,004 3,434 $7,303,314 1/1/2019
Singapore 1/4/2018 $484,226 31 31 121 $1,063,261 2/13/2018
Slovakia 1/5/2018 $105,904 65 65 168 $249,478 2/13/2018
South Africa 1/19/2018 $41,483 25 33 127 $178,019 4/3/2018
South Korea 1/18/2018 $0 0 769 1,283 $3,982,776 3/22/2018
Spain 1/5/2018 $1,238,260 291 314 1,513 $4,017,364 5/7/2018
Suriname 1/4/2018 $4,322 1 1 6 $15,152 1/1/2019
Sweden 1/5/2018 $245,020 64 64 346 $899,979 4/17/2018
Switzerland 1/4/2018 $194,528 38 40 208 $517,174 4/10/2018
Syria 1/4/2018 $11,352 1 2 9 $41,261 1/1/2019
Taiwan 1/5/2018 $449,081 87 87 279 $1,064,825 4/24/2018
Thailand 1/4/2018 $251,185 103 103 236 $681,103 5/24/2018
Trinidad 1/3/2018 $47,959 14 14 44 $113,559 1/1/2019
Turkey 1/12/2018 $175,601 176 176 488 $760,905 2/26/2019
Ukraine 1/18/2018 $257,256 257 257 647 $535,698 1/1/2019
United Arab Emirates 1/4/2018 $480,695 45 45 107 $1,134,445 1/1/2019
United Kingdom 1/12/2018 $2,520,181 413 414 1,794 $7,315,816 4/3/2018
Uruguay 1/18/2018 $30,090 14 14 71 $150,670 1/1/2019
Venezuela 1/19/2018 $298,776 59 59 233 $2,326,194 5/21/2018
Vietnam 1/5/2018 $768,640 330 330 715 $1,829,548 1/1/2019
 
Rest of World $5,527,797
 
International Total$105,066,641 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 1,001-1,100) 1,053 $105,066,641
All Time International Sequel Box Office (Rank 301-400) 344 $105,066,641
Top 2018 Movies at the International Box Office 52 $105,066,641
All Time International Box Office for Original Screenplay Movies (Rank 401-500) 471 $105,066,641
All Time International Box Office for Live Action Movies (Rank 701-800) 744 $105,066,641
All Time International Box Office for Contemporary Fiction Movies (Rank 301-400) 378 $105,066,641
All Time International Box Office for Horror Movies 37 $105,066,641
All Time International Box Office for PG-13 Movies (Rank 401-500) 445 $105,066,641
All Time International Box Office for Universal Movies (Rank 101-200) 126 $105,066,641

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 1,101-1,200) 1,106 $172,811,971
All Time Worldwide Sequel Box Office (Rank 301-400) 343 $172,811,971
Top 2018 Movies at the Worldwide Box Office 49 $172,811,971
All Time Worldwide Box Office for Original Screenplay Movies (Rank 401-500) 482 $172,811,971
All Time Worldwide Box Office for Live Action Movies (Rank 701-800) 799 $172,811,971
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 401-500) 418 $172,811,971
All Time Worldwide Box Office for Horror Movies 47 $172,811,971
All Time Worldwide Box Office for PG-13 Movies (Rank 401-500) 490 $172,811,971
All Time Worldwide Box Office for Universal Movies (Rank 101-200) 147 $172,811,971

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018346,867 46,867$841,731$841,7313
Apr 15, 20181315,722-66% 62,589$282,367$1,124,0984
Apr 22, 20181810,848-31% 73,437$194,830$1,318,9285

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 8, 2018549,052 49,052$979,073$979,0733
Apr 15, 20181414,389-71% 63,441$287,205$1,266,2784
Apr 22, 2018168,469-41% 71,910$169,046$1,435,3245

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.