Synopsis
A portrait of the original “Rock Chick” Janis Joplin, a white girl with a ferocious, soulful voice who broke into the male dominated music scene but grappled with her inner demons and addictions. The film features archival footage alongside Janis’s personal correspondence and contemporary interviews.
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Movie Details
Brazil Releases: |
July 8th, 2016 (Wide) |
Video Release: |
May 6th, 2016 by FilmRise |
MPAA Rating: |
Not Rated |
Running Time: |
107 minutes |
Keywords: |
Biography, Musicians, Singers, 1960s, Voiceover/Narration, Drug Overdose |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: |
PBS, Content Media Corporation, Disarming Films, Jigsaw Productions, Thirteen Productions, American Masters, Sony Music Entertainment Legacy, Union Entertainment Group |
Production Countries: |
United States |
Languages: |
English |
December 1st, 2015
Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444.
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November 27th, 2015
Thanksgiving Weekend is not a good time to release a limited release. There are too many other distractions for moviegoers to deal with. This year is no different. If we limited the films to only those with ten reviews on Rotten Tomatoes, there would only be two films on this week's list. One of them is The Danish Girl, which was earning some Awards Season buzz. Its reviews are good, but not Awards Season good.
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Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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Production and Technical Credits