Spain Box Office for Juliet, desnuda (2018)

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Juliet, Naked
Theatrical Performance (US$)
Spain Box Office $149,877Details
Worldwide Box Office $5,767,158Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Annie is stuck in a long-term relationship with Duncan—an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself.

Metrics

Movie Details

Production Budget:$6,000,000
Spain Releases: January 4th, 2019 (Wide), released as Juliet, desnuda
Video Release: October 30th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for language.
(Rating bulletin 2535 (Cert #51503), 7/11/2018)
Running Time: 98 minutes
Keywords: Relationships Gone Wrong, Rock 'n' Roll, Musicians, Long Distance Romance, Prologue, Non-Chronological, Epilogue, Scene in End Credits, Romance, Singers, Sundance Film Festival 2018
Source:Based on Fiction Book/Short Story
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Apatow Productions, Bona Fide, Los Angeles Media Fund, Rocket Science, Turnlet Films
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for October 30th, 2018

October 30th, 2018

Made In Abyss

It’s another slow week on the home market, with not a lot of big releases and not a lot of Pick of the Week contenders. There were several that came close, including 2001: A Space Odyssey, Never Goin’ Back, The Princess Bride, etc. In the end, Mandy on Blu-ray was the only true contender for that title. More...

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Theater Averages: To Infinity, or to the Top of the Chart, Whichever is Closer

September 13th, 2018

Kusama: Infinity

Kusama: Infinity led the way on the theater average chart with an impressive $15,499 in two theaters. This isn’t enough to think it will earn a real measure of mainstream success, but it is the latest success story in a year of documentary hits. The Nun was in second place with an average of $13,882. The Hows of Us had arguably the most impressive limited opening of the weekend, as it earned an average of $12,895, while playing in 38 theaters. More...

Theater Averages: Puppies Rescue the PTA Chart

September 6th, 2018

Pick of the Litter

No film reached the $10,000 club over the three-day weekend, but Pick of the Litter came close with an average of $9,539 in two theaters. More...

Theater Averages: Searching Found an Audience in Limited Release

August 29th, 2018

Searching

Searching had one of the ten best theater averages for a limited release so far this year, earning an average of $43,197 in nine theaters. The film is scheduled to expand wide this Friday and this start combined with its reviews is a good omen for its box office chances. The Bookshop was well back in second place with an average of $12,000 in 4 theaters. Meanwhile the only holdover was The Wife, which held on well with an average of $11,819 while playing in 18 theaters. The film should earn some measure of mainstream success, but I’m not sure it will last in theaters long enough to earn any real Awards Season buzz. Finally, John McEnroe: In the Realm of Perfection wasn’t able to reach the $10,000 club over the three-day weekend, as it earned $7,878 in its lone theater. However, it was a Wednesday release and it earned $11,733 during its five-day debut. More...

Theater Averages: Wife has a Blazing Hot Start

August 22nd, 2018

The Wife

The Wife topped the theater average chart over the weekend with an average of $27,071 in four theaters. The film’s reviews are amazing and Glenn Close is earning some Oscar buzz, so perhaps it will stick around for a while. We the Animals was next with an average of $21,119 in three theaters. Blaze was also playing in three theaters earning an average of $14,750. More...

Weekend Estimates: Crazy Getting Richer over the Weekend

August 19th, 2018

Crazy Rich Asians

Crazy Rich Asians beat expectations and easily came out on top of the box office over the weekend. The film earned $25.24 million between Friday and Sunday, for a five-day opening of $34.00 million, which is amazing for a film that cost $30 million to make. It not only beat our original prediction, but its weekend estimates have grown since it debuted on Wednesday, which is a very good sign that the word-of-mouth is helping ticket sales. Its 92% positive reviews and its A-rating from CinemaScore back up that explanation. With this opening, the film would have to have terrible legs and completely bomb internationally to not break even. Having terrible legs seems unlikely, but we will know more about that next weekend. As for its international numbers, the film hasn’t opened in any major international markets, so it is too soon to tell. It does debut in Australia before the end of the month, so that will be the film’s first big test. More...

Limited and VOD Releases: Dark Days for Limited Releases

August 17th, 2018

Down a Dark Hall

It’s a short week for limited releases, as it is an awkward time of year to release a film. It’s too late to take advantage of the summer holidays, while it is far too soon for Awards Season buzz. That doesn’t mean there are no films earning amazing reviews. In fact, there are several: Blaze, Minding the Gap, We The Animals, The Wife, and The Wild Boys. Hopefully at least one of them will find an audience in theaters. More...

Juliet, Naked Trailer

June 29th, 2018

Romantic comedy starring Rose Byrne, Ethan Hawke, and Chris O’Dowd, based on the book by Nick Hornby opens August 17 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/04 16 $69,303   52 $1,333   $69,303 1
2019/01/11 21 $35,249 -49% 54 $653   $149,877 2

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/19/2018 $24,707 47 47 61 $37,028 1/1/2019
Australia 9/7/2018 $18,168 7 11 59 $108,123 1/29/2019
Hungary 10/11/2018 $14,813 33 33 65 $48,672 1/3/2019
Italy 6/6/2019 $47,885 0 16 21 $119,070 10/19/2022
Netherlands 8/17/2018 $41,608 27 27 105 $198,296 10/23/2018
North America 8/17/2018 $60,886 4 467 1,338 $3,444,895 10/27/2022
Portugal 8/31/2018 $8,037 11 11 24 $18,749 9/19/2018
South Korea 9/25/2024 00$0
Spain 1/4/2019 $69,303 52 54 106 $149,877 1/17/2019
Turkey 3/29/2019 $18,342 103 103 118 $29,230 10/19/2022
United Kingdom 11/2/2018 $67,176 124 124 239 $195,552 1/30/2019
 
Rest of World $1,417,666
 
Worldwide Total$5,767,158 10/27/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Rose Byrne    Annie
Ethan Hawke    Tucker Crowe
Chris O'Dowd    Duncan

Supporting Cast

Jimmy O. Yang    Elliot
Megan Dodds   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jesse Peretz    Director
Tamara Jenkins    Screenwriter
Jim Taylor    Screenwriter
Evgenia Peretz    Screenwriter
Nick Hornby    Story based on the novel by
Albert Berger    Producer
Ron Yerxa    Producer
Barry Mendel    Producer
Judd Apatow    Producer
Jeffrey Soros    Producer
Simon Horsman    Executive Producer
Nick Hornby    Executive Producer
Patrick Murray    Executive Producer
Paul Sarony    Co-Producer
Remi Adefarasin    Director of Photography
Sarah Finlay    Production Designer
Sabine Hoffman    Editor
Robert Nassau    Editor
Lindsay Pugh    Costume Designer
Nathan Larson    Composer
Maggie Phillips    Music Supervisor
Jeanne McCarthy    Casting Director
Dixie Chassay    Casting Director