Synopsis
After 12 years of absence, a writer goes back to his home town, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fueled by loneliness and doubt, while all attempts at empathy are sabotaged by people's incapacity to listen and love.
Metrics
Movie Details
| Italy Releases: |
December 7th, 2016 (Wide), released as È solo la fine del mondo |
| MPAA Rating: |
Not Rated |
| Running Time: |
97 minutes |
| Keywords: |
Set in France, Writing and Writers, You Can't Go Home Again, Terminal Illness, LGBTQ+ |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Son's of Manual, MK2, Telefilm Canada, Seville International, Sodec, Harold Greenberg Fund, Radio-Canada Television, France 2 Cinema, France Television, Canal Plus, Cine Plus |
| Production Countries: |
Canada, France |
| Languages: |
French |
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2016/12/09 |
9 |
$324,748 |
|
0 |
|
$363,785 |
1 |
| 2016/12/16 |
11 |
$142,902 |
-56% |
0 |
|
$579,656 |
2 |
| 2016/12/23 |
16 |
$32,073 |
-78% |
0 |
|
$648,982 |
3 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
