-(2019).jpg)
| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $57,366 | Details |
| Worldwide Box Office | $50,573,876 | Details |
| Further financial details... | ||
| Russia (CIS) Releases: | September 5th, 2019 (Wide), released as Царство |
| Video Release: | February 4th, 2020 by Funimation Productions |
| MPAA Rating: | R for violence. (Rating bulletin 2587 (Cert #52251), 7/17/2019) |
| Running Time: | 134 minutes |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Credeus |
| Production Countries: | Japan |
| Languages: | Japanese |
February 5th, 2020
It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well.
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August 16th, 2019
-(2019)-1-News.jpg)
There are quite a few limited releases on this week’s list earning strong enough reviews to give them a chance at doing well in theaters. Of these, Kingdom and Buñuel in the Labyrinth of the Turtles are the two I’m most interested in, but I don’t think they are destined to find box office success. Unfortunately, I don’t think any of the films on this week’s list will find box office success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/09/06 | 18 | $28,336 | 254 | $112 | $28,627 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Japan | 4/19/2019 | $4,701,424 | 0 | 0 | 0 | $50,404,736 | 6/21/2019 |
| North America | 8/16/2019 | $0 | 132 | 0 | 0 | $0 | |
| Russia (CIS) | 9/5/2019 | $28,336 | 254 | 254 | 423 | $57,366 | 10/19/2022 |
| South Korea | 4/29/2020 | $38,786 | 182 | 182 | 246 | $111,774 | 5/19/2020 |
| Worldwide Total | $50,573,876 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Kento Yamazaki | Shin | |
| Ryo Yoshizawa | King Eisei |
| Masami Nagasawa | Youtanwa | |
| Kanna Hashimoto | Karyouten | |
| Kanata Hongo | Seikyou | |
| Shinnosuke Mitsushima | Heki | |
| Masahiro Takashima | Shoubunkun | |
| Jun Kaname | Tou | |
| Takao Osawa | Ouki |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Shinsuke Sato | Director | |
| Shinsuke Sato | Screenwriter | |
| Tsutomu Kuroiwa | Screenwriter | |
| Yasuhisa Hara | Screenwriter | |
| Teruyuki Kitabatake | Producer | |
| Tsukasa Imamura | Producer | |
| Nobuoki Kinoshita | Executive Producer | |
| Hibiki Ito | Executive Producer | |
| Iwao Saito | Production Designer | |
| Tsuyoshi Imai | Editor |
