Spain Box Office for La Mujer de la montaña (2018)

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Theatrical Performance (US$)
Spain Box Office $315,559Details
Worldwide Box Office $4,230,717Details
Home Market Performance
North America DVD Sales $16,510 Details
Total North America Video Sales $16,510
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminum industry. As Halla’s actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow.

Metrics

Movie Details

Spain Releases: March 8th, 2019 (Wide), released as La Mujer de la montaña
Video Release: June 4th, 2019 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 100 minutes
Keywords: Orphan, Environment, Set in Iceland, Terrorism, Adopted Family
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Magnolia Pictures, Slot Machine, Gulldrengurinn, Solar Media Entertainment, Koggull Filmworks, Vintage Pictures, Icelandic Film Centre, Eurimages, Aide aux Cinemas du Monde, Centre National du Cinema et de L Image Animee, Institut Francais, CNC Nouvelles Technologies en Production, Ukranian State Film Agency, Ministry of Culture of Ukraine, DR Nordisk Film & TV Fond, Fondation Gan pour le cinema, Creative Europe, Beta Cinema, RUV, SENA , Bonjour Pictures!, Jour2Fete, Potemkine Films, Camera Film A/S
Production Countries: France, Iceland, Ukraine
Languages: English, Icelandic, Spanish, Ukrainian

2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports

December 16th, 2019

The Last Black Man in San Francisco

The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season. More...

Theater Averages: Climactic Results Over the Weekend

March 7th, 2019

Climax

It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082. More...

Limited and VOD Releases: Climactic Change in Pace

March 1st, 2019

Climax

After two weeks of almost no releases, there are nearly 30 limited releases coming out this week. However, it’s a case of quantity above quality, for the most part, as the majority of films have no or almost no reviews. That said, the majority of films with a substantial number of reviews are earning overwhelmingly positive reviews. Some of these films, like Climax and Apollo 11, are even earning a combination of amazing reviews and loud buzz. Hopefully this means we will have some hits on this week’s list and the competition won’t sink everyone’s chances. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/08 13 $78,637   61 $1,289   $78,637 1
2019/03/15 12 $58,128 -26% 71 $819   $185,318 2
2019/03/22 15 $40,117 -31% 63 $637   $271,077 3
2019/03/29 19 $20,676 -48% 41 $504   $315,559 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/27/2019 $3,427 0 0 0 $8,203 11/17/2019
Australia 3/29/2019 $3,588 15 30 238 $519,787 5/20/2024
Bulgaria 4/12/2019 $0 0 0 0 $1,519 6/5/2019
Czech Republic 1/11/2019 $7,059 14 14 14 $7,059 1/15/2019
France 7/6/2018 $278,804 0 0 0 $1,265,878 8/25/2018
Italy 12/14/2018 $23,376 9 22 124 $421,140 8/31/2019
Netherlands 12/28/2018 $49,321 32 34 99 $160,970 3/5/2019
New Zealand 4/4/2019 $0 0 3 34 $252,427 5/15/2023
North America 3/1/2019 $18,370 5 66 471 $847,495
Portugal 11/29/2019 $1,233 12 12 12 $1,233 12/3/2019
Slovakia 1/18/2019 $4,553 10 10 10 $4,778 1/25/2019
Spain 3/8/2019 $78,637 61 71 236 $315,559 4/5/2019
Turkey 3/8/2019 $1,330 14 14 30 $4,794 5/24/2019
United Kingdom 5/3/2019 $89,262 34 34 38 $419,875 7/31/2019
 
Worldwide Total$4,230,717 5/20/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Halldora Geirhardsdottir    Halla/Asa

Supporting Cast

Jóhann Sigurðarson    Sveinbjörn
David Thor Jonsson    Pianist/Accordion Band
Magnus Trygvason Eliasen    Drummer Band
Ómar Guðjónsson    Sousaphone Band
Iryna Danyleiko    Ukranian Choir
Galyna Goncharenko    Ukranian Choir
Susanna Karpenko    Ukranian Choir
Jörundur Ragnarsson    Baldvin
Juan Camillo Roman Estrada    Juan Camillo

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Benedikt Erlingsson    Director
Benedikt Erlingsson    Screenwriter
Olafur Egilsson    Screenwriter
Ólafur Egill Egilsson*    Producer
Marianne Slot    Producer
Carine Leblanc    Producer
Serge Lavrenyuk    Co-Producer
Benedikt Erlingsson    Co-Producer
Bergsteinn Bjorgulfsson    Co-Producer
Birgitta Bjornsdottir    Co-Producer
Bergsteinn Bjorgulfsson    Director of Photography
Snorri Freyr Hilmarsson    Set Designer
Sylvía Dögg Halldórsdóttir    Costume Designer
Maria Kero    Costume Designer
David Alexander Corno    Editor
François De Morant    Sound Mixer
Raphael Sohier    Sound Mixer
Vincent Cosson    Sound Mixer
Aymerick Devoldere    Sound Mixer
David Thor Jonsson    Composer