United Kingdom Box Office for Luce (2019)

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Luce
Theatrical Performance (US$)
United Kingdom Box Office $148,482Details
Worldwide Box Office $2,399,346Details
Home Market Performance
North America DVD Sales $87,145 Details
Total North America Video Sales $87,145
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Luce is an all-star high school athlete, top student, and beloved by everyone in the community. When his teacher makes a shocking discovery, Luce’s identity as a model high schooler is called into question, and his adoptive parents are forced to reckon with their idealized image of their son.

Metrics

Movie Details

United Kingdom Releases: November 8th, 2019 (Wide)
Video Release: October 29th, 2019 by Universal Home Entertainment
MPAA Rating: R for language throughout, sexual content, nudity and some drug use.
(Rating bulletin 2585 (Cert #52283), 7/3/2019)
Running Time: 109 minutes
Keywords: African Americans, Sundance Film Festival 2019
Source:Based on Play
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Neon Films, Topic , Dream Factory Group, Altona Filmhaus, New Tropics
Production Countries: United States
Languages: English

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Theater Averages: All Gain for Pain

October 10th, 2019

Pain and Glory

Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market. More...

Theater Averages: Miles Davis is too Cool for New Releases

September 5th, 2019

Miles Davis: Birth of the Cool

It was an odd week on the theater average chart, as the number one film was a holdover. Miles Davis: Birth of the Cool’s average was down less than 0.2% to $18,222 and it did this while doubling its theater count to 2. This is very impressive and bodes well for its future. The best new release was Ne Zha, which earned an average $17,649 in 66 theaters. Animated films rarely do well in limited release and 66 theaters is a lot for a limited release, so this average is even more impressive than it looks at first glance. Finally, Official Secrets opened with an average of $16,241. More...

Luce Trailer

August 13th, 2019

Psychological thriller starring Naomi Watts, Octavia Spencer, Kelvin Harrison Jr and Tim Roth opened August 2 ... Full Movie Details.

Luce is an all-star high school athlete, top student, and beloved by everyone in the community. When his teacher makes a shocking discovery, Luce’s identity as a model high schooler is called into question, and his adoptive parents are forced to reckon with their idealized image of their son. More...

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...

Limited and VOD Releases: It’s a Good Night to see a Movie

August 2nd, 2019

The Nightingale

It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/08 - $148,482   128 $1,160   $148,482 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 11/1/2019 $24,547 18 18 88 $109,280 12/28/2019
North America 8/2/2019 $132,987 5 235 893 $2,010,613 9/19/2024
United Kingdom 11/8/2019 $148,482 128 128 128 $148,482 11/13/2019
 
Rest of World $130,971
 
Worldwide Total$2,399,346 9/19/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Naomi Watts    Amy Edgar
Octavia Spencer    Harriet Wilson
Kelvin Harrison Jr    Luce Edgar
Tim Roth    Peter Edgar

Supporting Cast

Norbert Leo Butz    Principal Dan
Andrea Bang    Stephanie Kim
Marsha Stephanie Blake    Rosemary
Astro    Deshaun Meeks
Omar Brunson    Corey Johnson
Noah Gaynor    Kenny Orlicki

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Julius Onah    Director
Julius Onah    Screenwriter
J.C. Lee    Screenwriter
J.C. Lee    Story based on the play by
John Baker    Producer
Julius Onah    Producer
Andrew Yang    Producer
J.C. Lee    Executive Producer
Rob Feng    Executive Producer
Amber Wang    Executive Producer
Larkin Seiple    Director of Photography
Lisa Myers    Production Designer
Madeleine Gavin    Editor
Eric Ro    Co-Producer
Keri Langerman    Costume Designer
Ben Salisbury    Composer
Geoff Barrow    Composer
Jessica Kelly    Casting Director