Synopsis
When Nancy is mistaken for Jack’s blind date under the clock at Waterloo Station, she decides to take fate into her own hands and just go with it. What could possibly go wrong?
Metrics
Movie Details
| Australia Releases: |
July 23rd, 2015 (Wide) |
| Video Release: |
November 13th, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: |
R for language and sexual references.
(Rating bulletin 2386, 8/12/2015) |
| Running Time: |
87 minutes |
| Keywords: |
Blind Date, One Day, Mistaken Identity, Romance |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
StudioCanal, Big Talk Pictures, Anton Capital Entertainment, BBC Films |
| Production Countries: |
France, United Kingdom |
| Languages: |
English |
February 2nd, 2016
This week the home market is led by a Blu-ray double-dip, Snow White and the Seven Dwarfs, while there is also an Oscar contender, Bridge of Spies, on the top. After that, the list is filled with bombs and weaker limited releases. It was an easy choice to select Snow White as Pick of the Week.
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November 11th, 2015
It is not a particularly strong week for limited releases, as there are none that really jump out as potential breakout successes. Man Up is earning some of the best reviews, but it is the wrong genre for limited release, as Rom Coms rarely do well enough in limited release to expand wide. (On a side note, one of the exceptions was My Big Fat Greek Wedding. The trailer for the sequel just came out. Nearly 15 years is a long time between the original and the sequel.) James White feels a lot more like a traditional limited release, one that can do really well in the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2015/11/06 |
9 |
$131,742 |
|
103 |
$1,279 |
$131,742 |
16 |
| 2015/11/13 |
12 |
$60,876 |
-54% |
103 |
$591 |
$242,540 |
17 |
| 2015/11/20 |
25 |
$11,522 |
-81% |
40 |
$288 |
$283,119 |
18 |
| 2015/11/27 |
38 |
$3,001 |
-74% |
9 |
$333 |
$290,617 |
19 |
| 2015/12/04 |
32 |
$5,370 |
+79% |
7 |
$767 |
$305,977 |
20 |
| 2015/12/11 |
41 |
$3,172 |
-41% |
5 |
$634 |
$305,502 |
21 |
| 2015/12/18 |
52 |
$864 |
-73% |
3 |
$288 |
$306,337 |
22 |
| 2015/12/25 |
50 |
$339 |
-61% |
2 |
$170 |
$310,548 |
23 |
| 2016/01/01 |
56 |
$363 |
+7% |
1 |
$363 |
$312,896 |
24 |
| 2016/01/29 |
61 |
$53 |
|
1 |
$53 |
$354,607 |
28 |
| 2016/02/12 |
41 |
$5,893 |
|
2 |
$2,947 |
$360,500 |
30 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
