Thailand Box Office for Men in Black: International (2019)

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Men in Black: International
Theatrical Performance (US$)
Thailand Box Office $3,114,741Details
Worldwide Box Office $254,310,003Details
Home Market Performance
North America DVD Sales $2,778,788 Details
North America Blu-ray Sales $10,115,185 Details
Total North America Video Sales $12,893,973
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

Metrics

Movie Details

Production Budget:$110,000,000
Thailand Releases: June 12th, 2019 (Wide)
Video Release: August 20th, 2019 by Sony Pictures Home Entertainment
October 21st, 2019 by Sony Pictures
MPAA Rating: PG-13 for sci-fi action, some language and suggestive material.
(Rating bulletin 2579 (Cert #52049), 5/22/2019)
Running Time: 118 minutes
Franchise: Men in Black
Keywords: Alien Encounters, Friendly Alien on Earth, Secret Agent, Secret Identity, Undercover, Set in London, Delayed Sequel, Reboot, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: Amblin Entertainment, Parkes+Macdonald Productions, Columbia Pictures, Tencent Pictures , Image Nation
Production Countries: United States
Languages: English

Home Market Releases for September 3rd, 2019

September 4th, 2019

My Hero Academia: Season Three, Part Two

It’s another short week with not a lot to talk about. The biggest release of the week is Men in Black International, but it missed expectations by a significant margin. The best first-run release is Booksmart, which also missed expectations by a significant margin, but it is still good enough to be a Pick of the Week contender. In fact, it’s only competition is My Hero Academia: Season Three, Part Two. It came down to a literal coin toss and My Hero Academia won, but both deserve the title. More...

Home Market Releases for August 20th, 2019

August 21st, 2019

John Wick: Chapter 3 — Parabellum

I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close. More...

International Box Office: Toy Story Still has Stories to Tell

June 27th, 2019

Toy Story 4

Toy Story 4 dominated the international chart with $120.0 million in 37 markets, representing 64% of the international marketplace. Interestingly, China wasn’t the film’s biggest market, as it had an absolute monster debut in Mexico taking top spot there with $23.82 million. The film also dominated the chart in the U.K. with $16.90 million, which isn’t as strong as its opening here, but still impressive. Likewise, the film managed $13.4 million in China, which is good for an animated film there. Good, but not great. The film broke the record for an opening by an animated film in Brazil with $9.6 million and did nearly as well in neighboring Argentina with $7.5 million. It was also impressive in South Korea with $7.47 million on 1,335 screens over the weekend for a total opening of $8.55 million. More...

Weekend Wrap-Up: Toy Story Latest Film to Miss Expectations

June 25th, 2019

Toy Story 4

I think 2019 is done. The year isn’t quite halfway done, but I think I’m ready to call the box office race with 2018 over. Toy Story 4 was the latest potential monster hit to miss expectations by a huge margin. Granted, it still opened in first place with $120.10 million and it will make a substantial profit, but this is still about 25% lower than a lot of people expected and the overall weekend is still a massive disappointment. It did rise 50% from last weekend hitting $204 million, but this was 25% lower than the same weekend last year and that’s a much more important figure. Year-to-date, 2019 is now behind 2018 by 8.9% or $510 million at $5.26 billion to $5.77 billion. If you want to stretch for some good news, then this isn’t the worst deficit we’ve seen this year. More...

Weekend Estimates: Toy Story has the Best Opening in the Franchise, Still Disappoints

June 23rd, 2019

Toy Story 4

Almost none of the films on this week’s list are living up to expectations, at least not according to the weekend estimates. Toy Story 4 is earning the best opening in the franchise with an estimated $118.0 million weekend. This is third-highest opening for an animated film, so there is reason to celebrate. However, it is also much lower than expected and a little more front-loaded than anticipated, so its future might be in doubt. The film is doing better internationally with an estimated opening weekend of $120.0 million in 37 markets. The film had the third biggest opening in Mexico with $23.4 million, putting it behind just the two most recent Avengers movies. It had the biggest opening for an animated film in Brazil with $9.6 million. The film was also a monster hit in the U.K. with $15.0 million. On the other hand, it struggled in China with a second-place $13.4 million opening there; however, most animated films struggle in China. Hopefully the film’s reviews and its A from CinemaScore translate into long legs, because 2019 really needs more success stories at the box office. More...

Friday Estimates: Toy Story Doesn’t Have an Incredible Start

June 22nd, 2019

Toy Story 4

Toy Story 4 is on pace to earn the third-best opening weekend for an animated film, but despite this, it will be seen as a disappointment, as many people were expecting a lot more. The film earned $47.39 million on Friday, putting it on pace for $123 million over the full weekend, which is behind Incredibles 2 and Finding Dory on the all-time opening chart for an animated film. It really needed to be higher up that list in order to help 2019 win in the year-over-year competition. At this pace, it won’t even match last year’s number one film, Jurassic World: Fallen Kingdom. On the positive side, the film is earning 97% positive reviews and managed an A from CinemaScore, so it should have long legs. It will be a hit for Pixar and Disney is not going to lose money on this movie. However, I’m getting tired of big films failing to live up to expectations and I don’t think 2019 is going to be able to turn things around. More...

Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?

June 20th, 2019

Toy Story 4

June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison. More...

International Box Office: Men in Black: International Lives Up to Its Name

June 20th, 2019

Men in Black: International

Men in Black: International did substantially better internationally with $68.22 million on 40,600 screens in 65 markets over the weekend for a total opening of $73.03 million. Its worldwide total was $103.06 million, which isn’t a bad start for a film that cost $110 million to make. It needs to have great legs and a strong home market run to break even any time soon, but this isn’t a number that should cause the studio to panic either. The film’s biggest single market was China where it earned first place with a total opening of $25.90 million, including $25.35 million on 21,000 screens over the weekend. It only managed third place in South Korea with $3.45 million on 1,055 screens over the weekend for a total opening of $4.88 million. Overall, the film is about 20% behind Men in Black 3’s opening in the same markets; however, this film also cost nearly 50% less to make, so financially, it is an improvement. More...

Weekend Wrap-Up: Weekend Bests Estimates, Still Clobbered by Incredibles

June 18th, 2019

Men in Black: International

There is some good news to report, as the weekend final numbers beat both the projections based on Friday estimates and Sunday’s estimates. There’s also some bad news. Even with this improvement, the weekend was really soft at the box office. Men in Black: International led the way with just $30.04 million during its opening weekend, while only two other films topped $10 million over the weekend. This left the overall box office down 18% from last weekend to just $135 million. This is 50% lower than the same weekend last year; a decline that we normally only see when there is a misalignment in a holiday. However, in this case, it was due to Incredibles 2, which earned more by itself than the total box office did this year. This has left 2019 further behind 2018 and it is now off last year’s pace by 7.0% or $370 million at $4.99 billion to $5.36 billion. Several weeks worth of gaining ground has gone in a single weekend. More...

Weekend Estimates: Black Skies for MiB

June 16th, 2019

Men in Black: International

According to weekend estimates, Men in Black: International is topping projections based on Friday estimates, but is still weaker than predicted with $28.5 million. This is a pleasant surprise, as the film’s reviews are terrible and its B from CinemaScore strongly suggested weaker legs. Maybe it will continue to surprise going forward. The film is doing much better internationally with $73.7 million on 41,400 screens in 56 markets. This includes $26.3 million in China, $5.1 million in Russia, $4.9 million in South Korea, and $3.9 million in Mexico. On the downside, the film has opened in most major markets, so it will be mostly coasting on holdovers at this point. It should still earn enough to cover its production budget worldwide, but that’s not enough to break even in any timely fashion. More...

Friday Estimates: Toy Story 4 needs to be a Monster Hit

June 15th, 2019

Men in Black: International

It is going to be a really bad weekend. All of the progress we made since Endgame came out could be erased in a week and if Toy Story 4 isn’t a monster hit, then 2019 will be in serious trouble, again. Men in Black: International led the way on Friday, but it only managed $10.4 million. Sony is projecting a $26.2 million opening weekend, which would be the studio’s biggest opening of the year so far. In fact, it would be the studio’s third biggest hit of the year after just three days. Yikes. The film’s reviews are terrible and it only managed a B from CinemaScore, so I don’t expect long legs. There are some rumors going around that the film didn’t cost as much as its official $110 million production budget, but even if those are true, this is still not a good start. Maybe it will thrive internationally. More...

Thursday Night Previews: Men in Black Open Darker than Phoenix

June 14th, 2019

Men in Black: International

Men in Black: International only managed $3.1 million during its previews on Thursday, which is well below the previews earned by Dark Phoenix ($5.9 million) and Godzilla: King of Monsters ($6.3 million). All three films have similar reviews and all three are part of long running franchises, so sadly this means Men in Black: International will likely have similar legs. Sony is still projecting $30 million over the weekend, but I’m not so sure anymore. More...

Weekend Predictions: Can Men in Black Open in the Black?

June 13th, 2019

Men in Black: International

It’s a busy weekend at the box office with the potential for four new entries in the top ten. Unfortunately, only one of those films, Late Night, is earning good reviews. The other films’ reviews range from mediocre reviews to depressing reviews. Likewise, the four film’s box office chances range from mediocre, with Men in Black: International expected to open south of $30 million, to depressing, with some suggesting Late Night and / or The Dead Never Die missing the Mendoza Line. This weekend last year, Incredibles 2 opened with $182.69 million. That’s more than the entire box office will make this weekend. 2019 is going to get crushed in the year-over-year comparison. More...

2019 Preview: June

June 1st, 2019

Toy Story 4

While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point. More...

Men in Black: International Trailer 2

April 25th, 2019

Sci-fi action movie starring Chris Hemsworth and Tessa Thompson opens June 14 ... Full Movie Details. More...

Men in Black: International Trailer

December 21st, 2018

Sci-fi adventure starring Chris Hemsworth and Tessa Thompson opens June 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/14 - $965,560   281 $3,436   $1,203,949 1
2019/06/21 - $314,264 -67% 133 $2,363   $1,799,367 2
2019/06/28 - $128,726 -59% 86 $1,497   $2,023,066 3
2019/07/05 - $10,216 -92% 26 $393   $3,101,471 4
2019/07/12 - $5,727 -44% 14 $409   $3,114,741 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/13/2019 $330,081 336 336 495 $791,022 7/29/2019
Aruba 6/13/2019 $11,315 9 9 18 $33,537 7/10/2019
Australia 6/14/2019 $2,671,672 504 504 1794 $6,953,346 8/28/2019
Austria 6/14/2019 $160,067 133 133 556 $791,131 8/20/2019
Bahrain 6/20/2019 $149,873 17 17 40 $362,618 7/29/2019
Belgium 6/19/2019 $229,647 153 153 589 $747,313 8/11/2019
Bolivia 6/13/2019 $64,831 40 40 84 $195,909 7/10/2019
Brazil 6/13/2019 $1,760,054 1031 1031 2086 $4,256,976 9/4/2019
Bulgaria 6/21/2019 $49,756 0 21 21 $235,002 8/22/2019
Cambodia 6/13/2019 $63,885 116 116 249 $162,813 7/16/2019
Central America 6/13/2019 $598,106 279 279 499 $1,233,110 7/17/2019
Chile 6/13/2019 $293,287 150 150 261 $556,622 7/29/2019
China 6/13/2019 $25,510,000 126053 126053 171824 $44,474,756 7/22/2019
Colombia 6/13/2019 $554,326 422 422 675 $1,372,005 7/29/2019
Croatia 6/13/2019 $44,360 85 85 234 $164,747 7/22/2019
Curacao 6/13/2019 $10,319 9 9 28 $37,882 7/16/2019
Czech Republic 6/14/2019 $192,089 138 138 374 $608,263 10/19/2022
Denmark 6/13/2019 $142,305 87 88 323 $489,773 9/4/2019
Dominican Republic 6/13/2019 $49,147 29 29 82 $135,425 7/29/2019
East Africa 6/21/2019 $7,139 5 5 20 $31,367 7/29/2019
Ecuador 6/14/2019 $206,501 99 99 235 $547,460 7/22/2019
Egypt 6/19/2019 $74,497 22 22 58 $233,987 7/29/2019
Estonia 6/14/2019 $38,346 30 30 114 $173,874 7/31/2019
Finland 6/14/2019 $134,249 151 151 486 $524,140 9/11/2019
France 6/12/2019 $2,269,151 727 727 3314 $7,265,094 8/11/2019
Germany 6/13/2019 $1,280,455 1314 1314 5186 $4,444,900 8/28/2019
Ghana 6/14/2019 $5,929 4 4 11 $20,696 7/22/2019
Greece 6/13/2019 $0 0 69 125 $265,867 7/24/2019
Hong Kong 6/13/2019 $1,332,851 138 163 523 $3,281,153 7/24/2019
Hungary 6/13/2019 $186,360 68 74 259 $585,322 10/19/2022
Iceland 6/12/2019 $25,484 11 11 37 $122,321 8/14/2019
India 6/14/2019 $1,844,142 1672 1672 2178 $2,997,124 7/3/2019
Indonesia 6/19/2019 $2,994,927 874 874 1492 $4,845,358 7/29/2019
Iraq 6/20/2019 $21,497 13 13 29 $59,707 7/16/2019
Israel 6/13/2019 $257,149 50 50 163 $792,102 10/19/2022
Italy 7/25/2019 $1,226,291 0 6 7 $3,177,851 10/19/2022
Jamaica 6/12/2019 $27,742 5 5 9 $76,669 7/31/2019
Japan 6/14/2019 $2,537,240 455 455 2057 $9,373,712 8/11/2019
Jordan 6/20/2019 $40,449 18 18 29 $108,338 7/16/2019
Kenya 6/14/2019 $32,039 24 24 92 $105,115 8/20/2019
Kuwait 6/20/2019 $395,232 27 27 49 $825,208 7/16/2019
Latvia 6/14/2019 $23,281 9 11 59 $155,102 9/4/2019
Lebanon 6/20/2019 $58,587 26 26 66 $197,280 8/5/2019
Lithuania 6/14/2019 $38,809 143 143 455 $179,623 8/7/2019
Malaysia 6/13/2019 $1,585,742 518 518 1406 $3,310,037 7/31/2019
Mexico 6/13/2019 $4,004,182 0 35 54 $9,058,541 10/19/2022
Middle East Region 6/20/2019 $428,056 15 15 26 $910,902 7/22/2019
Mongolia 6/14/2019 $23,298 8 8 31 $61,960 7/22/2019
Netherlands 6/20/2019 $468,585 108 108 573 $1,723,308 8/28/2019
New Zealand 6/13/2019 $393,292 99 99 406 $1,063,012 8/17/2020
Nigeria 6/14/2019 $41,155 42 42 218 $164,913 8/5/2019
North America 6/14/2019 $30,035,838 4,224 4,224 18,294 $80,001,807 5/4/2023
Norway 6/14/2019 $180,373 190 190 445 $611,510 8/20/2019
Oman 6/20/2019 $106,492 37 37 68 $203,486 7/10/2019
Pakistan 6/21/2019 $45,649 64 64 79 $77,037 7/16/2019
Paraguay 6/13/2019 $25,874 25 25 48 $95,076 7/10/2019
Peru 6/13/2019 $388,286 171 171 306 $936,349 7/17/2019
Philippines 6/12/2019 $1,503,692 283 283 691 $2,728,579 7/16/2019
Poland 6/14/2019 $178,661 171 171 535 $603,137 7/10/2019
Portugal 6/14/2019 $138,768 68 68 250 $570,360 7/23/2019
Qatar 6/20/2019 $230,573 28 28 54 $501,315 7/22/2019
Romania 6/21/2019 $176,211 100 100 348 $637,966 8/14/2019
Russia (CIS) 6/13/2019 $3,744,053 1446 1531 5562 $10,246,336 10/19/2022
Serbia and Montenegro 6/13/2019 $15,381 48 48 150 $58,461 7/22/2019
Singapore 6/13/2019 $998,235 107 107 309 $2,299,471 10/8/2019
Slovakia 6/14/2019 $67,996 72 72 174 $194,672 7/24/2019
Slovenia 6/13/2019 $12,614 22 22 67 $56,530 7/24/2019
South Africa 6/14/2019 $0 0 138 535 $1,211,141 9/4/2019
South Korea 6/12/2019 $3,415,932 1055 1055 1726 $6,188,830 10/2/2019
Spain 6/14/2019 $975,591 384 384 1720 $3,210,651 9/17/2019
Suriname 6/13/2019 $2,048 2 2 7 $6,341 7/10/2019
Sweden 6/14/2019 $201,396 169 169 545 $847,534 10/17/2019
Switzerland 6/13/2019 $284,749 169 169 415 $882,717 9/11/2019
Syria 6/20/2019 $6,480 2 2 3 $13,331 7/10/2019
Taiwan 6/12/2019 $1,170,875 300 300 672 $2,995,353 7/24/2019
Thailand 6/12/2019 $965,560 281 281 540 $3,114,741 10/19/2022
Trinidad 6/12/2019 $91,211 30 30 121 $320,300 7/29/2019
Turkey 6/14/2019 $156,164 323 323 912 $466,962 7/17/2019
Ukraine 6/13/2019 $645,487 385 385 1201 $1,833,152 8/5/2019
United Arab Emirates 6/20/2019 $1,006,249 120 120 238 $2,196,836 8/14/2019
United Kingdom 6/14/2019 $3,557,355 607 607 2454 $8,140,638 8/21/2019
Uruguay 6/13/2019 $36,203 35 35 77 $133,927 7/22/2019
Venezuela 6/14/2019 $21,170 69 69 221 $105,850 8/11/2019
Vietnam 6/14/2019 $567,316 399 399 717 $1,240,609 7/10/2019
 
Rest of World $1,294,705
 
Worldwide Total$254,310,003 5/4/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chris Hemsworth    Agent H
Tessa Thompson    Agent M
Liam Neeson    High T

Supporting Cast

Kumail Nanjiani    Pawny
Emma Thompson    Agent O
Rafe Spall    Agent C
Rebecca Ferguson    Riza
Kayvan Novak    Vungus/Nasr/Bassam
Spencer Wilding    Luca Brasi
Marcy Harriell    Molly’s Mom
Inny Clemons    Molly’s Dad
Aaron Serotsky    Men in Black #1
Mandeiya Flory    Young Molly
Matthew Bates    FBI HR Guy
Sartaj Garewal    CIA Recruiter
Stephen Wight    Ethan
Brian Silliman    Cabbie
John Sousa    Jimmy the Alien
Jeff Kim    Lead MIB Agent
Michael Adams    M.I.B. Lead Interrogator
Mike Capozzola    Veteran MIB Agent
Annie Burkin    Nerlene
Andrew Greenough    Freddie the Alien
Natasha Culzac    Nightclub Waitress
David Hartley    MIB Forensics Agent
Paul Brennan    Alien Boss
Stefan Kalipha    Antique Shopkeeper
Daniel Scott Smith    Nightclub Bartender
Vincent Pirillo    MIB Security Guard
Kaya Brown-Hallam    Nightclub Patron
Beau Fowler    Nightclub Patron
Lukas DiSparrow    Nightclub Patron
Andy Beckwith    Viper Room Player
Romanos Blanco    Couple at Eiffel Tower
Aiste Dirziute    Couple at Eiffel Tower
Anatole Taubman    French Salesman
Sorel Johnson    Nervious Forensic Tech
Paul Smith    Proprietor (Charlie)
Ania Sowinski    Alien Woman/Boss’ Wife
Tim Blaney    Frank the Pug
Thom Fountain    Worm Guy
Andrew Massey    Worm Guy

Cameos

Laurent Bourgeois    Alien Twin
Larry Bourgeois    Alien Twin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

F. Gary Gray    Director
Matt Holloway    Screenwriter
Art Marcum    Screenwriter
Lowell Cunningham    Story by
Walter F. Parkes    Producer
Laurie MacDonald    Producer
Steven Spielberg    Executive Producer
E. Bennett Walsh    Executive Producer
Barry Sonnenfeld    Executive Producer
Riyoko Tanaka    Executive Producer
David Beaubaire    Executive Producer
Edward Cheng    Executive Producer
Howard Chen    Executive Producer
Stuart Dryburgh    Director of Photography
Charles Wood    Production Designer
Christian Wagner    Editor
Zene Baker    Editor
Matt Willard    Editor
David Rubin    Casting Director
Reg Poerscout-Edgerton    Casting Director
Danny Elfman    Composer
Chris Bacon    Composer
Penny Rose    Costume Designer
Jerome Chen    Visual Effects Supervisor
Daniel Kramer    Visual Effects Supervisor
Lowell Cunningham    Character Creator
Wade Eastwood    Stunt Coordinator
Wade Eastwood    Second Unit Director
Michael Sharp    Unit Production Manager
E. Bennett Walsh    Unit Production Manager
Lisa Satriano    First Assistant Director
David Keadell    Second Assistant Director
Deven R. LeTendre    Co-Producer
Michael Sharp    Co-Producer
Tom Brown    Supervising Art Director
John Bush    Set Decorator
Lisa Vick    Script Supervisor
Hannah Walter    Costume Supervisor
Peter Lindsay    Sound Mixer
Paul Corbould    Special Effects Supervisor
Jamie Lengyel    Supervising Location Manager
Stephen Parker    Location Manager
Lindsey Powell    Location Manager
Pamela Joyce    Production Supervisor
Julian Ashby    Art Director
David Doran    Art Director
Crissy Howes    Art Director
Mark Swain    Art Director
Susan Whitaker    Art Director
Steve Wong    Art Director
Karim Debbagh    Line Producer
Richard Conkling    Additional Editor
Michael A. Webber    Additional Editor
Jonathan Silver    Additional Editor
Scott A. Jacobs    Assistant Editor
Isabel Zippert    Assistant Editor
Andrew McGivney    Assistant Editor
Paul N. J. Ottosson    Re-recording Mixer
Julian Slater    Re-recording Mixer
Paul N. J. Ottosson    Supervising Sound Editor
Paul N. J. Ottosson    Sound Designer
Hamilton Sterling    Sound Designer
Greg ten Bosch    Sound Effects Editor
Robert Troy    Dialogue Editor
Bill Abbott    Music Editor
Robbie Boyd    Music Editor
Dennis Sands    Score Recordist
Noah Snyder    Score Mixer
T.J. Lindgren    Additional Music
Deven R. LeTendre    Visual Effects Producer
Christopher Waegner    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.