Synopsis
Tony is admitted to a rehabilitation center after a serious skiing accident. Dependent on the medical staff and pain relievers, she takes time to look back on a turbulent relationship that she experienced with Georgio. Why did they love each other? Who is this man that she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free.
Metrics
Movie Details
October 4th, 2016
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The theme for this week on the home market is “good, but not great”. There are a lot of releases, but almost none of them rise above merely good. This meant there were very few contenders for Pick of the Week and the only real choice was The Wailing. It earned perfect reviews, so even though the Blu-ray isn’t loaded with extras, it is still the best release of the week.
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August 16th, 2016
Hell or High Water led the way on the Theater Average Chart with an average of $19,417 in 32 theaters. The studio was hoping for only half of that, so this is a fantastic start. The biggest new release of the week, Sausage Party, was next with an average of $11,042, while the overall number one film, Suicide Squad, was right behind with $10,232.
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August 12th, 2016
This week’s list of limited releases is full of films that are earning good reviews, but not great reviews, and they will struggle to survive in limited release. Then there’s Hell or High Water. The film’s reviews are just shy of 100% positive and it is going to expand wide next week. It should have the most impressive opening out of all of the films on this week’s list. It might not even be close.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2015/12/11 |
11 |
$129,118 |
|
111 |
$1,163 |
$403,181 |
2 |
| 2015/12/18 |
17 |
$27,744 |
-79% |
24 |
$1,156 |
$455,705 |
3 |
| 2016/01/22 |
20 |
$38,440 |
|
27 |
$1,424 |
$494,365 |
8 |
| 2016/04/08 |
61 |
$364 |
|
1 |
$364 |
$582,363 |
19 |
| 2016/04/15 |
68 |
$176 |
-52% |
1 |
$176 |
$582,998 |
20 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
