Lithuania Box Office for Mortal Kombat (2021)

Theatrical Performance (US$)
Lithuania Box Office	$37,355	Details
Worldwide Box Office	$83,508,259	Details
Home Market Performance
North America DVD Sales	$5,309,052	Details
North America Blu-ray Sales	$8,537,519	Details
Total North America Video Sales	$13,846,571
Further financial details...

Summary
News
Box Office
Worldwide
Full Financials
Cast & Crew
Trailer

Synopsis

MMA fighter Cole Young, accustomed to taking a beating for money, is unaware of his heritage—or why Outworld's Emperor Shang Tsung has sent his best warrior, Sub-Zero, an otherworldly Cryomancer, to hunt Cole down. Fearing for his family’s safety, Cole goes in search of Sonya Blade at the direction of Jax, a Special Forces Major who bears the same strange dragon marking Cole was born with. Soon, he finds himself at the temple of Lord Raiden, an Elder God and the protector of Earthrealm, who grants sanctuary to those who bear the mark. Here, Cole trains with experienced warriors Liu Kang, Kung Lao and rogue mercenary Kano, as he prepares to stand with Earth’s greatest champions against the enemies of Outworld in a high stakes battle for the universe. But will Cole be pushed hard enough to unlock his arcana—the immense power from within his soul—in time to save not only his family, but to stop Outworld once and for all?

Metrics

Movie Details

Production Budget:	$55,000,000
Lithuania Releases:	April 30th, 2021 (Wide)
Video Release:	April 23rd, 2021 by Max
MPAA Rating:	R for strong bloody violence and language throughout, and some crude references. (Rating bulletin 2671 (cert #53095), 3/10/2021)
Running Time:	110 minutes
Franchise:	Mortal Kombat
Keywords:	Reboot, Tournament, Mixed Martial Arts, Action Adventure
Source:	Based on Game
Genre:	Action
Production Method:	Animation/Live Action
Creative Type:	Fantasy
Production/Financing Companies:	New Line Cinema, Atomic Monster, Broken Road
Production Countries:	Canada, United States
Languages:	English

Weekend estimates: Wrath of Man posts solid $8.1 million opening

May 9th, 2021

Wrath of Man will pull off an easy win at the box office this weekend, according to Sunday morning’s projection from United Artists. It’s easily outperforming our model’s prediction with $8.1 million expected for the full weekend. Its strength probably had an adverse effect on the numbers for Demon Slayer, Mortal Kombat, and Godzilla vs. Kong, all of which failed to live up to expectations. With Here Today also struggling, we’re looking at a slightly down week at the box office. More...

Weekend predictions: Wrath of Man and Here Today take a shot at leading duo

May 7th, 2021

Two new wide releases, Wrath of Man and Here Today, enter the fray this weekend, and will be hoping to capitalize on the rapidly-declining audiences for Mortal Kombat and Demon Slayer to take them to the top of the chart. While Here Today has the least overlap with the other films audience-wise, our model thinks Wrath of Man will fair the better of the two on debut.

Here’s what the model has to say about each movie… More...

Weekend estimates: Demon Slayer projected to top the chart, but joins Mortal Kombat in a steep second-week decline

May 2nd, 2021

Demon Slayer The Movie: Mugan Train and Mortal Kombat are both experiencing precipitous declines at the box office this weekend after openings that significantly outperformed expectations. FUNimation is claiming a win for the weekend with a projected $6.421 million for Demon Slayer, but Mortal Kombat is expected to bring in $6.235 million, according to Warner Bros.. That’s a rounding error away, and the performance of each film today will determine who comes out on top when the final numbers are tallied. More...

Weekend predictions: Demon Slayer is a slight favorite to win the weekend

April 30th, 2021

After last weekend’s fireworks, business will be much quieter at the box office this time around, with horror movie Separation the only new wide release, and the winner of the weekend almost certainly down to which of Mortal Kombat and Demon Slayer The Movie: Mugen Train falls the least from their strong opening weekends. Our model thinks that Separation will find a place in the top six, but it’ll be well behind the reigning champions. Demon Slayer is marginally favored to top the chart in its second weekend, but the race will be close. More...

Weekend estimates: Mortal Kombat and Demon Slayer knock it out the park

April 25th, 2021

After a few pleasant surprises in recent months, this looks like the weekend that the theatrical business has been looking for. Not only is Mortal Kombat beating expectations with a weekend projected to hit $22.5 million, per Warner Bros.’ Sunday morning numbers, but Demon Slayer The Movie: Mugen Train is headed for the second-best opening for an anime movie ever, behind 1999’s Pokemon: The First Movie, with a projected $19.5 million. What’s more, both films are R-rated, meaning that they firmly fall outside the family-film space that has been the brightest spot in the market recently. More...

Weekend predictions: Mortal Kombat and Demon Slayer go head to head

April 23rd, 2021

This weekend is shaping up to be a real David and Goliath battle, with indie distributor FUNimation going up against the might of Warner Bros., and looking likely to come out with their heads held high, even if a weekend win looks out of reach. More...

Weekend estimates: Godzilla vs. Kong leads again in spite of steep decline

April 18th, 2021

Another slightly disappointing result for Godzilla vs. Kong makes this a weekend where the theatrical market is treading water again. The top six will generate 12% less revenue than our model predicted, which is safely within its margin of error, and doesn’t really indicate any new weakness. But their combined box office will be 32% down from last weekend thanks to the lack of major new releases. More...

Weekend estimates: Godzilla vs. Kong delivers monster* $32.2-million weekend

April 4th, 2021

Godzilla vs. Kong will earn $32.2 million over the Friday–Sunday weekend, and deliver a $48.5-million 5-day opening, according to Warner Bros.’ Sunday morning projection. The film will earn an additional $3 million in Canada from its PVOD release there, which the studio offered to allow Canadian audiences to see the film while around 80% of the Canadian market remains closed. It’s also showing on HBO Max in the US, but the studio hasn’t offered any numbers on its performance there. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

Date	Rank	Gross	% Change	Screens	Per Screen	Total Gross	Week
2020/04/30	-	$15,130		11	$1,375	$20,900	1
2021/04/30	1	$16,646		11	$1,513	$22,994	53
2021/05/07	10	$4,181	-75%	8	$523	$35,035	2
2021/05/14	13	$945	-77%	4	$236	$37,355	3

Box Office Summary Per Territory

Territory	Release Date	Opening Weekend	Opening Weekend Screens	Maximum Screens	Theatrical Engagements	Total Box Office	Report Date
Australia	4/15/2021	$0	0	406	1805	$6,982,338	7/8/2021
Germany	6/17/2021	$12,043	0	0	0	$35,742	7/6/2021
Hong Kong	4/16/2021	$0	0	0	0	$559,392	5/5/2021
Indonesia	4/16/2021	$662,000	733	733	733	$1,900,000	10/20/2022
Japan	6/25/2021	$0	0	0	0	$907,000	10/20/2022
Lithuania	4/30/2021	$15,130	11	11	34	$37,355	10/20/2022
Malaysia	4/16/2021	$0	0	0	0	$858,000	10/20/2022
Mexico	4/15/2021	$748,292	0	0	0	$1,900,000	10/20/2022
New Zealand	4/23/2021	$409,939	72	72	356	$963,000	10/20/2022
North America	4/23/2021	$23,302,503	3,073	3,114	15,736	$42,326,031
Poland	5/28/2021	$129,437	155	220	375	$362,290	10/19/2022
Portugal	4/20/2021	$67,364	106	107	297	$179,573	10/19/2022
Romania	6/18/2021	$51,134	80	80	181	$100,756	10/20/2022
Russia (CIS)	4/9/2021	$6,355,601	1721	1785	6546	$11,300,000	10/20/2022
Saudi Arabia	4/9/2021	$704,000	43	43	43	$1,100,000	10/20/2022
Singapore	4/16/2021	$0	0	0	0	$1,100,000	10/20/2022
Slovakia	5/27/2021	$0	0	12	24	$29,025	7/2/2021
South Korea	4/8/2021	$210,630	672	672	834	$374,164	4/28/2021
Spain	4/16/2021	$572,000	479	479	939	$1,600,000	10/20/2022
Taiwan	4/9/2021	$524,000	149	149	149	$1,100,000	10/20/2022
Thailand	4/9/2021	$562,000	454	454	816	$994,000	10/20/2022
United Arab Emirates	4/9/2021	$721,000	139	139	139	$1,500,000	6/7/2021
United Kingdom	5/17/2021	$452,093	340	340	528	$659,991	6/2/2021
Vietnam	4/16/2021	$0	0	0	0	$783,000	10/20/2022

Rest of World						$5,856,602

Worldwide Total						$83,508,259	10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Lewis Tan		Cole Young
Jessica McNamee		Sonya Blade
Josh Lawson		Kano
Tadanobu Asano		Lord Raiden
Mehcad Brooks		Jax
Ludi Lin		Liu Kang
Chin Han		Shang Tsung
Joe Taslim		Bi-Han/Sub-Zero
Hiroyuki Sanada		Hanzo Hasashi/Scorpion

Supporting Cast

Max Huang		Kung Lao
Sisi Stringer		Mileena
Matilda Kimber		Emily
Laura Brent		Allison
Mel Jarnson		Nitara
Nathan Jones		Reiko
Nelson Daniel		Kabal
Ian Streetz		Ramirez
Yukiko Shinohara		Harumi Hasashi
Ren Miyagawa		Satoshi “Jubei” Hasashi
Mia Hall		Hasashi’s Baby
David Field		Referee
Kris McQuade		Cargo Plane Pilot
Angus Sampson		Goro
Alice Nassery		Shang Tsung Elite Guard
Damon Herriman		Kabal

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Simon McQuoid		Director
James Wan		Producer
Todd Garner		Producer
Simon McQuoid		Producer
E. Bennett Walsh		Producer
Greg Russo		Screenwriter
David Callaham		Screenwriter
Oren Uziel		Story by
Greg Russo		Story by
Ed Boon		Story based on the video game created by
John Tobias		Story based on the video game created by
Richard Brener		Executive Producer
Dave Neustadter		Executive Producer
Victoria Palmeri		Executive Producer
Michael Clear		Executive Producer
Jeremy Stein		Executive Producer
Lawrence Kasanoff		Executive Producer
Germain McMicking		Director of Photography
Naaman Marshall		Production Designer
Dan Lebental		Editor
Scott Gray		Editor
Benjamin Wallfisch		Composer
Rich Delia		Casting Director
Chris Godfrey		Visual Effects Supervisor
Cappi Ireland		Costume Designer
Anna Steel		Unit Production Manager
E. Bennett Walsh		Unit Production Manager
Chris Webb		First Assistant Director
P.J. Voeten		First Assistant Director
Danielle Blake		Second Assistant Director
Prue Fletcher		Visual Effects Producer
Tom Nursey		Supervising Art Director
Michael Turner		Art Director
Rolland Pike		Set Decorator
Des Kenneally		Sound Mixer
Jane Maguire		Post-Production Supervisor
Dawn Michelle King		First Assistant Editor
Peter Skarratt		First Assistant Editor
Daniel O’Brien		First Assistant Editor
Kathy Freeman		First Assistant Editor
Katrina Schiller		Music Editor
Rep. Tim Ryan		Music Editor
Robert Mackenzie		Supervising Sound Editor
Robert Mackenzie		Sound Designer
Robert Mackenzie		Re-recording Mixer
Phil Heywood		Re-recording Mixer
James Ashton		Sound Designer
Mick Boraso		Sound Designer
Steve Burgess		Sound Designer
Tara Webb		Sound Editor
Steve Burgess		Sound Editor
Duncan Campbell		Foley Mixer
Adrian Medhurst		Foley Editor
Ryan Squires		Foley Editor
Jacob McIntyre		Location Manager
Mark Evans		Location Manager
Gavin Greenstone		Location Manager
Sharon Kerrigan		Location Manager
Lauren Cooper		Location Manager
Taera Shroff		Script Supervisor
Robyn Elliott		Costume Supervisor
Katrina Henley		Costume Supervisor
Peter Stubbs		Special Effects Supervisor
Kyle Gardiner		Stunt Coordinator
Chan Griffin		Fight Choreographer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.