Brazil Box Office for Nelyubov (2017)

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Nelyubov
Theatrical Performance (US$)
Brazil Box Office $75,896Details
Worldwide Box Office $4,885,296Details
Home Market Performance
North America Blu-ray Sales $93,852 Details
Total North America Video Sales $93,852
Further financial details...

  1. Summary
  2. News
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  4. Worldwide
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  6. Cast & Crew
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Metrics

Movie Details

Brazil Releases: February 8th, 2018 (Wide)
Video Release: June 12th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for strong sexuality, graphic nudity, language and a brief disturbing image.
(Rating bulletin 2500 (Cert #51304), 11/1/2017)
Running Time: 127 minutes
Keywords: Set in Russia, Messy Divorce, Children Dealing with Divorce, Missing Person, Missing Child, Unbelieving Police, Relationships Gone Wrong, 2010s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Non-Stop Productions, Why Not Productions, Arte France Cinema, Les Films du Fleuve, Fetisoff Illusion
Production Countries: Russian Federation
Languages: Russian

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

Limited and VOD Releases: Monster Hits and Animated Flicks

February 16th, 2018

Tehran Taboo

It’s a strange week for limited releases with a wide variety of films to check out. There’s an Oscar nominationed Russian film, Loveless. As well as two Chinese films that are going to be monster hits back home, Detective Chinatown 2 and Monster Hunt 2. And finally, two animated films, Mind Game and Tehran Taboo. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/02/09 - $19,647   12 $1,637   $20,223 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/20/2018 $0 0 24 132 $327,988 8/6/2018
Brazil 2/8/2018 $19,647 12 12 12 $75,896 6/14/2018
Bulgaria 4/27/2018 $644 0 0 0 $9,938 2/26/2019
Czech Republic 1/19/2018 $4,339 13 13 13 $5,971 1/1/2019
France 9/22/2017 $420,055 0 0 0 $1,169,368 6/28/2018
Italy 12/7/2017 $65,898 0 0 0 $347,856 1/8/2018
Lithuania 1/26/2018 $2,202 10 10 19 $7,409 3/5/2018
Netherlands 10/6/2017 $68,538 28 32 153 $345,450 11/6/2017
North America 2/16/2018 $30,222 3 59 296 $564,073
Portugal 2/2/2018 $1,674 7 7 10 $4,147 2/14/2018
Russia (CIS) 6/1/2017 $563,313 493 493 1629 $1,702,400 1/1/2019
South Korea 4/18/2019 $14,611 47 47 94 $65,787 5/16/2019
Spain 1/26/2018 $47,214 30 30 30 $49,281 2/2/2018
Turkey 1/26/2018 $10,029 21 23 44 $35,590 2/26/2019
United Kingdom 2/9/2018 $174,142 39 39 39 $174,142 2/14/2018
 
Worldwide Total$4,885,296 5/16/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrey Zvyagintsev    Director
Andrey Zvyagintsev    Screenwriter
Oleg Negin    Screenwriter
Alexander Rodnyansky    Producer
Sergey Melkumov    Producer
Vincent Maraval    Executive Producer
Pascal Caucheteux    Executive Producer
Gregoire Sorlat    Executive Producer
Andrey Ponkratov    Production Designer
Anna Mass    Editor