Mexico Box Office for No Manches Frida 2 (2019)

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No Manches Frida 2
Theatrical Performance (US$)
Mexico Box Office $17,106,879Details
Worldwide Box Office $26,377,799Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When the seemingly reformed ex-con Zequi is about to marry the love of his life, the lovably nerdy Lucy, wedding day jitters turn into a full blown fiasco and Lucy calls the wedding off. Meanwhile, the school finds itself in deep trouble and the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her high school sweetheart Mario, whom since she last saw him has transformed into a smoking hot hunk. He's coach of the opposing squad and Zequi finds himself a rival in more than one competition. Now he has to pull out all the stops to wrangle in his rowdy kids, win Lucy back, and in case that wasn't enough, save the school from shutting down by leading Frida High to victory!

Metrics

Movie Details

Mexico Releases: April 11th, 2019 (Wide)
Video Release: June 4th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for sexual content and teen drinking.
(Rating bulletin 2568 (Cert #51994), 3/6/2019)
Running Time: 102 minutes
Franchise: No Manches Frida
Keywords: High School, Wedding Day, Wedding Day Disasters, Tournament, Inspirational Coach, Underdog, Romance, Relationships Gone Wrong, Love Triangle, Hispanic, Farcical / Slapstick Comedy
Source:Based on Movie
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Pantelion Films, Alcon Entertainment, Neverending Media, Lionsgate, Selva Pictures, Constantin Film
Production Countries: United States
Languages: Spanish

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

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Theater Averages: Dumbo is Lonely at the Top

April 4th, 2019

Dumbo

Dumbo was the only film in the $10,000 Club at the weekend, as it earned an average of $10,798 while earning first place on the overall chart. The best limited release was Diane, which earned an average of $8,156 in three theaters. More...

Weekend Wrap-Up: Us vs. Them Wasn’t Even Close

March 26th, 2019

Us

Us topped the weekend chart and expectations with $71.12 million during its debut. This was more than double what Captain Marvel earned during this weekend and it helped the overall box office grow 6.8% from last weekend to $148 million. More importantly, this is 14% higher than the same weekend last year. Granted, 2019 is still way behind 2018, but it is chipping away at the deficit and is now behind by 17% or $450 million at $2.15 billion to $2.60 billion. Furthermore, 2019 is no longer an historically bad year at the box office. It used to be the worst year at box office in terms of dollars in over a decade. Now it’s the worst year since 2013 and if April is as good as March was, it could be in the top five best years in box office dollars by the beginning of May. More...

Theater Averages: Real Horse Race on Top of the Chart

March 21st, 2019

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The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters. More...

Weekend Estimates: Captain Marvel Continues to Fly High, Most New Releases Open Strong

March 17th, 2019

Captain Marvel

Captain Marvel will remain in top spot on the weekend chart with an estimated $69.32 million, giving it a two-week total of $266.21 million. This is higher than predicted and a 55% decline bodes well for its future. It is already ahead of the lifetime domestic totals of eight previous installments in the MCU and it will quickly rise into the top ten. Internationally, the film added $119.7 million to its running tally, which now sits at $494.0 million, while its worldwide total rose to $760.2 million. Yesterday, I said the film could be in the top ten for the MCU. If these estimates hold, it will miss that mark by about $10 million. In fact, given its holds this weekend, it has a pathway to enter the top five. The film’s only, and last, new international opening was Japan. There the film’s estimated weekend opening was $5.6 million, which was the highest opening for a standalone film in the MCU. Meanwhile, outside of China, the film held on even better than it did domestically. China tends to be a very front-loaded market, but the film held on well enough there to get to $132.0 million after just two weeks, making it the fourth highest grossing film in the MCU already. It is even better in Indonesia where its two week total of $16.1 million is the fourth highest total of all-time. We will have more details on the international numbers later in the week. More...

Friday Estimates: Captain Marvel Hits $200 million Domestically and $600 million Worldwide

March 16th, 2019

Captain Marvel

Captain Marvel held on a little better than expected to earn $19.05 million on Friday, which pushes it past the $200 million mark in just 8 days. This is 69% lower than its opening Friday, but is still a fantastic start to its sophomore weekend. In fact, it should top our prediction with $68 million over the full weekend for a two week total of nearly $265 million. Disney hasn’t released Friday’s international numbers, but it is widely expected to top $400 million internationally and $600 million worldwide. The film has already surpassed five previous installments in the MCU on the worldwide chart and did so in just eight days. By the end of the weekend, it could be in the top ten for the franchise. More...

Limited and VOD Releases: Which Limited Releases Will Crack the Case of the Box Office?

March 15th, 2019

Nancy Drew and the Hidden Staircase

It’s a good week for limited releases with a lot of different films. This includes some made for mainstream appeal (Nancy Drew and the Hidden Staircase and No Manches Frida 2) as well as more art house fair (The Mustang and Starfish). There are even some documentaries (Combat Obscura and The Eyes of Orson Welles) and foreign-language films (Ash is Purest White and Iceman). I just hope the competition isn’t too much and at least some of these films thrive in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/04/12 1 $4,571,788   0     $5,122,290 1
2019/04/19 2 $3,007,118 -34% 0     $11,905,841 2
2019/04/26 3 $964,279 -68% 0     $14,735,889 3
2019/05/03 3 $712,363 -26% 0     $16,236,610 4
2019/05/10 5 $326,625 -54% 0     $16,926,562 5
2019/05/17 - $94,051 -71% 0     $17,106,879 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Mexico 4/11/2019 $4,571,788 0 0 0 $17,106,879 5/20/2019
North America 3/15/2019 $3,831,401 472 472 1,906 $9,270,920
 
Worldwide Total$26,377,799 5/20/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Omar Chaparro    Zequi
Martha Higareda    Lucy
Aaron Diaz    Mario
Itati Cantoral   
Regina Pavón    Monica
Memo Dorantes    Romo
Mario Moran    Cristobal
Karen Furlong    Nayeli
Carla Adell    Laura
Raquel De Icaza   

Supporting Cast

Rocio Garcia    Jenny
Andrea Noli   
Fernanda Castillo   
Raquel Garza   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nacho G. Velilla    Director
David S. Olivas    Screenwriter
Claudio Herrera    Screenwriter
Sergio Adrian Sanchez    Screenwriter
David S. Olivas    Story by
Oriol Capel    Story by
Nacho G. Velilla    Story by
Edward Allen    Producer
Martha Higareda    Producer
Mauricio Arguelles    Producer
Nacho G. Velilla    Producer
Andrew Kosove    Executive Producer
Broderick Johnson    Executive Producer
Laurence Rosenthal    Executive Producer
Fernando Lebrija    Executive Producer
Martin Moszkowicz    Executive Producer
Clifford Werber    Executive Producer
Victor Leycegui    Line Producer
Aaron Rivera-Ashford    Co-Producer
David Omedes    Director of Photography
Angel Hernandez Zoido    Editor
Atzin Hernandez    Costume Designer
Felix Berges    Visual Effects Designer
Ricardo Arvizu    Special Effects
Alex Capilla    Sound Designer
Alex Capilla    Sound Supervisor
Michael Hodges    Executive Producer
Ashley Culp    Executive Producer
Juan Jose Javierre    Composer
Juan Jose Javierre    Music Supervisor
Alejandro Reza    Casting Director