| Theatrical Performance (US$) | ||
| Portugal Box Office | $66,592 | Details |
| Worldwide Box Office | $23,470,091 | Details |
| Further financial details... | ||
| Portugal Releases: | June 7th, 2019 (Wide), released as Pequenas Mentiras Entre Amigos 2 |
| Running Time: | 135 minutes |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium, France |
| Languages: | French |
May 9th, 2019
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Avengers: Endgame continued to dominate the international box office with $282.2 million in 55 markets for totals of $1.57 billion internationally and $2.19 billionh worldwide. Like last week, we’ve been tracking these numbers as they have been released on our page for the movie, so there’s no need to go into much more detail here. I would like to point out that the film earned more in several individual markets than the second place film earned in total. This includes China ($63.83 million over the weekend for a two-week total of $572.64 million); The U.K. ($18.83 million / $91.09 million); and South Korea ($17.93 million / $80.40 million).
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/07 | 7 | $22,213 | 23 | $966 | $22,213 | 1 | |
| 2019/06/14 | 9 | $13,798 | -38% | 22 | $627 | $47,723 | 2 |
| 2019/06/21 | 14 | $5,888 | -57% | 5 | $1,178 | $60,134 | 3 |
| 2019/06/28 | 20 | $1,418 | -76% | 3 | $473 | $65,806 | 4 |
| 2019/07/05 | 27 | $902 | -36% | 1 | $902 | $66,592 | 5 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/7/2020 | $29,808 | 14 | 15 | 88 | $146,475 | 10/20/2022 |
| France | 5/3/2019 | $8,280,691 | 722 | 757 | 4171 | $22,263,786 | 7/11/2019 |
| Italy | 9/12/2019 | $65,524 | 0 | 44 | 47 | $110,959 | 10/9/2019 |
| Netherlands | 6/7/2019 | $41,132 | 30 | 30 | 109 | $126,845 | 10/19/2022 |
| New Zealand | 3/12/2020 | $0 | 0 | 3 | 6 | $4,306 | 10/19/2022 |
| Portugal | 6/7/2019 | $22,213 | 23 | 23 | 54 | $66,592 | 10/19/2022 |
| Russia (CIS) | 8/29/2019 | $40,741 | 164 | 164 | 243 | $82,202 | 10/19/2022 |
| Spain | 11/8/2019 | $288,720 | 201 | 201 | 450 | $662,150 | 11/28/2019 |
| Turkey | 8/16/2019 | $2,803 | 23 | 23 | 49 | $6,776 | 10/19/2022 |
| Worldwide Total | $23,470,091 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Guillaume Canet | Director |
