Poland Box Office for Pavarotti (2019)

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Pavarotti
Theatrical Performance (US$)
Poland Box Office $295,236Details
Worldwide Box Office $8,569,065Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A documentary about Luciano Pavarotti featuring memorable performances, including classic songs from Pavarotti’s Three Tenors days and previously unseen footage.

Metrics

Movie Details

Poland Releases: August 2nd, 2019 (Wide)
Video Release: September 24th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for brief strong language and a war related image.
(Rating bulletin 2569 (Cert #52091), 3/13/2019)
Running Time: 170 minutes
Keywords: Biographical Documentary, Opera, Musicians, Biography, Archive Footage
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Imagine Entertainment, Polygram Pictures, CBS Films, Brian Grazer Productions, White Horse Pictures
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for September 24th, 2019

September 26th, 2019

Midsommar

It is a horrible week on the home market, at least from my perspective. There are no monster hits to talk about, but a flood of middling releases that I can’t really ignore. The biggest first-run release of the week is Yesterday and it is the closest we have to a Pick of the Week contender on this week’s list. That is if you don’t count Crawl and Midsommar, which are hitting VOD this week. More...

Theater Averages: Lion King Can’t Be Dethroned

July 31st, 2019

The Lion King

The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228. More...

Theater Averages: Endgame Bids Farewell to One of Its Records

July 18th, 2019

The Farewell

The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters. More...

Theater Averages: Quiet Weekend

June 27th, 2019

Toy Story 4

There weren’t many new releases to talk about, but a surprising percentage of them landed in the $10,000 club. This includes the overall box office champ, Toy Story 4, which opened with an average of $26,428. Wild Rose was the best of the limited releases earning an average of $13,235 in four theaters, while Toni Morrison: The Pieces I Am was right behind with an average of $12,013, also in four theaters. More...

Theater Averages: Late Night Gets Off to an Early Start

June 13th, 2019

Late Night

2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229. More...

Limited and VOD Releases: Will it be Good Night for Limited Releases?

June 7th, 2019

Late Night

Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week. More...

Pavarotti Trailer

May 1st, 2019

Documentary on the opera legend directed by Ron Howard opens June 7 ... Full Movie Details.

A documentary about Luciano Pavarotti featuring memorable performances, including classic songs from Pavarotti’s Three Tenors days and previously unseen footage. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/25/2019 $112,083 86 86 429 $758,651 10/20/2022
Germany 11/29/2019 $0 0 102 102 $12,934 1/3/2020
Italy 11/1/2019 $5,119 2 2 2 $296,105 11/10/2019
Lithuania 7/26/2019 $4,415 51 51 69 $20,111 1/8/2020
Netherlands 10/4/2019 $40,365 46 46 258 $205,516 10/19/2022
New Zealand 6/13/2019 $0 0 21 75 $398,320 12/6/2021
North America 6/7/2019 $144,032 48 288 1,410 $4,686,402 1/7/2022
Poland 8/2/2019 $110,087 114 114 228 $295,236 10/19/2022
Portugal 6/21/2019 $0 0 3 16 $52,330 10/19/2022
Russia (CIS) 7/26/2019 $20,622 158 158 257 $53,425 10/19/2022
Slovakia 7/5/2019 $6,502 47 47 68 $22,027 7/24/2019
Slovenia 9/27/2019 $4,096 9 9 21 $22,493 11/6/2019
South Korea 1/1/2020 $59,018 85 85 231 $316,866 2/13/2020
Spain 1/10/2020 $138,499 128 128 176 $295,019 1/23/2020
Turkey 11/8/2019 $3,253 17 17 31 $9,189 10/19/2022
United Kingdom 7/13/2019 $0 0 48 175 $885,078 10/9/2019
 
Rest of World $239,363
 
Worldwide Total$8,569,065 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Luciano Pavarotti    Himself

Interviewee(s)

Andrea Griminelli    Himself
Nicoletta Mantovani    Herself
Placido Domingo    Himself
Angela Gheorghiu    Herself
Carol Vaness    Herself
Vittorio Grigolo    Himself
Madelyn Renee    Herself
Zubin Mehta    Himself
Lorenza Pavarotti    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Howard    Director
Ron Howard    Producer
Nigel Sinclair    Producer
Brian Grazer    Producer
Michael Rosenberg    Producer
Jeanne Elfant Festa    Producer
Paul Crowder    Editor
Mark Monroe    Screenwriter
David Blackman    Executive Producer
Dickon Stainer    Executive Producer
Nick Ferrall    Executive Producer
Mark McCune    Supervising Producer