South Korea Box Office for Poms (2019)

← Go to main Poms page

Poms
Theatrical Performance (US$)
South Korea Box Office $2,905Details
Worldwide Box Office $17,901,314Details
Home Market Performance
North America DVD Sales $691,550 Details
North America Blu-ray Sales $417,709 Details
Total North America Video Sales $1,109,259
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Martha is a woman who moves into a retirement community and starts a cheerleading squad with her fellow residents, Sheryl, Olive and Alice, proving that it’s never too late to follow your dreams.

Metrics

Movie Details

Production Budget:$10,000,000
South Korea Releases: September 10th, 2020 (Wide)
Video Release: June 4th, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for some language/sexual references.
(Rating bulletin 2574 (Cert #52085), 4/17/2019)
Running Time: 91 minutes
Keywords: Retirement, Autumn Years, Retirement Home, Cheerleaders, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sierra Films, Rose Pictures , Mad as Birds Films, Entertainment One, STX Films
Production Countries: United States
Languages: English

Home Market Releases for August 6th, 2019

August 7th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release. More...

Home Market Releases for July 23rd, 2019

July 24th, 2019

Nichijou: My Ordinary Life

We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack. More...

Weekend Wrap-Up: John Wick Wins Weekend, Can’t Stop Deadpool from Killing 2019

May 21st, 2019

John Wick: Chapter 3 - Parabellum

The overall weekend was about as good as anyone could hope for with John Wick: Chapter 3 - Parabellum topping expectations with $56.82 million. This mostly made up for A Dog’s Journey and The Sun is Also A Star, both of which missed low expectations. However, the overall weekend still fell 12% when compared to last weekend at $147 million and this is 30% lower than the same weekend last year. To be fair, almost no one was expecting this year to match last year, because last year Deadpool 2 opened. Year-to-date, 2019 is still behind 2018 by a 9.2% or $410 million margin at $4.03 billion to $4.44 billion. Fortunately, if Aladdin does as well next weekend as many are expecting, then this losing streak will end after just one week. More...

Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations

May 14th, 2019

Pokémon: Detective Pikachu

The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion. More...

Weekend Estimates: Endgame Continues to Fall, while Pikachu has Solid Start

May 12th, 2019

Pokémon: Detective Pikachu

If projections hold, then Avengers: Endgame will fall almost as much this weekend as it did during its second weekend, with a 57% decline taking it to $63.1 million time around, and a three-week total of $723.5 million. It is very unusual for a film to not rebound significantly during in third weekend of release. One sign of how quickly the film is dropping after its enormous opening is that it will have “only” the fourth-biggest third weekend, slipping behind Black Panther at this point in its run. More...

Friday Estimates: Pikachu Overtakes Endgame During Opening Day

May 11th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu earned first place on Friday with $20.6 million. This is a little weaker than we predicted and this suggests its a little more of a Fanboy film than a Family Film. That said, while this will result in marginally shorter legs, the film will still have a potent opening of about $57 million, thanks in part to Mother’s Day. This is slightly higher than its pre-release tracking, so it is worth celebrating. Additionally, it earned an A minus from CinemaScore, which is better than its reviews and that will further help its chances in the long run. Internationally, the film pulled in $23.1 million on 36,300 screens in 62 markets on Friday for an early total of $43.4 million. By the end of the film’s “opening” weekend, it could have more globally than its $150 million production budget. (We have “opening” in quotation marks, because it did technically debut in Japan last weekend.) More...

Thursday Night Previews: Pikachu Has a Super Start

May 10th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu pulled in $5.7 million during its previews on Thursday. This is a strong start, but how strong depends on if the film is pulling in more families than Fanboys. If it is weighted heavily to the Fanboys, then it will have legs similar to Shazam!, for example, which would still be enough to match the tracking at just over $50 million for the weekend. If it is more heavily weighted to families, then it has a real shot at topping our $65 million prediction. If it has similar legs to How to Train Your Dragon: The Hidden World, then it will beat that figure by a substantial margin. Legs will also depend on the film’s word-of-mouth and whether or not moviegoers liked the movie more than critics did. As always, we will know more this time tomorrow when Friday’s estimates come out. More...

Weekend Predictions: Can Pikachu Solve Endgame at the Box Office?

May 9th, 2019

Pokémon: Detective Pikachu

There are four wide releases opening this weekend, but Pokémon: Detective Pikachu is the only one expected to have any impact at the box office. Even then, it would be a shock if it really challenged Avengers: Endgame for top spot. It will take a bit of luck for The Hustle and Poms to earn more than $10 million at the box office. Meanwhile, I would be a little surprised if Tolkien opened in the top five. Detective Pikachu and Endgame will be leading the way and trying to keep 2019’s winning streak going. In order to do that, they will need to top last year’s group of box office hits, which include Infinity War and ... Life of the Party. Seems doable. In fact, 2019 should have another stellar result in the year-over-year competition. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

Poms Trailer

April 5th, 2019

Comedy starring Diane Keaton, Jacki Weaver, Pam Grier, Celia Weston, and Rhea Perlman opens May 10 ... Full Movie Details.

Martha is a woman who moves into a retirement community and starts a cheerleading squad with her fellow residents, Sheryl, Olive and Alice, proving that it’s never too late to follow your dreams. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/08/28 - $125   1 $125   $182 1
2020/09/11 20 $2,052   35 $59   $2,905 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/9/2019 $23,274 69 69 69 $26,938 8/25/2019
Australia 5/10/2019 $551,001 298 298 1192 $1,580,376 9/10/2019
Brazil 8/2/2019 $31,379 74 74 74 $49,715 8/11/2019
Mexico 7/11/2019 $352,159 0 0 0 $662,652 10/19/2022
Netherlands 8/9/2019 $52,699 75 75 225 $220,124 11/10/2019
North America 5/10/2019 $5,361,937 2,750 2,750 7,049 $13,631,124 10/27/2022
Portugal 6/14/2019 $18,227 26 30 60 $45,883 7/10/2019
Romania 7/26/2019 $0 0 6 11 $108,718 9/17/2019
Slovenia 8/30/2019 $9,588 24 24 50 $26,653 10/7/2019
South Korea 9/10/2020 $125 1 35 36 $2,905 9/16/2020
Spain 6/7/2019 $65,723 119 119 193 $108,536 6/20/2019
 
Rest of World $1,437,690
 
Worldwide Total$17,901,314 10/27/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Diane Keaton    Martha
Jacki Weaver    Sheryl
Pam Grier    Olive
Celia Weston    Vicki
Rhea Perlman    Alice
Phyllis Somerville    Helen

Supporting Cast

Alisha Boe    Chloe
Charlie Tahan    Ben
Bruce McGill    Chief Carl
Patricia French    Phyllis
Ginny MacColl    Evelyn
Carol Sutton    Ruby
Alexandra Ficken    Paige
Dave Maldonado    Tom
Karen Beyer    Barbara
Sharon Blackwood    Gayle
Afemo Omilami    David
Frank Hoyt Taylor    Paul
Suehyla El-Attar    Shopper
Jessica Roth    Susan
Angela Kronenberg    Judge
Annie Jacob    Cheerleader
Jacqueline Clay Chester    Committee Member
John Atwood    Tim Nichols
Robert Larriviere    Volunteer
Leon Lamar    Widower
Dorothy Steel    Dorris
Charles Green    Announcer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Zara Hayes    Director
Shane Atkinson    Screenwriter
Zara Hayes    Story by
Shane Atkinson    Story by
Kelly McCormick    Producer
Alex Saks    Producer
Andy Evans    Producer
Ade Shannon    Producer
Celyn Jones    Producer
Sean Marley    Producer
Rose Ganguzza    Producer
Diane Keaton    Executive Producer
Nick Meyer    Executive Producer
Marc Schaberg    Executive Producer
Will Greenfield    Executive Producer
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
Tim Orr    Director of Photography
Celine Diano    Production Designer
Annette Davey    Editor
Amanda Ford    Costume Designer
Deborah Lurie    Composer
Willa Yudell    Music Supervisor
Marguerite Derricks    Choreography
Laurel Thomson    Co-Producer
Cathleen Ihasz    Co-Executive Producer
Nicole Ihasz    Co-Executive Producer
Mary Vernieu    Casting Director
Marisol Roncali    Casting Director
Chelsea Bruland    Stunt Coordinator
Paul Baker    Associate Producer
Robert Clarke    Associate Producer
Russell Harper    Associate Producer
Beau J Genot    Post-Production Supervisor
Nicole Elespuru    Art Director
Sarah Carter    Set Decorator
Amber Harley    Script Supervisor
Matthew Nicolay    Sound Mixer
Jocelyn Pierce    Costume Supervisor
Fleur Morell    Make up
Wendy Bell    Make up
Mary Lampert    Hairstylist
Dawn Turner    Hairstylist
Kayla Gueho    Location Manager
Chelsea Bruland    Second Unit Director
Jason Inman    First Assistant Director
Jesie Sasser Kloos    Second Assistant Director
Eric Melrose    Associate Editor
Angela Latimer    First Assistant Editor
Randi Atkins    First Assistant Editor
Dave Paterson    Supervising Sound Editor
Dave Paterson    Re-recording Mixer
Alexa Zimmerman    Dialogue Editor
Roberto Fernandez    Dialogue Editor
Daniel Timmons    Sound Effects Editor
Richard Ford    Music Editor
Alana da Fonseca    Executive Music Producer
Scott Michael Smith    Score Mixer
Ryan Collison    Foley Mixer
Laura Heinzinger    Foley Editor
Shaina Holmes    Visual Effects Supervisor
Matt Olmon    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.