United Kingdom Box Office for The Quiet Ones (2014)

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The Quiet  Ones poster
Theatrical Performance (US$)
United Kingdom Box Office $2,091,275Details
Worldwide Box Office $18,413,804Details
Home Market Performance
North America DVD Sales $954,500 Details
North America Blu-ray Sales $314,724 Details
Total North America Video Sales $1,269,224
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Tucked away in an estate outside of London, Professor Coupland along with a team of university students conduct an “experiment” on Jane Harper, a young girl who harbors unspeakable secrets. What dark forces they uncover are more terrifying than any of them expected.

Metrics

Movie Details

Production Budget:$200,000
United Kingdom Releases: April 11th, 2014 (Wide)
Video Release: August 19th, 2014 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for intense sequences of violence and terror, sexual content, thematic material, language, and smoking throughout.
(Rating bulletin 2268, 4/16/2013)
Running Time: 98 minutes
Keywords: Based on an UNTRUE Story, Haunting, Possessed, Paranormal Investigation, Supernatural, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: Hammer Films
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for August 19th, 2014

August 19th, 2014

There are a number of big releases on this week's list, especially if you like TV on DVD. However, there are not a lot of releases in total. The Amazing Spider-Man 2 is the biggest release by a wide margin, but it is not the best. For that honor, I would have to chose Boardwalk Empire: Season 4 on Blu-ray. More...

Weekend Wrap-Up: Spidey Strong, but not Amazing

May 6th, 2014

The Amazing Spider-Man 2 poster

The summer blockbuster season has begun and it started on a mixed note. The Amazing Spider-Man 2 easily earned first place with more than $90 million. An opening of more than $90 million isn't a bad number, but it is the lowest opening three-day weekend for a Friday debut in the franchise. Worse still, the overall box office was just $153 million, which is substantially lower than last year's number one film, Iron Man 3, opened with. $153 million is 32% higher than last weekend, but the start of summer should be bigger than that. It is also 30% lower than the same weekend last year. You usually only see a decline that sharp when there's a misalignment in a holiday weekend. Granted, 2014 is still ahead of 2013 by a large margin (8.6% or $3.26 billion to $3.01 billion) so we don't have to worry about 2014 losing that lead any time soon. This is just not a great way to start the summer blockbuster season. More...

Weekend Wrap-Up: The Other Woman the Only Other Winner in April

April 29th, 2014

The Other Woman poster

April ended with a new film on top, The Other Woman, which finally broke Captain America: The Winter Soldier's hold on the box office chart. It was a surprisingly strong hit earning $24.76 million, but the other new releases were not as strong. Brick Mansions only managed fifth place, while The Quiet Ones missed the Mendoza Line. The overall box office was $115 million, which was 13% lower than last weekend. More importantly, this is 25% more than the same weekend last year. 2014 added to its lead over 2013, which now stands at $257 million, or 9.2%. Its running tally is $3.05 billion and summer is just about to start. More...

Weekend Estimates: The Other Woman Averts April Fourpeat for Captain America

April 27th, 2014

The Other Woman poster

By every measure, April at the box office has been dominated by Captain America: Winter Soldier, but it won't win every weekend this month, thanks to a jaunty $24.7 million debut for The Other Woman. The comedy, headlined by Cameron Diaz, Leslie Mann and Kate Upton hasn't been a huge hit with critics, but audiences are giving it a solid 70% at Rotten Tomatoes, which is plenty for a comedy (The Heat, by comparison, earns a 72% positive audience score at Rotten Tomatoes, though it started higher). A strong run in theaters certainly seems possible for The Other Woman, given its competition over the next few weeks will mostly come from male-skewing films (Moms' Night Out being the only exception). More...

Weekend Predictions: Can Captain America Close Out April On Top?

April 24th, 2014

The Other Woman poster

The final weekend of April ends with three wide releases. With The Amazing Spider-Man 2 looming large on the horizon, it should come has no surprise that the three wide releases this weekend and not expected to be huge hits. The Other Woman has a shot at first place, but Captain America: The Winter Soldier might block it. On the other hand, I'm fairly sure Brick Mansions and The Quiet Ones can't both fit into the top five. Last year, April ended with Pain and Gain earning first place with just over $20 million. That is likely more than the first place film this year will earn. However, this year has better depth than last year, so I think 2014 will still come out ahead. More...

Contest: Drunk with Power

April 18th, 2014

Next weekend is the last weekend of April, which is a bad weekend to release a film, because the summer blockbuster season looms large. Of the three films opening wide, Brick Mansions, The Quiet Ones, and The Other Woman, only The Other Woman has a real shot at becoming even a midlevel hit. It might make more than the other two films will make combined. As such, it is the only real choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Other Woman. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Moonshiners: Season Two on DVD, as well as a random TV on DVD release I've previously reviewed. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win two random TV on DVD releases I've previously reviewed. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2014 Preview: April

April 1st, 2014

Captian America: The Winter Soldier poster

March was stronger than expected when compared to 2013 with four films earning $100 million or more, led by Divergent. (Not all of them have gotten there yet, but they are certain to reach that milestone before they are done their box office runs.) It wasn't a blow-out victory, on the other hand, as a few weekends the ticket sales were lower in 2014 than they were during the same weekend in 2013. April looks really strong with Captain America: The Winter Soldier leading the way. This film should top $200 million over the weekend, while it isn't the only film that should crack the century mark, as Rio 2 is also on track for $100 million. This is great news, as no film last April reached $100 million. Granted, 42 came close and Oblivion wasn't far behind, but The Winter Soldier should earn more than those two films earned combined giving 2014 a comfortable lead over 2013 over the full month. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/10/02 - $962   15 $64   $2,091,275 339

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 4/25/2014 $3,880,053 2,027 2,027 5,692 $8,509,867 8/15/2016
United Kingdom 4/11/2014 $0 0 15 15 $2,091,275 10/9/2020
 
Rest of World $7,812,662
 
Worldwide Total$18,413,804 10/9/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Supporting Cast

Jared Harris    Professor Joseph Coupland
Sam Claflin    Brian McNeil
Erin Richards    Krissi Dalton
Rory Fleck-Byrne    Harry Abrams
Olivia Cooke    Jane Harper
Laurie Calvert    Phillip
Aldo Maland    David Q
Max Pirkis    David Q (Older)
Tracy Ray    David Q's Mother
Richard Cunningham    Provost
Eileen Nicholas    Angry Neighbor
Rebecca Scott    Student #1
Aretha Ayeh    Student 112
Max Mackintosh    Student #3
Harman Singh    Student #4
Ben Holden    Doctor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Pogue    Director
Craig Rosenberg    Screenwriter
Oren Moverman    Screenwriter
John Pogue    Screenwriter
Tom De Ville    Story Creator
James Gay-Rees    Producer
Simon Oakes    Producer
Tobin Armbrust    Producer
Steven Chester Prince    Producer
Ben Holden    Producer
Nigel Sinclair    Executive Producer
Guy East    Executive Producer
Marc Schipper    Executive Producer
Jillian Longnecker    Executive Producer
Alex Brunner    Executive Producer
Kevin Matusow    Executive Producer
Kate Bacon    Executive Producer
Carissa Buffel    Executive Producer
Matyas Erdely    Director of Photography
Matthew Gant    Production Designer
Glenn Garland    Editor
Lucas Vidal    Composer
Camille Benda    Costume Designer
Sasha Robertson    Casting Director
Mark Fenn    First Assistant Director
Penny Davis    Assistant Director
Danny Albury    Assistant Director
Tina Pawlik    Line Producer
Livia Rao    Production Manager
Caroline Barclay    Art Director
Anita Gupta    Set Decorator
Joe Barcham    Standby Art Director
Eleanor Landgrebe    Costume Supervisor
Jayne Greenwood    Hair and Make Up Supervisor
Henry Milliner    Recordist
Neil Jenkins    Special Effects Supervisor
Paul Wanklin    Special Effects Technician
Chris Harris    Stills Photographer
Andy Bennett    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.