Kuwait Box Office for Resident Evil: Retribution (2012)

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Resident Evil: Retribution poster
Theatrical Performance (US$)
Kuwait Box Office $425,272Details
Worldwide Box Office $240,647,629Details
Home Market Performance
North America DVD Sales $16,322,873 Details
North America Blu-ray Sales $7,811,827 Details
Total North America Video Sales $24,134,700
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The Umbrella Corporation's deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race's last and only hope, Alice, awakens in the heart of Umbrella's most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by newfound allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.

Metrics

Movie Details

Production Budget:$65,000,000
Kuwait Releases: September 13th, 2012 (Wide)
Video Release: December 21st, 2012 by Sony Pictures Home Entertainment
MPAA Rating: R for sequences of strong violence throughout.
(Rating bulletin 2236, 8/15/2012)
Running Time: 95 minutes
Franchise: Resident Evil
Keywords: IMAX: DMR, Zombies, Corporate Malfeasance, Post Apocalypse, 3-D, Epidemic, Sequels With Returning Stars, Cloning, Monster, Action Horror
Source:Based on Game
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Screen Gems, Constantin Film, Davis Films, Impact Pictures
Production Countries: United States
Languages: English

International Box Office: Croods Overpower Oz

March 28th, 2013

The Croods debuted in first place on the international chart with $63.09 million on 11,709 screens in 46 markets, while its global opening was $106.73 million. The film led the way in Russia with $7.82 million on 2,166 screens over the weekend for a total opening of $12.65 million, including previews. It made $8.18 million on 521 screens in the U.K., also including previews, which was enough for an easy first place finish. Another first place victory came in Mexico, where it made $4.51 million on 1,990 screens over the weekend for a total opening of $8.80 million. It also debuted on top of the chart in Germany with $3.63 million on 728 screens over the weekend for a total opening of $4.21 million, while it had nearly identical results in Brazil with $3.35 million on 728 screens over the weekend for a total opening of $4.13 million. The film earned more number one debuts in Italy ($3.90 million on 711) and in Spain ($3.33 million on 763). More...

DVD Sales: New Releases Take a Holiday

January 29th, 2013

New releases were even weaker than expected and none of them reached the top 30 of the DVD sales chart. The top five were identical to last week with Ted earning top spot for the third weekend in a row. It sold an additional 714,000 units generating $12.44 million in sales giving it totals of 3.42 million units / $57.68 million after three weeks of releases. More...

DVD Sales: Ted Takes Down the Competition

January 23rd, 2013

While there were a number of new releases to reach the to 30 of the DVD sales chart this week, Ted was able to remain in first place. It sold an additional 1.04 million units while generating $18.59 million, lifting its totals to 2.71 million units / $45.24 million after two weeks of release. More...

DVD and Blu-ray Releases for December 18th, 2012

December 16th, 2012

It's the last week before Christmas, which means it is the last chance for last minute gifts. There are a number of first-run releases coming out this week, some of which are not coming out till Friday, or even next Monday. There are also quite a few limited releases and TV on DVD releases hitting the home market this week. However, none of these were big hits and very few earned strong praise from critics. That doesn't mean there are none that are worth picking up. In fact, we have a trio of contenders for Pick of the Week. Shameless: The Complete Second Season on DVD or Blu-ray; Pitch Perfect on DVD or Blu-ray Combo Pack; and Arbitrage on DVD or Blu-ray. It was a close call, but in the end I went with Arbitrage. Also coming out this week is Rush: 2012 - CD and Blu-ray in a Deluxe Edition or Super Deluxe Edition, which is a clear winner of Puck of the Week. More...

International Box Office: Two Tops Taken

October 18th, 2012

After just two weeks of release, Taken 2 has already earned more internationally than the original did in total. Over the weekend, the sequel pulled in $45.09 million on 6,889 screens in 63 markets for a two-week total of $134.76 million, while its worldwide total rose to $220.89 million. The film had to settle for second place in Germany with $3.55 million on 437 screens over the weekend for a total opening of $3.88 million. It only managed fourth place in Italy with $1.26 million on 265. Its best market of the weekend was the U.K. with $6.01 million on 510 screens over the weekend for a total of $23.29 million after two. The film has very few markets left to open in, but it has already made enough to cover its production budget and likely a good chunk of its P&A budget. It will reach profitability before it reaches the home market. More...

International Box Office: Taken Over the Top

October 11th, 2012

Taken 2 was just as strong internationally as it was domestically earning first place with $55.23 million on 6,319 screens in 50 markets for a total of $66.79 million. The film had a trio of first place openings in major markets, starting with the U.K. with $11.85 million on 506 screens. It also opened in first place in France with $8.29 million on 561 screens and in Australia with $7.92 million on 246. On the other hand, the film had to settle for second place in Mexico with $2.54 million on 930 screens, in Russia with $2.00 million on 750, and in Spain with $1.24 million on 320. More...

International Box Office: Looper Leads, But Not as Lively

October 4th, 2012

Well... we found out why the Chinese box office numbers were extra late this week. There was an accounting error in Looper's previously reported numbers and it took time to sort things out. Instead of making $23 million to $25 million, it made about $6 million. That's actually still really good and better than it performed here, relative to the size of the two markets, but it wasn't a monster hit. The wide gap in the initial reported number and the final figure is an embarrassment, but hopefully it will spur China to build the infrastructure needed to collect box office data faster and more accurately. China might be the most important international market, but studios can't invest money into making movies aimed more at a Chinese market if they can't trust the box office numbers they get. The other numbers we had were accurate leading to a total weekend haul of $22.85 million on 2,506 million in 17 markets. It wasn't a hit in all of them, as it only managed third place in Brazil with $955,000 on 332 screens. The film is just starting its international run, so it is hard to predict where it will end up, but so far most signs are very positive. More...

International Box Office: Looper Leaps to the Top

October 4th, 2012

It looks like International numbers will be late this week, for reasons I hinted at earlier. Looper won the weekend race, but about two thirds of its opening weekend haul came from China which is notoriously slow for getting final box office numbers. (The same used to be true of Russia, but they've gotten a lot better.) Overall it is estimated the film made $36 million, including China, with first place openings in Russia ($5.09 million on 1,010 screens) and the U.K. ($3.92 million on 449). Resident Evil: Retribution was knocked to second place after two weeks on top, but held strong with $21.1 million over the weekend for running tally of $136.9 million after three. Finally, Ice Age: Continental Drift became the highest grossing animated film at the international box office and is on pace to become the first animated film to cross $700 million. More information will come when the weekend final numbers are out. More...

International Box Office: Evil Triumphs

September 26th, 2012

Resident Evil: Retribution remained in first place on the international chart with $29.83 million on 7,250 screens in 73 markets for a total of $103 million internationally. It is already the second best in the franchise internationally and while it might not become the number one film, it has made enough to ensure another installment. The film opened in first place in Germany with $3.40 million on 475 screens over the weekend for a total of $3.74 million, while it also topped the chart in Mexico with $3.55 million on 1,218. Its best market of the weekend was Japan, where it added $6.35 million on 775 screens over the weekend for a total of $28.23 million after just two weeks of release. More...

Weekend Wrap-Up: End Starts on Top

September 24th, 2012

It was another terrible week at the box office with only one of the four wide releases matching pre-weekend predictions. End of Watch was able to come out on top and it was only the second time an Open Road release was able to do that. The rest of the films ranged from a little disappointing to, 'Please don't make me talk about this; it's depressing.' The overall box office rose by 5.1% from last week to $90, but that's a staggering 23% lower than the same weekend last year. Yes, year-to-date, 2012 is still ahead of 2011, but its lead continues to shrink reaching just 2.5% at $7.92 billion to $7.73 billion. Ticket sales are just 1.3% higher than last year's pace and the upcoming releases don't seem particularly strong, so by the end of October, we could officially be in trouble. More...

Weekend Predictions: Will the New Releases Be in Trouble?

September 20th, 2012

This weekend there are four wide releases, which is too many. The odds are at least one, more likely two films will miss reaching their full potential. That's under normal circumstances. The box office is clearly sub-normal at the moment. The widest release of the week is Trouble with the Curve, but its Tomatometer Score has fallen from close to 90% to barely more than 60%. At this pace, by the time the weekend starts, it will be below the overall positive level. House at the End of the Street has good buzz, but still no reviews, and that is troubling. Dredd's reviews are shockingly good, but the film has had trouble escaping the remake stink. Finally, End of Watch is also earning great reviews, but its studio has a really bad track record at the box office. By comparison, last year there were four wide releases, none of which earned more than $20 million; however, three of them did earn more than $10 million and the fourth came close, while The Lion King won the weekend with more than $20 million. I think it will be another loss for 2012 in the year-over-year comparison. It likely won't be close. More...

International Box Office: Evil Finds a Home Worldwide

September 19th, 2012

Resident Evil: Retribution debuted in top spot on the international chart with $49.61 million on 6,154 screens in 65 markets. The film opened in first place in a trio of major markets with Japan pulling in $8.63 million on 774 screens over the weekend for a total opening of $11.17 million. Russia was close behind with $8.37 million on 1,100 screens. It was was able to grab first place in Brazil with $3.15 million on 391. On the other hand, the film had to settle for second place in South Korea with $1.99 million on 368 screens over the weekend and a total opening of $2.44 million. It debuted in third place in Australia with $1.50 million on 175. More...

IMAX: Resident Good on IMAX

September 19th, 2012

Resident Evil: Retribution opened with $6.1 million on IMAX worldwide, including $3 million domestically. This is a good result, but not a great result. As for a great result, it was announced that The Dark Knight Rises surpassed $100 million worldwide on IMAX screens. Up next for the super large format is Frankenweenie on the first weekend in October. It's stop-motion animation, so I don't think it will be a monster hit, but it should do rather well. More...

Weekend Wrap-Up: Box Office of the Living Dead

September 17th, 2012

2012 started off so well that I keep thinking the box office will return to those glory days, or at the very least it will stop sucking. That didn't happen this weekend. Granted, the box office grew 28% from last weekend to $86 million. However, this is 15% lower than the same weekend last year and it is still one of the worst weekends of all time. Year-to-date, 2012 still leads 2011, but that lead has shrunk to just 3.0% at $7.80 billion to $7.58 billion. If things don't turn around very soon, 2012 will lose its lead in terms of tickets sold (currently just 1.8%) and its overall lead shortly after that. Since fewer people are watching movies in theaters, it means fewer people are seeing trailers, posters, etc. for upcoming films. Fewer people seeing trailers for upcoming films does often times result in fewer people seeing these upcoming movies. We need a true blockbuster to break out of this cycle. More...

Weekend Estimates: Resident Evil Conquers Nemo

September 16th, 2012

Resident Evil: Retribution will post a solid opening weekend to top this weekend's box office, according to studio estimates released on Sunday morning. With $21.1 million projected by Sony, it will be the fourth consecutive film in the franchise to open between $20 million and $27 million -- an impressive level of consistency. In second place, Finding Nemo 3D is expected to post about $17.5 million, which is a significant disappointment compared to the $30 million debut enjoyed by The Lion King this weekend last year. But the real plaudits this weekend will go to a film playing in just five theaters. More...

Weekend Predictions: Will the Box Office Come Back to Life?

September 13th, 2012

Last weekend was a disaster. It was a disaster the likes we haven't seen in more than a decade, much, much longer if you take into account inflation. This weekend should be a lot stronger, as we have two significant wide releases, Finding Nemo and Resident Evil: Retribution, as well as a semi-wide release, Last Ounce of Courage. Both of the wide releases should top $20 million over the weekend, while there's a chance they could both top $30 million. Last year there were four wide releases that managed a combined $50 million or so. This year, the two wide releases could top that, but it will be close if they do. However, the holdovers are so much weaker than the top two wide releases that 2012 will end up losing again. More...

2012 Preview: September

September 1st, 2012

August is over and let's just be glad we never have to talk about that month again. It is too early to tell how a couple of the wide releases from the month will do, but of the other fourteen we have solid numbers for, none of them were a pleasant surprise. There were a few that were mildly disappointing, but likely still profitable. There were also a few that were "What were they thinking?" level of box office bomb. This September, there about a dozen films opening wide, depending on your definition of wide. (Plus, For A Good Time, Call might expand wide on the 14th, while The Master is opening in limited release on the 14th, but might expand wide before the end of the month. "Might" is the key here. I don't think either will get it done.) None of the dozen films are likely to get to $100 million. In fact, there's a good chance no film opening this month will get to $75 million in total. The biggest film of the month could be Finding Nemo, which is getting a 3D Re-release. As long as the movie going public hasn't tired of 3D re-releases, it should be a hit, but there are signs that the trend might be ending soon. There are a few others that should become midlevel hits, but most will struggle to find an audience. Last September was not terrible with one $100 million film and a few other midlevel hits. For 2012 to come out ahead, it will have to rely on depth, and I'm more than a little worried in that regard. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/09/14 - $196,320   12 $16,360   $196,320 1
2012/09/21 - $84,811 -57% 11 $7,710   $357,213 2
2012/09/28 - $35,412 -58% 8 $4,427   $416,852 3
2012/10/05 - $15,045 -58% 3 $5,015   $425,272 4
2012/10/12 3 $7,928 -47% 1 $7,928   $119,718 5
2012/10/19 2 $4,711 -41% 1 $4,711   $125,882 6
2012/10/26 3 $12,127 +157% 1 $12,127   $139,290 7
2012/11/02 4 $3,103 -74% 1 $3,103   $145,339 8
2012/11/09 4 $1,694 -45% 1 $1,694   $147,702 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/27/2012 $881,009 110 110 369 $2,486,675 12/29/2018
Aruba 9/13/2012 $0 0 3 9 $27,797 12/29/2018
Australia 9/13/2012 $1,463,243 344 344 1095 $3,932,438 12/12/2015
Austria 9/20/2012 $473,067 68 68 280 $1,346,079 12/12/2015
Bahrain 9/13/2012 $7,884 2 2 10 $22,926 12/29/2018
Bolivia 9/13/2012 $63,509 8 21 87 $354,828 12/29/2018
Brazil 9/14/2012 $3,115,918 403 409 1931 $9,669,745 12/13/2015
Bulgaria 9/21/2012 $9,171 1 16 51 $199,760 12/29/2018
Central America 9/14/2012 $443,420 95 95 401 $1,273,875 12/12/2015
Chile 9/13/2012 $402,034 90 90 300 $1,665,077 12/29/2018
China 3/17/2013 $3,557,821 5103 5103 11458 $17,760,312 12/14/2015
Colombia 9/14/2012 $150,360 47 153 382 $3,485,132 12/29/2018
Croatia 9/13/2012 $61,430 28 28 121 $134,562 12/29/2018
Curacao 9/13/2012 $5,461 1 1 7 $18,011 12/29/2018
Czech Republic 9/13/2012 $128,123 63 63 230 $363,207 12/29/2018
Dominican Republic 10/25/2012 $57,867 23 23 61 $32,979 12/29/2018
Ecuador 9/14/2012 $237,957 18 18 97 $1,137,330 12/29/2018
Egypt 9/19/2012 $33,226 9 9 35 $109,386 12/29/2018
Estonia 9/14/2012 $52,626 7 7 22 $105,828 12/12/2015
France 9/26/2012 $2,044,045 415 418 1576 $4,594,953 12/12/2015
Germany 9/20/2012 $3,316,470 475 488 2063 $9,390,597 12/12/2015
Ghana 9/14/2012 $0 0 1 3 $10,469 12/29/2018
Greece 9/20/2012 $206,099 68 68 185 $567,810 12/12/2015
Hong Kong 9/13/2012 $1,531,339 64 64 193 $2,393,006 12/12/2015
Hungary 9/13/2012 $162,992 39 41 218 $432,515 12/29/2018
Iceland 9/14/2012 $11,155 5 5 10 $21,026 12/29/2018
India 9/28/2012 $849,569 422 422 821 $2,112,729 12/12/2015
Indonesia 9/12/2012 $2,302,928 282 282 772 $4,982,473 12/29/2018
Iraq 9/13/2012 $6,391 2 2 8 $27,907 12/29/2018
Israel 9/20/2012 $22,245 6 25 75 $420,473 12/29/2018
Italy 9/28/2012 $1,511,160 290 290 716 $3,342,815 12/12/2015
Jamaica 9/12/2012 $29,617 5 5 14 $77,971 12/29/2018
Japan 9/14/2012 $8,213,373 749 749 4097 $45,289,436 12/14/2015
Jordan 9/13/2012 $22,465 4 4 12 $69,414 12/29/2018
Kenya 9/14/2012 $25,921 9 9 33 $66,947 12/29/2018
Kuwait 9/13/2012 $196,320 12 12 39 $425,272 12/29/2018
Latvia 9/14/2012 $39,799 9 9 34 $129,103 12/29/2018
Lebanon 9/13/2012 $50,500 14 14 39 $140,649 12/29/2018
Lithuania 9/14/2012 $51,728 11 11 40 $149,381 12/12/2015
Malaysia 9/13/2012 $2,163,417 189 189 691 $4,137,692 12/12/2015
Mexico 9/21/2012 $1,880,847 768 1175 3944 $7,999,257 12/12/2015
Netherlands 10/4/2012 $0 0 3 6 $251,767 12/12/2015
New Zealand 9/13/2012 $234,522 50 50 151 $527,023 12/12/2015
Nigeria 9/14/2012 $20,668 9 9 74 $88,851 12/29/2018
North America 9/14/2012 $21,052,227 3,012 3,016 10,697 $42,345,531 11/20/2018
Oman 9/13/2012 $42,691 4 4 8 $68,348 12/29/2018
Peru 9/13/2012 $812,622 138 138 364 $2,238,485 12/29/2018
Philippines 9/12/2012 $1,550,586 212 212 547 $2,788,573 12/29/2018
Poland 9/14/2012 $27,320 5 91 232 $668,811 12/29/2018
Portugal 9/20/2012 $224,472 95 95 309 $544,868 12/12/2015
Qatar 9/13/2012 $80,004 4 5 18 $156,574 12/29/2018
Romania 9/14/2012 $149,694 43 43 172 $434,806 12/29/2018
Russia (CIS) 9/13/2012 $8,095,549 1150 1150 3114 $15,780,519 12/29/2018
Serbia and Montenegro 9/13/2012 $18,198 13 13 53 $53,274 12/29/2018
Singapore 9/13/2012 $1,199,325 71 71 196 $1,870,605 12/12/2015
Slovakia 9/13/2012 $54,306 23 23 90 $151,263 12/12/2015
Slovenia 9/13/2012 $12,624 10 10 37 $35,124 12/12/2015
South Africa 9/14/2012 $136,606 67 67 219 $424,298 12/12/2015
South Korea 9/13/2012 $1,668,836 442 442 950 $3,694,577 12/12/2015
Spain 10/5/2012 $1,389,686 528 528 1679 $3,214,775 12/14/2015
Suriname 9/13/2012 $8,698 1 1 5 $28,702 12/29/2018
Sweden 9/14/2012 $0 0 37 64 $886,802 12/12/2015
Switzerland 9/20/2012 $233,299 33 43 114 $640,293 12/12/2015
Syria 9/13/2012 $2,246 1 2 14 $14,157 12/29/2018
Taiwan 9/12/2012 $2,235,191 226 226 627 $6,107,670 12/12/2015
Thailand 9/13/2012 $1,722,746 270 270 639 $3,378,450 12/12/2015
Trinidad 9/12/2012 $85,151 13 14 47 $167,415 12/29/2018
Turkey 9/14/2012 $575,751 176 176 680 $1,766,183 12/29/2018
Ukraine 9/13/2012 $694,898 130 130 506 $1,316,422 12/29/2018
United Arab Emirates 9/13/2012 $649,700 57 57 94 $996,371 12/29/2018
United Kingdom 9/28/2012 $1,260,257 352 352 901 $2,669,433 12/12/2015
Uruguay 9/14/2012 $41,123 11 11 36 $1,696,873 12/29/2018
Venezuela 9/14/2012 $1,036,187 102 102 480 $4,620,559 12/12/2015
Vietnam 9/21/2012 $267,916 49 49 124 $654,250 12/29/2018
 
Rest of World $9,458,135
 
Worldwide Total$240,647,629 12/29/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Milla Jovovich    Alice

Supporting Cast

Michelle Rodriguez    Rain Ocampo
Kevin Durand    Barry
Sienna Guillory    Jill
Shawn Roberts    Albert
Aryana Engineer    Becky
Colin Salmon    James "One" Shade
Johann Urb    Leon
Boris Kodjoe    Luther West
Li Bingbing    Ada Wong

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul W.S. Anderson    Director
Paul W.S. Anderson    Screenwriter
Paul W.S. Anderson    Producer
Jeremy Bolt    Producer
Robert Kulzer    Producer
Don Carmody    Producer
Samuel Hadida    Producer
Martin Moszkowicz    Executive Producer
Victor Hadida    Co-Producer
Glen MacPherson    Cinematographer
Niven Howie    Editor
Tomandandy*    Composer
Tomandandy*    Composer
Kevin Phipps    Production Designer
Dan Yarhi    Art Director
Dennis Davenport    Set Designer
Wendy Partridge    Costume Designer
John J. Thomson    Sound Mixer
Paul Jones    Special Make-up Effects
Dennis Berardi    Visual Effects Supervisor
Hiroyuki Kobayashi    Associate Producer
Jamie Christopher    First Assistant Director
Deirdre Bowen    Casting Director
Jon Mooney    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.