Bolivia Box Office for Resident Evil: The Final Chapter (2016)

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Resident Evil: The Final Chapter
Theatrical Performance (US$)
Bolivia Box Office $669,123Details
Worldwide Box Office $314,101,190Details
Home Market Performance
North America DVD Sales $4,983,795 Details
North America Blu-ray Sales $5,150,938 Details
Total North America Video Sales $10,134,733
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Alice is the only survivor of what was meant to be humanity’s final stand against the undead. Now, she must return to where the nightmare began—The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

Metrics

Movie Details

Production Budget:$40,000,000
Bolivia Releases: January 26th, 2017 (Wide)
Video Release: May 2nd, 2017 by Sony Pictures Home Entertainment
MPAA Rating: R for sequences of violence throughout.
(Rating bulletin 2456 (Cert #50102), 12/21/2016)
Running Time: 106 minutes
Franchise: Resident Evil
Keywords: Delayed Sequel, Corporate Malfeasance, Zombies, Post Apocalypse, 3-D, 3-D - Shot in 3-D, Non-Chronological, End of the World, Family Affair, Archival Footage of Previous Installment, Monster, 3-D - Post-production Conversion, IMAX: DMR, Action Horror
Source:Based on Game
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Screen Gems, Constantin Film, Davis Films, Impact Pictures
Production Countries: United States
Languages: English

Home Market Releases for May 16th, 2017

May 16th, 2017

Logan

It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand. More...

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend

March 8th, 2017

Logan

Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then. More...

International Box Office: Resident Evil here to Stay with $96.67 million

March 2nd, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market. More...

Weekend Estimates: Get Out Pulls Off Huge Win

February 26th, 2017

Get Out

If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million. More...

International Box Office: Yoga Stretches its International Total to $180 million

February 9th, 2017

Kung Fu Yoga

Kung Fu Yoga bombed in India, but that didn’t stop it from earning first place on the international chart with $51.4 million over the weekend for an international total of $180 million. Nearly all of this came from China, where it earned $50.2 million over the weekend for a two-week total of $179.71 million.

More...

Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million

February 7th, 2017

Split

As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps. More...

Thursday Night Previews: Rings has a Hollow Start with $800,000

February 3rd, 2017

Rings

Rings had the best start in previews last night, but here “best” is a relative term. It only managed $800,000, 20% lower than Resident Evil: The Final Chapter previews last weekend. Worse still, its reviews are 0% positive with 17 reviews on Rotten Tomatoes so far. This could result in an opening weekend of less than $10 million, but I think that’s a little pessimistic. $11 million is more likely. That’s not a good start, even for a film that cost $33 million to make, and it will need help internationally to break even. More...

Weekend Predictions: Will Split Be Separated from the Top Spot?

February 2nd, 2017

Rings

The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition. More...

International Box Office: Journey Begins with One Step... and $86 million

February 1st, 2017

Journey to the West 2

International movies dominated the international top five with international films earning the top three spots. This includes Journey to the West 2, which earned first place with $86 million in seven markets. It dominated China with $84.09 million during its opening weekend, including a record opening day for a Chinese film, $52.3 million. The original film made just over $200 million worldwide, so this is a great start, but its mixed reviews are miles behind the original’s reviews, so that will likely hurt its legs. More...

Contest: Prizes, Evil Prizes: Winning Announcement

February 1st, 2017

Resident Evil: The Final Chapter

The winners of our Prizes, Evil Prizes contest were determined and the entrants with the closest predictions for Resident Evil: The Final Chapter’s opening weekend were... More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

Friday Estimates: Dog Doesn’t Have Universal Appeal

January 28th, 2017

A Dog’s Purpose

Friday was the beginning of a good weekend for Universal, but it wasn’t a good day for the box office as a whole, as two of the three new wide releases struggled. Split was down just 46% when compared to last Friday and earned $7.9 million. Assuming it acts like, well, practically every film ever made, it will have an even better Saturday and that puts it on pace to earn about $25 million over the weekend. It will top $100 million during the first weekend of February and will still be in wide release over Presidents’ Day long weekend. This is fantastic news for the studio. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Contest: Return to Sender: Winning Announcement

January 25th, 2017

xXx: Return of Xander Cage

The winners of our Return to Sender contest were determined and the entrants with the closest predictions for xXx: Return of Xander Cage’s opening weekend were... More...

Contest: Prizes, Evil Prizes

January 20th, 2017

Resident Evil: The Final Chapter

I thought A Dog’s Purpose would have a real shot at first place next weekend, but ... oh boy. If you haven’t seen the video supposed taken on the set yet, it’s tough to watch. It is also by PETA and released by TMZ, so I’m not 100% convinced it is legit. Those are two organizations I don’t trust. (Personally, I give to the local branch of the SPCA. Also, when you donate to charities like this, do NOT tell them what to do with the money. A lot of people do and they have to follow these requests and this results in popular programs being over-funded and less glamorous programs going under-funded.) Because of this video, there is talk of a boycott and that could really hurt its box office numbers. This leaves Resident Evil: The Final Chapter as the safe choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Resident Evil: The Final Chapter.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Resident Evil: The Final Chapter Trailer

December 27th, 2016

Sci-fi action movie starring Milla Jovovich opens January 27 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/01/27 - $170,930   32 $5,342   $170,930 1
2017/02/03 - $103,372 -40% 30 $3,446   $388,392 2
2017/02/10 - $57,139 -45% 21 $2,721   $514,834 3
2017/02/17 - $35,382 -38% 18 $1,966   $592,816 4
2017/02/24 - $11,894 -66% 8 $1,487   $625,070 5
2017/03/03 - $11,874 n/c 7 $1,696   $649,555 6
2017/03/10 - $5,941 -50% 2 $2,971   $661,500 7
2017/03/17 - $3,368 -43% 1 $3,368   $667,592 8
2017/03/24 - $453 -87% 1 $453   $669,123 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/26/2017 $654,504 198 198 351 $1,960,850 1/1/2019
Aruba 1/26/2017 $6,284 3 3 4 $14,851 1/1/2019
Australia 1/27/2017 $946,083 258 258 744 $2,351,188 3/7/2017
Bahrain 1/26/2017 $103,467 12 12 27 $235,386 1/1/2019
Bolivia 1/26/2017 $170,930 32 32 120 $669,123 1/1/2019
Brazil 1/26/2017 $2,325,144 630 630 1732 $6,004,832 3/14/2017
Bulgaria 1/27/2017 $44,954 57 57 149 $125,001 2/26/2019
Cambodia 2/2/2017 $46,113 13 20 34 $67,306 1/1/2019
Central America 1/26/2017 $570,712 239 239 452 $1,225,380 3/7/2017
Chile 1/26/2017 $405,623 103 103 251 $1,321,882 12/20/2018
China 2/23/2017 $91,820,000 128147 128147 238002 $161,470,000 3/30/2017
Colombia 1/26/2017 $739,400 369 369 749 $1,764,477 12/20/2018
Croatia 1/26/2017 $29,179 48 48 117 $73,701 1/1/2019
Curacao 1/26/2017 $2,948 6 6 10 $8,675 1/1/2019
Czech Republic 1/26/2017 $96,354 114 114 208 $191,871 1/1/2019
Denmark 2/2/2017 $16,335 2 2 4 $26,707 2/14/2017
Dominican Republic 1/26/2017 $34,208 30 30 57 $79,824 1/1/2019
East Africa 1/27/2017 $3,417 1 1 1 $3,417 1/31/2017
Ecuador 1/27/2017 $423,114 101 101 266 $1,238,536 1/1/2019
Egypt 1/26/2017 $44,635 16 18 48 $122,315 1/1/2019
Estonia 1/27/2017 $38,593 11 11 33 $83,670 2/21/2017
France 1/27/2017 $1,065,124 0 0 0 $2,189,093 6/26/2018
Germany 1/27/2017 $1,393,328 0 0 0 $3,253,516 6/29/2018
Ghana 1/27/2017 $1,551 3 3 21 $10,700 1/1/2019
Greece 1/26/2017 $82,849 60 60 97 $196,004 2/21/2017
Hong Kong 1/26/2017 $1,652,160 130 130 395 $4,839,957 3/27/2017
Hungary 1/26/2017 $122,610 47 59 194 $318,267 1/1/2019
Iceland 1/27/2017 $6,646 5 5 11 $22,756 1/1/2019
India 2/3/2017 $686,367 977 977 1163 $1,155,308 3/7/2017
Indonesia 1/25/2017 $2,579,843 530 530 1401 $6,090,864 12/20/2018
Iraq 1/26/2017 $29,856 7 7 18 $90,497 1/1/2019
Israel 1/26/2017 $49,415 29 29 82 $93,135 1/1/2019
Italy 2/16/2017 $681,176 266 266 489 $1,226,983 3/27/2017
Jamaica 1/27/2017 $4,137 2 5 10 $26,014 1/1/2019
Japan 12/23/2016 $5,279,027 0 634 3218 $36,482,592 8/20/2018
Jordan 1/26/2017 $27,803 10 10 21 $68,168 1/1/2019
Kenya 2/3/2017 $19,381 25 25 49 $41,267 1/1/2019
Kuwait 1/26/2017 $259,021 18 18 37 $544,755 1/1/2019
Latvia 1/27/2017 $22,083 16 16 36 $51,707 1/1/2019
Lebanon 1/26/2017 $47,389 25 25 36 $96,042 1/1/2019
Lithuania 2/3/2017 $29,622 100 100 152 $61,014 2/21/2017
Malaysia 1/19/2017 $1,168,868 309 309 884 $2,835,926 3/14/2017
Mexico 1/27/2017 $3,159,171 1621 1621 3688 $7,212,254 3/21/2017
Mongolia 1/27/2017 $22,124 5 5 16 $62,496 1/1/2019
Netherlands 1/26/2017 $153,017 45 45 124 $314,523 3/7/2017
New Zealand 1/27/2017 $134,676 78 78 187 $329,675 3/27/2017
Nigeria 1/27/2017 $33,174 29 29 142 $154,526 1/1/2019
North America 1/27/2017 $13,601,682 3,104 3,104 8,218 $26,844,692 11/2/2018
Oman 1/26/2017 $71,621 20 20 39 $140,195 1/1/2019
Pakistan 1/27/2017 $54,784 43 43 53 $99,821 1/1/2019
Paraguay 1/26/2017 $9,220 16 16 40 $97,511 1/1/2019
Peru 1/26/2017 $757,296 143 143 335 $2,039,054 12/20/2018
Philippines 2/1/2017 $1,113,788 219 219 420 $1,874,073 12/20/2018
Poland 1/27/2017 $198,287 117 139 283 $466,161 1/1/2019
Portugal 1/26/2017 $148,361 62 67 192 $502,620 3/14/2017
Qatar 1/26/2017 $238,943 16 16 31 $460,837 1/1/2019
Romania 2/3/2017 $167,393 75 75 202 $403,964 1/1/2019
Russia (CIS) 2/10/2017 $1,651,844 724 1170 3680 $6,257,242 1/1/2019
Serbia and Montenegro 1/26/2017 $6,302 18 18 37 $17,773 1/1/2019
Singapore 2/2/2017 $672,676 61 61 185 $1,528,987 3/14/2017
Slovakia 1/26/2017 $61,622 69 69 114 $110,712 2/28/2017
Slovenia 2/2/2017 $5,291 12 12 30 $13,896 2/21/2017
South Africa 2/3/2017 $90,870 72 77 208 $278,010 3/7/2017
South Korea 1/19/2017 $0 0 599 1199 $5,562,756 3/6/2017
Spain 2/3/2017 $900,108 323 326 1071 $2,000,363 4/4/2017
Suriname 1/26/2017 $2,815 2 2 4 $5,626 1/1/2019
Sweden 2/3/2017 $126,457 110 110 191 $267,696 3/14/2017
Syria 1/26/2017 $3,859 1 2 4 $6,939 1/1/2019
Taiwan 1/26/2017 $2,359,795 201 201 506 $7,905,687 3/7/2017
Thailand 1/26/2017 $1,283,464 260 260 486 $3,325,690 2/28/2017
Trinidad 1/25/2017 $55,963 21 21 59 $133,972 1/1/2019
Turkey 2/24/2017 $328,096 277 277 695 $790,324 2/26/2019
Ukraine 2/16/2017 $265,960 257 257 675 $534,344 1/1/2019
United Arab Emirates 1/26/2017 $692,043 81 81 163 $1,360,823 12/20/2018
United Kingdom 2/3/2017 $579,831 270 270 541 $1,204,047 9/17/2018
Uruguay 1/26/2017 $39,978 13 14 47 $127,453 1/1/2019
Venezuela 1/27/2017 $101,534 92 92 274 $447,785 3/27/2017
Vietnam 2/10/2017 $481,966 135 135 350 $1,200,838 1/1/2019
 
Rest of World $1,284,268
 
Worldwide Total$314,101,190 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Milla Jovovich    Alice/Alicia Marcus

Supporting Cast

Ali Larter    Claire Redfield
Shawn Roberts    Albert Wesker
Ruby Rose    Abigail
Eoin Macken    Doc
William Levy    Christian
Iain Glen    Dr. Alexander Isaacs
Rola    Cobalt
Ever Anderson    Young Alicia Marcus/Red Queen
Mark Simpson    James Marcus
Milton Schorr    Thin Man
Siobhan Hodgson    Emaciated Woman
Lee Joon-Gi    Commander Chu
Aubrey Shelton    Scars
Caroline Midgley    One Ear
Dylan Skews    Commander Crunch
Kevin Otto    Male Teacher
Lee Raviv    School Girl
Deniel Denysschen    School Boy
Leo Russel    School Child
Matthew Bartman    School Child
Raquel Gecelter    School Child
Rebecca Welmans    School Child
Vian Singleton    School Child
Leigh-Anne Benham    School Child
Stephanie Hough    Female Teacher
Dale Jackson    Commander #27
Christopher Duncan    Attendant

Colin Salmon    One
Martin Crewes    Kaplan
Eric Mabius    Matt
Indra Ove    Ms. Black
Anna Bolt    Dr. Green
Robert Tannion    Dr. Brown
Michaela Dicker    Red Queen
Liz May Brice    Medic
Marc Logan-Black    Commando 2
Jared Harris    Dr. Ashford
Jo Chim    Network Anchor #1
Steve Lucescu    Umbrella Trooper
Brian Jagersky    Umbrella Trooper
Brian Steele    Rancid
Carsten Norgaard    Zombie Steve
Ray Olubowale    Axe Man
Johann Urb    Leon
Aryana Engineer    Becky
Ofilio Portillo    Tony
Lloyd Adams    Umbrella Trooper
Eli Martyr    Umbrella Trooper/Human Lab Experiment
Marie-Eve Beckers    Human Lab Experiment
Al Vrkljan    Arcadia Trooper
James Mark    Human Lab Experiment
Trevor Jones    Undead Nurse
Kenji Sato    Undead Shibuya
Michelle Rodriguez    Rain
James Purefoy    Spence
Pasquale Aleardi    J.D.
Stephen Billington    Mr. White
Joseph May    Dr. Blue
Heike Makatsch    Lisa
Jaymes Butler    Clarence
Torsten Jerabek    Commando 1
Oded Fehr    Carlos Olivera
Matthew G. Taylor    Nemesis
Chad Camilleri    Undead on Street
Tig Fong    Umbrella Trooper
Ashanti    Betty
Linden Ashby    Chase
Mika Nakashima    J. Pop Girl
Boris Kodjoe    Luther West
Kevin Durand    Barry Burton
Robin Kasyanov    Sergei
Li Bingbing    Ada Wong
Ernest Jackson    Umbrella Trooper
Alain Chanoine    Umbrella Trooper
Angelica Lisk-Hann    Human Lab Experiment
Neil Davison    Human Lab Experiment
Doug Chapman    Undead Russian
Koji Nakamura    Undead Shibuya

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul W.S. Anderson    Director
Paul W.S. Anderson    Screenwriter
Jeremy Bolt    Producer
Paul W.S. Anderson    Producer
Robert Kulzer    Producer
Samuel Hadida    Producer
Martin Moszkowicz    Executive Producer
Victor Hadida    Executive Producer
Hiroyuki Kobayashi    Associate Producer
Bernhard Thur    Associate Producer
Glen MacPherson    Director of Photography
Edward Thomas    Production Designer
Doobie White    Editor
Reza Levy    Costume Designer
Paul Haslinger    Composer
Dennis Berardi    Visual Effects Supervisor
Suzanne M. Smith    Casting Director
Gabriel Williams    First Assistant Director
Janine van Assen    Line Producer
Donovan Roberts-Baxter    Production Manager
Dieter Spethmann    Second Assistant Director
Christina Smith    Make up
Lori Waters    Post-Production Supervisor
Grant Hulley    Stunt Coordinator
Kerry Gregg    Stunt Coordinator
Nathan Barris    Fight Choreographer
James Muringani    Production Supervisor
Deon Du Preez    Location Manager
Tamarin Kotze    Script Supervisor
Nico Louw    Sound Mixer
Guy Potgieter    Supervising Art Director
Lisa Van Velden    Art Director
Malwande Sigabi    Set Designer
Wilfred Christian    Set Designer
Cordell McQueen    Special Effects Supervisor
Anneke Botha    Set Decorator
Kerry Skelton    Hairstylist
Fabienne Zadel    Hairstylist
Clinton Aiden Smith    Prosthetics Designer
Amy K. Bostrom    First Assistant Editor
Thomas Dedesco    Assistant Editor
Stephen Barden    Supervising Sound Editor
John Loranger    Sound Designer
Doobie White    Sound Designer
Jill Purdy    Dialogue/ADR Editor
Alex Bullick    Sound Effects Editor
Tyler Whitham    Sound Effects Editor
Kevin Banks    Sound Editor
Andrew Stirk    Re-recording Mixer
Andrew Tay    Re-recording Mixer
Mark Zsifkovits    Re-recording Mixer
Peter Persaud    Foley Recordist
Luke Groves    Visual Effects Producer
Eric Robinson    Visual Effects Supervisor
Trey Harrell    Digital Effects Supervisor
Den Turner    Animation Supervisor
Vern Nobles    Second Unit Director/Second Unit Director of Photography
Martin Knoll    Post-Production Supervisor
Thorsten Wirth    Post-Production Supervisor
Daniel Kresco    Score Mixer
Louie Schultz    Music Editor
Mark Skillingberg    Music Editor
Derek Syverud    Music Editor
Christoph Becker    Music Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.