Synopsis
Life seems easy for picture-perfect couple Ivy and Theo: successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing—as Theo’s career nosedives while Ivy’s own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites.
Metrics
Movie Details
| Portugal Releases: |
August 28th, 2025 (Wide), released as Um Casal (Im)perfeito |
| Video Release: |
October 21st, 2025 by Walt Disney Home Entertainment |
| MPAA Rating: |
R for language throughout, sexual content, and drug content.
(Rating bulletin 2892 (cert #55546), 7/2/2025) |
| Running Time: |
105 minutes |
| Keywords: |
Black Comedy, Remake, Relationships Gone Wrong, Divorce Lawyer, Messy Divorce, Revenge, Empty Nest, Surprise Twist, Filmed in England, Filmed in United Kingdom |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Searchlight Pictures , South of the River Pictures, Delirious Media, Sunny March |
| Production Countries: |
United Kingdom, United States |
| Languages: |
English |
August 29th, 2025
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It’s looking like another close-run race for top spot at the box office this weekend, although whichever film wins will have the dubious distinction of have the second-lowest earnings of a number one film this year (assuming they top Novocaine’s $8.8-million debut back on the weekend of March 14. The Labor Day holiday on Monday doesn’t usually give movies a big boost at the box office, so this will be a fairly straight-up head-to-head battle between Weapons and Caught Stealing.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2025/08/29 |
2 |
$107,503 |
|
65 |
$1,654 |
$107,503 |
1 |
| 2025/09/05 |
2 |
$82,205 |
-24% |
63 |
$1,305 |
$238,823 |
2 |
| 2025/09/12 |
4 |
$53,831 |
-35% |
53 |
$1,016 |
$326,039 |
3 |
| 2025/09/19 |
5 |
$36,898 |
-31% |
41 |
$900 |
$381,290 |
4 |
| 2025/09/26 |
8 |
$25,968 |
-30% |
30 |
$866 |
$415,827 |
5 |
| 2025/10/03 |
15 |
$9,146 |
-65% |
13 |
$704 |
$433,087 |
6 |
| 2025/10/10 |
18 |
$5,603 |
-39% |
10 |
$560 |
$441,700 |
7 |
| 2025/10/17 |
- |
$2,048 |
-63% |
0 |
|
$443,063 |
8 |
| 2025/10/24 |
- |
$933 |
-54% |
0 |
|
$442,699 |
9 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
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