Greece Box Office for Rough Night (2017)

← Go to main Rough Night page

Rough Night
Theatrical Performance (US$)
Greece Box Office $89,979Details
Worldwide Box Office $46,844,357Details
Home Market Performance
North America DVD Sales $1,435,588 Details
North America Blu-ray Sales $1,123,340 Details
Total North America Video Sales $2,558,928
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Five best friends from college reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.

Metrics

Movie Details

Production Budget:$20,000,000
Greece Releases: June 29th, 2017 (Wide)
Video Release: August 25th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: R for crude sexual content, language throughout, drug use and brief bloody images.
(Rating bulletin 2479 (Cert #50626), 6/7/2017)
Running Time: 101 minutes
Keywords: Strippers / Stripping, Parties Gone Wild, College, Bachelor Party, Friends Reuniting, Accidental Death, Covering Up an Accidental Death, Screenplay Written By the Star, Ensemble
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Matt Tolmach Productions, Paulilu
Production Countries: United States
Languages: English

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Home Market Releases for August 22nd, 2017

August 23rd, 2017

Ash vs Evil Dead: Season Two

Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race. More...

Weekend Estimates: Dunkirk, Girls Trip Post Impressive Debuts

July 23rd, 2017

Dunkirk

Dunkirk will easily top the chart at the box office this weekend, with a $50.5 million opening weekend from 3,720 theaters that’s broadly in line with expectations, and also remarkably similar to the first weekend for Interstellar, which opened with $47.5 million from 3,561 theaters back in 2014. It seems that the film has reached the Christopher Nolan fan base, but not extended much beyond that. Remarkably, Pearl Harbor remains the record holder for biggest opening weekend for a World War II movie, with the $59 million it earned back in 2001 (equivalent to roughly $93 million with today’s ticket prices). More...

Weekend Predictions: Take a Trip with Valerian and Laureline to Dunkirk

July 20th, 2017

Valerian and the City of a Thousand Planets

So far this summer, box office is running about $200 million behind last year’s pace. The numbers have fallen so far that, year to date, 2017 is now behind 2016’s box office pace. This is even more depressing as last weekend, five of the top six films earned Tomatometer Scores that were over 90% positive. This week, we are continuing the amazing run with critics as two of the three wide releases are earning 90% positive reviews or better, but it doesn’t look like we will be able to improve our box office woes. This weekend last year, Star Trek Beyond opened with nearly $60 million and four other films earned more than $20 million. This weekend, Dunkirk will open in first place and it might top Star Trek Beyond, but that seems unlikely. Even getting to $50 million could be asking too much. Girls Trip should have a box office run somewhere between Rough Night and Bad Moms. ... Yes, I know that’s a lot of wiggle room, but there’s a lot of uncertainty here. Finally there’s Valerian and the City of a Thousand Planets, which cost $180 million to make but is earning almost no buzz here. (It should do a lot better internationally.) We would have to have all three new releases beat expectations and have solid holdovers for 2017 to come out ahead in the year-over-year comparison. More...

Thursday Night Previews: Despicable Me 3 Finds $4.1 million During Previews

June 30th, 2017

Despicable Me 3

Despicable Me 3 earned $4.1 million during previews last night, which is both good and bad. It is the best previews for an animated film this year, topping the $2.8 million Cars 3 earned earlier this month. However, it is weaker than the $4.7 million Despicable Me 2 earned and that film was a Wednesday release, so that would have depressed its previews even more, which makes this comparison even worse for Despicable Me 3. The Secret Life of Pets opened on a Friday and earned $5.3 million during its previews. If we use that film as a gauge, then Despicable Me 3 will earn $81 million over the weekend. Despicable Me 3 has earned weaker reviews than those The Secret Life of Pets earned, while it is also a sequel, which tends to hurt legs. We predicted $82 million, but that might be a little optimistic now. It should come close, on the other hand. More...

Weekend Predictions: Can Despicable have a Picable Opening?

June 29th, 2017

Despicable Me 3

Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak. More...

Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million

June 27th, 2017

Transformers: The Last Knight

Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million

June 17th, 2017

Cars 3

As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Predictions: Will Cars Take the Checkered Flag?

June 15th, 2017

Cars 3

It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose. More...

Contest: Vroom Vroom

June 9th, 2017

Cars 3

There could be as many as four wide releases coming out next week, but there are only two that will likely make an impact at the box office. Rough Night should do well in the counter-programming role and might even be a surprise $100 million hit, if everything goes well. However, there’s almost no chance it will top Cars 3 at the box office. Since Cars 3 is widely expected to dominated during its opening weekend, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Cars 3.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Rough Night Trailer

May 31st, 2017

Comedy starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz opens June 16 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/30 - $34,821   64 $544   $34,821 1
2017/07/07 - $7,362 -79% 19 $387   $82,334 2
2017/07/14 - $775 -89% 4 $194   $89,979 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 6/15/2017 $1,030 1 3 4 $9,002 1/1/2019
Australia 6/16/2017 $1,192,601 345 345 1151 $3,754,381 8/22/2017
Austria 6/30/2017 $234,159 73 74 403 $810,179 9/12/2017
Bulgaria 6/16/2017 $19,584 45 45 110 $60,287 2/26/2019
Cambodia 7/20/2017 $3,940 24 24 29 $5,800 1/1/2019
Croatia 6/22/2017 $37,472 40 40 151 $145,129 1/1/2019
Curacao 6/15/2017 $2,079 2 2 6 $7,902 1/1/2019
Czech Republic 6/30/2017 $1,300 1 111 236 $209,353 1/1/2019
Denmark 7/20/2017 $292,988 63 63 297 $746,478 9/12/2017
Dominican Republic 6/22/2017 $11,126 21 21 44 $25,131 1/1/2019
Estonia 7/7/2017 $0 0 14 33 $111,550 8/30/2017
Finland 6/16/2017 $39,419 43 43 135 $191,971 8/16/2017
France 8/2/2017 $403,307 145 145 378 $769,983 8/30/2017
Germany 6/30/2017 $1,477,543 455 485 2266 $3,850,971 9/12/2017
Greece 6/29/2017 $34,821 64 64 87 $89,979 4/19/2018
Hong Kong 7/27/2017 $196,021 71 71 152 $561,122 8/30/2017
Hungary 6/15/2017 $133,214 51 51 213 $489,746 1/1/2019
Iceland 6/14/2017 $15,630 8 8 18 $54,507 1/1/2019
Israel 6/15/2017 $148,481 29 29 132 $554,340 12/20/2018
Jamaica 6/14/2017 $5,010 4 4 5 $10,399 1/1/2019
Latvia 7/7/2017 $12,169 7 7 23 $46,010 1/1/2019
Lithuania 7/7/2017 $24,291 96 96 228 $114,531 8/15/2017
Netherlands 7/27/2017 $382,005 73 90 574 $2,269,305 9/11/2017
New Zealand 6/16/2017 $125,414 70 70 246 $430,278 7/31/2017
North America 6/16/2017 $8,004,283 3,162 3,162 8,949 $22,105,643 12/16/2017
Norway 6/16/2017 $122,959 151 151 360 $470,304 9/12/2017
Philippines 8/9/2017 $91,284 114 114 114 $91,284 1/1/2019
Poland 6/16/2017 $205,393 105 105 351 $592,656 1/1/2019
Portugal 6/15/2017 $64,626 39 47 153 $300,240 8/8/2017
Romania 6/16/2017 $110,961 67 67 300 $358,595 1/1/2019
Russia (CIS) 6/15/2017 $1,037,577 876 876 2216 $2,432,408 1/1/2019
Serbia and Montenegro 6/22/2017 $11,307 17 18 73 $59,343 1/1/2019
Singapore 8/24/2017 $41,677 10 10 23 $84,915 9/12/2017
Slovakia 6/22/2017 $50,079 64 64 124 $148,526 7/25/2017
Slovenia 6/22/2017 $20,156 13 13 55 $60,134 8/8/2017
South Africa 6/15/2017 $102,554 66 75 222 $339,199 8/22/2017
Spain 7/21/2017 $405,465 316 320 975 $1,530,460 9/12/2017
Suriname 6/15/2017 $748 1 1 6 $4,534 1/1/2019
Sweden 6/16/2017 $65,036 72 72 201 $316,686 8/1/2017
Switzerland 6/29/2017 $141,046 44 44 152 $345,409 9/13/2017
Taiwan 7/20/2017 $196,479 80 80 158 $378,228 8/22/2017
Thailand 7/27/2017 $53,684 68 68 115 $145,237 8/16/2017
Trinidad 6/14/2017 $28,594 14 14 32 $57,528 1/1/2019
Ukraine 6/15/2017 $234,568 214 214 551 $589,392 1/1/2019
United Kingdom 8/25/2017 $314,704 378 378 852 $1,027,099 9/13/2017
Vietnam 7/28/2017 $18,749 34 34 56 $56,239 1/1/2019
 
Rest of World $31,964
 
Worldwide Total$46,844,357 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Scarlett Johansson    Jess
Kate McKinnon    Pippa
Jillian Bell    Alice
Ilana Glazer    Frankie
Zoë Kravitz    Blair

Supporting Cast

Paul W. Downs    Peter
Ty Burrell    Pietro
Demi Moore    Lea
Enrique Murciano    Detective Ruiz
Karan Soni    Raviv
Dean Winters    Detective Frazier
Colton Haynes    Real Scotty
Patrick Carlyle    Patrick
Eric Andre    Jake
Bo Burnham    Tobey
Hasan Minhaj    Joe
Laura Grey    Lisa
Mark Tallman    Malcolm
Grant Monohon    Dreadlock Guy
Yoni Lotan    Miami Man
Caldwell Tidicue    DJ at Club Liv
Daniel Raymont    Sommelier
Carlos Ibarra    Delivery Guy
Madison Arnold    Morty
Gina Cottone    Betty
Dorothi Fox    Female Clerk
Matty Blake    State Trooper Gary
Peter Grosz    Cliff
Devin Ratray    Bud
Peter Francis James    Jack Eason
Ron Stroman    Taxi Driver
Matt Evans    Field Reporter
Miriam Tolan    Maureen
Brian Stack    Bob
Daniel Lee    College Guy
Jaboukie Young-White    Borat
Keaton Patti    Ping Pong Guy

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lucia Aniello    Director
Lucia Aniello    Screenwriter
Paul W. Downs    Screenwriter
Matt Tolmach    Producer
Lucia Aniello    Producer
Paul W. Downs    Producer
Dave Becky    Producer
Matthew Hirsch    Executive Producer
Sean Porter    Director of Photography
Bob Shaw    Production Designer
Craig Alpert    Editor
Jeanne McCarthy    Casting Director
Rori Bergman    Casting Director
Dominic Lewis    Composer
Leah Katznelson    Costume Designer
G. A. Aguilar    Stunt Coordinator
Jonathan Shoemaker    Unit Production Manager
Julie A. Bloom    First Assistant Director
David Manpearl    Co-Producer
Ryan Heck    Art Director
Carol Silverman    Set Decorator
Jessica Lichtner    Script Supervisor
Amy Burt    Costume Supervisor
Nuria Sitja    Make up
Angela Johnson    Make-up and Hair Designer
Sasha Cummins    Hairstylist
Robert Lugo    Hairstylist
Alex Sullivan    Sound Mixer
Steve Kirshoff    Special Effects Supervisor
John Stifanich    Special Effects Coordinator
Ronnie Kupferwasser    Location Manager
Dayna Katz    Casting Associate
Karlee Fomalont    Casting Associate
Leslie Woo    Casting Associate
Hannah Caruso    Casting Associate
Greg Hayden    Additional Editor
Ben Cox    First Assistant Editor
Greg Hollander    Assistant Editor
Tateum Kohut    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Kami Asgar    Supervising Sound Editor
Sean McCormack    Supervising Sound Editor
Paul Pirola    Sound Effects Editor
Trevor Metz    Sound Effects Editor
Erin Oakley    ADR/Dialogue Editor
Robert Chen    Dialogue Editor
Daniel Pinder    Music Editor
Dan DiPrima    Music Editor
Chris Fogel    Score Recordist
Al Clay    Score Mixer
Karl Coyner    Visual Effects Supervisor
John Parenteau    Visual Effects Executive Producer
Victor Perez    Animation

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.