Scary Stories to Tell in the Dark (2019)

Scary Stories to Tell in the Dark
Theatrical Performance
Domestic Box Office $68,947,075Details
International Box Office $35,846,633Details
Worldwide Box Office $104,793,708
Home Market Performance
Est. Domestic DVD Sales $5,090,482 Details
Est. Domestic Blu-ray Sales $4,679,714 Details
Total Est. Domestic Video Sales $9,770,196
Further financial details...

Synopsis

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.

Metrics

Opening Weekend:$20,915,346 (30.3% of total gross)
Legs:3.30 (domestic box office/biggest weekend)
Domestic Share:65.8% (domestic box office/worldwide)
Production Budget:$28,000,000 (worldwide box office is 3.7 times production budget)
Theater counts:3,135 opening theaters/3,135 max. theaters, 6.4 weeks average run per theater
Infl. Adj. Dom. BO $81,140,769

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,201-1,300) 1,295 $68,947,075
All Time International Box Office (Rank 2,501-2,600) 2,532 $35,846,633
All Time Worldwide Box Office (Rank 1,701-1,800) 1,757 $104,793,708

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD, Amazon 4K UHD VOD, Amazon EST
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: August 9th, 2019 (Wide) by Lionsgate
International Releases: August 8th, 2019 (Wide), released as Страшные истории для рассказа в темноте (Russia (CIS))
August 9th, 2019 (Wide) (Brazil)
August 9th, 2019 (Wide), released as Noční můry z temnot (Czech Republic)
August 9th, 2019 (Wide), released as Šiurpios istorijos pasakojimui tamsoje (Lithuania)
August 9th, 2019 (Wide) (Netherlands)
... Show all releases
Video Release: November 5th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references.
(Rating bulletin 2585 (Cert #52250), 7/3/2019)
Running Time: 111 minutes
Comparisons: vs. The Conjuring: The Devil Made Me Do It
Create your own comparison chart…
Keywords: 1960s, Fiction / Reality Crossover, Writing and Writers, Kids Horror, Halloween
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Entertainment One, CBS Films, Rolling Hills, Starlight Media, Hivemind, 1212 Entertainment, Double Dare You
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (All Movies, 3-Day, Inflation Adjusted) 381 $6,083,723 Aug 30, 2019 24
Labor Day (All Movies, 4-Day, Fri-Mon) 176 $6,291,525 Aug 30, 2019 24
Labor Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 227 $7,657,129 Aug 30, 2019 24
Top Lionsgate Weekend Domestic 61 $20,915,346 Aug 9, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 2 $20,915,346   3,135 $6,672   $20,915,346 1
Aug 16, 2019 5 $10,008,009 -52% 3,135 $3,192   $40,174,793 2
Aug 23, 2019 8 $5,867,926 -41% 2,927 $2,005   $50,357,128 3
Aug 30, 2019 7 $4,998,728 -15% 2,747 $1,820   $57,618,974 4
Sep 6, 2019 9 $2,297,928 -54% 2,101 $1,094   $62,123,662 5
Sep 13, 2019 11 $1,699,783 -26% 1,494 $1,138   $64,438,869 6
Sep 20, 2019 14 $955,498 -44% 932 $1,025   $65,785,234 7
Sep 27, 2019 13 $801,280 -16% 759 $1,056   $66,828,285 8
Oct 4, 2019 16 $471,848 -41% 577 $818   $67,512,574 9
Oct 11, 2019 20 $245,529 -48% 346 $710   $67,921,783 10
Oct 18, 2019 23 $138,646 -44% 219 $633   $68,140,950 11
Oct 25, 2019 21 $534,136 +285% 1,567 $341   $68,711,623 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 8, 2019 P $2,300,000     2,500 $920   $2,300,000  
Aug 9, 2019 1 $8,781,643     3,135 $2,801   $8,781,643 1
Aug 10, 2019 3 $6,904,995 -21%   3,135 $2,203   $15,686,638 2
Aug 11, 2019 3 $5,228,708 -24%   3,135 $1,668   $20,915,346 3
Aug 12, 2019 3 $2,388,961 -54%   3,135 $762   $23,304,307 4
Aug 13, 2019 4 $3,203,006 +34%   3,135 $1,022   $26,507,313 5
Aug 14, 2019 3 $1,978,747 -38%   3,135 $631   $28,486,060 6
Aug 15, 2019 3 $1,680,724 -15%   3,135 $536   $30,166,784 7
Aug 16, 2019 5 $3,014,552 +79% -66% 3,135 $962   $33,181,336 8
Aug 17, 2019 5 $4,079,812 +35% -41% 3,135 $1,301   $37,261,148 9
Aug 18, 2019 5 $2,913,645 -29% -44% 3,135 $929   $40,174,793 10
Aug 19, 2019 4 $1,103,901 -62% -54% 3,135 $352   $41,278,694 11
Aug 20, 2019 6 $1,463,147 +33% -54% 3,135 $467   $42,741,841 12
Aug 21, 2019 6 $931,957 -36% -53% 3,135 $297   $43,673,798 13
Aug 22, 2019 5 $815,404 -13% -51% 3,135 $260   $44,489,202 14
Aug 23, 2019 7 $1,706,527 +109% -43% 2,927 $583   $46,195,729 15
Aug 24, 2019 8 $2,567,538 +50% -37% 2,927 $877   $48,763,267 16
Aug 25, 2019 9 $1,593,861 -38% -45% 2,927 $545   $50,357,128 17
Aug 26, 2019 9 $533,229 -67% -52% 2,927 $182   $50,890,357 18
Aug 27, 2019 9 $764,452 +43% -48% 2,927 $261   $51,654,809 19
Aug 28, 2019 9 $493,767 -35% -47% 2,927 $169   $52,148,576 20
Aug 29, 2019 8 $471,670 -4% -42% 2,927 $161   $52,620,246 21
Aug 30, 2019 7 $1,186,604 +152% -30% 2,747 $432   $53,806,850 22
Aug 31, 2019 7 $1,940,532 +64% -24% 2,747 $706   $55,747,382 23
Sep 1, 2019 7 $1,871,592 -4% +17% 2,747 $681   $57,618,974 24
Sep 2, 2019 11 $1,292,797 -31% +142% 2,747 $471   $58,911,771 25
Sep 3, 2019 7 $465,547 -64% -39% 2,747 $169   $59,377,318 26
Sep 4, 2019 8 $289,392 -38% -41% 2,747 $105   $59,666,710 27
Sep 5, 2019 10 $159,024 -45% -66% 2,747 $58   $59,825,734 28
Sep 6, 2019 10 $608,920 +283% -49% 2,101 $290   $60,434,654 29
Sep 7, 2019 7 $1,114,684 +83% -43% 2,101 $531   $61,549,338 30
Sep 8, 2019 11 $574,324 -48% -69% 2,101 $273   $62,123,662 31
Sep 9, 2019 10 $138,104 -76% -89% 2,101 $66   $62,261,766 32
Sep 10, 2019 10 $217,318 +57% -53% 2,101 $103   $62,479,084 33
Sep 11, 2019 10 $144,598 -33% -50% 2,101 $69   $62,623,682 34
Sep 12, 2019 10 $115,404 -20% -27% 2,101 $55   $62,739,086 35
Sep 13, 2019 10 $513,233 +345% -16% 1,494 $344   $63,252,319 36
Sep 14, 2019 11 $811,012 +58% -27% 1,494 $543   $64,063,331 37
Sep 15, 2019 14 $375,538 -54% -35% 1,494 $251   $64,438,869 38
Sep 16, 2019 13 $90,586 -76% -34% 1,494 $61   $64,529,455 39
Sep 17, 2019 14 $132,316 +46% -39% 1,494 $89   $64,661,771 40
Sep 18, 2019 13 $94,567 -29% -35% 1,494 $63   $64,756,338 41
Sep 19, 2019 15 $73,398 -22% -36% 1,494 $49   $64,829,736 42
Sep 20, 2019 14 $247,705 +237% -52% 932 $266   $65,077,441 43
Sep 21, 2019 12 $476,118 +92% -41% 932 $511   $65,553,559 44
Sep 22, 2019 15 $231,675 -51% -38% 932 $249   $65,785,234 45
Sep 23, 2019 - $56,073 -76% -38% 932 $60   $65,841,307 46
Sep 24, 2019 - $79,254 +41% -40% 932 $85   $65,920,561 47
Sep 25, 2019 - $55,522 -30% -41% 932 $60   $65,976,083 48
Sep 26, 2019 - $50,922 -8% -31% 932 $55   $66,027,005 49
Sep 27, 2019 14 $217,270 +327% -12% 759 $286   $66,244,275 50
Sep 28, 2019 15 $382,499 +76% -20% 759 $504   $66,626,774 51
Sep 29, 2019 15 $201,511 -47% -13% 759 $265   $66,828,285 52
Sep 30, 2019 - $61,296 -70% +9% 759 $81   $66,889,581 53
Oct 1, 2019 15 $73,322 +20% -7% 759 $97   $66,962,903 54
Oct 2, 2019 - $48,475 -34% -13% 759 $64   $67,011,378 55
Oct 3, 2019 - $29,348 -39% -42% 759 $39   $67,040,726 56
Oct 4, 2019 15 $120,246 +310% -45% 577 $208   $67,160,972 57
Oct 5, 2019 14 $230,082 +91% -40% 577 $399   $67,391,054 58
Oct 6, 2019 - $121,520 -47% -40% 577 $211   $67,512,574 59
Oct 7, 2019 - $39,337 -68% -36% 577 $68   $67,551,911 60
Oct 8, 2019 - $54,982 +40% -25% 577 $95   $67,606,893 61
Oct 9, 2019 - $43,164 -21% -11% 577 $75   $67,650,057 62
Oct 10, 2019 - $26,197 -39% -11% 577 $45   $67,676,254 63
Oct 11, 2019 - $73,599 +181% -39% 346 $213   $67,749,853 64
Oct 12, 2019 - $107,464 +46% -53% 346 $311   $67,857,317 65
Oct 13, 2019 - $64,466 -40% -47% 346 $186   $67,921,783 66
Oct 14, 2019 - $31,698 -51% -19% 346 $92   $67,953,481 67
Oct 15, 2019 - $20,883 -34% -62% 346 $60   $67,974,364 68
Oct 16, 2019 - $15,710 -25% -64% 346 $45   $67,990,074 69
Oct 17, 2019 - $12,230 -22% -53% 346 $35   $68,002,304 70
Oct 18, 2019 - $40,049 +227% -46% 219 $183   $68,042,353 71
Oct 19, 2019 - $70,391 +76% -34% 219 $321   $68,112,744 72
Oct 20, 2019 - $28,206 -60% -56% 219 $129   $68,140,950 73
Oct 21, 2019 - $10,145 -64% -68% 219 $46   $68,151,095 74
Oct 22, 2019 - $10,020 -1% -52% 219 $46   $68,161,115 75
Oct 23, 2019 - $9,196 -8% -41% 219 $42   $68,170,311 76
Oct 24, 2019 - $7,176 -22% -41% 219 $33   $68,177,487 77
Oct 25, 2019 - $144,660 +1,916% +261% 1,567 $92   $68,322,147 78
Oct 26, 2019 - $259,089 +79% +268% 1,567 $165   $68,581,236 79
Oct 27, 2019 - $130,387 -50% +362% 1,567 $83   $68,711,623 80
Oct 28, 2019 - $39,853 -69% +293% 1,567 $25   $68,751,476 81
Oct 29, 2019 - $55,304 +39% +452% 1,567 $35   $68,806,780 82
Oct 30, 2019 - $45,823 -17% +398% 1,567 $29   $68,852,603 83
Oct 31, 2019 15 $94,472 +106% +1,216% 1,567 $60   $68,947,075 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 3 $30,166,784   3,135 $9,623   $30,166,784 1
Aug 16, 2019 5 $14,322,418 -53% 3,135 $4,569   $44,489,202 2
Aug 23, 2019 8 $8,131,044 -43% 2,927 $2,778   $52,620,246 3
Aug 30, 2019 7 $7,205,488 -11% 2,747 $2,623   $59,825,734 4
Sep 6, 2019 10 $2,913,352 -60% 2,101 $1,387   $62,739,086 5
Sep 13, 2019 12 $2,090,650 -28% 1,494 $1,399   $64,829,736 6
Sep 20, 2019 14 $1,197,269 -43% 932 $1,285   $66,027,005 7
Sep 27, 2019 14 $1,013,721 -15% 759 $1,336   $67,040,726 8
Oct 4, 2019 18 $635,528 -37% 577 $1,101   $67,676,254 9
Oct 11, 2019 20 $326,050 -49% 346 $942   $68,002,304 10
Oct 18, 2019 23 $175,183 -46% 219 $800   $68,177,487 11
Oct 25, 2019 20 $769,588 +339% 1,567 $491   $68,947,075 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/27/2019 $85,397 234 234 327 $150,677 11/10/2019
Australia 9/27/2019 $546,266 209 209 651 $1,560,297 11/13/2019
Brazil 8/9/2019 $249,000 366 366 612 $613,455 8/31/2019
Chile 8/16/2019 $212,737 75 75 75 $212,737 8/20/2019
Czech Republic 8/9/2019 $115,087 95 95 216 $330,275 10/19/2022
France 8/23/2019 $665,880 0 267 622 $1,649,514 9/26/2019
Hong Kong 8/30/2019 $151,000 0 0 0 $151,000 10/19/2022
Italy 10/24/2019 $311,576 0 24 78 $736,230 10/19/2022
Lithuania 8/9/2019 $23,803 13 13 33 $73,053 9/12/2019
Mexico 8/16/2019 $2,878,765 0 0 0 $7,812,860 10/19/2022
Netherlands 8/9/2019 $168,789 66 66 295 $616,142 10/19/2022
New Zealand 9/26/2019 $63,076 54 54 153 $149,141 10/19/2022
Peru 8/9/2019 $340,000 0 0 0 $340,000 8/20/2019
Poland 8/9/2019 $192,913 160 160 480 $714,343 10/19/2022
Portugal 8/9/2019 $84,637 50 51 136 $249,950 9/10/2019
Romania 8/23/2019 $76,283 67 67 206 $221,732 10/19/2022
Russia (CIS) 8/8/2019 $701,716 1,307 1,310 3,280 $1,926,451 10/19/2022
Slovakia 8/9/2019 $56,623 55 55 135 $171,121 9/10/2019
Slovenia 8/23/2019 $13,184 13 13 35 $36,861 10/7/2019
South Korea 3/27/2020 $105,284 185 212 533 $306,260 5/19/2020
Spain 8/9/2019 $623,909 256 278 1,137 $2,709,188 9/19/2019
Taiwan 8/9/2019 $602,000 0 0 0 $602,000 8/20/2019
Turkey 8/23/2019 $27,031 128 128 224 $79,427 10/19/2022
United Kingdom 8/23/2019 $749,409 418 429 1,174 $2,567,487 9/11/2019
 
Rest of World $11,866,432
 
International Total$35,846,633 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 10, 2019642,532 42,532$636,704$636,7041
Nov 17, 20191033,229-22% 75,761$495,444$1,132,1482
Nov 24, 20191619,970-40% 95,731$298,751$1,430,8993
Dec 8, 20193033,349 160,861$483,560$2,379,7335
Oct 11, 2020209,468 310,611$151,677$4,477,51149
Oct 25, 20202011,772 322,383$188,587$4,666,09851
Nov 1, 2020199,203-22% 331,586$148,168$4,814,26652

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 10, 2019347,823 47,823$954,552$954,5521
Nov 17, 2019738,693-19% 86,516$0$954,5522
Nov 24, 2019916,407-58% 102,923$0$954,5523
Sep 13, 20201811,509 259,894$179,195$3,698,58545
Sep 20, 2020209,644-16% 269,538$167,613$3,866,19846
Oct 11, 2020179,592 288,880$143,688$4,155,91049
Nov 1, 2020177,555 306,403$121,636$4,437,23352

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Jan 3, 2022101 1

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Zoe Margaret Colletti    Stella Nicholls
Michael Garza    Ramón Morales
Gabriel Rush    Auggie Hilderbrandt
Austin Abrams    Tommy Milner
Dean Norris    Roy Nicholls
Gil Bellows    Police Chief Turner
Lorraine Toussaint    Lou Lou
Austin Zajur    Chuck Steinberg
Natalie Ganzhorn    Ruth Steinberg
Kathleen Pollard    Sarah Bellows

Supporting Cast

Deborah Pollitt    Mrs. Steinberg
Victoria Fodor    Mrs. Milner
Marie Ward    Mrs. Hildebrandt
Mark Steger    Harold the Scarecrow/Pale Lady
Javier Botet    The Toe Corpse
Troy James    Jangly Man
Kyle Labine    Deputy Hobbs
David Tompa    Doctor
Karen Glave    Claire Baptiste
Stephanie Belding    Reception Nurse
Hume Baugh    Deodat Bellows
Jane Moffat    Delanie Bellows
Will Carr    Ephraim Bellows
Amanda Smith    Gertrude Bellows
Brandon Knox    Harold Bellows
Rodrigo Fernandez-Stoll    Drive-In Manager
Anna Fraser    Actress
Alex Spencer    Orderly #1
Matt Smith    Mr. Steinberg
Colton Gobbo    Letterman #1
Daniel Gravelle    Letterman #2
Ajanae Stephenson    Lou Lou (8 yrs)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

André Øvredal    Director
Guillermo del Toro    Screenwriter
Dan Hageman    Screenwriter
Kevin Hageman    Screenwriter
Patrick Melton    Screenwriter
Marcus Dunstan    Screenwriter
Alvin Schwartz    Story based on the book series by
Sean Daniel    Producer
Elizabeth Grave    Producer
Guillermo del Toro    Producer
Jason F. Brown    Producer
J. Miles Dale    Producer
Roman Osin    Director of Photography
David Brisbin    Production Designer
Patrick Larsgaard    Editor
Ruth Myers    Costume Designer
Marco Beltrami    Composer
Anna Drubich    Composer
Regina Robb    Production Manager
J. Miles Dale    Unit Production Manager
Myron Hoffert    First Assistant Director
Tyler Deben    Second Assistant Director
Zhitang Chen    Co-Executive Producer
Jacky Cheung    Co-Executive Producer
Darren McGuire    Stunt Coordinator
Brandt Gordon    Art Director
Sorin Popescu    Set Designer
Etienne Gravrand    Set Designer
Patricia Larman    Set Decorator
Jane Flanders    Costume Supervisor
Charlotte Robertson    Sets Supervisor
Colin Penman    Make up
Trason Fernandes    Make up
Cliona Furey    Hairstylist
Jacqueline Robertson-Cull    Hairstylist
Dug Rotstein    Script Supervisor
Greg Chapman    Sound Mixer
Erika Schengili-Roberts    Sound Mixer
Glen Gauthier    Sound Mixer
Vince Nyuli    Location Manager
Douglas Wilkinson    Post-Production Supervisor
J.R. Fountain    Supervising Sound Editor
Jill Purdy    Supervising Sound Editor
Joe Dzuban    Sound Designer
Tyler Whitham    Sound Editor
Steve Medeiros    Sound Editor
Andrew Tay    Re-recording Mixer
Michael Woroniuk    Re-recording Mixer
Geoff Hill    Special Effects Coordinator
Chris McGeary    Music Editor
Kevin Banks    Music Editor
Matt Glover    Visual Effects Supervisor
Greg Sigurdson    Visual Effects Producer
Kevin Scott    Animation Supervisor
Jason Edwardh    Animation Supervisor
Rich Delia    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 5th, 2019

November 6th, 2019

Good Omens

Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Scary Stories to Tell in the Dark Trailer

May 29th, 2019

Supernatural horror movie, based on the books, opens August 9 ... Full Movie Details.

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.

Metrics

Opening Weekend:$20,915,346 (30.3% of total gross)
Legs:3.30 (domestic box office/biggest weekend)
Domestic Share:65.8% (domestic box office/worldwide)
Production Budget:$28,000,000 (worldwide box office is 3.7 times production budget)
Theater counts:3,135 opening theaters/3,135 max. theaters, 6.4 weeks average run per theater
Infl. Adj. Dom. BO $81,140,769

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,201-1,300) 1,295 $68,947,075
All Time International Box Office (Rank 2,501-2,600) 2,532 $35,846,633
All Time Worldwide Box Office (Rank 1,701-1,800) 1,757 $104,793,708

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD, Amazon 4K UHD VOD, Amazon EST
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: August 9th, 2019 (Wide) by Lionsgate
International Releases: August 8th, 2019 (Wide), released as Страшные истории для рассказа в темноте (Russia (CIS))
August 9th, 2019 (Wide) (Brazil)
August 9th, 2019 (Wide), released as Noční můry z temnot (Czech Republic)
August 9th, 2019 (Wide), released as Šiurpios istorijos pasakojimui tamsoje (Lithuania)
August 9th, 2019 (Wide) (Netherlands)
... Show all releases
Video Release: November 5th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references.
(Rating bulletin 2585 (Cert #52250), 7/3/2019)
Running Time: 111 minutes
Comparisons: vs. The Conjuring: The Devil Made Me Do It
Create your own comparison chart…
Keywords: 1960s, Fiction / Reality Crossover, Writing and Writers, Kids Horror, Halloween
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Entertainment One, CBS Films, Rolling Hills, Starlight Media, Hivemind, 1212 Entertainment, Double Dare You
Production Countries: Canada, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (All Movies, 3-Day, Inflation Adjusted) 381 $6,083,723 Aug 30, 2019 24
Labor Day (All Movies, 4-Day, Fri-Mon) 176 $6,291,525 Aug 30, 2019 24
Labor Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 227 $7,657,129 Aug 30, 2019 24
Top Lionsgate Weekend Domestic 61 $20,915,346 Aug 9, 2019 3

Lead Ensemble Members

Zoe Margaret Colletti    Stella Nicholls
Michael Garza    Ramón Morales
Gabriel Rush    Auggie Hilderbrandt
Austin Abrams    Tommy Milner
Dean Norris    Roy Nicholls
Gil Bellows    Police Chief Turner
Lorraine Toussaint    Lou Lou
Austin Zajur    Chuck Steinberg
Natalie Ganzhorn    Ruth Steinberg
Kathleen Pollard    Sarah Bellows

Supporting Cast

Deborah Pollitt    Mrs. Steinberg
Victoria Fodor    Mrs. Milner
Marie Ward    Mrs. Hildebrandt
Mark Steger    Harold the Scarecrow/Pale Lady
Javier Botet    The Toe Corpse
Troy James    Jangly Man
Kyle Labine    Deputy Hobbs
David Tompa    Doctor
Karen Glave    Claire Baptiste
Stephanie Belding    Reception Nurse
Hume Baugh    Deodat Bellows
Jane Moffat    Delanie Bellows
Will Carr    Ephraim Bellows
Amanda Smith    Gertrude Bellows
Brandon Knox    Harold Bellows
Rodrigo Fernandez-Stoll    Drive-In Manager
Anna Fraser    Actress
Alex Spencer    Orderly #1
Matt Smith    Mr. Steinberg
Colton Gobbo    Letterman #1
Daniel Gravelle    Letterman #2
Ajanae Stephenson    Lou Lou (8 yrs)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

André Øvredal    Director
Guillermo del Toro    Screenwriter
Dan Hageman    Screenwriter
Kevin Hageman    Screenwriter
Patrick Melton    Screenwriter
Marcus Dunstan    Screenwriter
Alvin Schwartz    Story based on the book series by
Sean Daniel    Producer
Elizabeth Grave    Producer
Guillermo del Toro    Producer
Jason F. Brown    Producer
J. Miles Dale    Producer
Roman Osin    Director of Photography
David Brisbin    Production Designer
Patrick Larsgaard    Editor
Ruth Myers    Costume Designer
Marco Beltrami    Composer
Anna Drubich    Composer
Regina Robb    Production Manager
J. Miles Dale    Unit Production Manager
Myron Hoffert    First Assistant Director
Tyler Deben    Second Assistant Director
Zhitang Chen    Co-Executive Producer
Jacky Cheung    Co-Executive Producer
Darren McGuire    Stunt Coordinator
Brandt Gordon    Art Director
Sorin Popescu    Set Designer
Etienne Gravrand    Set Designer
Patricia Larman    Set Decorator
Jane Flanders    Costume Supervisor
Charlotte Robertson    Sets Supervisor
Colin Penman    Make up
Trason Fernandes    Make up
Cliona Furey    Hairstylist
Jacqueline Robertson-Cull    Hairstylist
Dug Rotstein    Script Supervisor
Greg Chapman    Sound Mixer
Erika Schengili-Roberts    Sound Mixer
Glen Gauthier    Sound Mixer
Vince Nyuli    Location Manager
Douglas Wilkinson    Post-Production Supervisor
J.R. Fountain    Supervising Sound Editor
Jill Purdy    Supervising Sound Editor
Joe Dzuban    Sound Designer
Tyler Whitham    Sound Editor
Steve Medeiros    Sound Editor
Andrew Tay    Re-recording Mixer
Michael Woroniuk    Re-recording Mixer
Geoff Hill    Special Effects Coordinator
Chris McGeary    Music Editor
Kevin Banks    Music Editor
Matt Glover    Visual Effects Supervisor
Greg Sigurdson    Visual Effects Producer
Kevin Scott    Animation Supervisor
Jason Edwardh    Animation Supervisor
Rich Delia    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 5th, 2019

November 6th, 2019

Good Omens

Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Scary Stories to Tell in the Dark Trailer

May 29th, 2019

Supernatural horror movie, based on the books, opens August 9 ... Full Movie Details.

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 2 $20,915,346   3,135 $6,672   $20,915,346 1
Aug 16, 2019 5 $10,008,009 -52% 3,135 $3,192   $40,174,793 2
Aug 23, 2019 8 $5,867,926 -41% 2,927 $2,005   $50,357,128 3
Aug 30, 2019 7 $4,998,728 -15% 2,747 $1,820   $57,618,974 4
Sep 6, 2019 9 $2,297,928 -54% 2,101 $1,094   $62,123,662 5
Sep 13, 2019 11 $1,699,783 -26% 1,494 $1,138   $64,438,869 6
Sep 20, 2019 14 $955,498 -44% 932 $1,025   $65,785,234 7
Sep 27, 2019 13 $801,280 -16% 759 $1,056   $66,828,285 8
Oct 4, 2019 16 $471,848 -41% 577 $818   $67,512,574 9
Oct 11, 2019 20 $245,529 -48% 346 $710   $67,921,783 10
Oct 18, 2019 23 $138,646 -44% 219 $633   $68,140,950 11
Oct 25, 2019 21 $534,136 +285% 1,567 $341   $68,711,623 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 8, 2019 P $2,300,000     2,500 $920   $2,300,000  
Aug 9, 2019 1 $8,781,643     3,135 $2,801   $8,781,643 1
Aug 10, 2019 3 $6,904,995 -21%   3,135 $2,203   $15,686,638 2
Aug 11, 2019 3 $5,228,708 -24%   3,135 $1,668   $20,915,346 3
Aug 12, 2019 3 $2,388,961 -54%   3,135 $762   $23,304,307 4
Aug 13, 2019 4 $3,203,006 +34%   3,135 $1,022   $26,507,313 5
Aug 14, 2019 3 $1,978,747 -38%   3,135 $631   $28,486,060 6
Aug 15, 2019 3 $1,680,724 -15%   3,135 $536   $30,166,784 7
Aug 16, 2019 5 $3,014,552 +79% -66% 3,135 $962   $33,181,336 8
Aug 17, 2019 5 $4,079,812 +35% -41% 3,135 $1,301   $37,261,148 9
Aug 18, 2019 5 $2,913,645 -29% -44% 3,135 $929   $40,174,793 10
Aug 19, 2019 4 $1,103,901 -62% -54% 3,135 $352   $41,278,694 11
Aug 20, 2019 6 $1,463,147 +33% -54% 3,135 $467   $42,741,841 12
Aug 21, 2019 6 $931,957 -36% -53% 3,135 $297   $43,673,798 13
Aug 22, 2019 5 $815,404 -13% -51% 3,135 $260   $44,489,202 14
Aug 23, 2019 7 $1,706,527 +109% -43% 2,927 $583   $46,195,729 15
Aug 24, 2019 8 $2,567,538 +50% -37% 2,927 $877   $48,763,267 16
Aug 25, 2019 9 $1,593,861 -38% -45% 2,927 $545   $50,357,128 17
Aug 26, 2019 9 $533,229 -67% -52% 2,927 $182   $50,890,357 18
Aug 27, 2019 9 $764,452 +43% -48% 2,927 $261   $51,654,809 19
Aug 28, 2019 9 $493,767 -35% -47% 2,927 $169   $52,148,576 20
Aug 29, 2019 8 $471,670 -4% -42% 2,927 $161   $52,620,246 21
Aug 30, 2019 7 $1,186,604 +152% -30% 2,747 $432   $53,806,850 22
Aug 31, 2019 7 $1,940,532 +64% -24% 2,747 $706   $55,747,382 23
Sep 1, 2019 7 $1,871,592 -4% +17% 2,747 $681   $57,618,974 24
Sep 2, 2019 11 $1,292,797 -31% +142% 2,747 $471   $58,911,771 25
Sep 3, 2019 7 $465,547 -64% -39% 2,747 $169   $59,377,318 26
Sep 4, 2019 8 $289,392 -38% -41% 2,747 $105   $59,666,710 27
Sep 5, 2019 10 $159,024 -45% -66% 2,747 $58   $59,825,734 28
Sep 6, 2019 10 $608,920 +283% -49% 2,101 $290   $60,434,654 29
Sep 7, 2019 7 $1,114,684 +83% -43% 2,101 $531   $61,549,338 30
Sep 8, 2019 11 $574,324 -48% -69% 2,101 $273   $62,123,662 31
Sep 9, 2019 10 $138,104 -76% -89% 2,101 $66   $62,261,766 32
Sep 10, 2019 10 $217,318 +57% -53% 2,101 $103   $62,479,084 33
Sep 11, 2019 10 $144,598 -33% -50% 2,101 $69   $62,623,682 34
Sep 12, 2019 10 $115,404 -20% -27% 2,101 $55   $62,739,086 35
Sep 13, 2019 10 $513,233 +345% -16% 1,494 $344   $63,252,319 36
Sep 14, 2019 11 $811,012 +58% -27% 1,494 $543   $64,063,331 37
Sep 15, 2019 14 $375,538 -54% -35% 1,494 $251   $64,438,869 38
Sep 16, 2019 13 $90,586 -76% -34% 1,494 $61   $64,529,455 39
Sep 17, 2019 14 $132,316 +46% -39% 1,494 $89   $64,661,771 40
Sep 18, 2019 13 $94,567 -29% -35% 1,494 $63   $64,756,338 41
Sep 19, 2019 15 $73,398 -22% -36% 1,494 $49   $64,829,736 42
Sep 20, 2019 14 $247,705 +237% -52% 932 $266   $65,077,441 43
Sep 21, 2019 12 $476,118 +92% -41% 932 $511   $65,553,559 44
Sep 22, 2019 15 $231,675 -51% -38% 932 $249   $65,785,234 45
Sep 23, 2019 - $56,073 -76% -38% 932 $60   $65,841,307 46
Sep 24, 2019 - $79,254 +41% -40% 932 $85   $65,920,561 47
Sep 25, 2019 - $55,522 -30% -41% 932 $60   $65,976,083 48
Sep 26, 2019 - $50,922 -8% -31% 932 $55   $66,027,005 49
Sep 27, 2019 14 $217,270 +327% -12% 759 $286   $66,244,275 50
Sep 28, 2019 15 $382,499 +76% -20% 759 $504   $66,626,774 51
Sep 29, 2019 15 $201,511 -47% -13% 759 $265   $66,828,285 52
Sep 30, 2019 - $61,296 -70% +9% 759 $81   $66,889,581 53
Oct 1, 2019 15 $73,322 +20% -7% 759 $97   $66,962,903 54
Oct 2, 2019 - $48,475 -34% -13% 759 $64   $67,011,378 55
Oct 3, 2019 - $29,348 -39% -42% 759 $39   $67,040,726 56
Oct 4, 2019 15 $120,246 +310% -45% 577 $208   $67,160,972 57
Oct 5, 2019 14 $230,082 +91% -40% 577 $399   $67,391,054 58
Oct 6, 2019 - $121,520 -47% -40% 577 $211   $67,512,574 59
Oct 7, 2019 - $39,337 -68% -36% 577 $68   $67,551,911 60
Oct 8, 2019 - $54,982 +40% -25% 577 $95   $67,606,893 61
Oct 9, 2019 - $43,164 -21% -11% 577 $75   $67,650,057 62
Oct 10, 2019 - $26,197 -39% -11% 577 $45   $67,676,254 63
Oct 11, 2019 - $73,599 +181% -39% 346 $213   $67,749,853 64
Oct 12, 2019 - $107,464 +46% -53% 346 $311   $67,857,317 65
Oct 13, 2019 - $64,466 -40% -47% 346 $186   $67,921,783 66
Oct 14, 2019 - $31,698 -51% -19% 346 $92   $67,953,481 67
Oct 15, 2019 - $20,883 -34% -62% 346 $60   $67,974,364 68
Oct 16, 2019 - $15,710 -25% -64% 346 $45   $67,990,074 69
Oct 17, 2019 - $12,230 -22% -53% 346 $35   $68,002,304 70
Oct 18, 2019 - $40,049 +227% -46% 219 $183   $68,042,353 71
Oct 19, 2019 - $70,391 +76% -34% 219 $321   $68,112,744 72
Oct 20, 2019 - $28,206 -60% -56% 219 $129   $68,140,950 73
Oct 21, 2019 - $10,145 -64% -68% 219 $46   $68,151,095 74
Oct 22, 2019 - $10,020 -1% -52% 219 $46   $68,161,115 75
Oct 23, 2019 - $9,196 -8% -41% 219 $42   $68,170,311 76
Oct 24, 2019 - $7,176 -22% -41% 219 $33   $68,177,487 77
Oct 25, 2019 - $144,660 +1,916% +261% 1,567 $92   $68,322,147 78
Oct 26, 2019 - $259,089 +79% +268% 1,567 $165   $68,581,236 79
Oct 27, 2019 - $130,387 -50% +362% 1,567 $83   $68,711,623 80
Oct 28, 2019 - $39,853 -69% +293% 1,567 $25   $68,751,476 81
Oct 29, 2019 - $55,304 +39% +452% 1,567 $35   $68,806,780 82
Oct 30, 2019 - $45,823 -17% +398% 1,567 $29   $68,852,603 83
Oct 31, 2019 15 $94,472 +106% +1,216% 1,567 $60   $68,947,075 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 3 $30,166,784   3,135 $9,623   $30,166,784 1
Aug 16, 2019 5 $14,322,418 -53% 3,135 $4,569   $44,489,202 2
Aug 23, 2019 8 $8,131,044 -43% 2,927 $2,778   $52,620,246 3
Aug 30, 2019 7 $7,205,488 -11% 2,747 $2,623   $59,825,734 4
Sep 6, 2019 10 $2,913,352 -60% 2,101 $1,387   $62,739,086 5
Sep 13, 2019 12 $2,090,650 -28% 1,494 $1,399   $64,829,736 6
Sep 20, 2019 14 $1,197,269 -43% 932 $1,285   $66,027,005 7
Sep 27, 2019 14 $1,013,721 -15% 759 $1,336   $67,040,726 8
Oct 4, 2019 18 $635,528 -37% 577 $1,101   $67,676,254 9
Oct 11, 2019 20 $326,050 -49% 346 $942   $68,002,304 10
Oct 18, 2019 23 $175,183 -46% 219 $800   $68,177,487 11
Oct 25, 2019 20 $769,588 +339% 1,567 $491   $68,947,075 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/27/2019 $85,397 234 234 327 $150,677 11/10/2019
Australia 9/27/2019 $546,266 209 209 651 $1,560,297 11/13/2019
Brazil 8/9/2019 $249,000 366 366 612 $613,455 8/31/2019
Chile 8/16/2019 $212,737 75 75 75 $212,737 8/20/2019
Czech Republic 8/9/2019 $115,087 95 95 216 $330,275 10/19/2022
France 8/23/2019 $665,880 0 267 622 $1,649,514 9/26/2019
Hong Kong 8/30/2019 $151,000 0 0 0 $151,000 10/19/2022
Italy 10/24/2019 $311,576 0 24 78 $736,230 10/19/2022
Lithuania 8/9/2019 $23,803 13 13 33 $73,053 9/12/2019
Mexico 8/16/2019 $2,878,765 0 0 0 $7,812,860 10/19/2022
Netherlands 8/9/2019 $168,789 66 66 295 $616,142 10/19/2022
New Zealand 9/26/2019 $63,076 54 54 153 $149,141 10/19/2022
Peru 8/9/2019 $340,000 0 0 0 $340,000 8/20/2019
Poland 8/9/2019 $192,913 160 160 480 $714,343 10/19/2022
Portugal 8/9/2019 $84,637 50 51 136 $249,950 9/10/2019
Romania 8/23/2019 $76,283 67 67 206 $221,732 10/19/2022
Russia (CIS) 8/8/2019 $701,716 1,307 1,310 3,280 $1,926,451 10/19/2022
Slovakia 8/9/2019 $56,623 55 55 135 $171,121 9/10/2019
Slovenia 8/23/2019 $13,184 13 13 35 $36,861 10/7/2019
South Korea 3/27/2020 $105,284 185 212 533 $306,260 5/19/2020
Spain 8/9/2019 $623,909 256 278 1,137 $2,709,188 9/19/2019
Taiwan 8/9/2019 $602,000 0 0 0 $602,000 8/20/2019
Turkey 8/23/2019 $27,031 128 128 224 $79,427 10/19/2022
United Kingdom 8/23/2019 $749,409 418 429 1,174 $2,567,487 9/11/2019
 
Rest of World $11,866,432
 
International Total$35,846,633 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 10, 2019642,532 42,532$636,704$636,7041
Nov 17, 20191033,229-22% 75,761$495,444$1,132,1482
Nov 24, 20191619,970-40% 95,731$298,751$1,430,8993
Dec 8, 20193033,349 160,861$483,560$2,379,7335
Oct 11, 2020209,468 310,611$151,677$4,477,51149
Oct 25, 20202011,772 322,383$188,587$4,666,09851
Nov 1, 2020199,203-22% 331,586$148,168$4,814,26652

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 10, 2019347,823 47,823$954,552$954,5521
Nov 17, 2019738,693-19% 86,516$0$954,5522
Nov 24, 2019916,407-58% 102,923$0$954,5523
Sep 13, 20201811,509 259,894$179,195$3,698,58545
Sep 20, 2020209,644-16% 269,538$167,613$3,866,19846
Oct 11, 2020179,592 288,880$143,688$4,155,91049
Nov 1, 2020177,555 306,403$121,636$4,437,23352

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Jan 3, 2022101 1

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.