United Kingdom Box Office for Precinct Seven Five (2015)

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The Seven Five
Theatrical Performance (US$)
United Kingdom Box Office $33,502Details
Worldwide Box Office $74,176Details
Home Market Performance
North America DVD Sales $560,881 Details
Total North America Video Sales $560,881
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

For Michael Dowd, being a police officer wasn’t a calling, it was just a job— and, assigned to the 75th Precinct in crime-ridden East New York, not an easy or lucrative one. Seizing the opportunity to profit, he stole money from drug dealers, eventually recruiting his partner into an expanding criminal ring. Their 1992 arrest exposed widespread corruption in the NYPD. Weaving together Dowd’s revelatory testimony from the investigation, dramatic surveillance footage and interviews with the primary players, The Seven Five tells his incendiary tale.

Metrics

Movie Details

United Kingdom Releases: August 14th, 2015 (Wide), released as Precinct Seven Five
Video Release: September 15th, 2015 by Mpi Home Video
MPAA Rating: R for pervasive language, some grisly crime scene images, and drug content.
(Rating bulletin 2365, 3/18/2015)
Running Time: 104 minutes
Keywords: 1980s, Set in New York, Corrupt Cops, Narcotics, Organized Crime
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: All3Media
Production Countries: United States
Languages: English

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Limited Releases: Not a Big Week for Limited Releases

May 8th, 2015

The Avengers: Age of Ultron

This week's list of limited releases isn't exactly short, but it is short on potential hits. Maggie and 5 Flights Up both have strong casts, but are playing in potentially too many theaters and also on Video on Demand. Noble is earning some of the best reviews, but its high theater count and lack of star power could hurt it. I Am Big Bird: The Caroll Spinney Story is also earning great reviews, but it is one of the rare documentaries that is taking the Video on Demand route. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/08/14 24 $33,502   31 $1,081   $33,502 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 5/8/2015 $14,785 2 5 11 $40,674
United Kingdom 8/14/2015 $33,502 31 31 31 $33,502 9/28/2015
 
Worldwide Total$74,176 9/28/2015

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Michael Dowd    Himself
Ken Eurell    Himself
Walter Yurkiw    Himself
Chickie    Himself
Dori Eurell    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tiller Russell    Director
Eli Holzman    Producer
Aaron Saidman    Producer
Sheldon Yellen    Producer
Stephen Lambert    Executive Producer
Chad Beck    Editor
James Carroll    Editor
Igor Martinovic    Director of Photography
Dana Boratenski    Line Producer
Justin Medeiros    Line Producer
James Carroll    Co-Producer
Amy Hussey    Co-Producer
Rusty Amarante    Associate Producer
Trevor Davidoski    Associate Producer
David Holthouse    Associate Producer
Wally Parks    Executive in Charge of Production
Amy Marie Beauchamp    Composer
Jose Cancela    Composer
Joseph Pistono    Art Director
Regina Sobel    Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.