Shirley (2020)

Shirley
Theatrical Performance
Domestic Box Office n/a
International Box Office $309,641Details
Worldwide Box Office $309,641
Further financial details...

Synopsis

Renowned horror writer Shirley Jackson is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 14,601-14,700) 14,674 $309,641
All Time Worldwide Box Office (Rank 20,101-20,200) 20,188 $309,641
All Time International Box Office for R Movies (Rank 2,801-2,900) 2,890 $309,641
All Time Worldwide Box Office for R Movies (Rank 4,701-4,800) 4,705 $309,641

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 5th, 2020 (Limited) by Neon
International Releases: July 9th, 2020 (Limited) (Australia)
July 23rd, 2020 (Wide) (New Zealand)
September 18th, 2020 (Wide) (Netherlands)
October 30th, 2020 (Wide) (United Kingdom)
December 3rd, 2020 (Wide), released as Ширли (Russia (CIS))
... Show all releases
Video Release: June 5th, 2020 by Neon
MPAA Rating: R for sexual content, nudity, language and brief disturbing images.
(Rating bulletin 2622 (Cert #52660), 3/25/2020)
Running Time: 107 minutes
Comparisons: Create your own comparison chart…
Keywords: Sundance Film Festival 2020
Source:Based on Factual Book/Article
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Killer Films, Los Angeles Media Fund
Production Countries: United States
Languages: English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 7/9/2020 $20,630 25 28 100 $64,341 10/19/2022
Netherlands 9/18/2020 $30,656 39 39 110 $122,338 10/5/2020
New Zealand 7/23/2020 $10,604 36 36 85 $26,586 10/19/2022
Russia (CIS) 12/3/2020 $19,813 190 190 217 $33,300 10/19/2022
United Kingdom 10/30/2020 $63,076 50 50 50 $63,076 11/4/2020
 
International Total$309,641 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,601-14,700) 14,674 $309,641
All Time International Non-Sequel Box Office (Rank 13,501-13,600) 13,502 $309,641
All Time International Box Office for Based on Factual Book/Article Movies (Rank 201-300) 227 $309,641
All Time International Box Office for Live Action Movies (Rank 12,301-12,400) 12,322 $309,641
All Time International Box Office for Dramatization Movies (Rank 901-1,000) 993 $309,641
All Time International Box Office for Thriller/Suspense Movies (Rank 1,101-1,200) 1,193 $309,641
All Time International Box Office for R Movies (Rank 2,801-2,900) 2,890 $309,641
All Time International Box Office for Neon Movies 52 $309,641

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 20,101-20,200) 20,188 $309,641
All Time Worldwide Non-Sequel Box Office (Rank 18,701-18,800) 18,737 $309,641
All Time Worldwide Box Office for Based on Factual Book/Article Movies (Rank 301-400) 321 $309,641
All Time Worldwide Box Office for Live Action Movies (Rank 17,201-17,300) 17,222 $309,641
All Time Worldwide Box Office for Dramatization Movies (Rank 1,301-1,400) 1,341 $309,641
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 1,501-1,600) 1,580 $309,641
All Time Worldwide Box Office for R Movies (Rank 4,701-4,800) 4,705 $309,641
All Time Worldwide Box Office for Neon Movies 63 $309,641

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Elisabeth Moss    Shirley Jackson

Supporting Cast

Odessa Young    Rose Nemser
Michael Stuhlbarg    Stanley Hyman
Logan Lerman    Fred Nemser
Steve Vinovich    Henry

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Josephine Baker    Director
Sarah Gubbins    Screenwriter
Susan Scarf Merrell*    Story based on the book written by
Christine Vachon    Producer
David Hinojosa    Producer
Jeffrey Soros    Producer
Simon Horsman    Producer
Elisabeth Moss    Producer
Martin Scorsese    Executive Producer
Allison Rose Carter    Executive Producer
Alisa Tager    Executive Producer
Cher Hawrysh    Executive Producer
Sturla Brandth Grovlen    Cinematographer
Sue Chan    Production Designer
David Barker    Editor
Amela Baksic    Costume Designer
Tamar-Kali    Composer
Bruce Gilbert    Music Supervisor
Lauren Marie Mikus    Music Supervisor
Kerry Barden    Casting Director
Paul Schnee    Casting Director

Streaming Releases: The Doctor Will See You Now

June 5th, 2020

Doc Martin

This is not a strong week for streaming releases. The first week of the month tends to be dominated by releases of movies and TV shows that are sometimes decades old, but are available on a particular streaming service for the first time. Actual new releases are pushed to the side as a result. This week, the biggest and best new release is Shirley on Hulu, but I also wanted to shine the spotlight on an older release that is worth your time and money, Doc Martin. It is free on Amazon Prime. More...

Limited and Virtual Releases: Shirley, You Can’t be Serious

June 5th, 2020

Shirley

It is actually a busy week for limited and virtual releases with a handful of higher profile films hitting theaters. This includes Shirley, which has enough appeal that it could have expanded wide, and earned some level of mainstream success under normal circumstances. Tommaso has more limited appeal, but it could have been a hit on the art house circuit. As theaters open up around the country, this weekend is going to be the biggest test yet of how the theatrical market might grow in the next few months. More...

2020 Preview: June

June 1st, 2020

Soul

It’s June and Soul was one of several potential monster hits that were supposed to come out this month, but that’s not happening, of course. Furthermore, I’m not convinced there will be any major releases in July either, despite what some studios are planning. There are some positive signs in some parts of the world. For example, South Korea is expecting to have a number of major local releases in the coming month. Closer to home, the NHL is planning on reopening in July, albeit playing in hub cities in empty arenas, but at least that’s something to look forward to. Granted, you can play a sport like hockey in an empty arena, but you can’t show a movie in an empty theater. Or, to be more accurate, it is not profitable to show a movie in an empty theater. (I think we’ve all had that experience of going to the movies and being one of only five or six people in the theater.) So, what are the prospects? More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Renowned horror writer Shirley Jackson is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 14,601-14,700) 14,674 $309,641
All Time Worldwide Box Office (Rank 20,101-20,200) 20,188 $309,641
All Time International Box Office for R Movies (Rank 2,801-2,900) 2,890 $309,641
All Time Worldwide Box Office for R Movies (Rank 4,701-4,800) 4,705 $309,641

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 5th, 2020 (Limited) by Neon
International Releases: July 9th, 2020 (Limited) (Australia)
July 23rd, 2020 (Wide) (New Zealand)
September 18th, 2020 (Wide) (Netherlands)
October 30th, 2020 (Wide) (United Kingdom)
December 3rd, 2020 (Wide), released as Ширли (Russia (CIS))
... Show all releases
Video Release: June 5th, 2020 by Neon
MPAA Rating: R for sexual content, nudity, language and brief disturbing images.
(Rating bulletin 2622 (Cert #52660), 3/25/2020)
Running Time: 107 minutes
Comparisons: Create your own comparison chart…
Keywords: Sundance Film Festival 2020
Source:Based on Factual Book/Article
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Killer Films, Los Angeles Media Fund
Production Countries: United States
Languages: English

Leading Cast

Elisabeth Moss    Shirley Jackson

Supporting Cast

Odessa Young    Rose Nemser
Michael Stuhlbarg    Stanley Hyman
Logan Lerman    Fred Nemser
Steve Vinovich    Henry

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Josephine Baker    Director
Sarah Gubbins    Screenwriter
Susan Scarf Merrell*    Story based on the book written by
Christine Vachon    Producer
David Hinojosa    Producer
Jeffrey Soros    Producer
Simon Horsman    Producer
Elisabeth Moss    Producer
Martin Scorsese    Executive Producer
Allison Rose Carter    Executive Producer
Alisa Tager    Executive Producer
Cher Hawrysh    Executive Producer
Sturla Brandth Grovlen    Cinematographer
Sue Chan    Production Designer
David Barker    Editor
Amela Baksic    Costume Designer
Tamar-Kali    Composer
Bruce Gilbert    Music Supervisor
Lauren Marie Mikus    Music Supervisor
Kerry Barden    Casting Director
Paul Schnee    Casting Director

Streaming Releases: The Doctor Will See You Now

June 5th, 2020

Doc Martin

This is not a strong week for streaming releases. The first week of the month tends to be dominated by releases of movies and TV shows that are sometimes decades old, but are available on a particular streaming service for the first time. Actual new releases are pushed to the side as a result. This week, the biggest and best new release is Shirley on Hulu, but I also wanted to shine the spotlight on an older release that is worth your time and money, Doc Martin. It is free on Amazon Prime. More...

Limited and Virtual Releases: Shirley, You Can’t be Serious

June 5th, 2020

Shirley

It is actually a busy week for limited and virtual releases with a handful of higher profile films hitting theaters. This includes Shirley, which has enough appeal that it could have expanded wide, and earned some level of mainstream success under normal circumstances. Tommaso has more limited appeal, but it could have been a hit on the art house circuit. As theaters open up around the country, this weekend is going to be the biggest test yet of how the theatrical market might grow in the next few months. More...

2020 Preview: June

June 1st, 2020

Soul

It’s June and Soul was one of several potential monster hits that were supposed to come out this month, but that’s not happening, of course. Furthermore, I’m not convinced there will be any major releases in July either, despite what some studios are planning. There are some positive signs in some parts of the world. For example, South Korea is expecting to have a number of major local releases in the coming month. Closer to home, the NHL is planning on reopening in July, albeit playing in hub cities in empty arenas, but at least that’s something to look forward to. Granted, you can play a sport like hockey in an empty arena, but you can’t show a movie in an empty theater. Or, to be more accurate, it is not profitable to show a movie in an empty theater. (I think we’ve all had that experience of going to the movies and being one of only five or six people in the theater.) So, what are the prospects? More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 7/9/2020 $20,630 25 28 100 $64,341 10/19/2022
Netherlands 9/18/2020 $30,656 39 39 110 $122,338 10/5/2020
New Zealand 7/23/2020 $10,604 36 36 85 $26,586 10/19/2022
Russia (CIS) 12/3/2020 $19,813 190 190 217 $33,300 10/19/2022
United Kingdom 10/30/2020 $63,076 50 50 50 $63,076 11/4/2020
 
International Total$309,641 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,601-14,700) 14,674 $309,641
All Time International Non-Sequel Box Office (Rank 13,501-13,600) 13,502 $309,641
All Time International Box Office for Based on Factual Book/Article Movies (Rank 201-300) 227 $309,641
All Time International Box Office for Live Action Movies (Rank 12,301-12,400) 12,322 $309,641
All Time International Box Office for Dramatization Movies (Rank 901-1,000) 993 $309,641
All Time International Box Office for Thriller/Suspense Movies (Rank 1,101-1,200) 1,193 $309,641
All Time International Box Office for R Movies (Rank 2,801-2,900) 2,890 $309,641
All Time International Box Office for Neon Movies 52 $309,641

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 20,101-20,200) 20,188 $309,641
All Time Worldwide Non-Sequel Box Office (Rank 18,701-18,800) 18,737 $309,641
All Time Worldwide Box Office for Based on Factual Book/Article Movies (Rank 301-400) 321 $309,641
All Time Worldwide Box Office for Live Action Movies (Rank 17,201-17,300) 17,222 $309,641
All Time Worldwide Box Office for Dramatization Movies (Rank 1,301-1,400) 1,341 $309,641
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 1,501-1,600) 1,580 $309,641
All Time Worldwide Box Office for R Movies (Rank 4,701-4,800) 4,705 $309,641
All Time Worldwide Box Office for Neon Movies 63 $309,641

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.