Market Charts > Creative Types > Dramatization
Box Office History for Dramatization
Ticket Sales and Market Share by Year
Note: Figures for 2024 are at an annualized rate.
Top-Grossing Movies 1995-2024, Adjusted for Ticket Price Inflation
Year by Year Market Share
Year | Movies in Release | Market Share | Gross | Tickets Sold | Inflation- Adjusted Gross | Top-Grossing Movie | Gross that Year |
---|---|---|---|---|---|---|---|
1995 | 26 | 8.23% | $437,266,924 | 100,521,120 | $1,083,617,674 | Apollo 13 | $172,036,360 |
1996 | 22 | 3.35% | $193,454,022 | 43,767,869 | $471,817,628 | Sleepers | $52,894,048 |
1997 | 23 | 6.11% | $378,836,098 | 82,535,088 | $889,728,249 | Anastasia | $53,147,865 |
1998 | 22 | 4.89% | $333,115,436 | 71,026,734 | $765,668,193 | Mulan | $120,620,254 |
1999 | 27 | 6.41% | $470,670,448 | 92,651,649 | $998,784,776 | Austin Powers: The Spy Who … | $206,040,085 |
2000 | 27 | 8.39% | $631,060,558 | 117,079,866 | $1,262,120,955 | The Perfect Storm | $182,618,434 |
2001 | 25 | 5.63% | $467,349,987 | 82,570,658 | $890,111,693 | Pearl Harbor | $198,539,855 |
2002 | 23 | 5.54% | $507,181,100 | 87,294,497 | $941,034,678 | A Beautiful Mind | $132,929,755 |
2003 | 26 | 3.81% | $350,465,172 | 58,120,248 | $626,536,273 | Seabiscuit | $120,277,854 |
2004 | 38 | 8.98% | $833,652,982 | 134,243,618 | $1,447,146,202 | The Passion of the Christ | $370,274,604 |
2005 | 46 | 6.43% | $565,808,544 | 88,269,642 | $951,546,741 | Walk the Line | $91,742,439 |
2006 | 44 | 7.68% | $705,364,249 | 107,689,176 | $1,160,889,317 | The Pursuit of Happyness | $98,411,670 |
2007 | 60 | 6.23% | $608,201,374 | 88,401,337 | $952,966,413 | American Gangster | $129,150,735 |
2008 | 47 | 3.86% | $376,806,875 | 52,480,048 | $565,734,917 | Marley & Me | $106,664,046 |
2009 | 38 | 5.68% | $604,746,705 | 80,632,881 | $869,222,457 | The Blind Side | $208,476,067 |
2010 | 46 | 4.13% | $433,141,996 | 54,897,572 | $591,795,826 | The Social Network | $93,222,026 |
2011 | 47 | 5.35% | $544,323,868 | 68,641,075 | $739,950,789 | The King’s Speech | $115,865,048 |
2012 | 27 | 2.43% | $267,929,055 | 33,659,415 | $362,848,494 | Lincoln | $144,089,046 |
2013 | 48 | 7.52% | $819,144,820 | 100,755,796 | $1,086,147,481 | Lee Daniels' The Butler | $116,293,662 |
2014 | 52 | 6.90% | $709,125,591 | 86,796,253 | $935,663,607 | Lone Survivor | $124,768,916 |
2015 | 53 | 9.88% | $1,102,147,569 | 130,741,089 | $1,409,388,939 | American Sniper | $347,897,084 |
2016 | 85 | 8.25% | $929,436,216 | 107,449,235 | $1,158,302,753 | The Revenant | $182,765,375 |
2017 | 80 | 9.44% | $1,038,167,133 | 115,737,665 | $1,247,652,029 | Dunkirk | $188,373,161 |
2018 | 95 | 9.56% | $1,141,594,758 | 125,312,232 | $1,350,865,861 | Bohemian Rhapsody | $189,813,133 |
2019 | 86 | 10.42% | $1,169,683,572 | 127,694,678 | $1,376,548,629 | Once Upon a Time…in Hollywo… | $141,096,530 |
2020 | 42 | 4.01% | $81,027,843 | 8,826,541 | $95,150,112 | Just Mercy | $35,733,621 |
2021 | 43 | 3.51% | $158,706,019 | 15,605,297 | $168,225,102 | House of Gucci | $49,023,527 |
2022 | 42 | 4.95% | $366,104,439 | 34,767,738 | $374,796,216 | Elvis | $151,040,048 |
2023 | 54 | 10.59% | $948,288,203 | 87,967,347 | $948,288,001 | Oppenheimer | $326,101,370 |
2024 | 53 | 5.90% | $401,239,600 | 37,220,716 | $401,239,318 | Bob Marley: One Love | $96,893,170 |
Upcoming Releases
Release Date | Movie | Genre | Domestic Box Office to Date | Trailer |
---|---|---|---|---|
October, 2024 | ||||
October 10 | Six Days in August (Limited) | Drama | ||
October 11 | The Apprentice (Wide) | Drama | $3,924,593 | |
Saturday Night (Expands Wide) | Comedy | $9,277,129 | ||
October 18 | The Accidental Getaway Driver (Limited) | Thriller/Suspense | ||
November, 2024 | ||||
November 1 | Lost On A Mountain In Maine (Wide) | Adventure | $385,442 | |
November 22 | Bonhoeffer: Pastor. Spy. Assassin (Wide) | Thriller/Suspense | ||
Joy (Limited) | Drama | |||
November 27 | Maria (Limited) | Drama | ||
Queer (Limited) | Drama | |||
September 5 (Limited) | Drama | |||
December, 2024 | ||||
December 6 | The Order (Limited) | Thriller/Suspense | ||
Six Triple Eight (Limited) | Drama | |||
Unstoppable: The Anthony Robles Story (Oscar Qualifying Run) | Drama | |||
December 13 | September 5 (Expands Wide) | Drama | ||
December 25 | A Complete Unknown (Wide) | Drama | ||
The Fire Inside (Wide) | Drama | |||
Better Man (Limited) | Musical | |||
During 2024 | The Magnificent Life of Marcel Pagnol (Limited) | Drama | ||
January, 2025 | ||||
January 17 | I’m Still Here (Limited) | Drama | ||
Better Man (Expands Wide) | Musical | |||
January 24 | Brave the Dark (Wide) | Drama | ||
February, 2025 | ||||
February 14 | Verona’s Romeo & Juliet (Wide) | Musical | ||
February 28 | Last Breath (Wide) | Drama | ||
March, 2025 | ||||
March 21 | Alto Knights (Wide) | Drama | ||
April, 2025 | ||||
April 18 | Michael (Wide) | Drama | ||
The Passion of the Christ: Resurrecti… (Limited) | Drama | |||
May, 2025 | ||||
May 9 | Atlantis (Wide) | Musical | ||
November, 2025 | ||||
November 21 | David (Wide) | Musical | ||
December, 2025 | ||||
December 25 | Sarah’s Oil (Wide) | Drama | ||
During 2025 | Maria (Limited) | Drama |
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.