| Theatrical Performance (US$) | ||
| South Korea Box Office | $247,028 | Details |
| Worldwide Box Office | $414,075 | Details |
| Further financial details... | ||
| South Korea Releases: | June 18th, 2009 (Wide) May 21st, 2025 (Limited), released as Still Walking (걸어도 걸어도) |
| MPAA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
February 8th, 2011
Wow. It's a bad week for DVD / Blu-ray releases. While there are a number of first run releases, none of them exactly shout Pick of the Week. The best bet as far as first run releases goes is Paranormal Activity 2, but the screener hasn't arrived yet. Same goes for Thelma & Louise, which is making its Blu-ray debut this week. So in the end I went with Doctor Who: Story 63: The Mutants as the pick of the week. Great story, powerful message, and lots of extras.
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September 1st, 2009
This proved to be a bumper weekend for movies in limited release.
The September Issue was the number one film on the per theater chart, and it won by a huge margin with an average of $36,736 to an average of $12,133 for Big Fan. The Headless Woman was right behind with $11,862 in one theater. Der Baader Meinhof Komplex grew over the weekend to earn $10,564. Brighton Rock returned to the $10,000 club with $10,392 in one theater. And Still Walking was the final film in the $10,000 club, earning an average of $10,149 in two theaters.
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August 28th, 2009
There are seven limited releases on this week's list, including a number earning very impressive reviews. That said, I can't see any films that strong shot at mainstream success. Big Fan has a chance, if its reviews hold strong, but most will have to wait till the home market to find an audience, if they find an audience.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2025/05/23 | 18 | $13,372 | 0 | $218,885 | 832 | ||
| 2025/05/30 | 25 | $6,991 | -48% | 0 | $235,841 | 833 | |
| 2025/06/06 | 28 | $3,832 | -45% | 0 | $243,875 | 834 | |
| 2025/06/13 | 37 | $1,922 | -50% | 0 | $247,028 | 835 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 8/28/2009 | $20,298 | 2 | 13 | 39 | $167,047 | |
| South Korea | 6/18/2009 | $0 | 0 | 0 | 0 | $247,028 | 6/18/2025 |
| Worldwide Total | $414,075 | 6/18/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Hirokazu Koreeda | Director |
