T2: Trainspotting (2017)

T2: Trainspotting
Theatrical Performance
Domestic Box Office $2,402,004Details
International Box Office $39,728,112Details
Worldwide Box Office $42,130,116
Home Market Performance
Est. Domestic DVD Sales $602,636 Details
Est. Domestic Blu-ray Sales $1,110,331 Details
Total Est. Domestic Video Sales $1,712,967
Further financial details...

Synopsis

First there was an opportunity…then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.

Metrics

Opening Weekend:$170,575 (7.1% of total gross)
Legs:6.17 (domestic box office/biggest weekend)
Domestic Share:5.7% (domestic box office/worldwide)
Production Budget:$18,000,000 (worldwide box office is 2.3 times production budget)
Theater counts:5 opening theaters/331 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $2,886,690

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,775 $2,402,004
All Time International Box Office (Rank 2,301-2,400) 2,366 $39,728,112
All Time Worldwide Box Office (Rank 3,501-3,600) 3,501 $42,130,116
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 990 $2,402,004
All Time Domestic Box Office for R Movies (Rank 2,801-2,900) 2,822 $2,402,004
All Time International Box Office for R Movies (Rank 501-600) 598 $39,728,112
All Time Worldwide Box Office for R Movies (Rank 1,001-1,100) 1,062 $42,130,116

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

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iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: March 17th, 2017 (Limited) by Sony Pictures
International Releases: January 27th, 2017 (Wide) (United Kingdom)
February 16th, 2017 (Wide) (Czech Republic)
February 16th, 2017 (Wide) (Netherlands)
February 16th, 2017 (Wide) (Serbia and Montenegro)
February 16th, 2017 (Wide) (Slovakia)
... Show all releases
Video Release: June 13th, 2017 by TriStar Pictures Video
MPAA Rating: R for drug use, language throughout, strong sexual content, graphic nudity and some violence.
(Rating bulletin 2459 (Cert #50338), 1/18/2017)
Running Time: 117 minutes
Franchise: Trainspotting
Comparisons: vs. Trainspotting
Create your own comparison chart…
Keywords: Delayed Sequel, Prison Break, Narcotics, Set in Scotland, Non-Chronological, Suicide, Same Role, Multiple Actors, Revenge, Archival Footage of Previous Installment, Addiction, Voiceover/Narration, Rehab / Former Addict, No Honor Among Thieves, Relationships Gone Wrong, Medical and Hospitals, Prostitution, Brothel, CCTV or Security Footage
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Decibel Films, Cloud Eight , Tri-Star Pictures, Film4, Creative Scotland, DNA Films
Production Countries: United Kingdom
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2017 Theater Average 24 $34,115 Mar 17, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 7,701-7,800) 7,775 $2,402,004
All Time Domestic Inflation Adjusted Box Office (Rank 7,501-7,600) 7,600 $2,886,690
All Time Domestic Sequel Box Office (Rank 801-900) 847 $2,402,004
Top 2017 Movies at the Domestic Box Office (Rank 101-200) 178 $2,402,004
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 990 $2,402,004
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 1,101-1,200) 1,141 $2,886,690
Top 2017 Limited Release Movies at the Domestic Box Office 41 $2,402,004
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 1,501-1,600) 1,547 $2,402,004
All Time Domestic Box Office for Live Action Movies (Rank 6,901-7,000) 6,955 $2,402,004
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,101-4,200) 4,109 $2,402,004
All Time Domestic Box Office for Drama Movies (Rank 1,701-1,800) 1,800 $2,402,004
All Time Domestic Box Office for R Movies (Rank 2,801-2,900) 2,822 $2,402,004
All Time Domestic Box Office for Sony Pictures Movies (Rank 701-800) 793 $2,402,004

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 29 $170,575   5 $34,115   $170,575 1
Mar 24, 2017 18 $389,535 +128% 59 $6,602   $622,809 2
Mar 31, 2017 15 $377,618 -3% 140 $2,697   $1,155,125 3
Apr 7, 2017 18 $268,000 -29% 159 $1,686   $1,605,332 4
Apr 14, 2017 22 $234,714 -12% 331 $709   $1,979,488 5
Apr 21, 2017 34 $78,876 -66% 160 $493   $2,198,746 6
Apr 28, 2017 42 $36,429 -54% 67 $544   $2,289,243 7
May 5, 2017 46 $22,886 -37% 45 $509   $2,335,346 8
May 12, 2017 52 $18,408 -20% 32 $575   $2,372,493 9
May 19, 2017 - $10,234 -44% 22 $465   $2,395,410 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 17, 2017 - $63,873     5 $12,775   $63,873 1
Mar 18, 2017 - $65,101 +2%   5 $13,020   $128,974 2
Mar 19, 2017 - $41,601 -36%   5 $8,320   $170,575 3
Mar 20, 2017 - $15,720 -62%   5 $3,144   $186,295 4
Mar 21, 2017 - $20,200 +28%   5 $4,040   $206,495 5
Mar 22, 2017 - $14,593 -28%   5 $2,919   $221,088 6
Mar 23, 2017 - $12,186 -16%   5 $2,437   $233,274 7
Mar 24, 2017 - $128,488 +954% +101% 59 $2,178   $361,762 8
Mar 25, 2017 - $150,496 +17% +131% 59 $2,551   $512,258 9
Mar 26, 2017 - $110,551 -27% +166% 59 $1,874   $622,809 10
Mar 27, 2017 14 $36,697 -67% +133% 59 $622   $659,506 11
Mar 28, 2017 14 $43,465 +18% +115% 59 $737   $702,971 12
Mar 29, 2017 14 $38,875 -11% +166% 59 $659   $741,846 13
Mar 30, 2017 15 $35,661 -8% +193% 59 $604   $777,507 14
Mar 31, 2017 15 $113,716 +219% -11% 140 $812   $891,223 15
Apr 1, 2017 15 $163,620 +44% +9% 140 $1,169   $1,054,843 16
Apr 2, 2017 15 $100,282 -39% -9% 140 $716   $1,155,125 17
Apr 3, 2017 15 $37,087 -63% +1% 140 $265   $1,192,212 18
Apr 4, 2017 15 $53,929 +45% +24% 140 $385   $1,246,141 19
Apr 5, 2017 15 $46,356 -14% +19% 140 $331   $1,292,497 20
Apr 6, 2017 14 $44,835 -3% +26% 140 $320   $1,337,332 21
Apr 7, 2017 - $76,820 +71% -32% 159 $483   $1,414,152 22
Apr 8, 2017 - $118,972 +55% -27% 159 $748   $1,533,124 23
Apr 9, 2017 - $72,208 -39% -28% 159 $454   $1,605,332 24
Apr 10, 2017 - $29,727 -59% -20% 159 $187   $1,635,059 25
Apr 11, 2017 - $41,766 +40% -23% 159 $263   $1,676,825 26
Apr 12, 2017 - $32,890 -21% -29% 159 $207   $1,709,715 27
Apr 13, 2017 - $35,059 +7% -22% 159 $220   $1,744,774 28
Apr 14, 2017 - $75,756 +116% -1% 331 $229   $1,820,530 29
Apr 15, 2017 - $93,818 +24% -21% 331 $283   $1,914,348 30
Apr 16, 2017 - $65,140 -31% -10% 331 $197   $1,979,488 31
Apr 17, 2017 - $35,722 -45% +20% 331 $108   $2,015,210 32
Apr 18, 2017 - $37,911 +6% -9% 331 $115   $2,053,121 33
Apr 19, 2017 - $35,948 -5% +9% 331 $109   $2,089,069 34
Apr 20, 2017 - $30,801 -14% -12% 331 $93   $2,119,870 35
Apr 21, 2017 - $22,072 -28% -71% 160 $138   $2,141,942 36
Apr 22, 2017 - $33,883 +54% -64% 160 $212   $2,175,825 37
Apr 23, 2017 - $22,921 -32% -65% 160 $143   $2,198,746 38
Apr 24, 2017 - $12,344 -46% -65% 160 $77   $2,211,090 39
Apr 25, 2017 - $16,235 +32% -57% 160 $101   $2,227,325 40
Apr 26, 2017 - $12,137 -25% -66% 160 $76   $2,239,462 41
Apr 27, 2017 - $13,352 +10% -57% 160 $83   $2,252,814 42
Apr 28, 2017 - $9,469 -29% -57% 67 $141   $2,262,283 43
Apr 29, 2017 - $15,444 +63% -54% 67 $231   $2,277,727 44
Apr 30, 2017 - $11,516 -25% -50% 67 $172   $2,289,243 45

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 29 $233,274   5 $46,655   $233,274 1
Mar 24, 2017 16 $544,233 +133% 59 $9,224   $777,507 2
Mar 31, 2017 15 $559,825 +3% 140 $3,999   $1,337,332 3
Apr 7, 2017 18 $407,442 -27% 159 $2,563   $1,744,774 4
Apr 14, 2017 21 $375,096 -8% 331 $1,133   $2,119,870 5
Apr 21, 2017 32 $132,944 -65% 160 $831   $2,252,814 6
Apr 28, 2017 44 $59,646 -55% 160 $373   $2,312,460 7
May 5, 2017 44 $41,625 -30% 160 $260   $2,354,085 8
May 12, 2017 49 $31,091 -25% 160 $194   $2,385,176 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 3/2/2017 $172,660 102 102 203 $396,584 1/1/2019
Australia 2/17/2017 $283,371 197 264 905 $2,242,949 10/19/2022
Austria 3/10/2017 $63,241 58 59 261 $199,303 5/31/2017
Belgium 3/1/2017 $72,999 28 28 100 $177,651 4/11/2017
Brazil 3/23/2017 $75,618 32 32 105 $279,956 6/6/2017
Bulgaria 2/17/2017 $19,934 45 45 120 $64,302 2/26/2019
Chile 3/9/2017 $67,471 25 25 69 $221,958 12/20/2018
Colombia 4/20/2017 $42,708 17 17 68 $162,157 1/1/2019
Croatia 2/23/2017 $39,865 54 54 130 $89,814 1/1/2019
Czech Republic 2/16/2017 $148,438 120 120 331 $432,757 1/1/2019
Denmark 3/2/2017 $52,768 64 64 143 $152,509 4/19/2017
Estonia 3/17/2017 $14,419 10 10 30 $43,929 4/24/2017
Finland 2/17/2017 $93,522 55 55 189 $333,276 5/2/2017
France 3/1/2017 $440,890 254 254 489 $749,792 3/21/2017
Germany 2/17/2017 $496,607 376 376 1,569 $1,471,306 6/20/2017
Greece 3/2/2017 $53,994 64 64 128 $167,494 4/4/2017
Hong Kong 3/2/2017 $88,928 37 37 71 $232,784 4/11/2017
Hungary 3/2/2017 $50,163 48 59 165 $152,630 1/1/2019
Iceland 2/17/2017 $14,312 9 9 19 $40,587 1/1/2019
Israel 2/23/2017 $34,485 22 22 49 $69,713 1/1/2019
Italy 2/24/2017 $1,135,856 287 287 721 $2,620,659 4/19/2017
Japan 4/8/2017 $302,951 86 86 350 $1,561,515 6/20/2017
Latvia 3/17/2017 $8,982 8 8 14 $18,944 1/1/2019
Lebanon 2/23/2017 $6,406 5 5 6 $8,595 1/1/2019
Lithuania 3/10/2017 $17,791 102 102 124 $39,161 6/1/2017
Mexico 3/17/2017 $107,514 44 94 396 $826,490 5/31/2017
Netherlands 2/16/2017 $149,934 73 75 379 $617,001 4/24/2017
New Zealand 2/24/2017 $145,860 72 72 351 $549,706 5/31/2017
Norway 2/24/2017 $55,570 136 136 193 $127,054 3/27/2017
Peru 5/4/2017 $27,979 10 10 21 $71,208 1/1/2019
Philippines 3/1/2017 $4,801 2 2 2 $4,801 1/1/2019
Poland 3/3/2017 $75,175 93 95 257 $249,981 1/1/2019
Portugal 2/23/2017 $56,799 44 44 128 $166,132 5/9/2017
Romania 2/24/2017 $50,434 68 68 162 $94,618 1/1/2019
Russia (CIS) 3/8/2017 $507,247 433 433 959 $1,238,519 1/1/2019
Serbia and Montenegro 2/16/2017 $14,990 21 21 61 $48,541 1/1/2019
Singapore 3/2/2017 $21,621 8 8 16 $40,151 3/14/2017
Slovakia 2/16/2017 $74,511 72 72 140 $159,707 3/23/2017
Slovenia 2/16/2017 $7,874 19 19 46 $21,351 3/21/2017
South Africa 2/24/2017 $16,639 30 31 71 $43,831 4/4/2017
Spain 2/24/2017 $382,412 305 316 959 $1,282,991 6/20/2017
Sweden 2/22/2017 $99,592 76 76 123 $191,680 4/4/2017
Switzerland 2/16/2017 $75,919 33 34 140 $261,577 4/4/2017
Thailand 6/1/2017 $8,081 2 2 4 $17,519 6/20/2017
Turkey 5/4/2017 $26,440 42 42 81 $83,709 2/26/2019
United Kingdom 1/27/2017 $6,449,613 590 609 2,868 $21,675,104 4/26/2017
Uruguay 3/9/2017 $9,375 6 6 19 $26,116 1/1/2019
 
International Total$39,728,112 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,301-2,400) 2,366 $39,728,112
All Time International Sequel Box Office (Rank 501-600) 554 $39,728,112
Top 2017 Movies at the International Box Office (Rank 101-200) 113 $39,728,112
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 401-500) 464 $39,728,112
All Time International Box Office for Live Action Movies (Rank 1,801-1,900) 1,889 $39,728,112
All Time International Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,071 $39,728,112
All Time International Box Office for Drama Movies (Rank 401-500) 408 $39,728,112
All Time International Box Office for R Movies (Rank 501-600) 598 $39,728,112
All Time International Box Office for Sony Pictures Movies (Rank 201-300) 260 $39,728,112

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,501-3,600) 3,501 $42,130,116
All Time Worldwide Sequel Box Office (Rank 601-700) 666 $42,130,116
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 137 $42,130,116
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 601-700) 675 $42,130,116
All Time Worldwide Box Office for Live Action Movies (Rank 2,901-3,000) 2,961 $42,130,116
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,701-1,800) 1,755 $42,130,116
All Time Worldwide Box Office for Drama Movies (Rank 601-700) 662 $42,130,116
All Time Worldwide Box Office for R Movies (Rank 1,001-1,100) 1,062 $42,130,116
All Time Worldwide Box Office for Sony Pictures Movies (Rank 401-500) 408 $42,130,116

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 2, 20171013,719 13,719$249,343$249,3433

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ewan McGregor    Renton
Ewen Bremner    Spud
Jonny Lee Miller    Simon
Robert Carlyle    Begbie

Supporting Cast

Kelly Macdonald    Diane
Shirley Henderson    Gail
James Cosmo    Renton’s Father
Anjela Nedyalkova    Veronika
Logan Gillies    Simon (aged 9)
Ben Skelton    Renton (aged 9)
Aiden Haggarty    Spud (aged 9)
Daniel Smith    Begbie (aged 9)
Elijah Wolf    Tommy (aged 9)
Steven Robertson    Stoddart
John Kazek    Tom (Rehab Group)
Charlie Hardie    Fergus (aged 9)
Scott Aitken    Farmer
Gordon Kennedy    Tulloch
Tereza Duskova    Tourism Girl
Elek Kish    Dozo
Lewis Gribben    Dealer
Dominic Maccoll    Dealer
Calum Verrecchia    Dealer
Simon Weir    Jailhouse
Bradley Welsh    Doyle
Katie Leung    Nurse
Thierry Mabonga    Security Officer Wilson
Atta Yaqub    Medical Student
Christopher Douglas    Chris the Oracle
Pauline Turner    June
Scot Greenan    Frank Junior
James McElvar    Simon (aged 20)
Connor McIndoe    Renton (aged 20)
Bryan Quinn    Man in Music Video
Irvine Welsh    Mickey Forrester
Ged Hanley    Social Club Band
Neil Thomson    Social Club Band
Margaret Davies    Social Club Singer
Alex Jackson    Social Club Singer
Tom Urie    Big Bear
Phil Coppola    Boxing Instructor
John Bell    Spud (aged 20)
Kyle Fitzpatrick    Fergus
Eileen Nicholas    Renton’s Mother
Michael Shaw    Tommy (aged 20)
Kevin McKidd    Tommy
Lauren Lamb    Baby Dawn
Devon Lamb    Baby Dawn
Amy Manson    Woman in Club
Russell Dunsmore    Hard Guy Driver
Nebli Basani    Hardman
Edyta Szewczyk    Girl in Sauna
Fiori Miari    Girls in Sauna
Pauline Lynch    Lizzy
Christopher Mullen    Begbie (aged 20)
Hamish Haggerty    Young Renton
Daniel Jackson    Young Begbie
Svetlana Yancheva    Veronika’s Mother
Emil Bonev    Veronika’s Son

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Danny Boyle    Director
John Hodge    Screenwriter
Irvine Welsh    Based on the books ‘Porno’ and ‘Trainspotting’ by
Andrew MacDonald    Producer
Danny Boyle    Producer
Christian Colson    Producer
Bernard Bellew    Producer
Allon Reich    Executive Producer
Irvine Welsh    Executive Producer
Anthony Dod Mantle    Director of Photography
Mark Tildesley    Production Designer
Patrick Rolfe    Production Designer
Jon Harris    Editor
Rick Smith (Composer-Underworld)    Composer
Rachael Fleming    Costume Designer
Steven Noble    Costume Designer
Ivana Primorac    Make-up and Hair Designer
Adam Gascoyne    Visual Effects Supervisor
Glenn Freemantle    Sound Designer
Colin Nicolson    Sound Mixer
Gail Stevens    Casting Director
Julian Spencer    Stunt Coordinator
Claire Campbell    Production Manager
David Gilchrist    First Assistant Director
Veronique Melery    Set Decorator
Clare St. John    Post-Production Supervisor
Adam Squires    Art Director
Chris Wyatt    Art Director
Gerry Fraser    Second Unit Director
Samar Pollitt    Production Manager
Zoe Liang    First Assistant Director
Harry Boyd    First Assistant Director
Michael Queen    Second Assistant Director
Sylvia Parker    Script Supervisor
Tamsin Jeffrey    First Assistant Editor
Ruth Antoine    Second Assistant Editor
Lloret Dunn    Location Manager
Harriet Edmonds    Costume Supervisor
Mike Kelt    Special Effects Supervisor
Joanna Dewar    Special Effects Coordinator
Rebecca Farhall    Casting Associate
Clare Gordon    Casting Assistant
Glenn Freemantle    Supervising Sound Editor
Gillian Dodders    Supervising Dialogue Editor
Danny Freemantle    Sound Effects Editor
Rob Malone    Sound Effects Editor
James Wichall    Dialogue Editor
Emilie O’Connor    Dialogue Editor
Niv Adiri    Re-recording Mixer
Ian Tapp    Re-recording Mixer
Glen Gathard    Foley Mixer
Tim Caplan    Visual Effects Producer
Noga Alon Stein    Visual Effects Producer
Vesselin Karadjov    Line Producer
Allan Jenkins    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

Featured Blu-ray and DVD Review: T2 Trainspotting

June 26th, 2017

T2 Trainspotting

The original Trainspotting came out 20 years ago and earned amazing reviews and was one of the biggest limited release hits of the year. It was also not a film that usually gets a sequel. T2 Trainspotting failed to live up to the original at the box office, but does that mean it is a bad movie? Is it a pale imitation of the original film? Or should more people have given it a chance? More...

Home Market Releases for June 13th, 2017

June 12th, 2017

John Wick: Chapter Two

It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title. More...

Theater Averages: Jane Towers Above the Competition with $15,726

April 26th, 2017

Citizen Jane: Battle for the City

There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Weekend Estimates: Beauty and the Beast Sets New March Record

March 19th, 2017

Beauty and the Beast

Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend. More...

Friday Estimates: Beast Knocks Out Kong with $63.79 million

March 18th, 2017

Beauty and the Beast

As expected, Beauty and the Beast earned first place on Friday. Its performance was a little better than expected, with Disney’s movie earning $63.79 million. To put this into perspective, this is more than Kong: Skull Island earned during its opening weekend. There are some confusing elements to deal with. Firstly, the reviews improved to 71% positive, which is still lower than anticipated, but good enough to not hurt the film’s legs. Additionally, it earned a solid A from CinemaScore. Strangely, the demographics changed, with women representing 72% of Friday’s audiences. That’s up from just under 60% during Thursday’s previews and a lot of times it goes in the other direction. So what does this mean for the future? The film just needs an internal multiplier above 2.6 to become the biggest March opening of all time. That seems very likely at this point. In fact, anything less than $175 million will be seen as a little disappointing. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Contest: Beauty and the Best

March 9th, 2017

Beauty and the Beast

Like this weekend, there is only one truly wide release next weekend: Beauty and the Beast. The Belko Experiment is opening in just 1,200 theaters and it looks like T2: Transpotting is opening in even fewer theaters, 5 to be exact. Because it is the only truly wide release of the week, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Beauty and the Beast.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

First there was an opportunity…then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.

Metrics

Opening Weekend:$170,575 (7.1% of total gross)
Legs:6.17 (domestic box office/biggest weekend)
Domestic Share:5.7% (domestic box office/worldwide)
Production Budget:$18,000,000 (worldwide box office is 2.3 times production budget)
Theater counts:5 opening theaters/331 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $2,886,690

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,775 $2,402,004
All Time International Box Office (Rank 2,301-2,400) 2,366 $39,728,112
All Time Worldwide Box Office (Rank 3,501-3,600) 3,501 $42,130,116
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 990 $2,402,004
All Time Domestic Box Office for R Movies (Rank 2,801-2,900) 2,822 $2,402,004
All Time International Box Office for R Movies (Rank 501-600) 598 $39,728,112
All Time Worldwide Box Office for R Movies (Rank 1,001-1,100) 1,062 $42,130,116

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: March 17th, 2017 (Limited) by Sony Pictures
International Releases: January 27th, 2017 (Wide) (United Kingdom)
February 16th, 2017 (Wide) (Czech Republic)
February 16th, 2017 (Wide) (Netherlands)
February 16th, 2017 (Wide) (Serbia and Montenegro)
February 16th, 2017 (Wide) (Slovakia)
... Show all releases
Video Release: June 13th, 2017 by TriStar Pictures Video
MPAA Rating: R for drug use, language throughout, strong sexual content, graphic nudity and some violence.
(Rating bulletin 2459 (Cert #50338), 1/18/2017)
Running Time: 117 minutes
Franchise: Trainspotting
Comparisons: vs. Trainspotting
Create your own comparison chart…
Keywords: Delayed Sequel, Prison Break, Narcotics, Set in Scotland, Non-Chronological, Suicide, Same Role, Multiple Actors, Revenge, Archival Footage of Previous Installment, Addiction, Voiceover/Narration, Rehab / Former Addict, No Honor Among Thieves, Relationships Gone Wrong, Medical and Hospitals, Prostitution, Brothel, CCTV or Security Footage
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Decibel Films, Cloud Eight , Tri-Star Pictures, Film4, Creative Scotland, DNA Films
Production Countries: United Kingdom
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2017 Theater Average 24 $34,115 Mar 17, 2017 3

Leading Cast

Ewan McGregor    Renton
Ewen Bremner    Spud
Jonny Lee Miller    Simon
Robert Carlyle    Begbie

Supporting Cast

Kelly Macdonald    Diane
Shirley Henderson    Gail
James Cosmo    Renton’s Father
Anjela Nedyalkova    Veronika
Logan Gillies    Simon (aged 9)
Ben Skelton    Renton (aged 9)
Aiden Haggarty    Spud (aged 9)
Daniel Smith    Begbie (aged 9)
Elijah Wolf    Tommy (aged 9)
Steven Robertson    Stoddart
John Kazek    Tom (Rehab Group)
Charlie Hardie    Fergus (aged 9)
Scott Aitken    Farmer
Gordon Kennedy    Tulloch
Tereza Duskova    Tourism Girl
Elek Kish    Dozo
Lewis Gribben    Dealer
Dominic Maccoll    Dealer
Calum Verrecchia    Dealer
Simon Weir    Jailhouse
Bradley Welsh    Doyle
Katie Leung    Nurse
Thierry Mabonga    Security Officer Wilson
Atta Yaqub    Medical Student
Christopher Douglas    Chris the Oracle
Pauline Turner    June
Scot Greenan    Frank Junior
James McElvar    Simon (aged 20)
Connor McIndoe    Renton (aged 20)
Bryan Quinn    Man in Music Video
Irvine Welsh    Mickey Forrester
Ged Hanley    Social Club Band
Neil Thomson    Social Club Band
Margaret Davies    Social Club Singer
Alex Jackson    Social Club Singer
Tom Urie    Big Bear
Phil Coppola    Boxing Instructor
John Bell    Spud (aged 20)
Kyle Fitzpatrick    Fergus
Eileen Nicholas    Renton’s Mother
Michael Shaw    Tommy (aged 20)
Kevin McKidd    Tommy
Lauren Lamb    Baby Dawn
Devon Lamb    Baby Dawn
Amy Manson    Woman in Club
Russell Dunsmore    Hard Guy Driver
Nebli Basani    Hardman
Edyta Szewczyk    Girl in Sauna
Fiori Miari    Girls in Sauna
Pauline Lynch    Lizzy
Christopher Mullen    Begbie (aged 20)
Hamish Haggerty    Young Renton
Daniel Jackson    Young Begbie
Svetlana Yancheva    Veronika’s Mother
Emil Bonev    Veronika’s Son

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Danny Boyle    Director
John Hodge    Screenwriter
Irvine Welsh    Based on the books ‘Porno’ and ‘Trainspotting’ by
Andrew MacDonald    Producer
Danny Boyle    Producer
Christian Colson    Producer
Bernard Bellew    Producer
Allon Reich    Executive Producer
Irvine Welsh    Executive Producer
Anthony Dod Mantle    Director of Photography
Mark Tildesley    Production Designer
Patrick Rolfe    Production Designer
Jon Harris    Editor
Rick Smith (Composer-Underworld)    Composer
Rachael Fleming    Costume Designer
Steven Noble    Costume Designer
Ivana Primorac    Make-up and Hair Designer
Adam Gascoyne    Visual Effects Supervisor
Glenn Freemantle    Sound Designer
Colin Nicolson    Sound Mixer
Gail Stevens    Casting Director
Julian Spencer    Stunt Coordinator
Claire Campbell    Production Manager
David Gilchrist    First Assistant Director
Veronique Melery    Set Decorator
Clare St. John    Post-Production Supervisor
Adam Squires    Art Director
Chris Wyatt    Art Director
Gerry Fraser    Second Unit Director
Samar Pollitt    Production Manager
Zoe Liang    First Assistant Director
Harry Boyd    First Assistant Director
Michael Queen    Second Assistant Director
Sylvia Parker    Script Supervisor
Tamsin Jeffrey    First Assistant Editor
Ruth Antoine    Second Assistant Editor
Lloret Dunn    Location Manager
Harriet Edmonds    Costume Supervisor
Mike Kelt    Special Effects Supervisor
Joanna Dewar    Special Effects Coordinator
Rebecca Farhall    Casting Associate
Clare Gordon    Casting Assistant
Glenn Freemantle    Supervising Sound Editor
Gillian Dodders    Supervising Dialogue Editor
Danny Freemantle    Sound Effects Editor
Rob Malone    Sound Effects Editor
James Wichall    Dialogue Editor
Emilie O’Connor    Dialogue Editor
Niv Adiri    Re-recording Mixer
Ian Tapp    Re-recording Mixer
Glen Gathard    Foley Mixer
Tim Caplan    Visual Effects Producer
Noga Alon Stein    Visual Effects Producer
Vesselin Karadjov    Line Producer
Allan Jenkins    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

Featured Blu-ray and DVD Review: T2 Trainspotting

June 26th, 2017

T2 Trainspotting

The original Trainspotting came out 20 years ago and earned amazing reviews and was one of the biggest limited release hits of the year. It was also not a film that usually gets a sequel. T2 Trainspotting failed to live up to the original at the box office, but does that mean it is a bad movie? Is it a pale imitation of the original film? Or should more people have given it a chance? More...

Home Market Releases for June 13th, 2017

June 12th, 2017

John Wick: Chapter Two

It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title. More...

Theater Averages: Jane Towers Above the Competition with $15,726

April 26th, 2017

Citizen Jane: Battle for the City

There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Weekend Estimates: Beauty and the Beast Sets New March Record

March 19th, 2017

Beauty and the Beast

Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend. More...

Friday Estimates: Beast Knocks Out Kong with $63.79 million

March 18th, 2017

Beauty and the Beast

As expected, Beauty and the Beast earned first place on Friday. Its performance was a little better than expected, with Disney’s movie earning $63.79 million. To put this into perspective, this is more than Kong: Skull Island earned during its opening weekend. There are some confusing elements to deal with. Firstly, the reviews improved to 71% positive, which is still lower than anticipated, but good enough to not hurt the film’s legs. Additionally, it earned a solid A from CinemaScore. Strangely, the demographics changed, with women representing 72% of Friday’s audiences. That’s up from just under 60% during Thursday’s previews and a lot of times it goes in the other direction. So what does this mean for the future? The film just needs an internal multiplier above 2.6 to become the biggest March opening of all time. That seems very likely at this point. In fact, anything less than $175 million will be seen as a little disappointing. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Contest: Beauty and the Best

March 9th, 2017

Beauty and the Beast

Like this weekend, there is only one truly wide release next weekend: Beauty and the Beast. The Belko Experiment is opening in just 1,200 theaters and it looks like T2: Transpotting is opening in even fewer theaters, 5 to be exact. Because it is the only truly wide release of the week, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Beauty and the Beast.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 7,701-7,800) 7,775 $2,402,004
All Time Domestic Inflation Adjusted Box Office (Rank 7,501-7,600) 7,600 $2,886,690
All Time Domestic Sequel Box Office (Rank 801-900) 847 $2,402,004
Top 2017 Movies at the Domestic Box Office (Rank 101-200) 178 $2,402,004
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 990 $2,402,004
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 1,101-1,200) 1,141 $2,886,690
Top 2017 Limited Release Movies at the Domestic Box Office 41 $2,402,004
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 1,501-1,600) 1,547 $2,402,004
All Time Domestic Box Office for Live Action Movies (Rank 6,901-7,000) 6,955 $2,402,004
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,101-4,200) 4,109 $2,402,004
All Time Domestic Box Office for Drama Movies (Rank 1,701-1,800) 1,800 $2,402,004
All Time Domestic Box Office for R Movies (Rank 2,801-2,900) 2,822 $2,402,004
All Time Domestic Box Office for Sony Pictures Movies (Rank 701-800) 793 $2,402,004

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 29 $170,575   5 $34,115   $170,575 1
Mar 24, 2017 18 $389,535 +128% 59 $6,602   $622,809 2
Mar 31, 2017 15 $377,618 -3% 140 $2,697   $1,155,125 3
Apr 7, 2017 18 $268,000 -29% 159 $1,686   $1,605,332 4
Apr 14, 2017 22 $234,714 -12% 331 $709   $1,979,488 5
Apr 21, 2017 34 $78,876 -66% 160 $493   $2,198,746 6
Apr 28, 2017 42 $36,429 -54% 67 $544   $2,289,243 7
May 5, 2017 46 $22,886 -37% 45 $509   $2,335,346 8
May 12, 2017 52 $18,408 -20% 32 $575   $2,372,493 9
May 19, 2017 - $10,234 -44% 22 $465   $2,395,410 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 17, 2017 - $63,873     5 $12,775   $63,873 1
Mar 18, 2017 - $65,101 +2%   5 $13,020   $128,974 2
Mar 19, 2017 - $41,601 -36%   5 $8,320   $170,575 3
Mar 20, 2017 - $15,720 -62%   5 $3,144   $186,295 4
Mar 21, 2017 - $20,200 +28%   5 $4,040   $206,495 5
Mar 22, 2017 - $14,593 -28%   5 $2,919   $221,088 6
Mar 23, 2017 - $12,186 -16%   5 $2,437   $233,274 7
Mar 24, 2017 - $128,488 +954% +101% 59 $2,178   $361,762 8
Mar 25, 2017 - $150,496 +17% +131% 59 $2,551   $512,258 9
Mar 26, 2017 - $110,551 -27% +166% 59 $1,874   $622,809 10
Mar 27, 2017 14 $36,697 -67% +133% 59 $622   $659,506 11
Mar 28, 2017 14 $43,465 +18% +115% 59 $737   $702,971 12
Mar 29, 2017 14 $38,875 -11% +166% 59 $659   $741,846 13
Mar 30, 2017 15 $35,661 -8% +193% 59 $604   $777,507 14
Mar 31, 2017 15 $113,716 +219% -11% 140 $812   $891,223 15
Apr 1, 2017 15 $163,620 +44% +9% 140 $1,169   $1,054,843 16
Apr 2, 2017 15 $100,282 -39% -9% 140 $716   $1,155,125 17
Apr 3, 2017 15 $37,087 -63% +1% 140 $265   $1,192,212 18
Apr 4, 2017 15 $53,929 +45% +24% 140 $385   $1,246,141 19
Apr 5, 2017 15 $46,356 -14% +19% 140 $331   $1,292,497 20
Apr 6, 2017 14 $44,835 -3% +26% 140 $320   $1,337,332 21
Apr 7, 2017 - $76,820 +71% -32% 159 $483   $1,414,152 22
Apr 8, 2017 - $118,972 +55% -27% 159 $748   $1,533,124 23
Apr 9, 2017 - $72,208 -39% -28% 159 $454   $1,605,332 24
Apr 10, 2017 - $29,727 -59% -20% 159 $187   $1,635,059 25
Apr 11, 2017 - $41,766 +40% -23% 159 $263   $1,676,825 26
Apr 12, 2017 - $32,890 -21% -29% 159 $207   $1,709,715 27
Apr 13, 2017 - $35,059 +7% -22% 159 $220   $1,744,774 28
Apr 14, 2017 - $75,756 +116% -1% 331 $229   $1,820,530 29
Apr 15, 2017 - $93,818 +24% -21% 331 $283   $1,914,348 30
Apr 16, 2017 - $65,140 -31% -10% 331 $197   $1,979,488 31
Apr 17, 2017 - $35,722 -45% +20% 331 $108   $2,015,210 32
Apr 18, 2017 - $37,911 +6% -9% 331 $115   $2,053,121 33
Apr 19, 2017 - $35,948 -5% +9% 331 $109   $2,089,069 34
Apr 20, 2017 - $30,801 -14% -12% 331 $93   $2,119,870 35
Apr 21, 2017 - $22,072 -28% -71% 160 $138   $2,141,942 36
Apr 22, 2017 - $33,883 +54% -64% 160 $212   $2,175,825 37
Apr 23, 2017 - $22,921 -32% -65% 160 $143   $2,198,746 38
Apr 24, 2017 - $12,344 -46% -65% 160 $77   $2,211,090 39
Apr 25, 2017 - $16,235 +32% -57% 160 $101   $2,227,325 40
Apr 26, 2017 - $12,137 -25% -66% 160 $76   $2,239,462 41
Apr 27, 2017 - $13,352 +10% -57% 160 $83   $2,252,814 42
Apr 28, 2017 - $9,469 -29% -57% 67 $141   $2,262,283 43
Apr 29, 2017 - $15,444 +63% -54% 67 $231   $2,277,727 44
Apr 30, 2017 - $11,516 -25% -50% 67 $172   $2,289,243 45

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 29 $233,274   5 $46,655   $233,274 1
Mar 24, 2017 16 $544,233 +133% 59 $9,224   $777,507 2
Mar 31, 2017 15 $559,825 +3% 140 $3,999   $1,337,332 3
Apr 7, 2017 18 $407,442 -27% 159 $2,563   $1,744,774 4
Apr 14, 2017 21 $375,096 -8% 331 $1,133   $2,119,870 5
Apr 21, 2017 32 $132,944 -65% 160 $831   $2,252,814 6
Apr 28, 2017 44 $59,646 -55% 160 $373   $2,312,460 7
May 5, 2017 44 $41,625 -30% 160 $260   $2,354,085 8
May 12, 2017 49 $31,091 -25% 160 $194   $2,385,176 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 3/2/2017 $172,660 102 102 203 $396,584 1/1/2019
Australia 2/17/2017 $283,371 197 264 905 $2,242,949 10/19/2022
Austria 3/10/2017 $63,241 58 59 261 $199,303 5/31/2017
Belgium 3/1/2017 $72,999 28 28 100 $177,651 4/11/2017
Brazil 3/23/2017 $75,618 32 32 105 $279,956 6/6/2017
Bulgaria 2/17/2017 $19,934 45 45 120 $64,302 2/26/2019
Chile 3/9/2017 $67,471 25 25 69 $221,958 12/20/2018
Colombia 4/20/2017 $42,708 17 17 68 $162,157 1/1/2019
Croatia 2/23/2017 $39,865 54 54 130 $89,814 1/1/2019
Czech Republic 2/16/2017 $148,438 120 120 331 $432,757 1/1/2019
Denmark 3/2/2017 $52,768 64 64 143 $152,509 4/19/2017
Estonia 3/17/2017 $14,419 10 10 30 $43,929 4/24/2017
Finland 2/17/2017 $93,522 55 55 189 $333,276 5/2/2017
France 3/1/2017 $440,890 254 254 489 $749,792 3/21/2017
Germany 2/17/2017 $496,607 376 376 1,569 $1,471,306 6/20/2017
Greece 3/2/2017 $53,994 64 64 128 $167,494 4/4/2017
Hong Kong 3/2/2017 $88,928 37 37 71 $232,784 4/11/2017
Hungary 3/2/2017 $50,163 48 59 165 $152,630 1/1/2019
Iceland 2/17/2017 $14,312 9 9 19 $40,587 1/1/2019
Israel 2/23/2017 $34,485 22 22 49 $69,713 1/1/2019
Italy 2/24/2017 $1,135,856 287 287 721 $2,620,659 4/19/2017
Japan 4/8/2017 $302,951 86 86 350 $1,561,515 6/20/2017
Latvia 3/17/2017 $8,982 8 8 14 $18,944 1/1/2019
Lebanon 2/23/2017 $6,406 5 5 6 $8,595 1/1/2019
Lithuania 3/10/2017 $17,791 102 102 124 $39,161 6/1/2017
Mexico 3/17/2017 $107,514 44 94 396 $826,490 5/31/2017
Netherlands 2/16/2017 $149,934 73 75 379 $617,001 4/24/2017
New Zealand 2/24/2017 $145,860 72 72 351 $549,706 5/31/2017
Norway 2/24/2017 $55,570 136 136 193 $127,054 3/27/2017
Peru 5/4/2017 $27,979 10 10 21 $71,208 1/1/2019
Philippines 3/1/2017 $4,801 2 2 2 $4,801 1/1/2019
Poland 3/3/2017 $75,175 93 95 257 $249,981 1/1/2019
Portugal 2/23/2017 $56,799 44 44 128 $166,132 5/9/2017
Romania 2/24/2017 $50,434 68 68 162 $94,618 1/1/2019
Russia (CIS) 3/8/2017 $507,247 433 433 959 $1,238,519 1/1/2019
Serbia and Montenegro 2/16/2017 $14,990 21 21 61 $48,541 1/1/2019
Singapore 3/2/2017 $21,621 8 8 16 $40,151 3/14/2017
Slovakia 2/16/2017 $74,511 72 72 140 $159,707 3/23/2017
Slovenia 2/16/2017 $7,874 19 19 46 $21,351 3/21/2017
South Africa 2/24/2017 $16,639 30 31 71 $43,831 4/4/2017
Spain 2/24/2017 $382,412 305 316 959 $1,282,991 6/20/2017
Sweden 2/22/2017 $99,592 76 76 123 $191,680 4/4/2017
Switzerland 2/16/2017 $75,919 33 34 140 $261,577 4/4/2017
Thailand 6/1/2017 $8,081 2 2 4 $17,519 6/20/2017
Turkey 5/4/2017 $26,440 42 42 81 $83,709 2/26/2019
United Kingdom 1/27/2017 $6,449,613 590 609 2,868 $21,675,104 4/26/2017
Uruguay 3/9/2017 $9,375 6 6 19 $26,116 1/1/2019
 
International Total$39,728,112 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,301-2,400) 2,366 $39,728,112
All Time International Sequel Box Office (Rank 501-600) 554 $39,728,112
Top 2017 Movies at the International Box Office (Rank 101-200) 113 $39,728,112
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 401-500) 464 $39,728,112
All Time International Box Office for Live Action Movies (Rank 1,801-1,900) 1,889 $39,728,112
All Time International Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,071 $39,728,112
All Time International Box Office for Drama Movies (Rank 401-500) 408 $39,728,112
All Time International Box Office for R Movies (Rank 501-600) 598 $39,728,112
All Time International Box Office for Sony Pictures Movies (Rank 201-300) 260 $39,728,112

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,501-3,600) 3,501 $42,130,116
All Time Worldwide Sequel Box Office (Rank 601-700) 666 $42,130,116
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 137 $42,130,116
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 601-700) 675 $42,130,116
All Time Worldwide Box Office for Live Action Movies (Rank 2,901-3,000) 2,961 $42,130,116
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,701-1,800) 1,755 $42,130,116
All Time Worldwide Box Office for Drama Movies (Rank 601-700) 662 $42,130,116
All Time Worldwide Box Office for R Movies (Rank 1,001-1,100) 1,062 $42,130,116
All Time Worldwide Box Office for Sony Pictures Movies (Rank 401-500) 408 $42,130,116

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 2, 20171013,719 13,719$249,343$249,3433

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.