Synopsis
After being rejected from the police college, a mannerly man travels to Bangkok where he and an energetic distant relative must solve a murder case..
Metrics
Movie Details
January 20th, 2016
I know it is early in the year, but The Lady in the Van has set the record for best opening theater average for 2016 at $18,066. That record likely won't last very long, but it is good for this time of year. The only other film in the $10,000 club was the overall number one film, Ride Along 2, which earned an average of $11,100.
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January 15th, 2016
It is one of the worst weekends to release a film in limited release, because the Oscars nominations were just announced and people who are most interested in limited releases are more likely to check out any Oscar nominated film they might have previously missed. There are only a few films with more than a handful of reviews, and only one of those is earning overwhelmingly positive reviews: The Lady in the Van.
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January 13th, 2016
Last weekend, Star Wars: The Force Awakens was the only Hollywood film in the top five on the International Chart. This week, there were four Hollywood titles in the top five, again led by The Force Awakens. The film earned $104.3 million over the weekend for a total of $921.4 million internationally and $1.734 billion worldwide. It is now the biggest release of 2015 worldwide, but it is fourth on the yearly international chart. This past weekend, the film opened in first place in China with $53.17 million, but that was only over two days. This includes a record Saturday opening of $32.16 million. Meanwhile, the film has climbed into first place on the all-time chart in the U.K. with $162.03 million, putting it ahead of Skyfall.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2015/12/25 |
4 |
$4,080,000 |
|
8,733 |
$467 |
$4,170,000 |
1 |
| 2016/01/01 |
1 |
$41,690,000 |
+922% |
50,235 |
$830 |
$62,220,000 |
2 |
| 2016/01/08 |
2 |
$12,910,000 |
-69% |
40,429 |
$319 |
$92,720,000 |
3 |
| 2016/01/15 |
6 |
$4,630,000 |
-64% |
10,504 |
$441 |
$105,940,000 |
4 |
| 2016/01/22 |
7 |
$3,230,000 |
-30% |
10,113 |
$319 |
$113,400,000 |
5 |
| 2016/01/29 |
6 |
$1,570,000 |
-51% |
6,256 |
$251 |
$118,010,000 |
6 |
| 2016/02/05 |
7 |
$740,000 |
-53% |
5,672 |
$130 |
$119,880,000 |
7 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
