Italy Box Office for Trainwreck (2015)

← Go to main Trainwreck page

Trainwreck poster
Theatrical Performance (US$)
Italy Box Office $111,991Details
Worldwide Box Office $141,123,897Details
Home Market Performance
North America DVD Sales $8,075,799 Details
North America Blu-ray Sales $5,811,996 Details
Total North America Video Sales $13,887,795
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Since she was a little girl, it’s been drilled into Amy’s head by her rascal of a dad that monogamy isn’t realistic. Now a magazine writer, Amy lives by that credo—enjoying what she feels is an uninhibited life free from stifling, boring romantic commitment—but in actuality, she’s kind of in a rut. When she finds herself starting to fall for the subject of the new article she’s writing, a charming and successful sports doctor named Aaron Conners, Amy starts to wonder if other grown-ups, including this guy who really seems to like her, might be on to something.

Metrics

Movie Details

Production Budget:$35,000,000
Italy Releases: September 17th, 2015 (Wide)
Video Release: October 20th, 2015 by Universal Home Entertainment
MPAA Rating: R for strong sexual content, nudity, language and some drug use.
(Rating bulletin 2358, 1/28/2015)
Running Time: 122 minutes
Keywords: Relationships Gone Wrong, Dysfunctional Family, Romance, Doctors, Basketball, Delayed Adulthood, Screenplay Written By the Star, Romantic Comedy
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Apatow Productions
Production Countries: United States
Languages: English

2015 - Awards Season: WGA - Nominations

January 6th, 2016

Spotlight

The Writers Guild of America nominees were announced and there are only a few surprises here. Additionally, one of these three races seems too close to call at this point. More...

2015 - Awards Season: Golden Globes - Nominations

December 10th, 2015

Carol

The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four. More...

2015 - Holiday Gift Guide - Part I

November 27th, 2015

MCU Phase 2

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets. I'm going to try to keep it to a dozen or so releases, as these columns are notorious for getting out of hand. Also, while there were a record number of $1 billion box office hits, there were not as many first run releases that earned stellar reviews this year. More...

Home Market Releases for November 24th, 2015

November 24th, 2015

Shaun the Sheep

This weekend is Thanksgiving weekend, which means Black Friday and Cyber Monday. While the sales usually mean a massive increase in units sold, the sales also tend to scare away new releases. This is certainly the case here and this week's list is very short as a result. That's not to say there are no releases worth picking up. In fact, there are several Pick of the Week contenders, led by Shaun the Sheep on Buy from Amazon: Blu-ray Combo Pack. Meanwhile, for the second week in a row, we have a Puck of the Week, for best Canadian release, Guidance on DVD. More...

Home Market Releases for November 10th, 2015

November 9th, 2015

Better Call Saul: Season 1

There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up. More...

Home Market Releases for October 20th, 2015

October 20th, 2015

Diary of a Lost Girl

It is a shallow week on the home market. The number one release is Jurassic World, which is one of the biggest hits of all time. The second biggest release according to Amazon.com is the Back to the Future Box Set. There's mostly filler by the time you get to the second page of new releases. As for the best release on this week's list, I'm going old school. ... Really, really old school. Diary of a Lost Girl is 86 years old, but the Blu-ray is Pick of the Week. More...

Weekend Wrap-Up: Box Office Assassinated

August 25th, 2015

Hitman: Agent 47

It was an ugly weekend, for the most part. Straight Outta Compton fell about as fast as expected, but that was more than enough to dominate the new releases and push it past an important milestone. On the other hand, the biggest new release, Sinister 2, only managed third place, while the less said about Hitman: Agent 47 and American Ultra, the better. Overall, the box office fell 27% to $107 million. Like I said on Friday, summer is most definitely over. Worse still, this figure is 7.3% lower than the same weekend last year. Had all three new releases matched expectations, the box office would have practically matched last year's pace. Year-to-date, 2015 has pulled in $7.26 billion, which is 5.3% head of 2014's running tally of $6.90 billion. More...

Weekend Wrap-Up: Impossible Mission has Plausible Opening

August 4th, 2015

Mission: Impossible - Rogue Nation

Mission: Impossible - Rogue Nation matched expectations close enough to call it a victory. Meanwhile, Vacation came within 10% of Friday's predictions, but unfortunately, we weren't predicting box office success, so that's not a good thing. With the holdovers slumping as summer ends, the overall box office dipped 3.2% from last weekend. That's not the problem. The problem is the 21% drop-off from the same weekend last year. Granted, Guardians of the Galaxy broke records when it opened this weekend last year, but a 21% drop-off is still troublesome. 2015 still leads 2014 by a substantial margin at $6.67 billion to $6.25 billion, so unless 2015 really crashes, it will still have a lead going into the winter holidays. More...

Weekend Estimates: Rogue Nation Takes Off with $56 Million

August 2nd, 2015

Mission: Impossible—Rogue Nation

Mission: Impossible—Rogue Nation will comfortably win the weekend at the box office, with Paramount projecting a total of $56 million on Sunday morning. That’s a very respectable performance by any measure, although it falls short of the franchise record, which was set by Mission: Impossible 2 15 years ago. It’s early days yet, but the prospects of another franchise chapter making around $200 million seem good, based on the excellent reviews this outing has been receiving. Overseas business is reportedly very good so far, although we don’t yet have any official figures. More...

Weekend Predictions: Mission has Impossible Mission

July 30th, 2015

Mission: Impossible - Rogue Nation

Mission: Impossible - Rogue Nation shouldn't have any trouble earning first place over the weekend. In fact, it should make more than the rest of the top five combined. On the downside, its real competition isn't the other films in theaters, but Guardians of the Galaxy, which set the August weekend box office record when it opened this weekend last year. Rogue Nation could have a record-opening for the franchise and still not come close to Guardians of the Galaxy. The only other new wide release of the week is Vacation, which started on Wednesday. Its reviews are terrible and its box office chances are not much better. Since nothing will top Guardians of the Galaxy's record-breaking opening, it seems 2015 will end the month on a losing note. Hopefully this is just a momentary hiccup and not an omen for how the rest of the summer will go. More...

Weekend Wrap-Up: Ant-Man Towers Over Pixels

July 28th, 2015

Ant-Man

Ant-Man unexpectedly repeated on top of the weekend box office, as Pixels failed to meet expectations by a sizable margin. In fact, only Southpaw beat expectations. The overall box office sunk as a result, down 22% from last weekend to $151 million. Worse still, this was 2.3% lower than the same weekend last year. Fortunately, 2015 has won a lot more weeks than it has lost and has built up an impressive 8.2% lead over 2014 at $6.45 billion to $5.96 billion. It isn't impossible for 2015 to lose a lead that large, but I'm cautiously optimistic that it can see this lead grow through to the end of the year. More...

Weekend Predictions: Is Pixels Poised to Top the Weekend Chart?

July 24th, 2015

Pixels

Pixels leads a group of three wide releases looking to battle for limited box office dollars. It appears to be on track for first place, but with not as much as I anticipated at the beginning of the month. This is partially explained by its reviews which are lower than the 30% to 40% positive range I was anticipating. Paper Towns is earning much better reviews, but still barely above the overall positive level. Finally there's Southpaw, which is earning mixed reviews and its buzz is weak, so it will likely be outside the top five over the weekend. Both Ant-Man and Minions should continue to perform well, with the former having a shot at first place, if Pixels flops. This weekend last year, there were two wide releases that did quite well, Lucy and Hercules. I don't think any of the new releases this week will come close to earning the same as Lucy did, but I think the depth is better this year, so 2015 will still come out ahead in the year-over-year comparison. More...

Weekend Wrap-Up: Ant-Man Tops Terrific Weekend

July 20th, 2015

Ant-Man

The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014. More...

Weekend Estimates: Ant-Man Misses Out, Trainwreck Breaks Out

July 19th, 2015

Ant-Man

Perhaps we’re seeing the first signs of multiplex fatigue? In the midst of a buoyant Summer at the movies, Ant-Man will debut with around $58 million, according to Sunday estimates, about 10% below expectations, and well short of the $94 million earned by Guardians of the Galaxy this time last year. It’s a very good opening, to be sure, but the second slightly disappointing debut from the Marvel Cinematic Universe this year, after The Avengers: Age of Ultron’s $191 million opening weekend back in May. We’re talking disappointment of the level of seeing Babe Ruth only hit one home run in a game here, so we need to put things in perspective. It’s the twelfth straight $50 million-plus opening for the franchise in seven years—an unprecedented box office run. More...

Friday Estimates: Ant-Man Stands Tall on Opening Friday

July 18th, 2015

Ant-Man

Ant-Man opened in first place with $22.64 million on Friday, which puts it well ahead of Minions on the Friday box office chart. On the other hand, it was a little disappointing compared to expectations. Figuring out where it will end up is deceptively tricky given the number of other Marvel Cinematic Universe films to compare it to. Ant-Man's reviews continued to tick up, and are now at 80% positive—in the same range as the first Captain America movie. It also had a similar opening day to that film. However, Captain America opened before The Avengers and one could argue that every film after that should be considered a sequel, which would tend them towards being even more front-loaded than original films. Factoring that in, look for Ant-Man to post around $56 million over its opening weekend, which will give it an easy first place debut. Unless its legs are as long as Guardians of the Galaxy’s, it won't reach $200 million in total, but it should top its budget (reportedly $130 million) so it will become a box office success. Analysts hoping for the first MCU bomb will have to wait. More...

Weekend Predictions: How Large Will Ant-Man Grow?

July 16th, 2015

Ant-Man

There could be an interesting race on top of the box office charts this weekend, as Ant-Man will be looking to unseat Minions. However, while I think Ant-Man will come out on top on Friday, I think Minions will repeat over the weekend. The other new release of the week is Trainwreck, which has seen its reviews fall from 100% positive to a mere 90% positive. The amazing reviews and the success of R-rated female-centric films lately suggests it has the potential to reach $100 million. Inside Out and Jurassic World will also both hit milestones, so it should be an exciting weekend. This weekend last year, none of the three wide releases were particularly strong, which left Dawn of the Planet of the Apes in first place for the second weekend in a row with $36.25 million. Both Minions and Ant-Man will top that. Trainwreck might top that as well. It should be a good weekend for 2015 in the year-over-year comparison. More...

Contest: Ant Machina

July 10th, 2015

Next weekend, there are are two wide releases, Ant-man and Trainwreck, and while I think Trainwreck will be a bigger hit than most analysts are predicting, Ant-man is still going to dominate the box office. Because of this, it is the clear choice for the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Ant-man.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Ex Machina on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Ex Machina on DVD. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win a Frankenprize featuring a previously reviewed DVD or Blu-ray. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: July

July 1st, 2015

Minions

June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/18 15 $79,401   113 $703   $87,345 1
2015/09/25 31 $879 -99% 3 $293   $107,695 2
2015/10/23 31 $108   1 $108   $108,662 6
2015/11/06 33 $1,608   1 $1,608   $111,991 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/23/2015 $999,948 236 396 2147 $9,843,709 6/9/2016
Austria 8/13/2015 $79,802 63 64 282 $480,519 10/6/2015
Bolivia 9/3/2015 $12,209 8 8 11 $21,105 12/30/2018
Bulgaria 8/7/2015 $9,368 16 16 38 $55,896 12/30/2018
Chile 9/24/2015 $16,133 15 15 17 $24,085 12/30/2018
Colombia 9/10/2015 $35,819 36 36 44 $54,548 12/30/2018
Croatia 8/13/2015 $15,110 14 18 62 $57,786 12/30/2018
Czech Republic 8/6/2015 $24,492 69 69 160 $99,497 12/30/2018
Denmark 9/10/2015 $65,220 43 43 120 $187,281 10/28/2015
Ecuador 9/11/2015 $0 0 25 41 $73,573 12/30/2018
Estonia 8/7/2015 $18,014 9 9 29 $76,653 9/9/2015
Finland 8/28/2015 $64,867 46 46 118 $212,407 10/28/2015
France 11/18/2015 $213,472 104 104 126 $410,402 12/16/2015
Germany 8/13/2015 $1,068,466 497 544 2388 $3,421,209 12/1/2015
Greece 7/23/2015 $33,424 24 24 57 $89,267 9/2/2015
Hungary 8/27/2015 $40,766 37 47 159 $142,597 12/30/2018
Israel 7/23/2015 $122,204 15 17 112 $735,614 12/30/2018
Italy 9/17/2015 $79,401 113 113 118 $111,991 11/10/2015
Lebanon 8/27/2015 $21,286 12 12 12 $21,286 12/30/2018
Lithuania 8/7/2015 $10,305 120 120 228 $41,206 8/27/2015
Mexico 10/16/2015 $152,159 0 128 295 $385,602 6/9/2016
Netherlands 8/27/2015 $137,760 65 69 231 $490,201 10/6/2015
New Zealand 8/13/2015 $223,164 87 87 446 $763,588 10/6/2015
North America 7/17/2015 $30,097,040 3,158 3,171 18,674 $110,212,700 1/18/2017
Norway 8/14/2015 $118,848 100 100 221 $415,047 10/22/2015
Panama 8/13/2015 $150,550 15 15 27 $228,670 12/30/2018
Peru 8/27/2015 $97,919 59 59 78 $158,715 12/21/2018
Philippines 8/26/2015 $25,771 11 11 13 $41,103 12/30/2018
Poland 7/31/2015 $102,421 93 93 359 $408,837 12/30/2018
Portugal 8/6/2015 $69,221 44 44 183 $267,029 9/17/2015
Romania 7/24/2015 $61,055 51 51 116 $171,509 12/30/2018
Russia (CIS) 9/11/2015 $456,899 481 481 1092 $927,987 12/30/2018
Serbia and Montenegro 8/13/2015 $0 0 3 3 $34,734 12/30/2018
Slovakia 8/6/2015 $13,545 41 41 64 $26,776 8/18/2015
Slovenia 7/30/2015 $12,086 11 11 65 $62,784 9/9/2015
South Africa 8/14/2015 $61,561 57 78 231 $255,759 10/15/2015
South Korea 12/10/2015 $92,025 161 161 167 $204,715 6/9/2016
Spain 8/14/2015 $399,352 265 268 940 $1,428,291 12/1/2015
Sweden 8/21/2015 $58,264 67 67 190 $348,885 10/22/2015
Switzerland 8/13/2015 $198,726 35 36 120 $392,579 9/29/2015
Ukraine 8/13/2015 $65,512 85 130 486 $381,240 12/30/2018
United Kingdom 8/14/2015 $1,456,220 464 464 1429 $4,981,767 10/15/2015
Uruguay 9/10/2015 $7,127 10 10 12 $10,772 12/30/2018
Venezuela 8/7/2015 $383,806 31 31 72 $1,160,836 9/8/2015
 
Rest of World $1,203,140
 
Worldwide Total$141,123,897 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Amy Schumer    Amy
Bill Hader    Aaron

Supporting Cast

Brie Larson    Kim
Colin Quinn    Gordon
John Cena    Steven
Vanessa Bayer    Nikki
Mike Birbiglia    Tom
Ezra Miller    Donald
Dave Attell    Noam
Tilda Swinton    Dianna
Devin Fabry    Nine-Year-Old Amy
Carla Oudin    Five-Year-Old Kim
Josh Segarra    Staten Island Oli
Ryan Farrell    One-Night Stand Guy
Robert E. Torres    One-Night Stand Guy
Jim Florentine    One-Night Stand Guy
Bobby Kelly    One-Night Stand Guy
Dan Soder    Dumpster Guy
Randall Park    Bryson
Jon Glaser    Schultz
Evan Brinkman    Allister
Norman Lloyd    Norman
Daniel Radcliffe    The Dogwalker
Marisa Tomei    The Dog Owner
Keith Robinson    Guy in Back of Theater
Marina Franklin    Woman in Back of Theater
Dave Hanson    Alice's Tea Cup Waiter
Pete Davidson    Dr. Conners' Patient
Kim Caramele    S'nuff Receptionist
Cliff "Method Man" Smith*    Temembe
Max Alexander    Max the Wheelchair Orderly
Criscia Richardson    Injured Knicks City Dancer
Claudia O'Doherty    Wendy
Kyle Dunnigan    Kyle
Kevin Kane    Kevin
Tim Meadows    Tim
Nikki Glaser    Lisa
Bridget Everett    Kat
Alva Chinn    Benefit Guest
Arnold Kim    Benefit Guest
Rob Buntzen    Benefit Guest
Karen Chamberlain    Awards Luncheon Coordinator
Rachel Feinstein    Nurse Rachel
Victoria Dicce    Donald's Mother
Lisa Kicielinski    Woman on Bench with One-Hitter
Kevin Thompson    Vanity Fair Editor
Leslie Jones    Angry Subway Patron
Estee Adoram    Jostled Subway Patron

Cameos

LeBron James    Himself
Tony Romo    Himself
Amar'e Stoudemire    Himself
Matthew Broderick    Himself
Marv Albert    Himself
Chris Evert    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Judd Apatow    Director
Amy Schumer    Screenwriter
Judd Apatow    Producer
Barry Mendel    Producer
David Householter    Executive Producer
Kevin Thompson    Production Designer
William Kerr    Editor
Paul Zucker    Editor
Jon Brion    Composer
Jody Lee Lipes    Director of Photography
Leesa Evans    Costume Designer
Manish Raval    Music Supervisor
Tom Wolfe    Music Supervisor
Amy Schumer    Co-Producer
Josh Church    Co-Producer
Kim Caramele    Associate Producer
Amanda Glaze    Associate Producer
Michael Lewen    Associate Producer
Dana Robin    Unit Production Manager
David Householter    Unit Production Manager
Matt Rebenkoff    First Assistant Director
Amy Lauritsen    Second Assistant Director
Peck Prior    Additional Editor
Jay Deuby    Additional Editor
Brian Olds    Additional Editor
David Moritz    Additional Editor
Deborah L. Jensen*    Art Director
Alex Chrysikos    Assistant Art Director
Debra Schutt    Set Decorator
Jenny Nickason    Assistant Set Decorator
Nithya Shrinivasan    Set Designer
Jeffrey Lee Gibson    Stunt Coordinator
Mark Ellis    Stunt Coordinator-Basketball Sequences
Tom Nelson    Sound Mixer
Tom Johnston    Script Supervisor
Steve Kirshoff    Special Effects Coordinator
Jessica Albertson    Costume Designer-New York
Nicole Greenbaum    Costume Supervisor
Kyra Panchenko    Make up
Maya Hardinge    Hairstylist
Lisa Rodgers    Post-Production Supervisor
Nina Kawasaki    First Assistant Editor
Daniela Ovi    First Assistant Editor
Victoria Lang    Assistant Editor
Nathan Bruner    Assistant Editor
George Anderson    Supervising Sound Editor
Marc Fishman    Re-recording Mixer
Chris Carpenter    Re-recording Mixer
Joe Schiff    Dialogue Editor
Larry Kemp    Dialogue Editor
Rori Bergman    Additional Casting-Casting Associate
Grant Wilfley    Additonal Casting-Background Casting
Allison Hall    Additional Casting-Background Casting Associate
Manish Raval    Music Editor
Greg Koller    Score Mixer
Scott M. Davids    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.