South Korea Box Office for Tulip Fever (2017)

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Tulip Fever
Theatrical Performance (US$)
South Korea Box Office $396,346Details
Worldwide Box Office $6,792,768Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A married woman begins a passionate affair with an artist hired to paint her portrait. The lovers gamble on the booming market for tulip bulbs as a way to raise money to run away together.

Metrics

Movie Details

Production Budget:$25,000,000
South Korea Releases: December 6th, 2017 (Wide)
Video Release: November 14th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for sexual content and nudity.
(Rating bulletin 2476 (Cert #50293), 5/17/2017)
Running Time: 105 minutes
Keywords: Development Hell, Delayed Release, Set in Amsterdam, Infidelity, 1700s, Artists, Relationships Gone Wrong, Historical Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Worldview Entertainment, Weinstein Company, Ruby Films
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for November 28th, 2017

November 27th, 2017

The Wrong Guy

This is the week after Black Friday and Cyber Monday, which explains why there are so few new releases on this week’s home market release report. That said, there are some worth checking out. Haikyu!! is one of the best sports Anime titles ever made, but only the Premium Box Set is coming out this week and its just too expensive. Logan Lucky is one of the best wide releases of the year, but the DVD / Blu-ray doesn’t have enough extras to be the Pick of the Week. I was tempted to give Pick of the Week to Long Time Running, but while it is amazing the DVD / Blu-ray doesn’t come out till Friday. Likewise, I finally finished the review for MST3K: Season 11 to celebrate the renewal, but it came out way too long ago to be Pick of the Week. That leaves The Wrong Guy as my Pick of the Week. It has no reviews and the DVD / Blu-ray only has a commentary track, but it’s an underrated film in my opinion, and a Canadian film, so it gets Pick and Puck of the Week. More...

Home Market Releases for November 14th, 2017

November 13th, 2017

Kedi

It’s a bad week for screeners, as the screeners for both Atomic Blonde and Wind River are late. Both look like they are worth picking up, but not quite Pick of the Week material. There are a trio of contenders for this award: In This Corner of the World, Kedi, and Whose Streets? It was a close call, but in the end, Kedi came out on top. More...

Theater Averages: Brad Challenge’s the Status Quo with $22,480

September 20th, 2017

Brad’s Status

Brad’s Status led the way on the theater average chart with an average of $22,480 in four theaters. It was the only holdover in the $10,000 club earning an average of $14,490. The only other member of the $10,000 was Ex Libris: The New York Public Library, which earned $10,926 in one theater over the weekend and $16,308 from Wednesday through Sunday. It won’t expand significantly, because it is a documentary, but the distributor should be very happy with this result. More...

Theater Averages: Dolores Dunks on the Competition with $13,534

September 6th, 2017

Dolores

Labor Day long weekend wasn’t nearly as bad we were expecting, but it still wasn’t what you could call good. There were two films to earn more than $10,000 on the theater average chart, which is better than we’ve seen some weeks this year; however, those were the only two new releases to come close to $10,000. Dolores opened in one theater earning $13,534 and this is amazing for a documentary. Viceroy’s House earned an average of $12,034 in four theaters. More...

Weekend Estimates: Labor Day Weekend Looking Better Than Expected

September 3rd, 2017

The Hitman’s Bodyguard

This weekend is somewhat uncharted territory for the movie industry, with no new releases rolling out in over 1,000 theaters and no dominant film already playing. Fortunately, the result is looking like a glass that is at least half full. Thanks in part to the holiday weekend, and the start of recovery from Hurricane Harvey, several returning films improved their box office from last weekend, and the number one film, The Hitman’s Bodyguard, will remain flat from its last outing, with $10.25 million expected by Lionsgate, and a total around $55 million by the end of the day on Sunday. More...

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I saw The Hitman’s Bodyguard had earned $2.43 million on Friday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough for Lionsgate’s share to cover its entire $30 million production budget. More...

2017 Preview: September

September 1st, 2017

It

As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit. More...

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/12/15 8 $175,898   359 $490   $241,581 2
2017/12/22 16 $29,369 -83% 27 $1,088   $357,030 3
2017/12/29 20 $10,632 -64% 21 $506   $392,455 4
2018/01/05 - $1,339 -87% 5 $268   $396,346 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/24/2017 $26,203 21 22 85 $84,157 12/28/2017
Bulgaria 10/27/2017 $11,892 0 0 0 $35,619 2/26/2019
Czech Republic 9/1/2017 $16,349 62 62 96 $28,419 1/1/2019
Germany 8/25/2017 $0 0 0 0 $2,023,596 6/29/2018
Hong Kong 12/8/2017 $18,378 0 0 0 $28,249 10/28/2018
Italy 9/6/2018 $155,155 0 1 1 $397,222 3/5/2019
Lithuania 9/8/2017 $9,092 102 102 138 $25,273 10/1/2017
Netherlands 9/1/2017 $47,579 32 32 128 $235,915 11/3/2018
New Zealand 10/27/2017 $36,043 42 51 185 $110,974 11/20/2017
North America 9/1/2017 $1,158,017 765 772 1,962 $2,455,635
Poland 9/8/2017 $95,067 0 0 0 $198,502 1/1/2019
Portugal 10/13/2017 $16,805 16 16 43 $53,554 11/9/2017
Russia (CIS) 8/25/2017 $274,257 525 525 1050 $520,516 1/1/2019
Slovakia 9/1/2017 $10,449 41 41 62 $18,916 9/13/2017
South Korea 12/6/2017 $0 0 359 412 $396,346 1/17/2018
United Kingdom 12/7/2018 $63,155 122 122 174 $179,875 1/23/2019
 
Worldwide Total$6,792,768 3/5/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Jason Chadwick    Director
Tom Stoppard    Screenwriter
Deborah Moggach    Story Creator
Christopher Woodrow    Executive Producer
Maria Cestone    Executive Producer
Molly Conners    Executive Producer
Sarah E. Johnson    Executive Producer